Industry News

The Society of Broadcast Engineers has added two more names to its list of Fellows. At its April 24 meeting, the SBE board of directors voted to elevate James Leifer, CBPE, and Ralph Beaver, CBT, to its highest membership level. There have been 81 Fellows during the course of the SBE’s 56-year history.

Both will be recognized Sept. 23 at the SBE National Awards Dinner, which will be held in conjunction with the SBE National Meeting. This year’s meeting is scheduled during the SBE Chapter 22 Broadcast & Technology Expo in Syracuse, N.Y.

“They both possess and regularly demonstrate the skill, attitude, professionalism and dedication to broadcast engineering that are the benchmarks of an SBE Fellow,” SBE President Wayne Pecena (CPBE, 8-VSB, AMD, DRB, CBNE) said in the announcement. Pecena also noted that he had worked with Leifer and followed Beaver’s efforts at the SBE.

James “Jim” Leifer

Leifer is the senior manager of broadcast operations for American Tower Corp. and is based in the Boston metropolitan area, where he moved in 2017 for his present role working on the TV repack. In Florida, he held engineering positions for iHeartMedia, Ion and Paxson.

Because Leifer’s broadcast career kicked off in south Florida in 1987, he initially joined  SBE Chapter 53. In 2008, Chapter 53 elected him chapter chair, a role he fulfilled until 2012.

Leifer is the SBE board’s current immediate past president. He served as president from 2017–2019, and prior to that was the board’s VP from 2015–2017. Leifer was the SBE secretary from 2011–2015, first joining the board in 2009. 

Several of his nomination letters characterize Leifer as a talented, competent and technically capable broadcast engineer, willing to help others. Leifer’s regulatory advocacy is also a standout, according to his peers.

Ralph Beaver

Beaver, NFL general manager of frequency coordination and CEO of Media Alert LLC, is another long-serving SBE Floridian. He moved to Tampa in 1973, and joined Chapter 39 two years later. Beaver is active in the chapter’s Broadcast Engineering Symposium. 

Additionally, Beaver served on the national board  from 2002 until 2012, during which time he chaired the EAS Committee and then the Frequency Coordination Committee. In the latter role, Beaver worked with the SBE/NFL Game-Day Coordinator program, a position he was well suited to, since he had begun working with the NFL in 1999 as the Tampa game-day coordinator and Super Bowl coordinator for that same year. He took on his current role with the NFL in 2011.

Beaver’s nominations highlighted his EAS efforts as well as his frequency coordination work. One letter called him “a master of spectrum allocations and spectrum compatibility studies.”

The post Leifer and Beaver Chosen as SBE Fellows appeared first on Radio World.

Nielsen’s latest report on radio listening in Norway shows that DAB+ continues to gain ground in Norway.

The report, which includes data on 2019 radio listening, finds that last year approximately 86% of Norwegians listened to radio on a weekly basis.

According to the study, more than 3.4 million people (approximately 73% of the population aged 10+) now have DAB radio in their home. This figure includes both regular DAB radios as well as analog receivers with DAB adapters.

In addition, the Nielsen Audio study indicates an increase in the number of in-car DAB receivers. In Norway all new cars sold are now equipped with a DAB radio as standard, and the report stats that in 2019, 67% of the population had access to DAB radio in their car. This is up 9% from 2018. Of those, 82% say they listen to DAB radio at least once a week while in their cars, while almost half listen to it on a daily basis.

The full Nielsen Audio 2020 report is available to download here. A WorldDAB report (updated in February) on the Norwegian radio market featuring the results after the FM switch-off and lessons learned is available here.

The post Nielsen Audio 2020 Report Is Now Available appeared first on Radio World.

Paul Alexander is president of Scott Communications and Alexander Broadcasting. Their stations are WALX(FM), WALX(HD2), WALX(HD3), WJAM(FM/AM) and WMRK(FM).

Alexander told Radio World about how local broadcasters stepped up to honor Robert Skelton, a first responder with CARE Ambulance, who died last week at age 47. Due to social distancing requirements, they were unable to host a traditional memorial service for him, however the Lawrence Brown-Service Funeral Home contacted Alexander’s company to broadcast the service for a drive up funeral. Alexander donated air time from WALX for the service, which featured a eulogy recorded by Kenneth Martin using a voice memo app.

Alexander participated in a Q&A with RW to explain how they pulled it off.

Radio World: Am I correct that the program could be heard both on 101.5 analog, as well as thd HD-2 of 100.9? 

Paul Alexander: Yes, W268BQ is the 101.5 translator for WALX(HD-2). The coverage on HD-2 allowed for a much larger footprint in coverage for anyone wishing to tune in from anywhere in the region with their HD Radio, while the analog translator served the Selma/Dallas County area for listeners without HD Radio. 

Having invested in HD Radio for the communities we serve has offered a true advantage for listeners in the market by allowing us to have additional programming streams on both the supplemental HD audio channels for WALX, as well as the associated FM translators. We have two additional stations that otherwise would not be here without HD Radio.

RW: What was the audio setup to feed the service to the station for airing?

Alexander: In the spirit of keeping station personnel as safe as possible during the pandemic, we elected to try something unconventional that kept our team at the station to do our part. We ended up connecting via FaceTime audio between my iPhone connected to the studio console and the funeral director’s iPhone connected to the podium microphone mix at the funeral. 

At first, I was fairly nervous about not having our Comrex Access at this event, but believe it or not, the audio was better than one might expect… and most importantly, we maintained connectivity the entire 30-minute service.

RW: I see online that the police department was on hand to deal with any traffic issues. How did that go?

Alexander: Many officers from the Selma Police Department and Dallas County Sheriff’s Department were very good friends with Mr. Skelton, so a good many of them were in attendance for the funeral for that reason. The officers actually assigned to the event assisted in making sure that all of the vehicles were parked with at least six feet of distance between them. They also assisted in ensuring that everyone remained inside of their vehicles for the entirety of the service, following Gov. Kay Ivey’s orders, as well as recommendations by state health officials and the CDC. Local law enforcement did a fantastic job in their role.

RW: What kind of reaction from listeners did you get?

Alexander: We received dozens of positive calls, emails, social media messages of gratitude for providing this service. One particular message stands out where a listener said: “It’s so encouraging in these especially difficult times that we can count on our local radio group to pull the community together. Please let your family and all employees of the station know that it is appreciated more than all of you may know.”

We appreciate every “pair of ears” that have tuned in to any of our stations across Alabama and Mississippi, and we also want them to know it’s always about them, and not us. I hope we do a good job expressing that in everything we do.

RW: Did Mr. Skelton die as a result of the coronavirus? 

Alexander: He passed away unexpectedly, but we are told it was not from coronavirus. The cause of death has not been disclosed to us other than it was not due to the virus.

RW: What else should we know?

Alexander: Sue Keenom, with NAB, sent the following message when she received word this had been done for Mr. Skelton and the community: “Thank you so much for sending. What a wonderful way to honor a hero when folks cannot gather for a service. I am in awe of the myriad of ways broadcasters are finding to help during this crisis.

Attendees of the funeral were asked to stay in their vehicles, and tune their radio to 101.5/100.9 HD-2 in order to hear the funeral service message from the minister as well as other notable people delivering a message such as the owner of the Ambulance company Mr. Skelton worked for as well as one of the dispatchers who voiced her last dispatch to him, which said:“Blackhawk down — rest easy, Mr. Robert Skelton, we have got it from here.” 

Coordination of this event was made between the City of Selma, Care Ambulance, The Selma Police Department, Air Evac Life-Team, Scott Communications/KIX 101.5, Lawrence Brown-Service Funeral Home and Alabama Law Enforcement Agency.

The post Alexander Broadcasting Honors Selma First Responder appeared first on Radio World.

As part of our series about how very low-power radio transmitters are used during the pandemic, we asked Bill Baker of Information Station Specialists to list some of the types of applications he has seen.

We’ve reported about the use of radio in church parking lots. Bill Baker identified several other uses:

• Funeral homes — One of the saddest things about the pandemic is that families cannot gather in the traditional way to mourn loved ones. Radio signals are used by some funeral homes to allow mourners to attend in their cars.
• School graduation and commencement services — Baker said these “often the take the form of parades of graduates who get their diplomas at a stage they drive past and then on through the community.”
• Official government meetings — These might be conducted indoors but the public can listen outdoors and even participate with a microphone. He cited specific instances in California and Delaware.
• COVID-19 testing — The state transportation department in New York and a hospital in Ohio have used radio signals to broadcast local information.
• Theater groups — Performances for people in their cars.
• Civic events — A city in Utah is planning a Memorial Day parade around a park that people can attend and tune into from their cars.
• Factories — Baker said at least one organization is using transmitters to communicate with workers returning to the plant after being furloughed
• Courthouses — In some states radio is being used to provide advisories for people coming into the court complex during the coronavirus.
• A county jail in New York state put AM transmitters indoors because prisoners were not allowed to congregate outdoors.

Do you know of an application where radio is helping during the pandemic in an unusual way? Write to radioworld@futurenet.com.

The post Check Out These Unexpected Uses for Unlicensed Radio appeared first on Radio World.

OTTAWA, Ontario — It is a truism of the internet age that business people can successfully collaborate over the web, without ever meeting in person. CBC Radio producers Craig Desson and Kieran Oudshoorn recently put this theory to the test, by co-producing the hour-long network radio show, “Us, But Nobody Is Here” while separated by a distance of 2,000 kilometers (1,240 miles).

Craig Desson and Kieran Oudshoorn in Desson’s Montreal home. Credit: Craig Desson

Available online, “Us, But Nobody is Here” explores the realities of long-distance business and personal relationships at a time where the web is said to bridge all gaps. The program does this through interviews with various people trying to make tech-aided long distance relationships work — including Craig Desson and Kieran Oudshoorn as they craft this show without meeting in person. Their separation was very real. Desson is based at CBC Montreal in Quebec, while Oudshoorn is about more than 2,000 kilometers north of him in Iqaluit, Nunavut; on Baffin Island in the Canadian Arctic.

PERSONAL EXPERIENCE

The impetus for “Us, But Nobody Is Here” came from Oudshoorn’s move to CBC Iqaluit after working in southern Canada throughout his radio career.

“I moved to a place that is incredibly physically isolated from my friends and family down south,” Oudshoorn said. “I decided that to find ways to keep in touch through technology, to maintain my relationships in my personal life.”

After Oudshoorn and Desson met through a mutual CBC associate — remotely, of course — the pair realized that what Oudshoorn was dealing with was actually becoming a universal experience due to telecommuting and social media. This insight inspired them to pitch and then win approval to produce “Us, But Nobody Is Here” as a national holiday broadcast for Jan 1.

Craig Desson overlooking Montreal. Credit: Craig Desson

“We’re increasingly living in a world where geography is supposed to be meaningless; where we’re told that you can do anything from anywhere,” said Desson. “With this program we decided to push this idea to the limits, from seeing what the realities of today’s remote relationships are like to the various aids that can help bridge this emotional distance.”

Desson and Oudshoorn started fleshing out their program in March 2019, working out of their respective homes, CBC Radio facilities and local communities. “The initial production process entailed a lot of phone calls and emails,” said Oudshoorn. “We sketched out the main ideas in Google Docs, which allowed us to share the developing storyline over the web and work on it together in real-time.”

EMOJIS MATTER

Working in this way limited the degree between the two producers. Having never met in person they had no real sense of who the other was. This is why Desson and Oudshoorn decided to also connect by videoconferences, “which allowed us to at least see some of each other’s body language,” Desson said. “Sometimes we would go into radio studios in our stations and connect to interviewees in other cities over ISDN phone lines in order to get broadcast quality audio remotely.”

Polar bear tracks leading into Iqaluit, where Kieran Oudshoorn lives. Credit: Kieran Oudshorn

One tool that proved unexpectedly useful were emojis in emails and texts. “There are so many animal layers to in-person interactions, which don’t come across when you are communicating remotely,” said Desson. “Used thoughtfully, emojis can be an effective graphical shorthand to tell the other person what you are feeling as you are writing something.”

Much of the field audio used in “Us, But Nobody Is Here” was captured using a range of Zoom handheld digital audio recorders with built-in microphones. “Kieran is the King of the Zoom recorders,” Desson said. “He’s got about every model that is currently available, and he used them all to record the show.”

A case in point: “Craig and I recorded my remote interactions for use in the program, which included me walking out in the Arctic tundra in the middle of nowhere, talking to him on my cellphone and capturing the audio on my Zoom,” said Oudshoorn.

PRODUCTION LIMITS

The growing multichannel program was mixed on their personal computers using Adobe Audition. Desson and Oudshoorn took turns adding content and making changes, and then shared the updated file with the other via the web.

The sun coming up in Iqaluit. Credit: Kieran Oudshoorn

“This is where we ran into problems,” Oudshoorn said. “There would be disconnects where one of us had done edits and pieces would be somehow go missing in the mix, forcing us to repopulate it all again. What was fascinating was the difficulty we had in communicating editing nuances to each other over the distance. Without hearing the same thing in the same room together at the same time, it was hard for us to understand what each of us was getting at creatively.”

It wasn’t until October 2019 that Craig Desson and Kieran Oudshoorn met in person. They came together at CBC Montreal to finish mastering the program using the corporation’s Dalet audio production system.

“Working in the same space, we were able to get quite a lot done in a short time period,” said Oudshoorn. “But then again, we had already built a relationship remotely that we were able to draw upon. So we were already very comfortable together and on a similar wavelength.”

Having put remote radio production to the test, what did they learn from the experience? And what would they do differently next time?

These answers weren’t evident in the initial interview this reporter conducted with Desson and Oudshoorn during a three-way teleconference between Ottawa, Iqaluit and Montreal. So, in the spirit of remote collaboration, I sent them a draft of this text, so that they could add their own conclusions directly.

“It was a great way to get things rolling,” said Desson. “However, you still feel that remote tech is a lower bandwidth than the real world. It takes longer to communicate ideas and sharing project files has a long way to go. That being said, working remotely opened a door for us to collaborate that wouldn’t be there if it weren’t for all these collaboration tools,” he said.

“Out of sight, out of mind: It’s painful how accurate this truism is,” said Oudshoorn. “It takes real intent to break through and connect at a distance. This is one of the lessons I learned, be intentional. My distance relationships are all the more rich now because I now go into them with focused attention.”

“This goes double for working at a distance like Craig and I did,” he added. “We were intentional about the time we took to be friendly and shoot the breeze when we talked, and we were intentional when we got down to business and made sure our work was done. As communication technology continues to change and improve we must be intentional about harnessing its possibilities and minding its pitfalls.”

The post Making a Radio Show While Separated by 2,000 Kilometers appeared first on Radio World.

The National Association of Broadcasters is asking the Federal Communications Commission to reconsider how it defines media competition in its upcoming biennial report. NAB wants the FCC to factor in technological changes, shifts in consumer behavior as well as the current advertising climate when determining how to treat ownership caps and other rules related to competition.

According to the NAB, many of these changes are “splintering the previously ‘mass’ audio market and diverting audiences to myriad other options, at the expense of traditional radio.”

Some of its radio-specific arguments include: 

• Broadcast radio now competes against many other types of audio and does so via a variety of devices. OTA radio goes head-to-head against not only satellite radio, pureplay streamers and podcasts, as well as video content that is just as easily accessible on many devices. Additionally, radio broadcasters share their content not just via receivers, but on smartphones, smart speakers, wireless headphones, laptops, tablets and other ways of reaching listeners.
• As these pluralities are solidified, radio’s dominance is challenged. Both streaming and satellite listenership are up, and the Pandora-SiriusXM merger will likely challenge radio in innovative ways going forward. 
• Additionally, NAB points to YouTube’s success as a music discovery platform to illustrate how radio is increasingly competing against video providers in ways unthinkable a decade ago. Podcasting is also giving radio a run for its money and its listeners, growing at a faster rate than even streaming.
• How consumers are listening is also changing what they listen to. Fewer radios in the home has correlated to less AM/FM listening, contrasting with more internet connected devices and more streaming. It’s also important to note that players like Amazon and Google not only make devices but also have their own audio services, and it’s unsurprising that these synergies help chip away at radio’s dominance in their own way.
• It is increasingly simple to switch from audio to video content (and back again) using one device. Smartphones, tablets, laptops all are used for both listening and viewing. 
• Digital devices have removed geographic constraints for listening to content. Reception (and therefore the media market) is no longer the determinant of which stations compete against each other for listeners and ad dollars. 
• The advertising landscape has fundamentally changed to have digital media become a power player and a popular choice for both national and local campaigns.
• Radio is dependent on advertising in a way that many of its competitors — which can charge subscription fees or have other financial models — are not. 
• The COVID-19 pandemic is challenging an already slow and fractured advertising landscape. Radio is heavily reliant on local businesses and small organizations, which are in turn being hit hard by the financial downturn from the health crisis. Radio listening is reportedly up, but that has not translated into increased revenue for broadcasters, many of which were struggling prior to this development.

With all these factors in mind, NAB is asking the commission to factor in non-broadcast competition in the upcoming report and then again in its quadrennial review.

The post NAB Presses FCC to Update Its Competition Definitions appeared first on Radio World.

New technical rules are now in place for the nation’s low-power FM service.

On April 23 the Federal Communications Commission issued a Report and Order revising and clarifying technical rules for LPFM stations, though not all of the proposals proffered in the previous Notice of Proposed Rulemaking made it into the final order.

The commission adopted four main proposals, including expanding the permissible use of directional antennas; permitting waivers of protections of television Channel 6 by a specific group of reserved channel stations; expanding the definition of minor change applications for LPFM stations; and allowing LPFM stations to own boosters. According to the commission, these changes are designed to give low-power FM stations the means of improving their service as well as offering greater flexibility and removing some regulatory burdens.

[Read: LPFM Stations Seek Technical Upgrades]

The use of directional antennas is notable. When the commission created the LPFM service in 2000, it opted to allow only omnidirectional antennas because it wanted to implement service quickly and sought to establish simplified application preparation and processing.

The revised rule allows LPFM stations to apply to use directional antennas to comply with treaty obligations to Canada and Mexico without the need to submit a proof-of-performance document. The revised rule also permits LPFMs to apply to use directional antennas to protect other broadcast stations from interference; in this case, though, an LPFM station has to submit a proof of performance.

LPFM proponents expressed support for directionals because they would provide more flexibility for stations looking to relocate and operate near international borders. Several groups representing full-power broadcasters, including the National Association of Broadcasters, the New Jersey Broadcasters Association and others, opposed the idea, questioning why LPFMs would need directional antennas to reach more listeners given the highly localized purpose of the LPFM service.

But the commission said it found “no compelling reason to continue restricting the use of directional antennas in the LPFM service to TIS [travelers information service] stations and second adjacent waivers.” The commission said that it expects LPFM applicants will use the option primarily in border regions and similar circumstances where the benefits justify the additional expense.

In a statement about the issue, Commissioner Michael O’Rielly said he was sympathetic to commenters who expressed concern regarding the potential deployment of more directional antennas by LPFM stations. “[I] have to trust that proofs of performance will provide adequate insurance against misuse,” he said. “Further, I understand that these antennas are expected to be used primarily in locations near our country’s international borders, but this is an important issue that I intend to watch closely as these rules are implemented.”

The commission also moved to redefine the types of LPFM facility changes that qualify as “minor.” The goal here is to provide additional flexibility for LPFM stations to relocate their facilities. Based on the fact that LPFMs typically have 60 dBu service contours with a radius of slightly more than 5.6 kilometers/3.5 miles, and that the contours of two such facilities can be expected to overlap at double that distance at 11.2 kilometers/7 miles, the FCC voted to allow LPFM site changes up to 11.2 kilometers (or to any greater distance that would result in overlapping 60 dBu service contours between the existing and relocated facilities).

The new rules also allow for a LPFM licensee to own and operate FM booster stations. The NPRM tentatively concluded that FM boosters should be available on a nonwaiver basis to any LPFM station that might be able to operate a booster without causing interference to itself. Accordingly, the commission proposed to amend its rules to incorporate guidelines for potential LPFM use of an FM booster in lieu of use of an FM translator. Under the original proposal, such booster stations could receive the signal of the commonly-owned LPFM station by any means authorized in the FCC rulebook.

One area in which the commission elected not to make a change involved eliminating the rules requiring radio stations operating in the FM reserved band to protect TV6. The NPRM proposed to eliminate TV6 distance separation rules for LPFM, NCE, Class D and FM translator stations operating on reserved band FM Channels 201–220 stations after completion of the LPTV digital transition. In a separate finding after release of the NPRM, the Media Bureau asked for comment on the continued use of TV6 for analog audio services. Because that proceeding could have implications to TV6 protection requirements, the commission decided to defer further action on this issue.

The current proceedings sprang from a petition for rulemaking by REC Networks in 2018 that aimed to address various issues that preclude more successful deployment of LPFM stations, especially in suburban and core urban areas. At the time, REC Networks noted two main causes in particular: what it called “unnecessary overprotection” of other broadcast facilities by LPFM stations; and disparity in the relationship between LPFM stations and FM translators, which REC noted should be defined as equal in status.

The resulting Notice of Proposed Rulemaking proposed to modernize technical aspects of the commission’s rules governing LPFM radio stations, sought comments on proposals to improve LPFM reception, and requested comments on increasing flexibility in siting of LPFM stations while maintaining interference protection to other radio stations.

 

The post FCC Finalizes LPFM Rule Changes in New Order appeared first on Radio World.

Sen. Ted Cruz (R.–Texas) is proposing that the Federal Communications Commission not grant broadcasting licenses to some applicants who intend to change the language of the station they are purchasing, the Washington Free Beacon’s Adam Kredo reported last week.

Cruz says this would effectively eliminate a loophole that has allowed foreign propaganda to be spread in the United States. The legislation was prompted by the 2018 purchase of a radio station owned by Phoenix TV — a media outlet connected to the Chinese government — operating under a temporary license and using a Mexican radio tower to broadcast Chinese-language content in southern California.

According to the Free Beacon, the legislation would also apply to those who want to buy radio towers in Canada that would have signals that could reach the United States, as well as Mexican towers.

The Crux legislation apparently would make an exception for language changes when it can be proved that the new owners are “free from foreign government influence,” the Free Beacon says.

This issue was put in the spotlight earlier this spring when a Phoenix TV reporter was allowed to participate in a White House press conference.

The post Cruz Proposes Law Limiting Station Language Changes to Eliminate Propaganda appeared first on Radio World.

Sumter County Alabama Commissioner Marcus Campbell (left) and Blackbelt Broadcasting’s Damon Collins provide updates on the COVID-19 outbreak. Campbell is also the voice of local high school broadcasts.

A Foley, Ala., broadcaster has applied for an auxiliary waiver it says will ameliorate the negative effects it is experiencing from the COVID-19 pandemic and subsequent stay-at-home order.

Blackbelt Broadcasting President Damon Collins is seeking an FM auxiliary authorization that would increase WLYB(FM)’s power from 3.4 kW to 8.0 kW. According to the waiver application, Collins seeks the change in reaction to changes in commuting and listening habits due to the pandemic — shifts that Collins and others anticipate will be long-term if not permanent.

“This upgrade will help reach our rural communities who depend on our station. With more listening now done at home, this increase will improve our coverage without creating interference issues to other stations,” Collins wrote in an email to Radio World.

WLYB has also been a proponent of a proposed new FM class called C4. But Collins emphasizes that here the station is seeking an FM auxiliary permit that is secondary and can be cancelled at any time. “This FM Auxiliary permit effort does not replace the FM Class C4 petition. That initiative is still ongoing,” he said.

Specifically, Blackbelt Broadcasting is concerned that “The loss of the commuting listener base disproportionately affects lower-powered broadcasters … who depend significantly upon outdoor reception in vehicles in order to retain audience share.” Additionally, Collins said that, due to financial and technical constraints, lower-powered stations like his are less able to shift to streaming in order to reach indoor listeners. 

Additionally, the application says “the present and anticipated lasting sudden and unpredictable listening pattern shift due to the SARS-CoV-2 outbreak precisely satisfies” the FCC’s criteria that “a waiver request must be due to special and unique circumstances.”

Although Blackbelt Broadcasting does not anticipate the change would cause interference, they say WLYB would revert to the original licensed parameters of its main authorization if there are six unresolved listener complaints.

However, WLYB is continuing to serve its community, which has been hard hit by the crisis.

“We have focused our efforts to provide community information to our listeners. We provide reports and interviews from our local and state leaders on the pandemic. Updates on testing, services available, and stories the impact our community. We are helping all businesses by letting our listeners know they are open by providing updates. Everyone is working together during this crisis,“ Collins said.

According to Collins, Sumter County, Ala., where WLYB is located,  “is one of the poorest counties in the state. The infection rate is high. The economy was fragile before the pandemic. Education and information on the crisis is important. Stations like WLYB(FM) provide a valuable service to many rural communities.”

WLYB signed on the air in 2013.  It runs an adult contemporary music format, but Collins emphasizes that the station’s mission is to be community oriented, focusing on Livingston, where its studios are downtown. It also broadcasts from Meridian, Ala., translator W263CF.

“Radio is a critical resource to many rural communities. We hope that the FCC will consider this waiver to help rural stations reach underserved listeners,” Collins concluded.

The post Alabama FM Seeks Power Increase to Deal With Changes Due to Coronavirus appeared first on Radio World.

To help broadcasters during the COVID-19 health crisis, Digigram has accelerated the release of Iqoya Guest Preview, a  “smart and equipment-free” solution for home broadcasting.

According to the company, the light remote web-based broadcasting solution does not require any equipment or software installation, and lets users manage remote interviews of guests from anywhere.

The system turns web browsers into a two-way codec, providing a connection link to journalists working remotely. Thus, the company says, staff can immediately connect via their PC or smartphone to their studio with quality audio.

Digigram points out that Iqoya Guest Preview requires no app installation, no download or specific settings.

The post Digigram Introduces Iqoya Guest Preview appeared first on Radio World.