Industry News

A virtual studio interview between a top European soccer manager based in a London studio and an interviewer based in a Dublin studio recently came together with relative ease.

It’s thanks to technology put in play by Quicklink Studio (ST55).

For the production, Quicklink Studio (ST55) was used to provide a conversation between London, Dublin and the South Yorkshire-based Master Control Room (MCR), located in the English city of Sheffield.

Using Scarlett audio interfaces into laptops based in London and Dublin, Quicklink Studio (ST55) facilitated a bi-directional Conference call between both parties as well as the MCR.

To achieve a successful REMI virtual studio production, both the interview and interviewee were carefully positioned in a green screened environment to allow for a virtual backdrop to be applied.

To allow for natural conversation, monitors were strategically placed at the other’s eye-line, to make it appear as though they were making eye contact throughout the interview.

“Quicklink was a vital part of the virtual production workflow,” said Jay Rozanski, Creative Director at oXyFire Media.

Hannah Chitty, Producer at Chrome Productions, added, “This project encountered a few
challenges of which we managed to overcome, however the results provided by oXyFire and
the Quicklink solutions were fantastic.”

Quicklink Studio (ST55) enables the gathering of high-quality video and audio contributions from a laptop or mobile device with no apps or software installations required. Contributors can be invited by an operator to contribute via SMS, WhatsApp, email or by generating a shareable URL link. From the Quicklink Manager, the operator is then able to remotely control and configure the contributor’s device camera, microphone, speaker settings, resolution, data bandwidth and latency if required.

The radio station with a static video need, JVC Professional Video has announced a new line of PTZ remote operated cameras — 4K KY-PZ400NW/NB (pictured) and HD KY-PZ200NW/NB, for late summer/fall delivery.

Both cameras provide optimal streaming image quality and performance for remote production over the internet according to JVC. They are equipped with NDI|HX and SRT streaming, H.265/H.264/MJPEG encoding and VITC (vertical interval timecode) multicamera synchronization technologies.

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JVC Professional Video Vice President Joe D’Amico said, “This new camera line marks many firsts for us at JVC, including our first PTZ camera to feature 4K streaming as well as our first PTZ with NDI|HX and SRT.” He explained, “(T)he JVC PTZ cameras now offer a high-quality, low-latency IP video transmission standard that is ideal for streaming in an ever-evolving media landscape.”

A third new camera, HD KY-PZ200W/B, provides a more affordable option for those without the need for NDI|HX.

The KY-PZ400N is equipped with a 4K 1/2.5-inch progressive scanning CMOS image sensor, has a wide angle of view (approx. 26.4mm @35mm equivalence), 0.5 Lux of minimum illumination and 16x digital zoom. The KY-PZ200N and KY-PZ200 feature an HD 1/2.8-inch progressive CMOS image sensor, as well as 20x optical zoom reaching out to 606.9mm @35mm equivalence. All three cameras have HDMI and 3G-SDI, RJ45 with PoE, RS232 and RS485 interfaces standard.

The three cameras also offer cameras include SRT, HTTP, RTSP, RTMP/RTMPS and standard protocols along with Network Time Protocol. NTP allows for multicamera synchronization for live event production — for the mixing and streaming of concerts, shows, sports and other live productions where image synchronization is crucial.

All three cameras are available in black or white exteriors to best match the studio color scheme. They are compatible with JVC’s RM-LP100 remote camera controller, JVC’s KM-IP6000/4000 live IP production suites and a variety of other options from vMix, OBS Studio and NewTek

Prices: KY-PZ400N — $2,599 (MSRP); KY-PZ200N — $2,099 (MSRP); and KY-PZ200 — $1,899 (MSRP).

Send your new equipment news to radioworld@futurenet.com.

Info: http://pro.jvc.com

The post JVC Pro Video Offers New PTZ Camera Line appeared first on Radio World.

The author is chief technology officer, Great Eastern Radio.

What a difference a year makes.

Before COVID-19, the ideal console was one that could fit every conceivable studio permutation from here to the next decade. In fact, that’s what we got when we purchased the Wheatstone D75 consoles and TDM router system for Great Eastern Radio’s regional studios in West Lebanon, N.H.

That worked until last March, when we sent our staff home and discovered that we didn’t need all the studio space we thought we did. We decided to rent out half of our three-story facility to a bank and consolidate studios for eight stations into a little over a floor.

I had 30 days to move six studios into half the space.

Custom Interfaces

Those big, capable D75s had to go, along with miles and hundreds of pounds of wiring, which would be replaced by one Cat-5 cable.

I have been buying WheatNet-IP I/O Blades one or two at a time over the years to manage HD Radio audio, figuring the TDM router would eventually be replaced by WheatNet-IP audio networking. I already had one foot firmly in the IP world, so it was a simple matter of adding to that world with an IP-12 console for the main studio.

The IP-12 is a nice entry-level IP audio console that takes up a lot less space than the D75, but because it is self-contained, it has a similar feel as the D75.

[Read more Radio World articles about audio consoles and mixers]

I ordered the IP-12, plugged it into my existing Blades, and an AoIP studio was born. For talent, the change was minimal, which was great, because I had some big changes in store for the rest of the move.

Due to COVID it had become increasingly evident that talent could do a lot from home, but at times they still needed to be able to voicetrack or produce a show in an acoustically treated room with all the right mixing and processing tools.

So we purchased 4 x 8-foot WhisperRoom with a small dropdown table where our talent could park their laptops or tablets, plug into the WheatNet-IP through an Ethernet connection and call up sources and route audio and processing from a virtual mixer on their laptops that I created using ScreenBuilder.

The idea of setting up “glass” consoles in Whisper Rooms was partially borne out of the necessity to save space and partly because these could serve a real need. Wheatstone’s ScreenBuilder made making a custom “glass” console with a touchscreen interface fast and easy.

ScreenBuilder is an app for building your own interfaces into WheatNet-IP. In my case, I was able to drop and drag metering, faders and buttons onto a screen and script them to tie into the elements in the studio.

For example, I tied in virtual tallies to the Comrex Opal codec gateways in the main studio/rack room so that when a guest joins a show remotely, our talent will be able to see that he’s connected.

Most of the scripting was done using ScreenBuilder’s Wizard although I did create a few lines of code myself and “borrow” a few lines from a Wheatstone integrator (thanks, Danny Teunissen) for a few minor customizations.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

More info: Jay Tyler at Wheatstone in North Carolina at 1-252-638-7000 or visit www.wheatstone.com.

The post User Report: Wheatstone Tools Facilitate Streamlining appeared first on Radio World.

Eight weeks ago, Transactions Today from RBR+TVBR reported on the sale of an AM/FM combo that includes an FM translator and no less than four boosters designed to give that FM station coverage of Eastern Washington’s largest metropolis, Spokane.

The transaction has now closed.

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When it comes to Ed Stolz, one thing’s for certain: nothing’s simple.

And, with respect to the ultimate transfer of control of three of his former FM radio stations, there’s a new rub in a saga that has entangled the court-appointed receiver of Stolz’s ex-properties and the non-profit broadcast ministry poised to assume ownership of the trio.

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The unique capabilities of its management team to build and scale its digital business.

A “Digital First” strategy and plans to grow digital revenue to $250 million within three years.

Why its interactive arm was able to accelerate subscriber growth during a pandemic.

Those are just some of the topics Noble Capital Markets Senior Research Analyst Michael Kupinski addresses in an exclusive interview with Townsquare Media CEO Bill Wilson.

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Borrell’s 2021 Local Advertiser survey has just wrapped up.

And, as has traditionally been seen by the research shop, each week across the summer will see the release of a particular finding of note.

With some 3,657 local ad buyers and agencies polled in 2021, Borrell’s first takeaway is yet another wakeup call for broadcast TV: “video” is no longer TV’s exclusive domain.

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With the discussion heavy on closing the digital divide and general thoughts on an incubator program to encourage women and minorities to become a radio or TV station owner, no less than six former FCC Commissioners participated Monday in a live Multicultural Media, Telecom and Internet Council (MMTC) symposium.

Their appearance came as the MMTC is welcoming a new Policy Counsel to its Washington, D.C., headquarters.

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It went on the air on October 30, 1938. In April 1994, it was spun to the Indianapolis-based company founded by Jeff Smulyan.

Now, in a sign of the times, Emmis Communications is preparing to transition the remaining listeners of a Class B AM with 50kw during daylight hours and 10kw after dark to a pair of 250-watt FM translators fed from the HD2 signal of a13,500-watt FM sibling.

Thus marks the impending end of the former WIBC-AM 1070 as a Sports Talker under different call letters. What does the future hold for this facility?

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MIAMI —  The executives selected to drive Univision Holdings Inc.’s next phase of transformation and “execute the vision for the future combined company of Televisa-Univision” once the multinational mega-merger closes have been revealed by Univision CEO Wade Davis.

It paints the picture of Televisa-Univision’s C-Suite following the close of the transaction, expected to close later this year.

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