Industry News

The EAS spotlight will be on broadcasters on Aug. 11. The national test of the Emergency Alert System that day will not involve the internet IPAWS portion of the system as it has in the past. That’s because federal officials want to make sure the traditional broadcast daisy chain is reliable if the internet is not available during an emergency.

As we reported earlier, the test of EAS and the Wireless Emergency Alert System will take place Aug. 11 at 2:20 p.m. EDT with a backup date of Aug. 25.

Now the Public Safety and Homeland Security Bureau of the Federal Communications Commission has announced details and also has made the EAS Test Reporting System available to accept 2021 filings. All EAS participants — including most U.S. radio stations — must renew their identifying information using ETRS Form One by July 6.

FEMA will transmit the EAS portion of the test only through the familiar broadcast distribution daisy chain, not the internet using the Integrated Public Alert and Warning System this time. Even though EAS participants must be able to receive alerts from both, FEMA wants to determine the capability of EAS to deliver messages in the event that the internet is not available.

“Testing the daisy chain will allow the FCC and FEMA to assess whether the national EAS would perform as designed, if activated, and help to ensure the reliability and effectiveness of broadcast-based alerting as part of our national emergency communications infrastructure,” the FCC wrote.

FEMA will initiate the WEA portion of the test using the State/Local WEA Test category for the first time.  Only subscribers who have opted in to receive WEA tests will receive that message. Participating CMS Providers are required to transmit the State/Local Test message and enable subscribers to opt in to receive it.

The commission also reminded EAS participants of steps to take to be prepared, including ensuring that their EAS gear has the latest software and that it can receive and process the NPT code and “six zeroes” national location code. Further recommendations are in the FCC notice.

In addition to filling out Form One by July 6, EAS participants must fill out Form Two on Aug. 11 or 12 for “day of test” info; and Form Three is due Sept. 27.

Filers can access ETRS on the FCC website. You can update previously filed forms in ETRS by clicking on the “My Filings” menu option. Broadcasters can pre-populate Form One by completing the FRN and Facility ID fields but should doublecheck the data.

“Each EAS participant should file a separate copy of Form One for each of its EAS decoders, EAS encoders, or units combining such decoder and encoder functions,” the FCC wrote.

The post National EAS Test Will Focus on Broadcast Chain appeared first on Radio World.

“Every presentation is a performance,” says veteran public relations executive Rosemary Ravinal, who has emerged from the pandemic as a Zoom etiquette expert for the professional work force.

“It is a performance with a specific audience in mind, concise content, delivered with energy and authority,” she writes in this new column. “Whether you are doing a virtual presentation or in-person, there are common best practices that will ease your discomfort and greatly improve your impact.”

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Fueled by stronger than anticipated digital advertising results, respected Wall Street financial analysts at MoffettNathanson are raising its 2021 overall U.S. ad growth estimate.

This offset will be partially offset by lower than expected broadcast and cable advertising.

But, what do the radio advertising trends look like? Senior Analyst Michael Nathanson offers a few details.

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On September 19, 1921, one of America’s oldest radio stations will celebrate its 100th anniversary.

On Friday (6/11), the 100 day countdown to a century of serving New England began for a station currently offering an all-News format, owned today by iHeartMedia.

WBZ-AM 1030, a Class A 50kw directional facility using 2 towers on the opposite of Nantasket Beach, Mass., is the station already saluting itself. This will see on-air and online vignettes recalling the most memorable moments in the station’s history.

“For a station to broadcast for 100 years is nothing short of amazing,” said Alan
Chartrand, Market President of WBZ parent iHeartMedia/Boston. “Listeners and advertisers
consistently utilize this heritage brand as evidenced by WBZ’s continued ratings and
revenue success. People lean into objective news sources to remain informed and none
has been more dependable than WBZ NewsRadio.”

Rob Sanchez, Vice President of News, Talk & Sports for iHeartMedia in Boston, added, “WBZ NewsRadio is defined by our strong, unmistakable presence in the communities we serve. As the media landscape continues to evolve, our reach has only increased as WBZ listeners have adopted streaming on smart devices and the iHeartRadio app.”

With FM accessibility via WXKS-FM 107.9 HD2, the primary listener connectivity point for WBZ remains its booming AM signal, which covers all of eastern Massachusetts; Rhode Island; southern New Hampshire; and coastal Maine. At night, WBZ’s signal expands to much of the Northeast. While a Class A, it shares that designation with a Port-Au-Prince, Haiti, radio station.

The WBZ of today features all-news programming from midnight to 8pm weekdays, and Nightside with Dan Rea from 8pm until midnight. Saturday evenings feature talk programming, while The Ric Edelman Show holds the 10am-noon Sunday slot.

WBZ is one of the original Westinghouse radio stations, and has been at its present dial position since 1941. It was a member of the NBC Blue Network, and then switched in 1942 to the Red Network. That lasted until August 1956, when a dispute over daytime programming led WBZ to take on a “MOR” music approach. At this time, legendary hosts including Dave Maynard entered the WBZ annals of history.

In the 1960s, WBZ became a Top 40 station, competing with WMEX. But, in 1969, WRKO had emerged as the market’s hit music leader. This led WBZ, even with its much bigger regional signal, to shift toward Adult Contemporary as it adopted a more Full Service approach, incorporating Sports programming and Talk shows.

In 1985, as many AMs were doing, Full Service programming gradually faded. By the time the Persian Gulf War began in 1991, all music programming was done. This resulted in WBZ becoming “Boston’s News Station.”

Meanwhile, WBZ’s ownership was still associated with the old Westinghouse, this time as a CBS Radio property with Viacom a part of its historical ownership lineage. With CBS Radio’s merger with Entercom, now Audacy, in 2017, the company opted to swap WBZ — along with a group of other stations — to iHeartMedia.

A “digital cartop network” is one that can run ads and other content on top of ride-sharing vehicles; and Cumulus Media just did a deal with one.

The company signed an agreement with Adomni, an ad platform with 460,000 “out of home digital screens” in the United States.

[Read: Cumulus Stations Support DTS AutoStage]

It means that in markets where Cumulus has radio stations, Adomni becomes its exclusive ad partner to local businesses for the Uber OOH cartop ad network.

“Uber OOH is the official Uber digital out-of-home national advertising network which, in partnership with Adomni, features two-sided internet-connected, video-enabled screens on the tops of Uber vehicles,” they said in a press release.

The announcement was made by Dave Milner, EVP of operations at Cumulus Media, and Jonathan Gudai, CEO of Adomni.

Milner said this gives Cumulus another platform to offer to its advertisers.

The post Cumulus Signs Ad Deal for Uber Cartop Screens appeared first on Radio World.

American Public Media and Audacy are working together on a podcast initiative, a deal that brings together two prominent organizations from the worlds of public and commercial radio respectively.

APM’s podcast arm and Audacy’s Cadence13 business announced a multiyear “strategic partnership.” APM is the programming and distribution division of Minnesota Public Radio. Audacy is the company formerly known as Entercom.

[Read: Audacy/Entercom Signs Deal With Big Sportsbook]

“Cadence13 will serve as the exclusive podcast sales representative for APM,” they said in a release. “Additionally, the organizations will develop future on-demand programming initiatives, co-productions and collaborative new revenue opportunities.”

The announcement was made by Lily Kim, general manager of APM’s podcast division, and Chris Corcoran, chief content officer for Cadence13. Kim said the organizations “share a complementary vision for premium audio storytelling.”

The companies highlighted APM’s podcast programming and the “reach and scale” of Cadence13’s audio and ad networks, with the goal of offering better and more targeted opportunities to their advertisers.

APM says its podcasts reach 3 million listeners and 17 million monthly downloads. Titles include “Marketplace,” “In the Dark,” “Don’t Ask Tig” and several popular “kids and family” podcasts. Cadence13 shows include “We Can Do Hard Things with Glennon Doyle,” “The Goop Podcast,” and “4D with Demi Lovato.”

Audacy will support the partnership via marketing and development on its radio and digital platforms.

The post APM, Audacy Create a Podcast Partnership appeared first on Radio World.

You’ve heard the reports about the demand in the 2021 Upfront season being quite strong.

But, there’s an ugly truth that MoffettNathanson Senior Analyst Michael Nathanson can’t get past.

Starting in 2015, TV ad spend, most like due to declining cable network impressions, has “decoupled” from U.S. economic growth.

The erosion forecast isn’t pretty.

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At the end of November 2019, Urban WBLS-FM 107.5 and Hip-Hop WQHT-FM “Hot 97” in New York shifted from Emmis Communications’ full ownership to a newly created entity that saw Emmis become a 23.72% interest holder in MediaCo Holding Co.

The remaining 76.28% interest holder is Soohyung Kim-controlled Standard General, the private investment group that has stakes in TEGNA, Bally’s Corporation and Cumulus Media. 

Now, MediaCo has selected a CEO while appointing a President/COO, creating an executive team for the Gotham operation that also includes Fairway Outdoor.

Starting July 1, MediaCo’s CEO is Rahsan-Rahsan Lindsay — most recently an Urban One EVP. As CEO, Lindsay will be responsible for setting MediaCo’s overall strategic vision and expanding its radio and outdoor divisions — with an emphasis on transforming the digital business.

Lindsay spent 9 years at Urban One, where he directed advertising sales, integrated marketing and sales operations for TV One and sister network CLEO TV. In 2020, he took over the role as head of iOne Digital ad sales and One Solution, Urban One’s cross-platform marketing group, as well as One X Studios, the branded content production arm of Urban One.

Before that, Lindsay spent nearly eight years in Ad Sales for Viacom Media Networks, focused on new business development for MTV, Comedy Central, Spike, CMT, and TV Land. He also served as VP of Ad Sales for MTV2, mtvU, and Palladia.

“The opportunity to work with iconic brands like HOT 97 and WBLS is just too good to pass up,” Lindsay said. “I see a number of potential ways to further cultivate both brands, build on their well-established legacies, and drive new revenue streams. I’m also energized by the opportunity to leverage the Fairway footprint in a way that helps fulfill the MediaCo mission to connect with broader audiences.”

Does MediaCo’s desire to “expand” its radio division involve the acquisition of additional stations?

That remains to be seen, as Emmis continues to seek the right buyer for WLIB-AM 1190 in New York.

Speaking for MediaCo, board member Laura Lee said, “Rahsan-Rahsan is a talented and dedicated leader with the right strategic vision, relentless drive, and passion for media required to lead the MediaCo team at this critical time. He forged his career at the intersection of technology and media, and his vast experience and keen perspective will be invaluable in taking the company into the future.”

Joining Lindsay in the C-Suite, as President/COO, is Bradford Tobin. He joined MediaCo in August 2020 and leads the business operations, and formerly served as a general counsel and Chief Compliance Officer for Standard Diversified Inc. He’s also been general counsel for RadioShack.

Tascam released a V1.1.0 firmware update for its VS-R264 Full HD Streamer/Recorder and the VS-R265 4K/UHD Streamer/Recorder.

“With multiple simulcast and backup enabled by the availability of three RTMP (Real-Time Messaging Protocol) streams simultaneously, this important new update adds a wealth of functionality,” the company said in its announcement.

[Check Out More Products at Radio World’s Products Section]

The update supports three simultaneous RTMP streams, so users can stream programs to three different streaming platforms at the same time. “As an example, content can be streamed to YouTube, Facebook and Dacast simultaneously. Further, this update also facilitates simultaneous backup distribution (main and backup) to the server of the same streaming service.”

The update supports a total of eight simultaneous streams. “This includes 3 x RTMP / RTMPS, 1 x RTSP (Real Time Streaming Protocol), 1 x HLS (HTTP Live Streaming), 2 x RTP / UDP Unicast, and 1 x RTP/UDP Multicast.” The company noted that RTMPS is a variation of RTMP that has an added layer of security.

The V1.1.0 update for the two models of streamer/recorder is available for download. Scroll to Firmware/Software and click: Main unit software V1.1.0.11.1 dated 02-12-2021.

Info: www.tascam.com

The post Tascam Streamer/Recorders Get Firmware Update appeared first on Radio World.

Today’s sale of several unbuilt LPTV stations by DTV America, controlled by HC2 Holdings, is just one of many seen over the past several weeks.

And, more could be on the way, as the Media Bureau has just issued a reminder to “certain  permittees” of new digital low power television and television translator stations that their construction deadline is fast approaching.

That date is July 13. At 11:59pm local time on that date, these permittees “must complete
construction of their facilities, begin operating, and within 10 days file a license to cover application.”

Failure to do so will result in the construction permit being automatically forfeited without any further affirmative cancellation by the Commission.

Yikes.

What if a permittee needs additional time to complete their new digital facilities? The Media Bureau says they may submit an application for extension of their digital construction permit. However, this will need to include a waiver request for the CP extension filing deadline of March 15, 2021.

“Permittees that do not plan to complete construction of their digital facilities are encouraged to submit their construction permits for cancellation as soon as possible,” the Media Bureau instructs.

Or, in the case of HC2, find a buyer at any price.