Skip to main content
Home

Main navigation

  • REC Home
  • Apply
    • REC Services Rate Card & Policies
    • LPFM Construction Completed
    • LPFM License Modification
    • New FM Booster Station
    • New Class D FM Station in Alaska
    • New Low Power FM (LPFM) Station
  • Initiatives
    • RM-11846: Rural NCE Stations
    • RM-11909: LP-250 / Simple 250
    • WIDE-FM
    • RM-11952: Translator Reform
    • RM-11843: 8 Meter Ham Band
    • PACE - LPFM Compliance
  • Services
  • Tools
    • Today's FCC Activity
    • Broadcast Data Query
    • Field strength curves
    • Runway slope
    • Tower finder
    • FM MODEL-RF Exposure Study
    • More tools
    • Developers - API
  • LPFM
    • Learn about LPFM
      • Basics of LPFM
      • Self Inspection Checklist
      • Underwriting Compliance Guide
      • Frequently Asked Questions
      • FCC Rules for LPFM
      • HD Radio for LPFM
      • Transmitters certified for LPFM
      • Interference from FM translators
      • RadioDNS for LPFM Stations
    • 2023 Window REC Client Portal
    • myLPFM - LPFM Station Management
    • LPFM Station Directory
    • Spare call signs
    • REC PACE Program
    • More about LPFM
  • Reference
    • Pending FCC Applications
    • FCC Filing Fees
    • Radio License Renewal Deadlines
    • FCC Record/FCC Reports
    • Pirate Radio Enforcement Data
    • Premises Info System (PREMIS)
    • ITU and other international documents
    • Recent FCC Callsign Activity
    • FCC Enforcement Actions
    • Federal Register
    • Recent CAP/Weather Alerts
    • Legal Unlicensed Broadcasting
    • More reference tools
  • LPFM Window
  • About
    • REC in the Media
    • Supporting REC's Efforts
    • Recommendations
    • FCC Filings and Presentations
    • Our Jingles
    • REC Radio History Project
    • Delmarva FM / Riverton Radio Project
    • J1 Radio / Japanese Broadcasting
    • Japan Earthquake Data
    • REC Systems Status
    • eLMS: Enhanced LMS Data Project
    • Open Data at REC
    • Our Objectives
  • Contact

Breadcrumb

  • Home
  • Aggregator
  • Sources
  • Radio World

Operational Status

Michi on YouTube

Most popular

fcc.today - real time updates on application activity from the FCC Media Bureau.  fccdata.org - the internet's most comprehensive FCC database lookup tool.  myLPFM.com - Low Power FM channel search and station management tool.  REC Broadcast Services - professional LPFM and FM translator filing services. 

Other tools & info

  • Filing Window Tracking
  • Enforcement Actions
  • REC Advisory Letters
  • FAQ-Knowledge Base
  • U/D Ratio Calculator
  • Propagation Curves
  • Runway Slope/REC TOWAIR
  • Coordinate Conversion
  • PREMIS: Address Profile
  • Spare Call Sign List
  • FCC (commercial) filing fees
  • Class D FM stations in Alaska
  • ARRR: Pirate radio notices
  • Unlicensed broadcasting (part 15)
  • FMmap - broadcast atlas
  • Federal Register
  • Rate Card & Policies
  • REC system status
  • Server Status
  • Complete site index
Cirrus Streaming - Radio Streaming Services - Podcasting & On-demand - Mobile Apps - Advertising

Radio World

Letter to the Editor: A Genset Reset Rethink

Radio World
3 years 8 months ago

Dear Radio World,

The advice that appeared at the end of a March Workbench column about resetting a generator fault remotely is something I discourage strongly.

Besides clearing the fault and possibly the run-time and error logs, cycling the DC power to the controller may also clear the real-time clock and reset the exercise timer, and may leave the generator in an offline state until the clock and timer are manually set.

As stated in the tip, you have no idea why it faulted in the first place. Attempting a restart without an inspection or a person present could result in catastrophic damage to the genset, a fire (if there was a fuel leak), or even harm to a technician who might be working on the unit and could have even been the cause of the fault or shutdown.

If there was a mechanical failure, running the engine without repairing the damage first could make things even worse.

I bet a generator technician reading the tip would cringe. Of course your local generator sales person would love to take this opportunity to sell you a new generator.

My own home standby generator, a Kohler 14RESA, resets just the clock and exercise timer if the battery is disconnected; the run-time and error logs are maintained in nonvolatile memory. But it won’t run until those two items are set. For safety reasons they tell you to disconnect the incoming AC power as well as the battery whenever you service the unit, but I find it more convenient to do neither of those things but just press the OFF button when doing the annual maintenance (oil, spark plugs, and filter changes).

Radio World welcomes letters to the editor about any article or relevant radio industry issue. Email radioworld@futurenet.com with “Letter to the Editor” in the subject line.

The post Letter to the Editor: A Genset Reset Rethink appeared first on Radio World.

Robert W. Meister

Minority Advocates Speak Up for Tax Certificate

Radio World
3 years 8 months ago

Several organizations that push for diversity and civil rights are urging Congress to reinstate the minority tax certificate program.

“Supporting these pieces of legislation would eliminate barriers and create new opportunities for women, people of color and socially disadvantaged individuals to own local TV and radio stations,” they wrote to congressional leaders.

The letter supports H.R. 4871, the Expanding Broadcast Opportunities Act of 2021 introduced by Reps. G.K. Butterfield of North Carolina and Steven Horsford of Nevada, and S. 2456, the Broadcast VOICES Act, introduced by Sens. Gary Peters of Michigan and Robert Menendez of New Jersey. All four are Democrats. Menendez has been pushing for reinstatement since at least 2008, when he introduced a similar bill.

The bills would authorize the Federal Communications Commission to reestablish what would now be called a Diversity Tax Certificate Program.

Individuals who donated broadcast stations for the purpose of training socially disadvantaged individuals in the management and operation of stations would be eligible for a tax credit equal to the fair market value of the station.

[Read: NAB Gives Thumbs Up to Minority Tax Bills]

The joint letter is from the Multicultural Media, Telecom and Internet Council, the National Association of Black Owned Broadcasters, the National Urban League, United States Black Chambers, Asian Americans Advancing Justice, the League of United Latin American Citizens and the Hispanic Federation.

“From 1978 to 1995, when the diversity tax certificate was instituted, it was an effective mechanism for bringing more people of color into station ownership,” they wrote.

“During this time, broadcast ownership by people of color increased by more than 550%. The elimination of the diversity tax certificate in 1995 disproportionately affected that rate. According to data from 2017, women make up less than 6% of broadcast TV station owners, and people of color account for less than 3%. Similarly, women own just 7% of broadcast radio stations, and people of color own less than 3%.”

 

The post Minority Advocates Speak Up for Tax Certificate appeared first on Radio World.

RW Staff

PreSonus Revelator io24 USB-C Interface Debuts

Radio World
3 years 8 months ago

PreSonus has launched its new Revelator io24 USB-C audio interface, designed for both recording and streaming.

The unit is built around high-headroom mic preamps, a two-channel loopback mixer, and extensive processing with the aim of providing professional-sounding results for streaming, podcasting and music production.

The Revelator io24 sports a pair of analog mic/instrument/line inputs with PreSonus’ XMAX-L microphone preamps which can be stereo linked, as well as two balanced 1/4-inch line outputs, a headphone output, professional metering, and zero-latency monitoring. Users can record up to 24-bit, 96 kHz audio to the included Studio One Artist or other recording and production software.

[Check Out More Products at Radio World’s Products Section]

The Revelator io24’s loopback mixer allows users to add backing tracks to live stream performances or conference in a Zoom caller to a podcast. With two dedicated stereo channels for loopback audio on Mac OS or Windows, users can simultaneously mix and record the audio from two different applications, along with the two analog input channels.

Each input channel can be processed using PreSonus’ Fat Channel DSP, which provides a high-pass filter, 4-band parametric EQ, compressor, gate and limiter. Effects include detuner, vocoder, ring modulator, filters and delay, while a dedicated reverb bus is also available.

Revelator io24 locally stores two presets per channel, and eight more factory presets can be loaded from PreSonus’ Universal Control software. Revelator io24 comes with Studio One Artist and Studio Magic Suite, which includes Ableton Live Lite, various virtual instruments and effects plug-ins, and more. The interface is currently available for $179.95.

Send your new equipment news to radioworld@futurenet.com.

Info: www.presonus.com

 

The post PreSonus Revelator io24 USB-C Interface Debuts appeared first on Radio World.

Mix Editorial Staff

Urban One Joins Audacy App

Radio World
3 years 8 months ago
Sample screen of Audacy app

Two companies with significant radio assets have announced a digital content distribution partnership. Audacy signed a deal with Urban One under which the latter will provide live and on-demand audio content to the Audacy digital platform, including Urban One’s 57 radio stations.

Corey Podolsky, VP of business development for Audacy, described Urban One in the announcement as “a power player in the audio space” and said the agreement underscores Audacy’s own “unwavering commitment to amplifying diverse voices and delivering premier audio content to the communities in which we serve.”

Audacy, the former Entercom Communications, said its app now has more than 2,000 stations including its own 230 outlets. The app also includes podcasts and other audio programming. It is available on the Apple Store and Google Play, and via social media channels.

 

The post Urban One Joins Audacy App appeared first on Radio World.

RW Staff

CES Show Will Require Vaccinations

Radio World
3 years 8 months ago

“CES will be in person in Las Vegas in January 2022, and we will require all attendees to be fully vaccinated.”

That’s according to Gary Shapiro, president/CEO of the Consumer Technology Association.

“We have seen a spike in cases due to the Delta variant, which is severely hurting the unvaccinated population,” Shapiro wrote in a blog post today.

“Yes, there are breakthrough cases for the vaccinated, but many of those have few or no symptoms at all. And of the vaccinated getting the Delta variant, only a tiny percentage are hospitalized.”

“We prioritize the safety and security of CES participants.” Shapiro called it a “major decision” to require vaccinations.

“We are also assessing proof of a positive antibody test as a requirement and will share more details on this later. Importantly, we will continue to follow state and local guidelines and recommendations by the CDC and will announce additional protocols as we get closer to the show.”

Shapiro said that the past 18 months have been “a roller coaster of emotion” for him as a CEO “as I work to lead by example and make decisions that will have positive effects.” He described the difficult decision not to do last year’s event in person and the need to lay off employees last year because of the pandemic.

“We all play a role in stopping the spread — requiring proof of vaccination for CES 2022 is one way we can take responsibility on our part.” He said those who choose not to attend will be able to experience the show online.

In a separate email to the show community, Veronica A. Lancaster, vice president, Standards Programs, said the requirement to provide proof of vaccination will affect all attendees, support staff and exhibitors’ staff.

“CTA decided this based on today’s science which shows that vaccines offer us the best hope for stopping the spread of this pandemic. … While we are still more than five months from CES 2022, we want to communicate this decision early to give you time to plan. CTA is also assessing the acceptance of proof of a positive antibody test as an alternative requirement and will share more details on this later.”

CES has a page with info about health protocols.

 

 

The post CES Show Will Require Vaccinations appeared first on Radio World.

Paul McLane

Letter to the Editor: Air Chain by Dick Sequerra

Radio World
3 years 8 months ago

Dear RW,

Cris Alexander’s delightful reminiscing on changes in audio processing (“Air Chains Then and Now” ) brought back memories of when I was hired by GAF Corp. in 1976 to rebuild and manage New York’s Classical WNCN, 104.3 FM.

We started with a blank sheet, and the first thing GAF’s chairman did was to retain the services of the legendary Dick Sequerra to handle all aspects of the audio chain. 

The chairman was an audiophile, and had one of the amazing Sequerra FM1 tuners in his home. Of course, we had one in our main studio as an off-air monitor, too.

As our studios and offices were located in a building on Sixth Avenue, and the building’s foundation went straight down to the Sixth Avenue subway, the studios were built as rooms within rooms, with the inner rooms mounted on rubber dampers that resembled hockey pucks.

Sequerra hired WFMT Chicago CE Al Antlitz to design and fabricate the boards used in each studio. Their performance was far superior to anything available in the marketplace and greatly added to the very clean sound that he wanted to achieve.  

Sequerra hoped to broadcast the way that the BBC did with its Classical channel, requiring the announcers (presenters) to ride gain, with no processing. AFTRA, the announcers’ union, mandated that wasn’t about to happen, so we ended up with the then-new Orban processors, which really were superior to anything else on the market. 

As part of his passion for excellence, Sequerra went into the bowels of Manhattan and rebuilt the telco amplifiers going from our studios to the Empire State Building, unknown to New York Telephone, of course.

After the new Gates transmitter was delivered to our space in the Empire State Building, Sequerra spent three days tearing the transmitter apart and rebuilding it to his specs. The performance was just spectacular! My memory is not absolutely perfect here, but as I recall, with the Orban bypassed, the lines were clean to something in the –90 dB area. 

There is no doubt that Dick Sequerra’s passion and expertise made WNCN the best-engineered FM station in the country. The programming team was led by a Julliard graduate, and the combination made WNCN a leader in the country’s Classical music FM stations.

Thanks for the memories.

The post Letter to the Editor: Air Chain by Dick Sequerra appeared first on Radio World.

Robert E. Richer

Workbench: Invasion of the Bees

Radio World
3 years 8 months ago
This plastic cap was an inexpensive deterrent to insects that would otherwise nest in the feed horn.

Steve Tuzeneu is a longtime broadcast engineer and Workbench contributor, and the general manager and CE of WIHS(FM) in Middletown, Conn.

Steve had a problem: a lost satellite signal; but he was able to track the problem to wasps that had taken up residence in the feed horn.

After removing them and their nest from the throat of the feed horn, Steve wanted to stop them from coming back. Fig. 1 shows Steve’s solution: a plastic cap from a used can of aerosol glue. The cap happens to fit nicely into the feed horn, discouraging any insects from moving in.

Keep this solution in mind, especially if you suddenly lose your satellite signal. As a contractor, I once was called to a station that reported losing its satellite signal every evening at sundown. Yep, you guessed it: Bees had taken up residence; during the day they were mostly away from the nest, but at night they all returned, and their combined body mass was enough to disrupt the signal.

Whether it’s a plastic cap or a cut-down 1-liter plastic water bottle, Steve’s tip will save you a headache and maybe prevent you from getting stung.

 

Analog at the Edge

I got a followup from engineer Dale Lamm about the AoIP EAS adapter we discussed here in July.

“I’ll confess, when I first saw the tip about the AoIP/EAS interconnection, I thought it was an April Fool’s article that was somehow delayed,” he wrote.

Dale Lamm wasn’t sure at first that we were serious with our tip about the AoIP EAS adapter in the June 23 issue.

The CATV F connector adapting to an RJ-45 Ethernet plug was something he had never encountered. A clever engineer from WETA found this adapter and used it to solve a problem that had nothing to do with CATV.

But where did this odd adapter come from in the first place?

It starts with someone who wanted to install a TV set in a room that had nothing in the wall but Ethernet category wiring. There was no RG-6 coaxial wiring in the room.

With a pair of these adapters, you take RF from the CATV distribution amp and send it on one of the twisted pair inside the category cable.

In the room, another adapter takes it to an F connector that is attached to the TV. The 100-ohm twisted pair is close enough to the 75-ohm RG-6 impedance for this to work. Obviously, use a direct category cable connection. Don’t expect to shove RF through a network router!

Looking closely at the picture in our original article, it seems only the first pair is used. Moving consumer S/PDIF to professional AES with this adapter solved a problem inexpensively.

Dale’s plant makes partial use of audio over IP but has a lot of gear with analog I/O. He was never a big fan of dongles with twin XLR connectors hanging off the back of a dense array of rack gear. He finds it easier to modify a LAN cable — cut off one end, fan out the four pairs and solder the left/right pairs to a couple of XLRs that plug into the analog gear.

Use some tubing or heat shrink to make it pretty and more durable. Running balanced analog through 10 or 20 feet of unshielded category cable is fine.

[Check Out More of Workbench Here]

If you use the hanging dongle method, you’ll be soldering an XLR at each end of the interconnection. Dale’s method requires an XLR only at the analog equipment end, and results in less wiring congestion. Less dense rack wiring can save time troubleshooting in the future.

Note that LAN patch cables use stranded wire instead of solid if you’re concerned about flexure.

Someday, everything will be AoIP-ready or shrunken into a piece of software inside a server. For now, we all have to deal with analog at the edges of our facilities.

 

Ouch Ouch Ouch
Dale “Squeak” Porray, AD7K, really liked Bill Weeks’ submission about the LED replacement for fluorescent Circline bulbs but says the website link we gave may not have been right in some versions of the story. It is www.mpja.com for Marlin P. Jones Associates.
The site now has over 60 YouTube videos of the products they sell. Squeak has been dealing with them since the 1970s and says they’re a fine company.
Since we also were talking about Cat-5/6 Ethernet cables, watch the site’s YouTube video about the LAN RJ Plug Crimp Tool. It has a built-in cable continuity tester to check cables you’ve crimped, all for under $30. One notable feature is a ratchet release pin, very important!

Once while helping an engineer crimp cables, we took a break, but as we chatted, he inadvertently put his index finger in the jaws of the crimping tool and pressed down. CLICK — the jaws latched. And there was no release.

I drove him to the emergency room to get his finger freed. Since witnessing that, I’ve made sure that any latching pliers or crimping tools I use have a release pin. You can’t be too careful.
Bee a pal! Help fellow engineers by sending in your tips to johnpbisset@gmail.com.
John has spent over 50 years in broadcasting and is in his 31st year of Workbench. He handles western U.S. radio sales for the Telos Alliance and is a past recipient of the SBE’s Educator of the Year Award.

The post Workbench: Invasion of the Bees appeared first on Radio World.

John Bisset

WinMedia Names UAE Distributor

Radio World
3 years 8 months ago

WinMedia has announced that it has expanded its distribution network in the United Arab Emirates in a partnership with Tek Signals, a full-service provider of systems engineering and technology consulting.

Tek Signals will represent WinMedia’s range of broadcasting software solutions for radio and TV to Emirati media and broadcasting customers.

[See Our Business and Law Page]

WinMedia International Sales Manager Jesus Vazquez Miguel said, “Tek Signals is the ideal partner to help us continue expanding our presence in Emirates.”

He added, “In addition to their deep knowledge of the local market, Tek Signals have a solid track record of expertise in the analysis, development, and installation of solutions for media operations. Working with Tek Signals, we’ll be able to make our products and services even more accessible to local customers and reinforce WinMedia’s reputation for excellence in the Emirati marketplace.”

Submit business announcements to radioworld@futurenet.com.

 

The post WinMedia Names UAE Distributor appeared first on Radio World.

RW Staff

July Call Sign Changes: WMBI Is Now WXES

Radio World
3 years 8 months ago
Photo: moodyradio.org

The AM radio station formerly known as WMBI no longer has those historic call letters. It officially is now WXES.

That’s just one of the call sign changes reported by the FCC for the month of July, and probably the one involving the most famous call letters.

The station, which airs at 1110 kHz in Chicago, was acquired by El Sembrador Ministries from Moody Bible Institute of Chicago in July. Moody still owns WMBI-FM.

Moody had announced earlier that it planned to sell the AM station, which is considered one of the oldest noncommercial Christian radio stations in the country.

WMBI had been Moody’s flagship dating to 1926, and its call letters referred to the organization’s name. Moody had switched the station to Spanish-language Christian programming in 2012.

Here’s the list of 22 call sign changes in July (PDF).

The post July Call Sign Changes: WMBI Is Now WXES appeared first on Radio World.

Paul McLane

HD Radio Snags a Spot With Freightliner

Radio World
3 years 8 months ago
Promo image from the Freightliner website

Expanding on its existing relationship with Mercedes Benz, Xperi announced that HD Radio receivers will be available in digital dash displays of Freightliner Cascadia trucks early next year.

Xperi SVP/GM Jeff Jury said in an announcement that the Freightliner Cascadia “will be the first commercial truck to fully implement HD Radio technology in its cab.”

Daimler Trucks North America is the parent of the Freightliner line.

The two companies have worked together before, including in the hybrid radio space. Xperi’s DTS AutoStage system was introduced to the market in the Daimler MB User Experience (MBUX) in the 2021 Mercedes-Benz S-Class.

Xperi says HD Radio technology is now available from approximately 40 manufacturers in about 200 vehicle models and that it is in 75+ million vehicles.

 

The post HD Radio Snags a Spot With Freightliner appeared first on Radio World.

Paul McLane

User Report: Gateway Delivers Flexibility for Tarleton State

Radio World
3 years 8 months ago

The author is general manager, KTRL/KXTR, Tarleton State University.

I manage two stations at Tarleton State University in Stephenville, Texas, and we have used Tieline’s Report-IT app and iMix G3, Commander and Merlin codecs in the past.

Recently we purchased the Tieline Gateway 8 to use for sports and other remote broadcasts on KTRL(FM) 90.5 MHz and KXTR(LP) 100.7 MHz. Some Gateway channels are hooked up to a Logitek console in one studio via a JetStream Mini, and others are hooked up to the Logitek console in our other studio. Codec outputs are networked across to all three of our Logitek consoles, including a production suite.

KXTR is heard in Erath County, and KTRL covers a large section of North Central Texas and reaches Fort Worth and the outskirts of Waco. Both stations are also streamed online.

We selected the Tieline Gateway 8 as it streamlined our setup by using a single codec for remotes on both stations. Tieline’s upgrade path allows us to expand channel capabilities via software upgrades in future as required.

 

My “Go-to”

The new Gateway 8 replaces an older Commander codec being used for remote broadcasts across our campus and community. It also replaces a Tieline Merlin in preparation for the football season here at Tarleton State.

We use the Gateway to send live audio back to the station and send station mix-minus audio to the remote site. The Gateway delivers flexibility. We can handle two sports broadcasts on both stations or be doing a remote broadcast on campus on one station, and a sports broadcast on the other.

Tieline is my go-to for remotes. Its integration with older equipment and being able to use the Report-IT app are major reasons. We replaced our iMix G3 with the ViA, and our Athletics department has done the same, so we are using Tieline ViAs for all our remotes nowadays. We will use the Commander and iMix G3 that they replaced as a backup STL.

The transition was pretty simple. Like the Gateway, our Logitek console uses RJ45 for the ins and outs. With the Merlin and Commander we had to use RJ45-to-XLR adapters, but with the Gateway we can get rid of those and go straight in/out.

The university has a fiber-based IP network, and we use AT&T hotspots to connect on-site. Our athletics team uses AT&T and Verizon. Connections are reliable in this area, but with sports broadcasts, that can depend on where an away game is located.

Quality and functionality is the best part about broadcasting using IP codecs. When you compare codecs to a cellphone or POTS line, the overall quality difference with Tieline is undeniable.

During the pandemic we worked with a staff of three, myself and two student workers. We actually used Report-IT, along with our Commander and eventually Gateway more than ever before. It was the best way for us to put students on the air. They can download the TieServer Console and Report-IT apps on their phone and we could put them on the air in a snap.

The Tieline Toolbox Web-GUI for configuration and control is easy to use and very helpful for configuration and control. Tieline’s Cloud Codec Controller is also something we plan to use for remote control of equipment. We have a lot of students and play-by-play announcers doing broadcasts who are not very familiar with the equipment, so being able to control everything remotely would be incredibly useful.

Tieline’s quality is great. It is the best of any other options we have used in the past and we have had nothing but great experiences with Tieline’s technical support. We have had very positive feedback from our engineer and all of the people who use the equipment on a weekly basis. They have been some of the most reliable and best working pieces of equipment we have.

Info: Contact Doug Ferber at Tieline at 1-888-211-6989. For international queries contact Charlie Gawley in Western Australia at 61-8-9413-2000 or visit www.tieline.com.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

 

The post User Report: Gateway Delivers Flexibility for Tarleton State appeared first on Radio World.

Lance McFarlin

Letter to the Editor: Bending the Rules

Radio World
3 years 8 months ago
Bob du Treil Sr.

Dear RW,

You recently quoted the late Bob du Treil Sr. as saying, “I’d bend the rules but not break them. Though the FCC may disagree with that.”

A man after my own heart.

Even at stations where I was only chief operator of record (to ensure rules compliance) and was actually the PD or OM with major engineering done by contract, I had a few clever “Gumbyizing” moments. I’ll tell you one where the FCC was decidedly not happy with me but were powerless to stop me.

The station was KAAP(AM/FM) in Santa Paula, Calif., part of the Oxnard-Ventura market but with a city of license best known for its lemon and avocado groves. The husband-and-wife owners tried every way they could to bury that part of the legal ID; at one point they had TM cut a jingle with the words “Santa Paula” a significant number of dB down from the main, then back-timed its start so that it would be buried by the old drumroll intro to the news from the American Information (ABC) Network.

When I got there, I handled the city of license “problem” by building it into the newscasts’ weather formatic: “Ventura County weather: (read forecast) … Current area temperatures from KAAP AM and FM: Santa Paula 82 degrees, 70 in Ventura and in Oxnard 72. Now more of Ventura County’s favorite music on FM 97 and AM 14 (jingle).”

Inevitably, the FCC eventually turned up after monitoring us all morning and “not hearing” a legal ID (I suspect a competitor had “turned us in”). I let them sit in the control room while I did the weather after the noon ABC news, but even then they didn’t catch it. It wasn’t until I pointed out the ID in the copy book that they saw, then claimed I was violating “the spirit of the rule.” I countered that because the ID met the requirements as specified in §73.1201 they couldn’t issue a NAV for “spirit violation.” They did not leave happily.

The husband had been out on sales calls when the FCC arrived; he laughed for a full five minutes when I related it to him. (The wife, who was also the bookkeeper, had locked herself in her office when she heard the FCC was in the building.)

I suspect Mr. du Treil would have been proud of me.

Radio World welcomes letters to the editor about any article or relevant radio industry issue. Email radioworld@futurenet.com with “Letter to the Editor” in the subject line.

 

The post Letter to the Editor: Bending the Rules appeared first on Radio World.

K.M. Richards

Licensees Finally Get Clear Answer on FM Translator Construction Permit

Radio World
3 years 8 months ago

Some of the Federal Communications Commission’s more arcanely worded documents are reminiscent of that Dr. Seuss book, “Did I Ever Tell You How Lucky Your Are?”, wherein a bee watcher is watched by a watcher, who in turn gets watched by a watch-watcher and a watch-watch-watcher, and so on.

So it went for a pair of broadcast licensees who traded amendments, curative amendments and supplements to the curative amendment as they sought a ruling from the Media Bureau about a new construction permit for a new FM translator station in New Jersey.

In 2018 Clear Communications filed an application to build a new cross-service FM translator on Channel 293 in Vineland, N.J. Soon after a petition to deny was filed by the licensee Press Communications, who said the translator would cause interference to listeners of its co-channel station WTHJ(FM) in Bass River Township, N.J.

[Read: LPFM Station Allowed to Resume Operations]

In September 2019, the bureau concluded that Press had adequately proven its claims of predicted interference to WTHJ listeners. The Media Bureau granted Press’ petition to deny and dismissed Clear’s construction application.

Clear then filed a petition for reconsideration and reinstatement — specifically a nunc pro tunc opposition (Latin for “now for then”) that is used to retroactively correct an earlier ruling. Clear also submitted a minor curative amendment to the application that would modify the translator’s directional antenna pattern to eliminate predicted interference to Press’ FM station. Clear urged the Media Bureau to grant its reconsideration and reinstate the application, arguing that a reconsideration was justified because the bureau had failed to follow its own notification procedures that were revised in a 2019 order clarifying the FCC’s FM translator interference process.

Specifically, Clear said it had been waiting for a letter from the commission saying that the interference claims from Press were properly submitted and that a deadline had been set by which Clear had to resolve any complaints.

More back and forth began from there. Press argued that the nunc pro tunc policy did not apply and even with some curative amendments that Clear made, the application should still be deemed unacceptable due to predicted interference to WTHJ listeners. Clear disagreed, asserting that the nunc pro tunc policy applied and that nothing in the new FM translator interference order suggested otherwise.

Press then alleged that listeners within WTHJ’s 45 dBu contour would still experience interference from the translator, even with the curative amendment changes. Plus, Clear’s requests should be denied, Press said, because the filing of the amendment is unacceptable under the commission’s clarified translator rules.

In response, Clear filed a supplement and amendment document, arguing that it should be allowed to make an additional curative amendment to the first amendment because Press submitted new evidence of predicted interference to additional listeners. Clear was not aware of those listeners when Clear redesigned its proposal to protect the previously identified listeners, the licensee said. And the amendment to the curative amendment should be permitted under the nunc pro tunc policy because the petition remains pending.

Despite the wordiness of some language (and Dr. Seuss watch-watcher references aside), FCC procedural rules are clear in several areas. Petitions for reconsideration and any supplements are required to be filed within 30 days of public notice of the actions taken, a timeline that Clear met.

However, said Press, the second supplement itself was filed after the 30-day window had passed. But Clear retorted that the commission should accept this late-filed supplement because it responds to new evidence submitted by Press itself (even though that new evidence was filed after the 30-day deadline).

And the Media Bureau agreed.  When it came to more substantive issues, another thing is clear about Clear: the commission’s nunc pro tunc policy does apply here, the bureau said, and it can accept Clear’s amendment to the curative amendment that accompanied the supplement. That’s because Clear did file its reconsideration request within 30 days and — given the limited nature of the cross-service FM translator filing window — denying this reconsideration request would preclude Clear from an opportunity to obtain a fill-in AM translator, the bureau said.

Even though the bureau acknowledged that there are previous commission decisions that suggest an applicant may file only one curative amendment (here, Clear submitted two) that rule doesn’t apply here. In this case, the bureau only technically dismissed the application once back in September 2020. It was only after Press submitted new information about potential interference — after the 30-day deadline had passed — which thereby rendered Clear’s first curative amendment defective. And having determined that the bureau should accept the amendment to the curative amendment, the bureau said that the proposed facilities and amended application are acceptable for filing.

After the twists and turns, the bureau moved to accept the amendment to the curative amendment, which revised the antenna contour to be directional in nature and also granted a construction permit on Channel 225 (instead of the original Channel 293 to address interference issues).

In the end, the Media Bureau granted the amended the application to Clear for the new FM translator. No bee watchers needed after all.

 

The post Licensees Finally Get Clear Answer on FM Translator Construction Permit appeared first on Radio World.

Susan Ashworth

Network Monitoring on a Budget

Radio World
3 years 8 months ago

One of the great things about having equipment with network capability is the ease with which you can get to that equipment and configure it, and the dramatic increase in the amount of diagnostic and performance data you can receive from it.

Of course, with so much data at your fingertips, the hard part for broadcast engineers is trying to find a way to filter that information into something that is concise and meaningful and that allows them see their operation at a glance.

The best way to do that is by using the Simple Network Management Protocol, or SNMP.

For the past year or so, I’ve been trying to wrap my gray matter around SNMP. “Real” IT folks have been using it for decades to keep track of network speeds, operating systems, hard drive capacities and a host of other metrics around their data centers.

It may have just been me, but I wasn’t finding real how-to-do-it kind of articles. It seemed most writers just wanted to keep the secret to themselves and dazzle you with sharp terminology.

After several failed attempts, I found a solution that made sense to me. It’s called Paessler PRTG network monitoring, and it allows me to monitor all of the devices I have set up (up to 100 for free).

It also gives me a mobile device app that provides notifications when something is not behaving correctly on our network.

In preparation

Before we set up any solution, let’s talk about how SNMP works.

Device manufacturers that want their equipment to talk on a network develop a Management Information Base (MIB) file. The file is a reference database of structured definitions and Object Identifiers (OIDs) that numerically represent any kind of data possibility that you may want to pull from the equipment.

SNMP allows polling of equipment, but also has traps designed into the protocol as well so that certain datum can initiate messages back to the monitoring software (i.e. a threshold has been surpassed).

I won’t address traps here, but it is important to know that they exist and can be used as part of your solution as well.

So not only will we need the monitoring software, but we need some software to help us sift through all the OIDs available and only use those that we really want information about.

In preparation, we’ll need to download the necessary software. Both the Paessler software for network monitoring and the Ireasoning MIB Browser for parsing MIB files are freely available.

The other downloads that will be necessary at some point are the MIB files for your equipment. You can generally download the files from the manufacturer, but pay attention to the hardware models, as an MIB may vary from one device to another.

The Paessler software requires a Windows machine and sets up the network monitoring on that machine. It almost goes without saying that the machine should be a part of the network that you are trying to monitor.

Note that network monitoring isn’t a resource intense activity on simpler networks, so an older machine will do fine for this purpose.

Setting up

PRTG configures a web server as well so that you have access to the information gathered locally on the network. But to harness its real power, you’ll want to forward a network port (any port, like 23333 as an example) on your router or firewall to that local machine’s web server (secure https-port 443) so that you can have access to that data from the outside world via another machine or the mobile app.

Installing PRTG is pretty straightforward. After choosing a strong password, you can immediately begin putting in device information.

Even without any knowledge of MIBs and OIDs, you can begin to configure PRTG to send network pings to devices so you know that they are online on your network.

Simply choose to add a device, fill in the appropriate name and IP information, and choose an icon that makes sense to you. See Fig. 1. Once that is done, you’ll see it show up in your “Network Infrastructure” list under the name you gave it.

Fig. 1: Adding a device in PRTG.

Next, choose to add a “sensor,” like a network ping. It might seem daunting, but once you add a device you can also choose “auto discovery” for the device.

Of course, it will find a number of things that you may not want to monitor, and you may quickly push the 100-sensor limit of the free software. Any sensors in the auto discovery that you don’t find useful can be removed with a right click of the mouse and choosing to delete that monitor information.

I have found it useful in PRTG to go ahead and create groups by location and then to add devices inside of that group. As a for-instance, we have four tower sites on our network, so I have identified each in a group and then added the related transmitter and devices such as STL IP radios and codecs inside of that group. In this way, my notifications tell me immediately which site is having an issue.

The auto discovery isn’t going to find all of the information that a broadcast engineer really wants to know, such as a transmitter’s forward and reflected power indications, STL path RSL voltage levels or any of a host of other polled information. Before we really get started adding those parameters, you’ll need to jot down some SNMP information that is available for each monitored device.

SNMP requires network ports 161 and 162 to be open (they generally are), a “Read Community” string and a “Write Community” string (usually “public” or “community”), and you’ll need to know the SNMP version the device is set up to use (normally V1, V2c or V3, each increasing in security level). We’ll need all of this information in the Ireasoning MIB browser.

Once the MIB browser is installed, go into the “File” menu and import the MIB files that you’ve downloaded from each vendor. See Fig. 2. You’ll see a directory structure populate in the window that contains the data options available for the equipment that you have.

Fig. 2: Selecting the parameters to monitor.

With that done, we’ll enter the IP address of the device we want to get data from, and then click the “advanced” button to make sure our read and write community strings are accurate and the SNMP version is correct.

Next, we’ll browse the MIB folder structure to find the OID (data) that we need.

Now that we’ve found the OID we’re looking for, we simply click the “Go” button on the right. The browser will query the device for the data and display it in the window on the right. The most important part of that whole operation is getting the OID number that you need to use in PRTG to poll that data automatically.

If you are feeling really brave and want to see just how much information is really available to you via SNMP from that device, click the down arrow in front of the “Go” button and choose “walk” and then click “Go.” Then go refresh your coffee.

Obviously you won’t need every piece of data that you’ll see from that operation, but isn’t it nice to know that you could have it if you did?

In Fig. 2, you can see that I’ve imported our Nautel GV40 MIB file and have found the OID numbers for the transmitter’s RMS forward power, its FM power and the IBOC power.

Once we have the actual OID number for each piece of data, we can hop back into PRTG and add a sensor to the equipment we have already added. When we choose to “Add Sensor,” we’re taken to a page where we’re asked what type of sensor. For our purposes, our answer will almost always be to click SNMP and then choose the SNMP Custom. See Fig. 3.

Fig. 3: Choosing the sensor type.

From there, similar to adding a device, we can name the sensor and put the OID number, the value, and unit. As you can see in the MIB browser image in Fig. 2, the value you get may need to multiplied or divided the value by a multiple of 10 for it to be correct, which you’re given the option to do in this sensor screen.

Once the sensor is created, it will take a minute or two to get its value, and you’ll be able to see if everything looks satisfactory.  If you are anything like me, you may need to go back and edit several times to get the value to display the way you want it to.

Going forward, it is simply a matter of repeating this procedure until you have all the equipment you want to monitor in place and grouped together the way you want them.

Is it worth the effort?

Obviously, you can devote a whole lot of time to this, and you might begin to question if it is worth the effort.

There are two powerful aspects to installing something like this that you might consider. The first is that if you choose to port forward through your firewall to the web page that PRTG establishes, you can have web access to the page from anywhere and can evaluate the data in that way or via your cellphone and the PRTG app available in either Android or IOS store (including Apple watch) that allow you to get notifications when any sensor that you have setup doesn’t respond. See Fig. 4 for an example.

Fig. 4: The PRTG app provides a wealth of information at a glance.

At a glance, can see a load of valuable information about network speed via pings, where the failure point is in a STL path via receive dBm levels, and your transmitter’s forward and reflected power indications. During an emergency, you’ll immediately be able to direct your attention (and vehicle) to the location of the cause of the problem.

The other power comes through the graphical histories that PRTG can provide for each device. You can see historical values for each sensor. If you want to know exactly when you went off the air and when things were restored, you can check any of the histories to find out.

You’ll also have notifications and emails that you can reference. PRTG really helps to aggregate all of this data so that you can manage the increasing amount of detail that is necessary to keep stations running at their best.

So far, here in our market, we’re only using about 47 sensors to monitor four of our five transmitter sites and their associated IP radio STL paths (one site doesn’t have network data access). I plan to add our audio codecs for each location into the system as well, which will put us at around 65 sensors.

Certainly, there will be users who need to manage bigger systems, and 100 sensors might have them pushing the limit of the sites they could manage. There are also a number of cases where an engineer might never use all of the data options that the free version of PRTG offers them.

Whatever size operation you find yourself managing, the best time to begin harnessing the power of using SNMP network accessible devices is today, and you can get into it on no budget at all using PRTG network monitoring and the Ireasoning MIB browser.

The author is engineer for Crawford Broadcasting’s Birmingham region.

Got an idea for a great technical story with tips or best practices? Email Cris Alexander at mailto:rweetech@gmail.com

The post Network Monitoring on a Budget appeared first on Radio World.

Todd Dixon

User Report: AEQ Codecs Bring Talent to CNC Medios

Radio World
3 years 8 months ago
An AEQ Talent compact codec is seen in operation at the lower right at FM Quiero.

The author is general manager of CNC Medios.

CNC Medios is the leading communications company in northern Chile, headquartered in the city of Antofagasta. It includes two television channels and three radio stations: Canal95, FM Plus and FM Quiero. We are also members of ARCHI, the Chilean Radio Association, where we are very active with new ideas and projects.

For a long time CNC Medios has been a daring company, unafraid to bet on the latest technologies available on the market to improve the way we create our content.

A few years ago we purchased several AEQ Capitol IP digital consoles. Their digital technology offers us a significant improvement in the audio quality of our broadcasts, and their IP technology allows remote control that we had never been able to enjoy until now.

 

Great Timing

In 2020 when the COVID-19 pandemic situation forced broadcasters like us to look at new ways of working remotely, we already had that path in place thanks to the IP connectivity. But we realized that we needed to strengthen our ability to generate dynamic, quality programs, even if the constraints of teleworking didn’t make it particularly easy.

That’s when AEQ launched its Talent portable audio codec, at the perfect time for our plans.

CNC Medios already had AEQ audio codecs such as the Mercury or Venus units in our studios, but they were not the ideal solution for a journalist to operate from home, but the new Talent seemed to offer the optimum solution: small, easy to use, digital quality with IP connection and robust.

In addition, AEQ technicians remotely helped us during the first days to discover all the options and to set them up in the most suitable way for our particular operation.

Currently all of our top journalists have one in their homes, and they have been connecting to the central studio for some time now thanks to them. The control surface of the Talent is simple, and with just a couple of button pushes our journalists, even the less experienced ones, can easily connect.

In addition, Pilot mobile phone app gives them the option to operate the Talent directly from their own smartphones. What’s even better is that the journalist can carry out live interviews with guests or contributors using Skype or WhatsApp, for example. AEQ’s Talent is a gem — such a small thing can do so much.

Finally, at the CNC Medios group’s technical center we have a PC where we have installed the AEQ Control Phoenix Multi application. This allows our technicians to supervise the status of all our AEQ audio codecs in real time and, if necessary, intervene to modify any configuration or solve connectivity issues.

This application displays images of all the devices that are switched on and, even better, the exact connection status, including VU meters monitoring the audio signals that are being transmitted through them.

All the AEQ audio codecs we work with include Opus encoding algorithms and also free registration on AEQ’s SIP server. This is great since it saves us from having to complicate the deployment of these great codecs and having to set up our own SIP Server.

Info: In the U.S., contact AEQ at 1-800-728-0536 or visit www.aeqbroadcast.com. For international queries, +34-916-861-300 or visit www.aeq.eu.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

 

The post User Report: AEQ Codecs Bring Talent to CNC Medios appeared first on Radio World.

Marcelo Mendizábal

Mike Palmer, the Founder of Arrakis, Dies at 69

Radio World
3 years 9 months ago
Mike Palmer is shown in the Arrakis booth at the NAB Show in 2019.

Michael Palmer, the founder of Arrakis Systems Inc., has died.

He passed away unexpectedly on Monday. He suffered congestive heart failure while preparing to go scuba diving with his wife Gloria in Hawaii. He was 69.

Arrakis has been a family business since its start.

Palmer, having grown up reading science fiction and physics texts for fun,  earned a bachelor’s degree in physics with a minor in electronic engineering from the University of California, Berkeley. He then taught electronics classes in San Francisco.

That’s where he met Gloria Vader, his student who became his wife. They married in 1974 and soon moved to Missouri, where Mike worked as VP and electronic engineer at Woodson Electronics, and where Gloria was hired as the chief engineer of KMSU, Southwest Missouri State’s 10 kW FM in Springfield.

“KMSU was in desperate need of new studio consoles, with a budget of only $7,500,” according to an obituary from the Palmer family. “Gloria told Mike that he could design and build a better console than anything that was on the market. So he did.”

Mike Palmer, standing, and Alan Farrington in KSMU’s Production studio in 1979.

His employer was struggling financially and closed its doors around that time.

To test the waters of the radio broadcast market, the Palmers decided that he would do an initial product design, build a mockup, print a brochure and mail it to 1,000 stations. “The response was astonishing. They received $30,000 in cash orders in the mail.”

The couple returned that money, telling their new clients that the product would be ready in six months. “The first Arrakis product, the 1,000 series radio console, was designed and built in the basement of their humble home. It was completed on time, and the first console installed at KMSU.”

Arrakis officially opened in 1977 and was named for a planet in the sci-fi novel “Dune.”

Melissa, Mike, Aaron, Gloria and Ben Palmer in 1984.

The Arrakis product line has since grown to including numerous console lines, digital automation systems and hardware.

The couple has three children, all of whom work at the company, as well as five grandchildren. While easing into retirement, Mike Palmer remained involved as the children took up responsibility for the various aspects of the business. Gloria Palmer also continued to be involved in product design, assembly and PCB work.

“Arrakis Systems was started as a family-owned and -operated business, has continued to be and will continue to be family-owned –operated,” the family wrote. “Mike’s children were raised in radio and have each been blessed to have worked with him for almost 20 years apiece — learning from him, developing groundbreaking software and hardware together, sharing a passion for radio, technology and the amazing people they feel privileged to serve in the radio broadcast industry.”

“His advice, experience, knowledge and creativity will be missed and remembered. However, it is his example, kindness, wisdom, loving heart and desire to serve and uplift everyone around him that will be missed the most.”

Funeral or memorial details have yet been announced.

The post Mike Palmer, the Founder of Arrakis, Dies at 69 appeared first on Radio World.

Paul McLane

Nautel Releases August TTT Webinar Schedule

Radio World
3 years 9 months ago
“Transmission Talk Tuesday” Host Jeff Welton

Transmitter maker Nautel has released its August schedule of “Transmission Talk Tuesday” webinars.

For Aug. 17 Kirk Harnack will join TTT regular host Jeff Welton to talk about the various forms of MPX delivery and will feature practical examples of implementation in the field, including microMPX.

The Aug. 24 session gets into Raspberry Pi. Joining Welton will be Nautel’s Alex Hartman. He will present some of the designs he has done using Raspberry Pi and Arduino technology. Hartman explains, “Mini computers seem to be taking over the world. For well under $100 you can get a full blown computer on a tiny circuit board, with peripherals. You can do some great things with these devices.”

Ending the month, on Aug. 31, Welton will be joined by the NAB’s VP of Advanced Engineering David Layer along with Radioplayer Worldwide General Manager Lawrence Galkoff for a discussion centered on RDS. According to Welton they’ll discuss “how what you put on your RDS can make a big difference in the appearance on the dashboard — and going forward, it will make a significant impact on your stations’ ability to work with hybrid radio.”

The Transmission Talk Tuesday webinars start at noon (ET) and are free though they require preregistration. Sessions are posted for those who can’t make the live performance. Attendance can earn one-half of an SBE recertification point.

 

The post Nautel Releases August TTT Webinar Schedule appeared first on Radio World.

RW Staff

NAB and Others Sue FCC Over Foreign ID

Radio World
3 years 9 months ago

Several leading U.S. media organizations are bringing suit against the FCC for requiring disclosures of programming sponsored by foreign governments.

“The National Association of Broadcasters, the Multicultural Media, Telecom and Internet Council and the National Association of Black Owned Broadcasters today filed a petition for review with the U.S. Court of Appeals for the District of Columbia Circuit challenging a Federal Communications Commission order mandating disclosures for foreign government-sponsored programming,” they announced.

As we reported in April, the FCC unanimously enacted this new rule in April. When a broadcaster leases time, it now needs to ask the “lessee” if they or their programming are from a foreign governmental entity.

“If the answer is yes, a sponsorship identification will need to be placed on air and documented in the station’s public file,” Acting Chairwoman Jessica Rosenworcel explained in April. “If the answer is no, a broadcaster will need to independently verify the lessee using the Foreign Agent Registration Act website from the Department of Justice and the FCC’s semi-annual foreign media outlet reports.”

The FCC believes that foreign governmental entities are increasingly purchasing time on domestic broadcast stations. “We know that foreign entities are purchasing time on broadcast stations in markets across the country, including Chinese government-sponsored programming and Russian government-sponsored programming right here in our nation’s capital,” Rosenworcel has said. She credited Rep. Anna Eshoo for pushing the FCC to take this action, which Rosenworcel said is “about national security and the preservation of our democratic values.”

But the three media organizations say they are “deeply concerned with the FCC’s misguided attempt to develop uniform rules for disclosing foreign government-sponsored programming.”

They said the decision to require broadcasters to investigate the source of leased programming “exceeds its statutory authority, is arbitrary and capricious and violates the First Amendment.”

They said broadcasters strongly oppose foreign interference in U.S. elections “but the commission’s order fails to even address this core objective. We look forward to presenting our case in court.”

NAB had already told the commission that the rule is overly burdensome because it requires every broadcaster to conduct research on all the entities with whom they have or want to have lease agreements.

The groups say the rule will particularly hit smaller broadcasters “including stations owned by women and people of color, and new entrants seeking to gain experience through leasing arrangements.” And they said these new determinations would be required even if the programming, “such as an infomercial or local religious broadcast, poses no colorable risk of foreign sponsorship.”

“Broadcasters would also need to conduct inquiries and investigations at the time any lease is initially entered into and repeat them every time that same lease (with the same, already-investigated party) is renewed. Stations also must memorialize those inquiries and investigations and maintain that documentation,” they argue.

And, they added, these regulations affect only broadcasters, even though failure to identify a foreign government source of programming “is almost entirely associated with satellite and cable channels and, above all, with social media and the internet.”

[Read the petition from NAB, MMTC and NABOB.]

The post NAB and Others Sue FCC Over Foreign ID appeared first on Radio World.

Paul McLane

Broadcast Associations Call on Congress to Reinstate Tax Credit

Radio World
3 years 9 months ago

Broadcast associations around the country are showing their support for legislation designed to boost broadcast ownership by women and people of color.

Broadcast associations from all 50 states along with the District of Columbia and the Commonwealth of Puerto Rico, sent a joint letter asking Congress to support and pass two new diversity tax certificate programs. The legislation is designed to provide a tax incentive to individuals who sell their majority interest in TV and radio broadcast stations to people of color and women. Two pieces of legislation — Expanding Broadcast Opportunities Act of 2021 (H.R. 4871) and the Broadcast Varied Ownership Incentives for Community Expanded Service Act known as Broadcast VOICES Act (S. 2456) — would authorize the Federal Communications Commission to reinstate a diversity tax certificate program.

Similar legislation was in existence from 1978 to 1995 called the Minority Tax Certificate program. During that time, TV and radio broadcast station ownership by people of color increased by more than 550%. Today, however, there exists a dearth of diverse ownership in the broadcast industry due primarily to lack of access to capital, the groups said in their letter. Today, women make up less than 7% of broadcast radio ownership while people of color make up less than 3%.

“Our strength [as broadcasters] is in our ability to cover diverse community experiences and tell stories from an authentic perspective,” the undersigned wrote in their letter. “The tax certificate program will help us build a local media landscape that reflects our communities on the air, both in the control booth and boardroom.”

GettyImages/wildpixel

The associations also noted that the Expanding Broadcast Ownership Opportunities Act of 2021 and the Broadcast VOICES Act will help to build a pipeline for a new generation of broadcast station owners — one that is inclusive of women, people of color and other underrepresented individuals. “We therefore urge Congress to act swiftly and pass H.R. 4871 and S. 2456 to make sure that all voices are accurately represented in the broadcasting industry,” the associations said.

The legislation also has support from the National Association of Broadcasters. Earlier this month the NAB released a statement expressing its commitment to market-based initiatives that expand radio and TV station ownership opportunities for women and people of color, calling a tax incentive program a “proven solution that significantly diversified the ranks for broadcast owners over its nearly two decades of existence.”

The support comes after the Multicultural Media, Telecom and Internet Council called on the FCC in early August to adopt seven new initiatives designed to better advance diversity within the media industry. The MMTC called the 1978–1995 tax certificate policy “by far the most effective vehicle for advancing minority broadcast ownership.”

 

The post Broadcast Associations Call on Congress to Reinstate Tax Credit appeared first on Radio World.

Susan Ashworth

Nominate a Georgia Broadcast Engineer

Radio World
3 years 9 months ago

Do you know a broadcast engineer in Georgia who does outstanding work?

The Georgia Association of Broadcasters is accepting nominations for its 2021 Angelo Ditty – Frank McLemore Engineering Award.

Here at Radio World we wish that more state associations had award programs specifically for engineers and technical people and we appreciate those that do. GAB has been doing so since 2013.

It will present the awards on Oct. 23 during its annual GABBY Award ceremony.

Nominees must have 20 or more years in broadcast engineering, with the majority of that time in Georgia. They must exhibit professionalism among their colleagues and a willingness to help other engineers in support of the industry.

Nominations are due Sept. 20. Email yours to mailto:gchapman@gab.org.

The idea for this award came about when the state of Georgia revised its Emergency Alert System plan in 2012; the association worked closely with the state and received important support from four engineers, so decided to honor them.

It was then named the Angelo Ditty Engineering Award after the association’s longtime ABIP inspector. GAB added the name of another ABIP inspector, Frank McLemore, after his death.

Below is the list of past recipients.

2013

Dick Boekeloo

Robert Butler

Daniel L. Davis

Frank McLemore

 

2014

Marty Foglia

Michael Lawing

 

2015

David Williams

Jeff Brock

 

2016

LaVaughn Thompson

Randy Mullinax

Perley Eppley

 

2017

Bill Williams

Stu Graham

Knox Carreker

 

2018

John York

Dick Byrd

Vic Lester

 

2019

James Gay

Tom Giglio

Bob Helbush

 

2020

Phil Baker

Jim Gantner

Charlie Harrell

 

The post Nominate a Georgia Broadcast Engineer appeared first on Radio World.

Paul McLane

Pagination

  • First page « First
  • Previous page ‹ Previous
  • …
  • Page 91
  • Page 92
  • Page 93
  • Page 94
  • Current page 95
  • Page 96
  • Page 97
  • Page 98
  • Page 99
  • …
  • Next page Next ›
  • Last page Last »
2 minutes 40 seconds ago
https://www.radioworld.com/
Subscribe to Radio World feed

REC Essentials

  • FCC.TODAY
  • FCCdata.org
  • myLPFM Station Management
  • REC site map

The More You Know...

  • Unlicensed Broadcasting
  • Class D Stations for Alaska
  • Broadcasting in Japan
  • Our Jingles

Other REC sites

  • J1 Radio
  • REC Delmarva FM
  • Japan Earthquake Information
  • API for developers

But wait, there's more!

  • Join NFCB
  • Pacifica Network
  • LPFM Wiki
  • Report a bug with an REC system

Copyright © REC Networks - All Rights Reserved
EU cookie policy

Please show your support by using the Ko-Fi link at the bottom of the page. Thank you for supporting REC's efforts!