Radio World

A welcome surprise awaits visitors to the Society of Broadcast Engineers webpage: a modern, sophisticated, redesigned website — with a cheery bouncing SBE logo — that is both pleasing to the eye and easier to navigate.

The redesign includes new drop-down items that break key SBE areas into easy-to navigate silos, from a section on education to one on certification to another on membership. A scrolling layout in the news and headlines section highlights personnel announcements, scholarship recipients, regulatory deadlines and updates on the organization’s national convention.

[Read: Mark Persons Receives SBE Lifetime Achievement Award]

The catalyst for the new website redesign came from the last SBE strategic planning effort held in 2018, said Chriss Scherer, member communications director for the Society of Broadcast Engineers. Previously, updates and enhancements had been added in here and there, which resulted in more workarounds as website technology management evolved.

This redesign gives SBE a fresh start and gives the organization greater flexibility going forward, he said.

The most notable change is obviously the look, Scherer said, which is cleaner and more streamlined. Another significant change goes on behind the scenes and is invisible to users. “The new site is built on a content management system,” he said. “With the CMS approach, the site is now optimized for use across multiple device platforms: web browser, tablet and mobile.”

The previous site was built on discrete pages, which was an accepted method at that time, Scherer said. “The redesign also allowed us to refresh many areas of the site and reorganize all the information we present there,” he said.

The site allows users to easily search for other SBE members as well as search for suppliers and contract engineers. The site also highlights a monthly, virtual program called SBE WEBxtra, which provides information on broadcast technology and SBE itself. While it’s not intended to replace a local chapter meeting, SBE members who do not have a chapter near them — or miss a chapter meeting — can connect with SBE WEBxtra online to stay involved.

In addition, the site also gives users easy access to frequency coordination tools including an easy-to-skim list of local coordinators and details on the volunteer frequency coordinator accreditation process.

Scherer said there are more enhancements in the works, which will be rolled out as they are developed.

“We spent the first week after the relaunch checking links and information after the launch,”  he said. “Some older files may not be available yet, and there could be a broken link here and there.” If site visitors find something that isn’t right, please let Scherer know by emailing comms@sbe.org.

The post New SBE Website Redesigned from Inside Out appeared first on Radio World.

It’s WD-40 time again!

For readers in the Northern Hemisphere, colder weather is coming. Before that ice and snow arrive, it’s time to eliminate “cold” failures around your site. Go grab your can of WD-40 and let’s get to work.

Before we start, do you know the story behind this ubiquitous product?

WD-40 is the registered trademark for a multi-use product made by WD-40 Company. From the company’s history page:

In 1953, in a small lab in San Diego, California, the fledgling Rocket Chemical Company and its staff of three set out to create a line of rust-prevention solvents and degreasers for use in the aerospace industry.

It took them 40 attempts to get their water displacing formula to work, but on the 40th attempt, they got it right in a big way. WD-40 Multi Use Product was born. WD-40 stands for Water Displacement, 40th formula. That’s the name straight out of the lab book used by the chemist who developed the product.

The first company to use WD-40 Multi-Use Product commercially was Convair, an aerospace contractor, to protect the outer skin of the Atlas Missile from rust and corrosion. The product worked so well that several employees snuck cans of WD-40 Multi-Use Product out of the plant in their lunchboxes to use at home.

A little closer to home, this spray compound works wonders on internal lock mechanisms. Spray some in the keyhole and work the locking mechanism. For combination locks, spray a little into the open hasp and rotate the combination dial. Fighting frozen locks in the middle of winter is no fun, so go enjoy a nice fall day and apply some now on all your locks: fences, access panels, doors and gates.

WD-40 can also be used to lubricate door hinges and latches. Wipe the rubber gasket of a garage door to keep it from freezing; spray the compound on the garage door rollers and tracks makes for smooth operation. Spray the door panel hinges (Figs. 2 and 3).

D-40 also removes gummy labels, bumper stickers and decals without damaging the vehicle finish. It’s also good for removing pine tar or other road debris.

The spray can also help lubricate cables being pulled through a conduit.

In the past we’ve described how you can seal the ends of conduit or other exterior wall holes using stainless steel or copper wool in combination with expandable foam sealant. Well, if you spray WD-40 on your hands before working with that sticky foam adhesive, the cleanup will be a snap.

On remote vehicles, WD-40 will remove scuff marks, road tar and dried insects while protecting metal and chrome parts from corrosion and rust. It works wonders in removing residue from Gaffers or Duct tape.

At home, a spritz of WD-40 will loosen a stuck zipper on a winter jacket, and keep it zipping smoothly all winter long. (Get this: It also can be used to remove chewing gum or glue from your child’s hair!)

As engineers, we’re constantly getting our hands dirty. WD-40 is an excellent degreaser, especially if you’ve been working on a greasy generator engine. Keep a roll of paper towels and a canister of WD-40 at each transmitter site.

When the snow falls, a liberal coating on snow shovels and down the throat of snow blowers will keep the snow flowing and prevent clogs. It also works well on a satellite dish; if you spray the dish ahead of time, snow slides off.

There are thousands of uses including removal of grease and dirt from metal tools. You may have your own favorite; send it to me at johnpbisset@gmail.com.

To see new products the company offers, head to www.wd40.com.

Cable tester update

Bob Calder’s career goes back 40 years to the early days of 45s and cart machines. Over the past couple of decades, he has worked as an independent project engineer for multiple FM antenna sites and broadcast studios in western Canada. His home is in Victoria, British Columbia.

Today Bob does small projects and keeps in touch with developments in broadcasting through trade journals like Radio World.

Bob sent in a suggestion regarding our XLR tester, developed by Buc Fitch and described in our Workbench column in the Aug. 19 issue.

If the three pushbuttons were replaced with a three-position rotary switch, both of your hands would be free to check for troublesome intermittent connections by flexing and wiggling the cable.

Bob adds that if the rotary switch has a couple more positions, the tester becomes even more valuable.

A fourth position could be labeled “off” and a fifth could diode isolate all three lights so they are all “on” at the same time. This allows you to check more quickly for cable intermittents as the cable is flexed. Bob acknowledges that the risk in adding this “quick” test feature somewhat defeats the main purpose of the device, which is the all-important polarity test.

Whups! Our bad!

And speaking of that cable tester, thanks to Radio World friend Jerry Arnold and all you other eagle-eyed readers for gracefully pointing out that the picture I included with the schematic for that project showed a box with two male XLR connectors! See Fig. 4. Kind of hard to test a typical mic cable that way.

Neither your author nor Buc are losing our minds; the photo was for another tester that Buc had proposed, and I simply mixed up the photos. (Too bad it wasn’t an April 1 column!)

John Bisset has spent over 50 years in the broadcasting industry and is still trying to learn XLRs. He handles western U.S. radio sales for the Telos Alliance, holds CPBE certification with the Society of Broadcast Engineers, and is a past recipient of the SBE’s Educator of the Year Award. Workbench submissions are encouraged and qualify for SBE Recertification. Email johnpbisset@gmail.com.

The post Workbench: Time to Prepare for Ice and Snow appeared first on Radio World.

A spectrum repack process that has been described as “extraordinarily complicated” by some observers has another deadline looming in a few days.

This one is specific to satellite provider SES.

For operators of registered C-Band Earth stations in the United States that declined the FCC’s lump-sum option to cover the costs of their repack realignment, the satellite fleet operator is asking users of its services to decide by Oct. 14 if they prefer to self-install dish equipment needed for the transition.

[Read: How Westwood One Views the C-Band Migration]

SES anticipates that certain dish owners will prefer to install equipment for the transition on their own, according to a spokesperson. For such self-installations, SES requests the Earth station operators notify them by email of their intentions.

Competitor Intelsat has a separate transition plan of its own.

The C-Band is spread across 500 megahertz and used by satellite operators serving U.S. broadcasters and programmers to provide TV and radio programming to nearly 120 million American homes and critical data transmission services.

The FCC is repacking existing C-Band services into the top 200 MHz of the band. In all the FCC will clear 280 MHz (3.7–3.98 GHz) of the C-Band for 5G fixed wireless services. The lower 120 MHz of C-Band spectrum is expected to be made available for 5G mobile services as soon as December 2021.

The FCC counts approximately 6,000 registered/licensed C-Band users in the country, some operating multiple sites. Fewer than half of those users chose the lump-sum option by the Sept. 14 deadline, according to people familiar with developments. In all, there are approximately 20,000 receive-only dishes in the contiguous United States, according to the FCC.

SES is offering FAQ guidance for its users faced with making a decision on self-installation here.

Fixed Satellite Service (FSS) earth station operators who need new passband filters and dishes “should face no out-of-pocket [expenses] as SES will offer a turnkey solution,” according to the SES spokesperson. “If they do have out-of-pocket costs they can personally go to the reimbursement clearinghouse and seek monies for out-of-pocket.”

Registered dish owners who declined the FCC’s lump-sum payout now must work with satellite companies like SES and Intelsat to receive “free filters and free dishes for the transition,” either to be self-installed or installed by those satellite companies.

Incumbent Earth station operators may procure equipment on their own and therefore seek reimbursement directly through the Relocation Payment Clearinghouse rather than looking to SES to cover the cost of the equipment, SES says. That clearinghouse is not yet operational.

“Those who request SES-provided equipment must provide SES with a list of the equipment that is required for each incumbent Earth station. SES expects most Incumbent Earth Station operators to request SES-provided equipment, but this is a choice each Incumbent Earth Station operator can make,” according to SES.

Broadcasters who self-install will receive remote assistance via SES’s help desk as needed to support the installation, according to SES.

Chris Imlay, general counsel to the Society of Broadcast Engineers, told Radio World in an email: “I don’t know of any incentive for a licensee to do self-installation since the FSS service provider is willing to do it. It is not always just a filter, and many broadcast engineers would want the supplier to do it.”

SES says receive only dishes may also need to be retuned or repointed.

Those who accepted the lump-sum payment are on their own, according to one expert, must buy filters and dishes and schedule installation of gear before the December 2023 deadline. “Most of those businesses are happy because they get to choose the products and labor they want. Most should end-up with a windfall-surplus after buying needed gear,” that observer said.

Earth station owners who did not register dishes with the FCC prior to the C-Band order being issued will not be eligible for reimbursement of expenses to transition equipment, according to SES. Industry observers have estimated that 20% to 30% of broadcasters failed to register their dishes.

A final clarification of many repack details is expected to come in December when the FCC’s clearinghouse becomes operational, according to the industry source. In the meantime, SES says Earth station owners can also contact the relocation coordinator with questions: RSMRelocationcoordinator@rsmus.com.

Meanwhile competing satellite provider Intelsat filed for bankruptcy earlier this year. The company’s Chapter 11 filing in May will allow it to continue serving U.S. broadcast and cable TV providers.

The post SES Offers Some Answers to Radio’s C-Band Questions appeared first on Radio World.

If you have an FM station and plan to seek reimbursement for costs related to the big TV repack in the United States, here’s a note from the FCC regarding filing deadlines.

The Incentive Auction Task Force and the Media Bureau announced deadlines for eligible entities to submit remaining invoices and other documentation. But don’t sweat just yet, you have a little bit of time.

FM stations fall in the “all other entities” part of the discussion, and the deadline for their final submission is Sept. 5, 2022. (“Entities are encouraged to initiate close out procedures as early as possible and we emphasize that they need not wait for their assigned final invoice filing deadline to do so,” according to the statement.)

In July of 2023, any “unobligated” amounts in the Fund will be rescinded and handed back to the U.S. Treasury.

Read the detailed announcement including background about the reimbursement process.}

The FCC says so far the participants in the reimbursement fund include 89 FM stations.

The program for most TV stations began in 2017 and was expanded in 2019 to include FM and LPTV/translator stations. FM radio spectrum was not subject to repacking in this huge national project, but some FMs whose antennas are on or near a tower supporting a repacked TV station antenna incurred costs due to construction of repacked television facilities.

Some FMs have already incurred their costs and others may still do so as repacked TV stations complete transition to their final facilities. The commission said it is aware that FM stations may incur costs toward the end of repacked stations’ construction projects.

The FCC has a Reimbursement Help Line at (202) 418-2009 or e-mail Reimburse@fcc.gov.

The post FCC Sets Deadline for Repack Reimbursement appeared first on Radio World.

Call him the FCC’s top cop. Axel Rodriguez is the new field director of the Federal Communications Commission Enforcement Bureau.

His job: “leading the bureau’s field office staff in its work combating harmful interference to authorized uses of the airwaves, supporting restoration of communications after disasters, and investigating rule violations and other illegal activities.” The field director oversees 13 field offices that investigate rule violations.

[Read: FCC’s Pai Taps Rosemary Harold to Head Enforcement Bureau]

The commission noted in the announcement, “Field agents are the eyes and ears of the commission across the country, and their work is crucial to ensuring that wireless communications operate as expected.” The first field director, Charles Cooper, was named in 2015 at a time when the FCC was in the process of closing 11 of what had been 24 field offices. Most recently, Ron Ramage, regional director in Region 2, had filled the post in an acting capacity.

The Rodriguez announcement was made by Rosemary Harold, chief of the Enforcement Bureau. He started in the role in late September.

“Because of his earlier work at the commission, Axel knows how the latest wireless devices are supposed to work in the real world,” she said in the statement. “And thanks to his military service and intelligence work, Axel has considerable understanding of many private and government uses of the spectrum, including terrestrial wireless, broadcasting, and satellite operations.”

Since 2013 he’s been a supervisor in the FCC’s Office of Engineering and Technology lab. Before that he was an electronics engineer at the Defense Information Systems Agency, the Johns Hopkins University Applied Physics Lab and the Army Research Laboratory’s Directed Energy branch. “Mr. Rodriguez also has two decades of both active duty and reserve experience in the U.S. military including as a cyberwarfare officer, communications director, and battalion signal officer.”

He has a bachelor’s degree from Lehigh University and master’s degrees in engineering and electrical engineering from the University of Maryland and George Washington University respectively.

The post FCC Names New Field Director appeared first on Radio World.

Re the article “Blacks Are Few in U.S. Radio Engineering” (RW Sept. 2):

I am a part-time independent audio engineer; among my radio clients are some with whom I’ve worked since 1973. I also do live sound for local venues.

A couple of years ago we needed to add live sound engineers to replace some we had lost. Our production manager was under some pressure to find some minority and diverse staff. It was a folk music club in Berkeley, Calif., and we needed to reflect some of the local community.

But it was impossible to find any non-White qualified personnel. Our team of eight engineers includes four women, but no Asian or Black sound people ever applied.

Lou Judson, Intuitive Audio

The post Letter: Radio Tech Diversity appeared first on Radio World.

Protecting the unique nature of locally oriented and nonprofit low-power FM stations is a priority for the Federal Communication Commission — and breaking those rules comes with consequences.

For one Rhode Island LPFM station, that led to a consent decree and civil penalty of $15,000.

One of the key tenets of both noncommercial educational and LPFM stations is that it provides commercial-free radio service to listeners that is uniquely oriented to the local community. In addition to prohibiting the airing of commercial ads, the FCC also prohibits LPFM licensees from ownership of other stations, prohibits unauthorized transfers of control of LPFM stations, and prohibits LPFM license transfers or assignments within three years of the date of issue.

[Read: Arizona Licensee Gets Green Light on License After Agreeing to $15K Consent Decree]

As early as May 2016, the Enforcement Bureau began receiving complaints that low-power FM station WRRI(LP) in Coventry, R.I., owned by Marconi Broadcasting Foundation. Concerns were also raised about Marconi’s compliance with the cross-ownership rule, the LPFM assignment and transfer of control laws, and the holding period rule. Questions continued to be raised in October 2016, October 2018 and most recently in January 2020.

In May 2018 and April 2019, the truth began to be revealed. Marconi admitted that it had broadcast at least 17 announcements on behalf of for-profit entities over a period of at least 16 months. It also revealed that its director, Christopher DiPaola, was previously a board member of Marconi while also serving as sole owner of DiPonti Communications, which is licensee of station WBLQ(AM) in Westerly, R.I.

Marconi also revealed that it entirely revamped its board of directors in March 2016, a little more than a year after it received its license in January 2015. This transfer of control was not approved by the FCC and the necessary Form 316, which asks the FCC for consent to transfer control, was not filed by Marconi until March 2019.

After reviewing the issues, the FCC and Marconi agreed to enter into a consent decree. Among the stipulations is the requirement that Marconi designate an outside attorney to serve as a formal compliance officer. This individual will be responsible for ensuring that applications and forms are filed in a timely manner, that proper licensee ownership structures are maintained, and that Marconi follows all rules in regard to the airing of commercials.

The FCC also imposed a $15,000 civil penalty as part of the decree.

The post Breaking of LPFM Rules Leads to $15,000 Penalty for R.I. Station appeared first on Radio World.

The Digital Radio Mondiale Consortium is highlighting Europe’s December digital radio milepost as a useful marker for other parts of the world while reminding the industry that even in Europe, there is more than one standard.

In a press release, the consortium said it welcomes the European Electronic Communications Code of 2018 that is now taking effect. That code “recommends in a technology-neutral form that any car for rent or sale should have a radio receiver capable of receiving services provided via ‘digital terrestrial radio broadcasting’ (without specifying any particular digital standard),” DRM noted.

EU member countries are supposed to turn that code into national legislation by Dec. 21 of this year. Several countries including Germany, the U.K. and Italy have introduced relevant regulations while others have started the process.

[Related: WorldDAB Urges EU Members to Meet Digital Radio Deadline]

DRM wrote that the EECC initiative in Europe “serves as a good example to all the countries and administrations around the world adopting or considering the rollout of DRM technology.”

WorldDAB has said recently that “DAB is now firmly established as the core future platform for radio in Europe.”

But DRM stated in its own release: “Even within Europe, digital terrestrial radio broadcasting covers more than one standard. With international DRM transmissions on the air in Europe and from other parts of the world into Europe, such an overarching act [as the EECC] can hasten radio digitization. Existing multistandard chipsets allow for one or two complementary standards to be used so that listeners have access to a variety of services provided nationally and internationally.”

“So even in Europe, adding DRM to car receivers in addition to DAB+ would be a good service for listeners as programs are available, and this would be fully be in line with EECC.”

Chairman Ruxandra Obreja thinks the act will cause the car industry to take note “and work even harder for the multi-standard solutions that could be introduced even in Eastern Europe and parts of Asia and Africa.”

DRM also wrote that since 2018, “disaster and emergency warnings have become crucial, and including the related digital radio feature EWF as a mandatory feature would strengthen the act.”

Separately, DRM said that Pakistani public broadcaster Pakistan Broadcasting Corp./Radio Pakistan recently announced a three-stage plan to digitize its operations using DRM technology. “The budget for each phase of the project is currently under the consideration of the government,” it stated on its website. “Radio Pakistan has now decided in principle to install a 100 kW digital transmitter on the land of Sariab Quetta.”

The post DRM Says EECC Sends “Powerful Message” appeared first on Radio World.

The House Antitrust Subcommittee Majority Report on competition in online markets drew mixed reactions inside Washington’s the Beltway.

The subcommittee report, which was released Tuesday (Oct. 6) and culminated a year-plus investigation into Facebook, Google, Amazon and Apple, found that tech giants had monopoly or near monopoly power that they abused to hurt competitors and protect themselves.

[Read: NAB: Local Journalism Under Threat From Dominant Digital Platforms]

“NAB thanks Chairman [Rep. David] Cicilline and the House Judiciary Antitrust Subcommittee for its important investigation into the dominant competitive power of digital technology platforms,” said National Association of Broadcasters Pres. Gordon Smith. “We applaud the subcommittee for examining the challenges this presents to local media outlets, including radio and TV broadcasters, as they compete online for advertisers and audiences, and the impact on the future of local journalism. America’s broadcasters are committed to working with the subcommittee and Congress on bipartisan solutions that level the playing field and preserve local journalism.”

NAB has submitted comments in the investigation arguing that dominant online platforms put TV and radio stations at a competitive disadvantage when it comes to monetizing their online content.

The subcommittee majority staff report definitely supported that conclusion.

Consumer Reports applauded the Hill report’s conclusion.

“The House staff report lays out clearly how our online marketplace is increasingly stacked against us, and is not serving consumers fairly,” said Consumer Reports Pres. Marta Tellado. “A handful of powerful companies are restricting and controlling the choices of everyone else, in order to enrich and entrench themselves. When we hear from American consumers through our survey research, we know that a majority of people are aware, and they care, about the power and control that these companies have built up. There is a better way, and people across the political spectrum continue to tell us they want these companies held accountable for how they treat consumers.”

The Computer & Communications Industry Association, whose members include Amazon, Facebook and Google, saw it quite differently.

“As an organization advocating for a competitive tech industry for nearly 50 years, we appreciate the House Judiciary Committee’s efforts to better understand the digital economy,” said CCIA Pres. Matt Schruers. “If the goal is simply to knock down successful U.S. businesses, then perhaps this plan would score a hit. But if the goal is to benefit consumers, which has until now been the standard for antitrust policy, it is hard to see how this would do anything but invite regulators to micromanage business models.”

“As countries from Europe to India and China ramp up their own tech sector to drive economic recovery from the pandemic, proposals to saddle competitive U.S. companies with heavy regulation seem shortsighted and risky,” he added. “New rules specific to a handful of prominent U.S. digital services won’t necessarily create an industry of equally dynamic small companies: it could instead hobble U.S. leadership and cede ground to foreign competitors.”

“Some of the proposals are downright radical, and are controversial even among the committee itself. The suggestion to resurrect long-repealed Depression-era financial regulations and apply them to internet companies is neither feasible nor beneficial for consumers.”

The post D.C. Reacts to Hill Dems’ High Tech Smackdown appeared first on Radio World.

The author is general manager of Five Forty Broadcasting Co. in Sylva, N.C.

After reading Randy J. Stine’s article “AM Advocates Watch and Worry” in the Sept. 30 issue, I ask myself: “What is an independent and local broadcaster to do?”

As correctly stated in the article, an AM station must stay active in order for the broadcaster to have access to an FM translator. In our case, the owner of the real estate upon which the broadcast tower has been located for over 50 years is selling the property for commercial development. Fortunately, less valuable real estate was found and a new tower is to be erected by the end of the year.

[Read: Special Report: AM Advocates Watch and Worry]

If the trend from Stine’s article is correct, the new AM tower will be obsolete before the construction is complete. Having to make this investment is a difficult choice considering the bleak future for AM and perhaps all radio.

It is a vicious cycle. Audio quality deteriorates, then listeners and advertisers find something else. Unfortunately, AM stations that are doing it right tend to get lumped in with those who are not.

Should the AM decide to make the move to all-digital, the cost for upgrading the ground system, tower and transmitter would be substantial and risky.

In my opinion there needs to be a nationwide effort to upgrade the technical quality of AM stations, perhaps something along the line of public-private partnerships such as is happening with rural broadband.

Recently an engineer described to me how he did minor repairs to a station’s ground radials and retuned the ATU and turned a horrible AM signal into one with very good sound and much improved coverage.

Perhaps AM stations with 500 watts or less on high frequencies could be allowed to go silent if their FM translator reaches a sufficient portion of their audience and help remove some of the nighttime clutter, even from 35 watts.

We all have likely become annoyed at background interference when we tried to listen to a baseball game or something from a low-frequency AM hundreds of miles away.

As the rebuilding of AM produces a much better product, owners and associations then must promote AM. For AM stations with an FM translator, the programming is the same, so the defining difference is audio quality.

Finally, corporate owners should divest themselves of underperforming AM stations and provide willing local broadcasters the opportunity to do local radio again. Possibly nonprofits could operate those broadcast properties as a commercial enterprise and rid themselves of low-power FM and all its limitations or possibly, with approval, allow the LPFM to become a translator for the AM station.

Submit letters to the editor at radioworld@futurenet.com.

The post Letter: What’s a Local Broadcaster to Do? appeared first on Radio World.

NRB 2021 is the upcoming event of the National Religious Broadcasters. The organization is moving ahead with a physical event. Radio World asked Daniel Darling, senior VP of communications for NRB, about its plans.

Radio World: NRB 2021 is slated for March, and we understand the organization intends to hold it in person, which would make it one of the first of our industry’s large events to go back to “boots on the ground.” What’s NRB’s thinking about this decision, and could it change?

Daniel Darling: We’ve been in consultation with our members and with the property (Gaylord Texan in Grapevine, Texas) and are committed to following the protocols for the state of Texas. We feel very confident about March for a few reasons. First, there are several Christian gatherings of our size planned for the early spring window, including some in Texas. Many of our peers have opted to do virtual events, though they canceled gatherings that were in fall of 2020 or early 2021. We feel March is a good runway for us, given the expectation that a vaccine will likely have at least been distributed to the vulnerable population and the availability of new treatments.

The uniqueness of the NRB convention is the networking across a range of Christian media professionals. Our content is top-notch and some could be streamed online, but you cannot replace the in-person gathering, networking, and equipping that makes NRB special. So we anticipate a great turnout and a successful NRB 2021.

RW: What are your members and exhibitors telling you so far about their own intentions to travel and to be there, or any concerns they have?

Darling: We’ve surveyed our members a few times and we are hearing more and more positive feedback about the convention in March. There is a pent-up demand for those on our industry to meet with peers, to build partnerships, and to attend in-person gatherings. Our registration and sponsorship numbers are ahead of pace historically so we are cautiously optimistic for this year.

RW: The city and venue are different this year; tell us about that and about the benefits of the change.

Darling: The NRB convention has rotated cities in the past, though has most often been in Nashville. Texas is a really good location for us, as many of our members are headquartered either in the state or within driving distance or easy flying distance. Like Nashville, the Dallas-Fort Worth Metroplex is a major hub for evangelical ministries and institutions. We’re also just thrilled with the venue: The Gaylord Texan. It is a wonderful meeting place with plenty of event and hotel space to ensure a safe, comfortable, and memorable gathering.

RW: What are the major show themes or issues that sessions of the convention are expected to explore?

Darling: We are continuing to serve our mission to both equip and advocate. On the equipping side, we’ll have content to equip a range of Christian media professionals, from radio and TV broadcasting to digital media such as podcasting, streaming, and social media. We also have a really large film presence with filmmakers showcasing a variety of faith-based films and new TV and streaming content. This year we are honored to host the ICVM Crown awards for Christian film.

We are also aware of how COVID has really pushed many churches and Christian ministries to take the next step in their digital presence, so we’ve made an intentional effort to emphasize digital innovation, with increased workshops on podcasting, streaming, and other digital tools. We’ve got experts from the various platforms, such as Faithlife, Rightnow Media, Vimeo and many others.

And on the advocacy side, we’ll have conversations about platform censorship, Section 320, FCC, rural broadband, religious liberty, and other topics.

RW: The pandemic has meant changes in the workflow for many organizations throughout the world of radio. Within the world of Christian broadcasting specifically, how has that played out, and how are daily operations different now than they were eight months ago?

Darling: We are hearing from our members how they’ve been forced to be innovative in terms of workflows. Many of our radio stations had to quickly move to a work from home model with hosts broadcasting from their homes. And our TV stations have had to innovate as well. Thankfully, we have very creative members who find new ways to broadcast, record, and create content.

And of course many of our members have continued a work from home model that many see as an ongoing option. COVID-19 has produced a major disruption in both the way we work and the advancing of innovation.

RW: There’s a “racial reconciliation panel” on the show agenda, what does that involve?

Darling: With the ongoing racial tension and the conversations that have arisen this year, NRB wants to help lead both the church and in society toward racial unity. So this panel will help us hear, listen, and move forward as diverse members share their experiences.

RW: How many attendees and exhibitors do you expect?

Darling: We expect a turnout close to what we’ve seen in previous years, several thousand attendees and hundreds of sponsors, though we are ever mindful of the unique conditions we are in during a global pandemic.

The post NRB Plans an In-Person Event in March appeared first on Radio World.

A coalition of public media workers is calling for a specific day — Nov. 10 — to serve as a way to highlight the need to take action when it comes to diversity.

The National Federation of Community Broadcasters said there have been too many public leaders defending systemic problems or reflecting criticism at those who complain, said Ernesto Aguilar, program director for the NFCB, which is leading the call for action. “It felt like time to say, ‘it’s not just you’ and remind those concerned about the need for public media’s evolution.”

[Read: Community Broadcaster: Inclusive Service Is the Future]

Public Media For All, a coalition of public media workers, is calling on the industry to recognize Nov. 10 as a day for reflection, learning and action. Calling it a first-of-this-generation kind of proactive remediation, Public Media for All is hoping that at least 500 people in the public media industry will use Nov. 10 as a day when they take the day off either to focus on their own mental health or to devote community service hours in an effort to bring attention to diversity, equity and inclusion issues.

“In the last few years, public media has had controversies across the nation,” Aguilar said. “The places are all different but the stories are similar — longtime hosts and managers behaving toward peers and subordinates in ways that do not exemplify a station’s mission; trends of people of color in the industry with identical stories even as they’ve been marginalized; and social media testimony exposing misconduct anonymously, as whistleblowers fear for their jobs amid public media’s economic contraction.”

“It felt like time to say, ‘It’s not just you’ and remind those concerned about the need for public media’s evolution that they are not alone,” he said.

Some of those steps of action and education might involve volunteering with local service organizations supporting communities of color or talking with stations, boards and managers about the importance of diversity for the future of public media organizations.

The public media space is ideal for leading the charge for the need for more diversity in media in general because public media has, for so long, centered the power of people’s lives and stories so it’s natural that this medium is one that is starting to take these matters more seriously, Aguilar said. However, it must be said that the media space as a whole, public and commercial, is having its moment related to diversity.

“The culture is changing, audiences expect better, and old excuses are less acceptable,” he said. “But here, as we are seeing in public media’s most high-profile incidents, institutions, staff and donors are no longer willing to suffer management complicity or leaders attempting to rationalize or slink away after presiding over misconduct.”

There are four silos of action on the Public Media For All’s website, actions that can be taken by people of color, by white allies, by organizations and by public media fans.

What’s most important is that — both before and after Nov. 10 — individuals and organizations make substantive commitments to prioritize diversity, equity and inclusion. “Such efforts can only make our organizations even better,” Aguilar said.

The post Coalition Calls for Day of Action for Diversity in Public Media appeared first on Radio World.

A coalition of public media workers is calling for a specific day — Nov. 10 — to serve as a way to highlight the need to take action when it comes to diversity.

The National Federation of Community Broadcasters said there have been too many public leaders defending systemic problems or reflecting criticism at those who complain, said Ernesto Aguilar, program director for the NFCB, which is leading the call for action. “It felt like time to say, ‘it’s not just you’ and remind those concerned about the need for public media’s evolution.”

[Read: Community Broadcaster: Inclusive Service Is the Future]

Public Media For All, a coalition of public media workers, is calling on the industry to recognize Nov. 10 as a day for reflection, learning and action. Calling it a first-of-this-generation kind of proactive remediation, Public Media for All is hoping that at least 500 people in the public media industry will use Nov. 10 as a day when they take the day off either to focus on their own mental health or to devote community service hours in an effort to bring attention to diversity, equity and inclusion issues.

“In the last few years, public media has had controversies across the nation,” Aguilar said. “The places are all different but the stories are similar — longtime hosts and managers behaving toward peers and subordinates in ways that do not exemplify a station’s mission; trends of people of color in the industry with identical stories even as they’ve been marginalized; and social media testimony exposing misconduct anonymously, as whistleblowers fear for their jobs amid public media’s economic contraction.”

“It felt like time to say, ‘It’s not just you’ and remind those concerned about the need for public media’s evolution that they are not alone,” he said.

Some of those steps of action and education might involve volunteering with local service organizations supporting communities of color or talking with stations, boards and managers about the importance of diversity for the future of public media organizations.

The public media space is ideal for leading the charge for the need for more diversity in media in general because public media has, for so long, centered the power of people’s lives and stories so it’s natural that this medium is one that is starting to take these matters more seriously, Aguilar said. However, it must be said that the media space as a whole, public and commercial, is having its moment related to diversity.

“The culture is changing, audiences expect better, and old excuses are less acceptable,” he said. “But here, as we are seeing in public media’s most high-profile incidents, institutions, staff and donors are no longer willing to suffer management complicity or leaders attempting to rationalize or slink away after presiding over misconduct.”

There are four silos of action on the Public Media For All’s website, actions that can be taken by people of color, by white allies, by organizations and by public media fans.

What’s most important is that — both before and after Nov. 10 — individuals and organizations make substantive commitments to prioritize diversity, equity and inclusion. “Such efforts can only make our organizations even better,” Aguilar said.

The post Coalition Calls for Day of Action for Diversity in Public Media appeared first on Radio World.

A highlight of the upcoming AES virtual convention, taking much of the month of October, will be a look at building and maintaining podcast studios. “Developing Versatile Performance Spaces for Podcast Production Studios” will be an on-demand session.

[Read: History and Mic Hygiene Are on AES Show Agenda]

Co-moderated by John Storyk, founding partner, WSDG Walters-Storyk Design Group, and WSDG Partner/COO, Joshua Morris, the panel will illustrate how dedicated podcast studios differ and how they are being used with respect to workflow as well as live performance production.

Panelists include Kevin Cole, senior director of programming/show host, KEXP(FM), Seattle; Jimmy Buff, executive director/show host, WKNY(FM)/Radio Kingston, Kingston, N.Y.; Steve Shultis, chief technology officer, WNYC Radio, N.Y.; and Austin Thompson, technical director, Gimlet (Spotify), Brooklyn, N.Y.; Los Angeles.

AES Show Broadcast and Online Delivery Track Chair David Bialik said, “The facility design session is usually one of the most attended.”

The post AES Show to Look at Podcast Studios appeared first on Radio World.

A highlight of the upcoming AES virtual convention, taking much of the month of October, will be a look at building and maintaining podcast studios. “Developing Versatile Performance Spaces for Podcast Production Studios” will be an on-demand session.

[Read: History and Mic Hygiene Are on AES Show Agenda]

Co-moderated by John Storyk, founding partner, WSDG Walters-Storyk Design Group, and WSDG Partner/COO, Joshua Morris, the panel will illustrate how dedicated podcast studios differ and how they are being used with respect to workflow as well as live performance production.

Panelists include Kevin Cole, senior director of programming/show host, KEXP(FM), Seattle; Jimmy Buff, executive director/show host, WKNY(FM)/Radio Kingston, Kingston, N.Y.; Steve Shultis, chief technology officer, WNYC Radio, N.Y.; and Austin Thompson, technical director, Gimlet (Spotify), Brooklyn, N.Y.; Los Angeles.

AES Show Broadcast and Online Delivery Track Chair David Bialik said, “The facility design session is usually one of the most attended.”

The post AES Show to Look at Podcast Studios appeared first on Radio World.

The author is senior vice president, Connoisseur Media.

WESTPORT, Conn. — At Connoisseur Media, we pride ourselves on our forward-thinking approach to technologies — especially those that help us engage audiences in new ways and give our advertisers intriguing new opportunities to reach consumers.

Advanced and evolving technologies drive our entire operation, which includes 13 radio stations and various digital brands in four markets: Frederick, Md., Nassau-Suffolk, N.Y., New Haven, Conn., and Metro Fairfield County, Conn..

When it comes to back-office systems like traffic and billing, we need technology solutions that will help our sales professionals negotiate and schedule advertising at maximum value.

Of course, any great traffic system needs to streamline and automate workflows and provide seamless, real-time access to consolidated sales, inventory and billing data. For more than 16 years, we’ve met these requirements with Marketron Traffic.

It is the “fan favorite” in our back office. It’s an integral part of our business and a popular solution with our traffic team.

The cloud-based platform gives all of our divisions transparency into the business from multiple locations. With this mature and easy-to-use solution, traffic personnel from various markets are able to step in and cover each other when needed. One of our markets even uses Marketron Traffic Hub — Marketron’s traffic management service — to handle all traffic department functions in that market.

Unified reporting

One of the strongest features of Marketron Traffic is the integrated reporting capability, which enables key personnel from every level of the business to work from the same set of data presented in a common format.

Based on their individual permission levels as governed by Marketron’s multilevel security, everyone — from sales managers at individual stations to GMs of station groups to managers at the corporate level — is able to access the reporting from a single, unified dashboard.

Even if a manager is only permitted to see a slice of the data, it’s the same data that will be reflected in larger data sets. This might seem like a simple capability, but it’s critical for avoiding confusion, reducing errors and unifying our teams.

With a clean cutoff for running reports and the ability to receive automated reports when we need them, we rely heavily on Marketron Traffic for managing key business metrics such as pacing.

Every morning, I get a PDF report in email with all of the data I need for daily management. It’s truly “set and forget it” — you give the system your own reporting parameters and it handles the rest. Without having to spend time churning out timely reports, our back office team is more efficient, and managers don’t have to spend their time pulling their own data out of the system.

Moving forward, we’re continuing to partner with the Marketron team as they refine their traffic solutions and introduce innovative new solutions.

For instance, we recently introduced the team to Marketron Pitch, an integrated digital ad platform that has allowed us to build up a substantial digital advertising business. Pitch takes into account the significant differences between digital sales workflows and more traditional radio, such as downstream partners that often need to be prepaid.

We’re currently testing a new beta version of Pitch that integrates seamlessly with Marketron Traffic; the result will be an end-to-end electronic workflow for our digital business from proposal to invoice.

With Marketron as our mainstay traffic partner, our radio business is poised for the next generation of profitability. With everyone in the company speaking the same financial language based on accurate and up-to-the-minute data, managers don’t have to work for the reports they need to make informed decisions that facilitate revenue growth.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

For information, contact Todd Kalman at Marketron at 1-612-790-8464 or visit www.marketron.com.

The post User Report: Connoisseur Finds Marketron a “Fan Favorite” appeared first on Radio World.

The author is senior vice president, Connoisseur Media.

WESTPORT, Conn. — At Connoisseur Media, we pride ourselves on our forward-thinking approach to technologies — especially those that help us engage audiences in new ways and give our advertisers intriguing new opportunities to reach consumers.

Advanced and evolving technologies drive our entire operation, which includes 13 radio stations and various digital brands in four markets: Frederick, Md., Nassau-Suffolk, N.Y., New Haven, Conn., and Metro Fairfield County, Conn..

When it comes to back-office systems like traffic and billing, we need technology solutions that will help our sales professionals negotiate and schedule advertising at maximum value.

Of course, any great traffic system needs to streamline and automate workflows and provide seamless, real-time access to consolidated sales, inventory and billing data. For more than 16 years, we’ve met these requirements with Marketron Traffic.

It is the “fan favorite” in our back office. It’s an integral part of our business and a popular solution with our traffic team.

The cloud-based platform gives all of our divisions transparency into the business from multiple locations. With this mature and easy-to-use solution, traffic personnel from various markets are able to step in and cover each other when needed. One of our markets even uses Marketron Traffic Hub — Marketron’s traffic management service — to handle all traffic department functions in that market.

Unified reporting

One of the strongest features of Marketron Traffic is the integrated reporting capability, which enables key personnel from every level of the business to work from the same set of data presented in a common format.

Based on their individual permission levels as governed by Marketron’s multilevel security, everyone — from sales managers at individual stations to GMs of station groups to managers at the corporate level — is able to access the reporting from a single, unified dashboard.

Even if a manager is only permitted to see a slice of the data, it’s the same data that will be reflected in larger data sets. This might seem like a simple capability, but it’s critical for avoiding confusion, reducing errors and unifying our teams.

With a clean cutoff for running reports and the ability to receive automated reports when we need them, we rely heavily on Marketron Traffic for managing key business metrics such as pacing.

Every morning, I get a PDF report in email with all of the data I need for daily management. It’s truly “set and forget it” — you give the system your own reporting parameters and it handles the rest. Without having to spend time churning out timely reports, our back office team is more efficient, and managers don’t have to spend their time pulling their own data out of the system.

Moving forward, we’re continuing to partner with the Marketron team as they refine their traffic solutions and introduce innovative new solutions.

For instance, we recently introduced the team to Marketron Pitch, an integrated digital ad platform that has allowed us to build up a substantial digital advertising business. Pitch takes into account the significant differences between digital sales workflows and more traditional radio, such as downstream partners that often need to be prepaid.

We’re currently testing a new beta version of Pitch that integrates seamlessly with Marketron Traffic; the result will be an end-to-end electronic workflow for our digital business from proposal to invoice.

With Marketron as our mainstay traffic partner, our radio business is poised for the next generation of profitability. With everyone in the company speaking the same financial language based on accurate and up-to-the-minute data, managers don’t have to work for the reports they need to make informed decisions that facilitate revenue growth.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

For information, contact Todd Kalman at Marketron at 1-612-790-8464 or visit www.marketron.com.

The post User Report: Connoisseur Finds Marketron a “Fan Favorite” appeared first on Radio World.

Coming in November is the 100th anniversary of the birth of modern radio broadcasting. In this issue, Radio World features a special report by James O’Neal about how KDKA came to be the standard-bearer for an industry.

Read it online here.

Prefer to do your reading offline? No problem! Simply click on the digital edition, go to the left corner and choose the download button to get a PDF version.

Regulation

AM Advocates Watch and Worry

The chief of the FCC Audio Division deems the AM revitalization effort “a big success story,” but critics fault the effort for not going far enough and focusing mainly on adding FM signals. What comes next?

Digital Radio

Taking the Fear Out of Hybrid Radio

A session of the virtual Radio Show will focus on RadioDNS and how U.S. broadcasters are beginning to support hybrid radio capabilities.

Also in this issue:

• Workbench: Time to Prepare for Ice and Snow
• Buyer’s Guide: Media Asset Management/Automation
• College Radio Grapples With Pandemic’s Implications

The post Inside the September 30 Issue of Radio World appeared first on Radio World.

Coming in November is the 100th anniversary of the birth of modern radio broadcasting. In this issue, Radio World features a special report by James O’Neal about how KDKA came to be the standard-bearer for an industry.

Read it online here.

Prefer to do your reading offline? No problem! Simply click on the digital edition, go to the left corner and choose the download button to get a PDF version.

Regulation

AM Advocates Watch and Worry

The chief of the FCC Audio Division deems the AM revitalization effort “a big success story,” but critics fault the effort for not going far enough and focusing mainly on adding FM signals. What comes next?

Digital Radio

Taking the Fear Out of Hybrid Radio

A session of the virtual Radio Show will focus on RadioDNS and how U.S. broadcasters are beginning to support hybrid radio capabilities.

Also in this issue:

• Workbench: Time to Prepare for Ice and Snow
• Buyer’s Guide: Media Asset Management/Automation
• College Radio Grapples With Pandemic’s Implications

The post Inside the September 30 Issue of Radio World appeared first on Radio World.

The Federal Communications Commission will vote this month on whether to allow AM stations in the United States to convert to all-digital HD Radio if they wish to do so.

Commission watchers have expected some action this year. Commissioner Ajit Pai announced the planned vote on his blog, calling AM revitalization “a passion of mine.”

Based on anecdotal evidence, the commission will likely approve it.

The details of the proposed report and order are expected to be public shortly. Among questions to watch for are whether all-digital AM operation would be allowed both day and night; what provision the FCC makes for a station to change its mind later; and whether the commission will waver from its stances on not allowing the use of other platforms like Digital Radio Mondiale and not allowing multicasts of an AM digital signal to be carried on translators.

Industry support

Industry comments on the idea of allowing optional all-digital operation have generally been favorable, with the caveat that any such transition must be voluntary.

It’s unknown how many owners would take advantage of the option, at least right away. The amount of real-world broadcaster experience is limited to only two stations that have tried it, one of which soon turned it off during the day after hearing listener complaints, and later ended its testing.

One veteran engineering professional told Radio World recently that he sees “no major U.S. radio companies showing any interest in investing in AM all-digital; and that for many owners, keeping their AM stations on the air now is pretty much just about retaining their FM translator footprint rather than keeping the AM on the air on its own merits.”

[Related: Read our special report on the AM revitalization effort to date.]

But the possibility that the FCC would allow a station to go all-digital is notable, and marks a potentially important milestone in the overall expansion of digital technology on U.S. radio stations.

If an AM station turns on all-digital transmission, listeners with analog-only AM radios will not be able to hear the signal. For that reason, for many years broadcasters swore that they’d never consider it.

But with the AM band’s ongoing problems; with more HD Radio receivers available in recent-model cars that can receive the signals; and with many AM owners now able to reach their markets with FM translators, the idea seems at least marginally less scary. Calls to allow the all-digital option have increased in recent years under the commission’s AM revitalization umbrella.

“Due to a number of technical constraints of the AM band and limitations of the HD Radio hybrid mode, fewer than 250 AM stations have implemented hybrid operations,” Pai wrote Monday.

“This October, the commission will vote on a Report and Order that would give AM broadcasters the option to convert to all-digital operations, which offer listeners a higher quality audio experience over a greater area.

“Since all-digital broadcasting would be on a voluntary basis, AM operators would decide for themselves if the transition is right for them and their listeners.”

Pai pointed out that WWFD in Frederick, Md., which has transitioned to digital AM through special temporary authority, has gone from having no ratings in the market to a being a Nielsen-ranked station.

“This hints at digital AM’s potential to bring AM stations back from the brink of extinction to become competitive players in the market.”

[Watch Radio World’s webcast “Digital Sunrise” for AM Radio.” ]

Three AM stations have received STAs to operate with all-digital AM; only one is currently active.

Hubbard’s WWFD has been using all-digital for three years. WIOE in Fort Wayne, Ind., recently tried all-digital both full- and part-time but now is not using it; the owner has said listeners weren’t ready. WTLC in Indianapolis has an STA but its owner Urban One has expressed disappointment that the FCC  did not approve its request that multicast channels of the AM test signal be rebroadcast over those two FM translators.

It has been seven years since then-Commissioner Ajit Pai hosted a session at a spring NAB Show exploring various possible futures for AM radio including an “analog sunset.”

At that time, then-CBS Radio Senior Vice President of Engineering Glynn Walden deplored AM solutions that “nibble around the edges.” The AM band, he said at that 2013 session, “is a hostile environment,” and Walden called for the commission “to declare an analog sunset” and for AM radio to move to an all-digital service.

Few broadcasters then or since have spoken publicly about any such enforced “sunset,” and this month’s planned vote to allow all-digital goes nowhere near that outcome.

The post The FCC Will Vote This Month on All-Digital AM appeared first on Radio World.