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NUG@NAB Ready to Roll in Las Vegas in April

Radio World
3 years 2 months ago

The NUG@NAB Radio Technology Forum will be back for 2022.

Prior to the start of each spring NAB show, Nautel hosts the Nautel User Group (NUG), a technology forum that brings together notable industry speakers and company personnel to discuss broadcast transmission best practices, challenges and trends in technology.

In years past, the event has included guest speakers, updates on important industry milestones, tips and tricks, and a Q&A session. Radio World Editor in Chief Paul McLane is among the speakers.

The event wraps up with a networking lunch.

Starting this year, attendance at the NUG@NAB event qualifies for a 0.5 credit toward SBE recertification in Category H (attendance at a factory school or in-station learning environment). After the event, an optional session will offer an in-depth introduction to Natuel’s new HTML5 Advanced User Interface.

This year the event will be held on Sunday, April 24, 2022, from 8:30 a.m. to 1 p.m. PDT at the Flamingo Las Vegas Hotel and Casino. Those interested in attending the free event — which is open to anyone interested in radio transmission — can register online.

The post NUG@NAB Ready to Roll in Las Vegas in April appeared first on Radio World.

Susan Ashworth

‘Undervalued’ Shares, Auto Scares: TSQ Behind the Numbers

Radio+Television Business Report
3 years 2 months ago

When it came time for questions from financial analysts who cover Townsquare Media to ask questions, the focus was on pacings and on Automotive category performance. CEO Bill Wilson and the company’s Chief Financial Officer obliged, and the situation regarding Auto dollars in 2022 isn’t a great one.

At the same time, Townsquare’s top two executives talked up their company’s underappreciated value to Wall Street.

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Adam Jacobson

Latest Share of Ear Report Indicates Radio’s Strengths

Radio World
3 years 2 months ago

The latest Share of Ear report from Edison Research reveals radio continues to dominate in several key areas.

But can one go so far as to say that AM/FM radio shares are pandemic proof?

The fourth quarter 2021 report examines American audio listenership in several ways, including examining ad-supported audio use among key voter segments and by location and demographic.

Cumulus Media and Westwood One’s Audio Active Group recently dug into the data.

Among the conclusions is that AM/FM radio continues to grab a sizable share of registered voters’ listening time. When calculating the share of ad-supported audio time spent among persons aged 18 and older, registered voters who were surveyed by Edison say they spend 75% of that audio time listening to AM/FM radio. Those numbers fall significantly when compared to other outlets: 11% for podcasts and into the single digits for the ad-supported platforms Pandora, SiriusXM and Spotify.

Radio’s share among registered voters and by party. (Cumulus Media | Westwood One Audio Active Group)

The report also revealed that AM/FM radio leads when tracked across major demographics. Leading the charge are those aged 35–64 who say they spend 79% of their ad-supported listening time with AM/FM radio. Persons aged 25–54 fall in the second range with 72% of time spent with radio, followed by ages 18–49 (66%) and ages 18–34 (59%).

In comparison, the age group spending the largest percentage of time listening to podcasts is those 18–34s at 21% followed by 17% for those aged 18–49, 13% for those aged 25–54 and 9% for those aged 35–64.

[Read past coverage of the Share of Ear report]

But what about the charge that AM/FM radio shares are pandemic proof? An analysis of the report by Brittany Faison, insights manager for the Audio Active Group of Cumulus Media | Westwood One, found that time spent listening to AM/FM radio changed relatively little — 79% to 76% — from 2019 to 2021. Compare that with a drop in listening to an audio service like Pandora, which saw its numbers fall from 8% in 2019 to 6% in 2021.

One area of growth? Podcasting, which almost doubled from 6% to 11%.

The report also found that in the car, AM/FM radio leads ad-supported audio across all age groups with AM/FM radio accounting for 84% and 88% of their time spent listening to ad-supported audio. By comparison, podcasts at best get 8% of listening and ad-supported streaming between 1% and 5%.

Ad-Supported Audio TSL by Demographic Group (Cumulus Media | Westwood One Audio Active Group)

The analysis by Faison found that advertisers looking to reach people in their car with advertising should seriously consider those in-car ad-supported listening stats.

“When it comes to ad-supported audio in the car, AM/FM radio is the ‘queen of the road’ with shares in the mid to upper 80s across every buying demographic,” wrote Faison. “Looking at ad-supported audience shares in the car, even among persons 18–34, AM/FM radio’s share is a whopping 84% — 84 times larger than Spotify’s one share.”

Faison also noted the importance of considering online streaming. Over the past six years, the proportion of AM/FM radio listening occurring via online streaming has risen from 8% to 14%, with Nielsen finding that 10% of radio listening is to the AM dial.

“Currently, there is more radio listening occurring via the stream (14%) than the entire AM dial,” Faison wrote. “Smart advertisers should allocate 14 cents out of every dollar spent on AM/FM radio to the station stream.”

AM/FM Radio Listening: Over the Air vs. Streaming (Edison Research)

AM/FM radio also leads ad-supported listening on smart speakers with a 43% share, the report revealed. With 40% of U.S. homes now owning a smart speaker, AM/FM has been brought back into the home.

The report also revealed other key details, such as the fact that podcasts and certain online listening services seem to skew higher in larger markets when compared to other services.

Radio World invites industry-oriented commentaries. Send to Radio World.

The post Latest Share of Ear Report Indicates Radio’s Strengths appeared first on Radio World.

Susan Ashworth

House OKs Big Advance Dollar Injection for CPB

Radio+Television Business Report
3 years 2 months ago

The U.S. House of Representatives on Wednesday said yes to a more than half-billion-dollar advance funding funnel for the Corporation for Public Broadcasting (CPB) in fiscal year 2024.

It’s part of a 2022 omnibus appropriations package that includes a sizable chunk of money to establish at FEMA the “Next Generation Warning System.”

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Adam Jacobson

A Strong Q4 Brings ‘Great Momentum’ To Townsquare Media

Radio+Television Business Report
3 years 2 months ago

The fourth quarter earnings parade, after a brief pause, resumed Thursday (3/10) with the pre-dawn release of Townsquare Media‘s fiscal results for the final three months of 2021.

How did the “local first” company that derives much of its revenue from digital, rather than its small to mid-size market radio stations, perform? “A strong Q4 finish with great momentum for 2022” is how the company describes its financial health report.

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Adam Jacobson

Introducing KLOVE’s Newest O&O

Radio+Television Business Report
3 years 2 months ago

It serves an area of Appalachia between Roanoke and Lynchburg, Va., with 6,000 watts, focusing on Bedford and its surrounding communities. And, until March 1, it was a simulcast partner with a co-owned Oldies station focused on Lynchburg, owned by Lynchburg Radio Group.

That shared programming has ended. In its place: KLOVE, as Educational Media Foundation has acquired the property.

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Adam Jacobson

Who Attends a Las Vegas Trade Show During a Pandemic?

Radio World
3 years 2 months ago
The author leads a tour of the ATSC booth at the 2022 International CES (Image credit: ATSC)

Triple vaxxed, masked, and fully caffeinated, we broke through the clouds over the Nevada desert in early January not certain what would await us at what had been the world’s largest trade show. While CES normally brings more than 170,000 to Las Vegas, no one knew how many would venture to America’s playground in the midst of a pandemic. And while attendance was down 75% over 2020, there were still more than 45,000 people from all over the world who did what they needed to do to reach Las Vegas for the big show.

CES was prepared. They’d struck a deal with Abbott Laboratories to be a show sponsor, and Abbott’s COVID rapid tests were available at badge pickup. The show also made the decision to require proof of vaccination and to move registration lines away from the Las Vegas Convention Center. So that meant badge and COVID test pickup at the airport or at the big hotels.

Same experience as before, but with a mask
I usually need a rental car during large events, and the entire process of waiting for luggage, riding to the rental car facility, and finding my wheels was easy enough — just a masked experience. Check-in at the hotel was straightforward, and no one looked happier to see me than the hospitality community so dependent on tourists and conventioneers.

We always arrive for CES and for the NAB Show a few days before most of the crowd, for exhibit setup. Aside from the requirements about masking and staying socially distant, there wasn’t much change from previous years. [Since CES, Nevada has lifted its state-wide indoor mask mandate. As of Feb. 24, the NAB Show still recommends masks for all exhibitors, attendees and staff at the show. —eds.]

NAB President and CEO Curtis LeGeyt (left) met up with the author during CES. (Image credit: NAB)

While at CES, I did run into newly-minted NAB President and CEO Curtis LeGeyt who was at the show to talk with CES exhibitors to find out why they stuck with the show, even during the rise of the omicron variant. LeGeyt said he was pleasantly surprised at how upbeat people were — from behind a mask — and how engaged attendees were, in turn. The reaction gives him reasons for optimism about April’s NAB Show.

In short, while there were certainly fewer people in attendance, the people who came to CES this year were very serious about business. One of my business contacts had to get permission to attend from the Israeli government. It took four tries, but he finally got the green light to leave (and to come back). And if there was one thing that surprised me most about CES 2022, it was the number of international visitors who made the trip. I had wrongly assumed that this would mostly be a show of U.S. attendees and companies.

Even the big government affairs dinner at CES was well attended. The evening reception was held outdoors at the Wynn. Dinner was inside, and people were seated in a socially distanced manner and truly happy just to see each other after so much isolation.

On the show floor, while some big exhibitors put up static displays and kept staff at home, others took a different tactic. Samsung did things the smart way, choosing to have a fully-manned and complete exhibit but borrowing a page from Disney theme parks and controlling exhibit attendance by assigning times for visitation. I never expected to have a “fast pass” for a CES display, but the system worked well.

Any big city has experienced disruptions in commerce because of COVID-19, and Las Vegas is no different. The Starbucks and restaurant in the Grand Lobby of the Convention Center had greatly reduced hours and similarly, the complimentary breakfast at our hotel was slim pickings because of the number of cancellations and probably because of staffing issues.

Big changes in store for NAB Show
Those returning to the LVCC for the 2022 NAB Show will find some big changes — some really big changes — in store. The biggest one is the billion dollar (with a “B”) expansion of the convention center itself. The new West Hall now stands where the Landmark Hotel was felled for the movie “Mars Attacks.” In place of the parking lots just across Paradise Road from North Hall rises the mammoth West Hall, itself looking like a UFO from another planet. It’s a beautiful expansion of the already-enormous LVCC, linked by both a pedestrian walkway and a space-age underground transportation network.

(Image credit: Las Vegas News Bureau)

The NAB Show will use the West Hall for the first time this year, housing pavilions like the “Future of Delivery,” “Connect Experiential Zone,” and Futures Park. If you need your Dunkin’ fix, rather than Starbucks, you can head to West Hall’s food court.

But the big change is underground. While the rest of the world was locked down during the pandemic, construction crews were busy finishing both the above-ground and below-grade expansions at the LVCC.

The Vegas Loop now connects, in figure-8 form, the new West Hall with a Central Hall Plaza underground transportation station and a similar arrival station at the back of South Hall (near parking lots for cars). The Loop is powered by a network of Tesla electric cars, which are human driven and not autonomous — for now.

The Las Vegas Loop is powered by a network of Tesla electric cars, which are human driven and not autonomous — for now. (Image credit: CTA)

This is the beginning of an underground network of bored tunnels created by Elon Musk’s Boring Company. Ascending into the subterranean world in the formerly grassy area outside Central Hall, you enter a world that looks like the Batcave — if the Batmobile was a Tesla.

A friendly driver can whisk you to the far reaches of the convention center in a couple of minutes — but that’s just the first step in a planned 20-mile, 50-plus station network of underground tunnels that might someday connect the airport to the LVCC and hotels in between. Expansions of the Loop are already in the works to bring visitors to the Wynn/Encore from the LVCC (finally!) and also over to the sparkling new Resorts World complex.

Las Vegas continues to evolve and change. When the Stardust opened in 1958, it proclaimed itself the world’s largest hotel — with more than 1,000 rooms. In its place today, the Conrad and Hilton hotels that anchor the Resorts World complex have three times that many rooms and a ritzy shopping mall, to boot — it’s worth a visit.

The MSG (Madison Square Garden) Sphere is under construction behind the Venetian, which will someday soon seat more than 17,000 people at arena events. The “Sands” moniker has disappeared from the convention center at the Venetian, quietly removed a few months ago.

We enjoyed some of the new sites, including a nightcap at Resorts World, tacos at Taco El Gordo (which all of a sudden is at the heart of the revitalization of the area near the West Hall), and a visit to the near Area 15 Entertainment Complex — an immersive art and bar scene that includes the latest outpost from artisans at Meow Wolf. If avant garde art isn’t your thing, then maybe axe throwing or a Jules Verne-style distillery will be!

In short, bring your sense of humor along with your mask to Las Vegas. The people of Las Vegas — and the people who bring you the NAB Show — are ready to have you back.

To register for the NAB Show, April 23-27 in Las Vegas, visit http://nabshow.com/2022/.

Dave Arland is president of Arland Communications and executive director of the Indiana Broadcasters Association.

The post Who Attends a Las Vegas Trade Show During a Pandemic? appeared first on Radio World.

Dave Arland

PILOT Announces Innovation Challenge Winners

Radio World
3 years 2 months ago

A web-based tool that allows newsrooms to search transcripts of local government meetings is one of the winners of the 2022 PILOT Innovation Challenge.

The National Association of Broadcasters announced the recipients of its contest on Mar. 8, 2022.

“Minutes,” created by Michigan Radio, saves time on research and gives reporters the ability to create deeper, more relevant stories for audiences, NAB wrote in the announcement.

Also relevant to radio is Blueprint CRM from Townsquare Media, a customer relationship management platform for broadcasters. It is optimized for ease of use and has tools for prospecting, managing relationships and garnering insights.

“The vision for the Blueprint system is to combine the best technology with the unique insights and strategies developed over the past decade building the Townsquare Media business,” NAB wrote.

[Check Out More Products at Radio World’s Products Section]

The third winner is Spalk’s Virtual Sportscasting Studio, which NAB says allows for remote production of network-quality live sports programming. “Spalk will work with faculty and students at the Newhouse School of Public Communications at Syracuse University to produce high-quality, remote commentary and play-by-play to broadcast live sporting events on their channels.

This allows local broadcasters to produce COVID-19 safe, low-cost, high-quality content which leads to expanded local sports coverage and new revenue opportunities.”

Winners will receive mentorship, feedback, travel support and exhibit space at the NAB Show.

[For More News on the NAB Show See Our NAB Show News Page]

The judges gave honorable mentions to Teamium, a smart project resource management system for production teams, and TVadSync, a platform for broadcasters “to collect first-party ATSC 3.0 viewing data, analyze viewing behaviors and attribute advertising to business outcomes.”

The announcement was made by PILOT Executive Director John Clark.

The post PILOT Announces Innovation Challenge Winners appeared first on Radio World.

RW Staff

Tailored Digital Ads and E-commerce: Ad Spend Growth Drivers

Radio+Television Business Report
3 years 2 months ago

Advertising expenditure by over-the-counter (OTC) healthcare brands in 13 key markets as determined by Zenith will expand by 7.6% in 2022 and 5.0% in 2023.

That key finding can be found in Zenith’s newly released Business Intelligence – OTC Healthcare report, and it says this growth will be driven by tailored digital brand advertising, as well as performance advertising driving traffic to OTC ecommerce platforms.

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RBR-TVBR

FCC Names 15 Tentative Winners of FM CPs

Radio World
3 years 2 months ago

Fifteen hopefuls are an important step closer to securing construction permits for new noncommercial educational FM stations.

The Federal Communications Commission released the results of a “threshold fair distribution analysis” of 15 groups of mutually exclusive applications from the recent filing window for new NCE FMs.

In each case, two applicants applied to serve separate communities. In each case the FCC tentatively has chosen one applicant over another after running them through a series of checks based on service area population data, tribal priority criteria and certain certifications from the applicants.

What emerges is this list of 15 applicants tentatively selected for CPs:

Group 12: Community Broadcasting Inc. proposes to serve West Plains, Mo.
Group 17: Arizona Board of Regents for Benefit of University of Arizona, to serve Safford, Ariz.
Group 21: Cochise Community Radio Corp., to serve Virden, N.M.
Group 52: Ethree Group Inc., to serve Key Colony Beach, Fla.
Group 67: Elijah Radio, to serve Danville, Ga.
Group 103: Torstrick Ministries Inc., to serve Harlan, Ky.
Group 105: Christwood, to serve Covington, La.
Group 108A: Central Pennsylvania Christian Institute Inc., to serve Greensburg, Pa.
Group 119: Smile FM, to serve Litchfield, Mich.
Group 120: Minn-Iowa Christian Broadcasting Inc., to serve Hutchinson. Minn.
Group 125: The Association for Community Education Inc., to serve Windsor, Mo.
Group 148: Gallup Public Radio, to serve Zuni Pueblo, N.M.
Group 175: Missions Unlimited of Oregon, to serve Clinton, Okla.
Group 208: Remante Broadcasting Network, to serve Moroni, Utah.
Group 217: Spokane Public Radio, to serve Kettle Falls, Wash.

The FCC document spells out how it reached those tentative selections.

Petitions to deny may be filed within 30 days of the FCC’s order.

“It is our intention to grant each application if, after the 30-day petition to deny period has run, there is no substantial and material question concerning the grantability of the tentative selectee’s application,” the FCC wrote.

[Related: “FCC Tentatively Awards CP to Blackfeet Tribe”]

The post FCC Names 15 Tentative Winners of FM CPs appeared first on Radio World.

Paul McLane

Two States See April 1 Radio License Renewal Deadline

Radio+Television Business Report
3 years 2 months ago

As noted by the communications law attorneys at Fletcher Heald & Hildreth on its CommLawBlog.com website, FCC License renewal applications and associated EEO Program Reports are due on or before Friday, April 1 for radio licensees located in a pair of East Coast states.

AM and FM licensees in Delaware and Pennsylvania must file renewals regardless of commercial or noncommercial status in the FCC’s licensing Management System (LMS).

These licensees must include Schedule 396, the Broadcast Equal Employment Opportunity Program Report, in their renewal application.

The FCC also requires radio licensees to provide local post-filing public notice of their renewal applications. Pre-filing announcements are no longer required.

Listeners and viewers may review the station’s filing and file comments regarding renewal applications.

As Fletcher Heald & Hildreth has noted, “a major focus” of the FCC’s review is a thorough inspection of the station’s on-line public inspection file (OPIF).  ‘For that reason, we urge all stations with upcoming license renewals to begin a thorough review of their OPIFs.  Any incomplete filings or late filings in the station’s OPIF will be disclosed in the renewal application.”

RBR-TVBR

Graham HQ Returns To Motor City With Barr Retirement

Radio+Television Business Report
3 years 2 months ago

It was expected. Under the leadership of Emily Barr, the Graham Media Group headquarters office was located in Chicago, where Barr resided.

With her retirement, announced in January, and the naming of Catherine Badalamente as her successor, a shift back to Detroit for the broadcast TV station owner’s HQ was all but certain.

On Wednesday (3/9), that move became official.

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Adam Jacobson

U.S. Public Stations Plan Call for Peace

Radio World
3 years 2 months ago

Much like their counterparts in Europe did on Mar. 4, public broadcasters across the U.S. are planning to play “Give Peace a Chance” simultaneously. The broadcast is planned for Mar. 11, 2022, at 1:30 p.m. EST.

The coordinated broadcast is backed by the Public Radio Program Directors Association, the National Federation of Community Broadcasters and the VuHaus Group.

“Right up there with food, clothing, and shelter — human connection is something we can’t live without. Radio has always amplified connection, and at this moment in time, we can take action for the people of Ukraine and reinforce the connection we share as human beings,” stated NFCB CEO Sally Kane.

PRPD President/Executive Director Abby Goldstein added, “PRPD stands with our colleagues in public radio, with all those affected by war and with the people of Ukraine at this time. Collectively, we send this message of peace to everyone willing to listen.”

Paragon Media Strategies is making available via its website a 15-second promo, social media playbook, and other visual and audio assets for stations participating in the broadcast.

“This collective transmission serves to unite public radio listeners from coast to coast in a unified demonstration to support those around the world who are affected by war, reminding all of us that we can collectively amplify support for peace across the globe,” stated Paragon CEO Mike Henry.

The anti-war anthem “Give Peace a Chance” was originally released by John Lennon and the Plastic Ono Band in 1969.

The post U.S. Public Stations Plan Call for Peace appeared first on Radio World.

T. Carter Ross

Radio Mercury Awards Announce Final Round Judging Panel

Radio+Television Business Report
3 years 2 months ago

The Radio Mercury Awards has announced the final round judging panel for its 31st annual honors.

The panel of top-level agency creative leaders represent radio’s top advertising companies — including industries such as automotive, consumer packaged goods (CPG), communications, community service, fitness, nonprofits, quick-serve restaurants, retail, spirits, telecommunications, travel and utilities.

The jury, assembled with the help of Chief Judge Alejandro Ortiz, Executive Creative Director at Campbell Ewald, is comprised of creative leaders from across the country. They represent all size markets with diverse audiences and innovative creative work for some of advertising’s largest brands.

Here is the 2022 Radio Mercury Awards Final Round Judging Panel, along with Ortiz:

• Mitch Bennett, executive creative director, Baldwin&
• Josh Grossberg, executive creative director, McCann Health
• Bianca Guimaraes, partner/executive creative director, Mischief USA
• Donnell Johnson, group creative director, Anomaly
• Nicky Lorenzo, senior vice president/group creative director, Taylor Global
• Wendy Mayes, creative director/copywriter, Plot Twist Creativity
• Sean McBride, chief creative officer, Arnold
• Bowen Mendelson, creative, Tempo Fit
• Joyce King Thomas, creative consultant, King Thomas
• Sherman Winfield, executive creative director, VMLY&R

The RMAs are presented by the RAB and the Radio Creative Fund, both of which are led by Erica Farber.

“We are looking forward to our first in-person judging event in over two years with this incredible group of creative talent who represent a broad spectrum of agencies,” Farber said. “We are excited to have them select this year’s winners and know they will bring their passion and expertise to our final round judging event.”

The Radio Mercury Awards’ Call for Entry is open through April 6. Winners will be announced at the 31st annual Radio Mercury Awards event on June 9 at SONY Hall in New York.

To find out more information regarding entries, please visit www.radiomercuryawards.com.
RBR-TVBR

‘Threshold Fair Distribution Analysis’ Decides 15 ‘MX’ NCE FM Permits

Radio+Television Business Report
3 years 2 months ago

Picture this: 15 groups of mutually exclusive applications for new noncommercial educational FM radio station permits are in need of resolution. To do so, the Audio Division of the FCC’s Media Bureau engaged in comparative consideration of the applications. Specifically, it engaged in a “threshold fair distribution analysis” — a process that gives Al Shuldiner, the division chief, delegated authority on identifying the tentative (and suggested) selectee in each group.

That analysis has now concluded, and anyone that doesn’t like the results has within 30 days of March 9 to file a Petition to Deny with the FCC.

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Adam Jacobson

Broadcasters Foundation Plans Annual Breakfast at 2022 NAB Show

Radio World
3 years 2 months ago

The Broadcasters Foundation of America will hold its annual Breakfast, Wednesday, April 27 at 7:00 am in the Brahms Room of the Encore Hotel during the 2022 NAB Show, which takes place April 23-27 in Las Vegas. The Broadcasters Foundation is the only charity devoted exclusively to providing financial aid to broadcasters in acute need from critical illness, accident, or serious misfortune.

The Broadcasters Foundation annual breakfast is complimentary to all in broadcasting. During the Breakfast, the Broadcasters Foundation will present the Leadership Awards to individuals in recognition of their career contributions to the broadcast industry and the community at large. In addition, the Lowry Mays Excellence in Broadcasting Award is bestowed on an individual whose work in broadcasting exemplifies innovation, community service, advocacy, and entrepreneurship.

[For More News on the NAB Show See Our NAB Show News Page]

Last year’s Breakfast was postponed due to the pandemic, therefore, the honorees that were previously announced in 2021 will be recognized and presented with their award at this year’s Breakfast.

The Leadership Award honorees include:

  • Byron Allen, Founder, Chairman, and Chief Executive Officer, Allen Media Group
  • Pierre Bouvard, Chief Insights Officer, Cumulus Media
  • Ralph Oakley, Retired, President and Chief Executive Officer, Quincy Media
  • Christine Travaglini, President, Katz Radio Group
  • Dennis Wharton, retired, Executive Vice President, Media Relations, National Association of Broadcasters

Gordon Smith, former U.S. Senator and Special Advisor to the NAB, will receive the Lowry Mays Excellence in Broadcasting Award.

This year’s sponsors are: AccuRadio, National Association of Broadcasters (NAB), National Association of Media Brokers (NAMB), Nielsen, Premiere Networks, Radio Advertising Bureau (RAB), Television Bureau of Advertising (TVB), USTrust, and vCreative.

The Breakfast is complimentary to all in broadcasting, although pre-registration is required.

For more information on the 2022 NAB Show, visit nabshow.com/2022/.

The post Broadcasters Foundation Plans Annual Breakfast at 2022 NAB Show appeared first on Radio World.

T. Carter Ross

NEXTGEN TV Arrives In the Palm Beaches

Radio+Television Business Report
3 years 2 months ago

BOCA RATON, FLA. — The “Big Four” broadcast television network affiliates and the low-power TV station airing Azteca América programming across Palm Beach County and the Treasure Coast of Florida have collectively made the leap to deliver “a revolutionary new digital broadcast technology” to local consumers.

Only, who’s watching, and who knew of the rollout announced late Monday via a press release posted to Business Wire?

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Adam Jacobson

Gray Seeks Digital TV Boost for North Central W. Va. Property

Radio+Television Business Report
3 years 2 months ago

Few outside of the region may be familiar with North Central West Virginia, home to such communities as Bridgeport, Clarksburg, Fairmont and Weston. It’s connected loosely to Morgantown, which is a part of the Pittsburgh DMA.

As such, Clarksburg-Weston and Elkins comprise a TV market that’s of importance to Gray Television. It owns a CBS affiliate there. And, it wants better coverage of the mountainous market.

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Adam Jacobson

House E&C Committee Schedules An FCC Oversight Hearing

Radio+Television Business Report
3 years 2 months ago

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Android Automotive Project Completes First Phase

Radio World
3 years 2 months ago

This story is adapted from the ebook “Radio’s Call to Action.: DTS AutoStage.”

John Clark

NAB PILOT, Xperi and several major radio companies are part of a group that has been working to ensure that radio is integrated into Google’s open-source Android Automotive operating system for connected cars. John Clark, executive director of PILOT, says they are ready to pitch Google executives to make the case for broadcast radio to be supported properly in that system.

The Android Automotive OS will be a standalone system with user apps installed directly to the car’s system — no smartphone required. (“Android Automotive” is distinct from “Android Auto,” where the system runs on the user’s phone.)

Android Automotive OS is expected to be available in about 50% of new cars in the next seven years. General Motors, Ford, Audi and Stellantis are among those with plans to integrate the platform.

Clark says the goal of PILOT’s initiative is to help define what radio will look like in these dashboards and ensure that radio can benefit from the rollout.

He said Xperi is doing much of the development work. Also involved are Beasley Media Group, iHeartMedia, Audacy, Salem Media Group, NPR and BBC. The group also took input from Ford and Audi.

Google itself is a member of NAB PILOT, and Clark said the group has had conversations with the company throughout the process.

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“An extensive amount of work has been done. This round of work is finished, so now it’s time to reach back out to Google,” Clark said in late 2021. He didn’t specify a timeframe but hoped the presentation could be done early this year.

The group’s work includes a recommendations document. Though specifics have not been made public, Clark says it outlines vendor extensions and other parameters that the group would want Google to incorporate into Android Automotive.

Clark says it has defined standards in broadcast radio that should be supported, like RDS, dynamic text, station logos, slide show images and multicast channels.

“I would describe this process as making sure all the services radio broadcasters have put in place are fully functional in the (Android) system itself.”

Clark says it is vital that the broadcast be a part of Android Automotive with full functionality, which in turn will help leverage a truly hybrid experience, as envisioned by a platform like Xperi’s DTS AutoStage.

“Then folks like Xperi can begin layering in things coming over the IP connection. But to get to hybrid we have to make sure the radio broadcast piece is there.”

How long might it take for this work to bear fruit?

“Google is probably working on a two-year implementation cycle for release in an open source software environment — I’d say more than one year but less than three, to get things vetted, tested and hardened. You have to remember we are talking about the entire operating system for the dashboard. So they are working through a lot of things not related to radio. Think about voice control and the impact of that alone.”

But Clark emphasizes that time is short for radio to “bend the ear” of the big tech company. For instance, Ford says it will turn over its operating vehicle systems to Google beginning in 2023. The automaker’s deep integration of the Android system will include voice-activated Assistant, Google Maps and other automotive approved Android apps, according to an announcement from Ford.

Clark said it is possible that NAB will be able to demonstrate what broadcast radio in an Android Automotive OS environment could look like at the NAB Show in April.

“We hope to showcase a radio interface on Android Automotive that takes advantage of all features of broadcast radio.”

Randy J. Stine has spent the past 40 years working in audio production and broadcast radio news. He joined Radio World in 1997 and covers new technology and regulatory issues. He has a B.A. in journalism from Michigan State University.

The post Android Automotive Project Completes First Phase appeared first on Radio World.

Randy J. Stine

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