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T-R-R-S: A new computer wiring protocol?

Radio World
3 years 5 months ago
A comparison of Tip-Ring-Sleeve and Tip-Ring-Ring-Sleeve plugs.

Consultant Frank Hertel of Newman-Kees RF Measurement needed to create a special audio interface recently.

He said he was not aware of a protocol for wiring Tip-Ring-Ring-Sleeve connectors, which are prevalent on laptop computers with only one audio jack.

The first image shows the difference between the typical Tip-Ring-Sleeve, with which most readers are familiar, and Tip-Ring-Ring-Sleeve connectors.

What surprised Frank was that the positive voltage for powering the electret mic is on the Sleeve of the Tip-Ring-Sleeve-Sleeve connector, and the Shield/Common/Ground connection for the electret mic and left and right outputs for the headphones are on one of the Ring connections, the one closest to the Sleeve (which, remember, is the positive voltage for powering the electret mic).

Therefore, if you want to connect any audio source other than the electret mic, you will need to add a DC blocking capacitor between the Sleeve and the hot phase wire of your external audio source (since that source does not require a DC voltage).

The hot signal wire from that source connects to the Sleeve of the Tip-Ring-Ring-Sleeve connector, through the blocking capacitor.

Frank said with a laugh that the protocol seems so foreign to the common one we used for years, in which the Sleeve is the connection for the Shield/Common/Ground. He suspects someone had a hangover when they decided to come up with this one.

He adds this note: When connecting an external audio source via the DC blocking capacitor, you may need to attach a resistor between the Sleeve (input) and the Ring (Shield/Common/Ground). If some current doesn’t flow between these connections, the computer’s input may not be activated. If you find that a resistor is required, a 2.2 K-ohm should do the job.

Computers vary. The best approach may be to add a 10 MFD DC blocking capacitor in series with the high lead of the external audio device, as well as the 2.2 K-ohm resistor connected across the Sleeve and the Ring terminals.

What is your experience? Email your thoughts to johnpbisset@gmail.com.

Stop the sound of silence

Contract and projects engineer Dan Slentz enjoys sharing clever, inexpensive ways of doing things.

He told us about a freeware silence sensor from Pira.cz. The software monitors the presence of an audio signal on a stereo program line or PC soundcard. When no signal is present for a specified time, pre-defined solutions activate.

This is useful for monitoring an STL feed or hard-drive playout system where continuous audio is required. If the audio drops below your chosen threshold, the Pira.cz Silence Detector will switch to a backup and notify you with an email alert.

Next, with COVID easing, you may see guests returning to your studios. If so, you know the importance of a “cough switch” on each microphone.

Dan found a compact, reasonably priced aluminum box that permits the user to toggle the mic on and off, so the box has dual usage — for the “Voice of God” in a stage manager’s TV studio setting, or a momentary mute cough switch for individual mics in an interview studio. Built for the pro audio industry, it is from AudioMan Products. At audiomanproducts.com, scroll down to “Push to Talk Ver. 2.”

Dan says the muting of the mic is quiet — no pops or clicks when the mute button is depressed. Plus, construction is solid, and it’s built with Neutrik XLR connectors.

The AudioMan Push to Talk Ver. 2 will work with dynamic or phantom-powered condenser microphones wired with balanced three-pin connectors. I’ve saved the best part for last: Push to Talk Ver. 2 is just $59, and quantity discounts are available.

An ideal addition to any talk/interview studio.

What’s the frequency, Workbench?

Finally, Tektronix is offering a free download of its colorful Worldwide Spectrum Allocations poster. We thank Brad Ohdner of Tektronix for sharing this resource with Workbench readers.

You can download this Tektronix Frequency Allocations Chart.

John Bisset, CPBE, has more than 50 years of broadcast experience and is in his 31st year at the Radio World Workbench. He handles western U.S. radio sales for the Telos Alliance and is a past recipient of the SBE’s Educator of the Year Award.

Workbench submissions are encouraged and qualify for SBE recertification credit. Email johnpbisset@gmail.com.

The post T-R-R-S: A new computer wiring protocol? appeared first on Radio World.

John Bisset

New Emergency Alerting Toolkit Introduced for IPAWS

Radio World
3 years 5 months ago

A new IPAWS planning toolkit has been made available for alerting authorities and broadcasters interested in learning more about the Integrated Public Alert and Warning System.

Using the program planning toolkit, alerting agencies can create a customized plan tailored to their agency’s operational capabilities. The kit contains step-by-step directions for creating an alerting program plan and offers customized resources, best practices and program templates to aid federal, state, local, tribal and territorial groups as they’re developing their individual alerting programs.

[Read more from us about IPAWS]

The toolkit was developed by the Department of Homeland Security Science & Technology Directorate, working with the Federal Emergency Management Agency’s IPAWS system.

“Getting information to the public in a timely manner saves lives,” the IPAWS staff wrote in an email introducing the new application.

“The new toolkit will assist public safety agencies in developing comprehensive alerting plans that minimize alerting delay challenges; plan for future alerts, warnings, and notifications enhancements; facilitate interoperability across different technologies; and improve information sharing among emergency management and public safety officials.”

The post New Emergency Alerting Toolkit Introduced for IPAWS appeared first on Radio World.

Susan Ashworth

Gray Television Expands National Investigative Unit

Radio+Television Business Report
3 years 5 months ago

ATLANTA – Gray Television has expanded its National Investigative Team, known as InvestigateTV.

This saw a series of promotions and additions to the team.

  • Lee Zurik rises from Director of Investigations to Vice President of Investigations. Lee oversees the National Investigative Team in addition to anchoring and reporting at WVUE-TV in New Orleans.
  • Executive Producer of Investigations Jamie Grey is promoted to Managing Editor of
    Investigations. Jamie has been with the team since 2018 producing stories, coordinating coverage and leading training events.
  • Greg Phillips, News Director at WMC-5 in Memphis, is now Executive Producer of Investigations. In this position, Phillips returns to his investigative background, which
    includes eight years as Assistant News Director/Special Projects Director with the investigative team at WVUE.
  • Gray has hired Daniela Molina as Investigative Producer. She is a recent graduate of the Arnolt Center for Journalism at Indiana University. This past year, she worked with InvestigateTV on its “Bridging The Great Health Divide” initiative.

The National Investigative Team intends to add an additional reporter and a photographer early next year.

“The expansion of our National Investigative Unit reinforces our commitment to strong
investigative journalism,” Gray Television Senior Vice President Sandy Breland said. “We’re proud of the work of this unit that is having a real impact in the communities we serve.”

The National Investigative Team/InvestigateTV produces stories for Gray’s 113 television stations and the InvestigateTV OTT App on Roku, Amazon Fire, and Apple TV. Early
this year, the team debuted a weekly InvestigateTV show that airs on all Gray stations.

InvestigateTV launched in 2018 and provides innovative, original journalism from a
dedicated investigative team and partners, including ProPublica, News21 at Arizona State
University’s Cronkite School of Journalism, and NerdWallet. It is available on Roku, Amazon
Fire, at InvestigateTV.com and across Gray’s broadcast and digital media properties.

RBR-TVBR

‘Infinite Dial UK’ Digs into U.K. Online Audio

Radio World
3 years 5 months ago

Radio World is taking an in-depth look at “The Infinite Dial UK 2021” report this week.

Welcome to Part Three of Radio World’s summation of Edison Research’s “The Infinite Dial UK 2021”. In this installment, online audio listening by U.K. consumers is the focus.

The data comes from Edison Research President Larry Rosen’s online webinar, which was held Dec. 2, 2021, to release the findings of “The Infinite Dial UK 2021” survey.

The report is based on 1,000 telephone interviews with U.K. residents 16 and older, during the fourth quarter of 2021.

[Read more of our coverage of the “Infinite Dial” report]

U.K. online audio listening

According to Rosen, “75 percent of people in the U.K. age 16 and older told us that they’ve listened to some form of audio online in the last month.”

Online Audio Listening in the U.K. by Age Group (Courtesy Edison Research)

This usage is relatively consistent across age groups, he noted. “It’s highest for 16–34, as you might expect, at 81 percent. But even for 55+, 72 percent of people said they’ve listened to some form of online audio in the month before we called them for this survey.”

The 35–54 age group clocked in at 74 percent.

Intriguingly, a higher percentage of U.K. 16+ consumers listened to online audio in the past month (75 percent) than did U.S. 16+ consumers (68 percent).

In fact, “the U.K. number is the highest of any of the four English-speaking countries [U.K., U.S., Australia and Canada] where we have this data,” Rosen said. Australia’s 16+ monthly online audio listenership rate was 73 percent, while in Canada (18+) it stood at 71 percent.

Online Audio Listening by Country (Courtesy Edison Research)

The U.K.’s weekly listenership to online audio was similarly strong — 66 percent for all listeners 16+. Again, the spread was relatively consistent among age groups: 72 percent for 16–34; 65 percent for 35–54; and 62 percent for 55+.

At 66 percent overall, the U.K.’s weekly 16+ online listenership rate tied with Australia’s 16+ rate. The U.S. 16+ rate was 62 percent, while Canada 18+ was 61 percent.

Overall, when it comes to online audio listening, “the adoption seems to be as high in the U.K. as in any other place that we’ve surveyed,” Rosen said.

In Part Four of Radio World’s summary of “The Infinite Dial UK 2021,” we’ll look at the U.K.’s consumption of in-car media.

The post ‘Infinite Dial UK’ Digs into U.K. Online Audio appeared first on Radio World.

James Careless

In Wisconsin, iHeart Puts Its Lens on Lenz

Radio+Television Business Report
3 years 5 months ago

He has more than 30 years of experience in radio, television and small business ownership and has most recently served as VP of Sales for iHeartMedia in Milwaukee.

Now, this longtime ad sales pro has been tapped as SVP of Sales for both Milwaukee and Madison by the nation’s No. 1 licensee of radio stations.

Please Login to view this premium content. (Not a member? Join Today!)

Adam Jacobson

Roz Clark Embodies Business Continuity at Cox

Radio World
3 years 5 months ago

We’re pleased to announce that Roswell Clark is the recipient of Radio World’s Excellence in Engineering Award for 2021–22.

Recipients represent the highest ideals of the radio broadcast engineering profession and reflect those ideals through contributions to the industry. Roz Clark is the 18th person we’ve honored.

We are recognizing Roz for his accomplishments as senior director of radio engineering for Cox Media Group. In choosing honorees, we also look for people who are making a difference right now in our industry and whose work will benefit engineers in years to come.

Radio World readers know from our news coverage and ebook interviews that Roz is doing just that in his work with the NAB Radio Technology Committee’s Next-Generation Architecture Working Group.

We’re also honoring him for his important contributions to the IEEE Broadcast Technology Society, the Society of Broadcast Engineers, the National Radio Systems Committee and the Nielsen Technical Advisory Committee.

Given his decades of work on behalf of his employer as well as the broader world of radio, he is a worthy recipient.

“Technology is our business”

Clark, 59, oversees the technology aspects of Cox’s broadcast radio operations — “anything electrons flows through,” as he told me — which encompasses about 60 FM and AM signals in 11 markets.

Cox employs about two dozen technology team members in its markets.

“Anything to do with technology is our business,” Roz said. “Email servers, networks, broadcast, they’re all so intermarried that it’s difficult otherwise to make sure responsibility is properly focused and maintained.”

Roz is one of five senior directors who report to SVP/CIO Mark Beck and oversee areas such as radio, TV and network infrastructure, meeting weekly to coordinate and establish roadmaps. The radio market directors of engineering generally answer to local general managers and interact with Roz on a “dotted line” basis, though he has a few direct reports as well.

“It’s one big conversation. A finance product or an email function may be critical, but broadcast is real time and it needs to be completely seamless — that’s a whole different level of focus and attention. How do these systems interact with each other, and how do we safely connect them?”

[Read more about past Excellent in Engineering Award winners]

Meeting that challenge is a high bar, as broadcast engineers know well, but it also extends to software and anything that has a network connection. “We have to be very careful about the technologies we employ — that they’re actually suited and designed for such real-time functionality.”

When Cox Enterprises sold its majority interest to Apollo Global Management in late 2019, Roz also began to play larger role in the business continuity management for all of Cox Media Group, based on his experience dealing with Florida hurricanes and writing articles and giving presentations about disaster planning.

“We had tabletop exercises, getting key stakeholders together and talking about scenarios: What if your building caught fire and burned to the ground? What if your tower fell down?”

They even put together a scenario for a worldwide pandemic like bird flu — not expecting that within two months they would be activating it because of COVID-19.

Getting started

On the 1,500-foot tower supporting a new FM master antenna in Tampa in 2001.

Roz Clark wasn’t one of those people who knew at age 5 that he wanted to be a radio engineer. “I’ve always been a curious cat about how things work under the hood, but I wasn’t building Heathkit radios at home.”

He studied electronics in a two-year program at what is now Truman University in Kirksville, Mo. He then moved to Florida and ran a business selling and servicing C-Band downlink systems.

It was at this time that his uncle Max Sitero, the chief engineer at the local CBS O&O, urged Roz to give radio a try.

“This was in the days when the getting into the business as an engineer was very difficult. You had to have the First Class FCC license and a track record just for someone to answer your phone call.”

But his uncle’s passion and interest in broadcast were contagious. Sitero helped young Roz a part-time job. It turned out to be a great place to start.

CBS-owned WSUN(AM) was a full-service, country-formatted station and flagship of the Tampa Bay Buccaneers, served by the world’s first AM directional array. Its sister station WYNF(FM) was a rocker with a popular, high-energy morning show, big-time concerts and lots of remotes.

“To work at this AM/FM combo was unbelievable. I mean, really? Many people had to work in small markets for many, many years, but I got my foot in the door at an epic AM/FM owned by CBS. It was a big deal.”

There he met two people who would play important roles in his life. One was his future wife Bobbie. The other was Chief Engineer Frank Berry, who mentored Roz and encouraged him to learn.

“Getting inside a radio station and seeing how all this technology worked together — it was all so exciting,” he said.

“I’m interested in everything from generators and power distribution to air conditioning and you name it. Everything comes together in a broadcast facility. I still feel like a kid in this business.

Roz Clark hangs out with actor Michael Richards, aka Kramer of “Seinfeld,” at a remote in 1989.

“Even today I just got off the phone talking about three completely different technology challenges and how to solve them. If you’re interested in solving puzzles or in having a different experience every day, I don’t think there’s any business more diverse than broadcasting — audio, RF, power distribution and computer networks, it goes on and on. The sky’s the limit on where your interests can take you.”

One thing he is not interested in is being on the air. This was squeezed out of him early. While waiting for a full-time position to open up at WSUN/WYNF, he took a gig as a board op at another station — playing from reel-to-reels and cart machines, recording the top of the hour, taking AM readings, fielding calls for the talk show host. And Roz didn’t like it.

“I was in nervous-sweat panic mode every second of that job. It was a nightmare for me. I understood how the equipment worked; but trying to make sure the content flowed and the on-air person got what he needed, making sure you didn’t forget to play the commercial, was very stressful.

“I have a great appreciation for board ops and people on the air, because as soon as that job option opened to get behind the curtain I was out of there. It was not for me!”

To Infinity and then back

Roz worked full-time at the CBS station for two years as assistant chief engineer, and loved the organization. Yet in 1988 he left to take part in an exciting engineering project.

Frank Berry had moved over to work at Infinity Broadcasting, which had studios a few doors away. Berry tempted him with the promise of working on the overhaul of WCBF, a recently acquired 50 kW AM facility.

As related by the website radioyears.com, Berry took that station off the air for an extended period to do a complete rebuild of the transmitter facility, including all of the towers, and gutting and reconfiguring the building, then installing new audio processors, STL gear, phasing and tuning equipment and remote control. The studios also were upgraded.

“Frank said, ‘We’re going to take this thing apart and it’s going to be off the air for four months while we completely rebuild it, studios and all,’” Roz related.

“Some readers might hear this story and say, ‘AM? What, are you crazy?’ But to build a 50 kilowatt station from the ground up within a span of four months, and do it right, with Frank Berry, and with consulting engineers like Alan Gearing, who were just masterminds — it was a great experience, never to be repeated.”

The station relaunched as WQYK; today it is owned by Beasley and has the call letters WHFS.

After that time with Infinity, Roz came back to CBS in 1992 to become director of technical operations at WYNF. It looked now as though he’d be with CBS for the long term — until the organization announced it had agreed to swap its Tampa properties with a Cox station in Dallas, and the local CBS employees were let go.

“I didn’t even reapply because I figured Cox had their own plans, but a week before they assumed control, they called me up and said, ‘Aren’t you going to apply for this job?’ So I did, in the role of assistant engineer.”

How do “solve for that”

Working a remote with air talent Jack Russell, right, for 620 WSUN(AM), circa 1985.

Since that time Roz has been a bulwark at Cox. He has been based in Tampa his entire career and worked his way up to chief engineer, then director of technical operations for Tampa (and later Orlando as well), and then to his current role as the company’s senior director of radio engineering.

During his tenure he has worked on numerous important internal issues including IT security, automation standardization, RF safety policies and broadcast data transmission under the wise leadership of Sterling Davis.

Roz wrote a mission statement to hang on his office wall to remind himself that the goal is not just to do good engineering, it’s to help the company meet its business challenges.

“How can we ‘solve for that’? Whether it’s your cell phone or your car or rockets, everything is about how technology can solve these sorts of puzzles, which seem to be insurmountable until you get smart people together.”

For example one memorable engineering project came about when Clear Channel acquired Jacor in the late 1990s and had to divest itself of several stations. Cox, which had three signals in Tampa, suddenly had six and decided to integrate them.

“Right about that time, my boss at Cox resigned. So I was the only engineer during a transition where we were taking over three stations. It was an exciting time, to say the least.

“We had to build radio stations from scratch. We built one in a closet and barely got it on the air — literally at the stroke of midnight, with the general manager walking around with the camcorder, all excited. We hit the post, so to speak, technically. No one knew the drama that was going on behind the curtain.”

During this time he has continued to expand his skill set, earning credentials as a Microsoft Certified Systems Engineer, SBE Certified Professional Broadcast Engineer and SBE Certified Broadcast Network Engineer. He has twice won his employer’s Engineer of the Year honor.

Today he spends a lot of his time envisioning the future of the radio air chain, both at Cox and across the industry. When I asked him how engineers and managers can be better prepared for that future, he mentions certain core concepts to keep front of mind.

“Our businesses run on processes. People throw around buzzwords like cloud, but pretty much everything we do, whether it’s in an appliance or not, is software of some sort. We as engineers need to understand how the signal flows and how the business processes work. That includes remote systems management, remote broadcast and broadcasting from home.

“Then it’s the technologies of networking, whether it’s transporting real-time content or connecting systems together; these are so important. Then how do you configure or design systems so they are very secure — who’s allowed to do what, at what time and where — ‘managing identity.’

“And then monitoring and control. If we don’t know the system status of all of our assets, the critical parameters and how to react to those measurements, we’ve got a problem.”

To manage these facets efficiently, Roz said, a business must standardize where it can, so Cox Media Group is taking that concept to the next level, not only choosing to buy the same products or software across its various stations, but thinking more broadly about the company’s 60 stations as being part of one big market. “We can get the best solutions and put them across every market and have the best results in a consistent manner.” For Cox that doesn’t mean sweeping centralization as much as it means consistency and efficiency in the business approach.

Like all good radio technologists, Roz is also concerned that the medium keep its place in the dashboard and stay competitive in how it presents its product to consumers.

Given the emergence of hybrid radio systems that meld broadcast reception with online connectivity, he thinks consistency in the listener experience is crucial, which means broadcasters should be paying attention to metadata.

“It requires a deeper understanding by content creators and managers, to understand the technical capabilities of the different delivery mechanisms and make sure that we exploit and standardize that capability.”

For example Cox was an early participant in RadioDNS. It also signed on with Quu’s visual programming service, and it supports Xperi’s DTS AutoStage initiative, which Roz says does a “mind-blowing” job of presenting visual information to the listener.

“I don’t believe we should stake our ground in one thing in the digital world; we have to have relationships with all of these platforms, because not one solution fills all the holes.”

Business partners

Almost three decades since “flipping” to Cox, he remains a huge fan of the company.

“I can’t say enough about Cox as a whole and about Cox Media Group. It continues to do things right, empowering people and investing in them.

“I’ve been very fortunate to work with general managers who have a deep appreciation for engineering and the part it plays in the business. Keith Lawless, who now manages multiple markets for Cox, once described me to someone as a business partner. That’s a huge compliment. If the culture of your company appreciates the partnership that we in technology have with the business, that’s a big thing. I can tell you that, in Cox Media Group, we’re very much part of business decisions and strategy.”

Roz gives back to his profession in numerous ways.

He has delivered several papers and chaired sessions for the NAB Show, and he was involved in an NAB group that researched the use of separate antennas for HD Radio, a concept he conceived known as space combining.

For the NAB Radio Technology Committee, he chaired the HD Time Alignment group that developed a best practice document that was adopted by the NRSC. Today he chairs the Next-Generation Architecture group, helping the industry to learn how to put concepts like virtualization and the cloud to work in their air chains.
For the Society of Broadcast Engineers, Roz is an elected board member, chair of its finance committee and a member of the executive officers committee. In 2015 he was honored as the SBE Engineer of the Year. At Chapter 39 he has held multiple offices including that of chairman.

In the early 2000s he was actively involved in the Media Reliability and Security Council and the integration of

local Emergency Operations Centers in the Tampa Bay area into the EAS system. He has represented CMG in EAS Operational Areas 7 and 8.

Since 2009 he has been an active member of the IEEE Broadcast Technology Symposium; he chaired the event for three years and was an elected member of its ADCOM for two years.

He is the technical representative for CMG in the Broadcasters’ Traffic Consortium. He also is a ham radio operator,  WA4YNF, and serves on the board of a repeater network that serves a large part of Florida.

A lifestyle choice

Bobbie Clark holds grandson Lincoln, flanked by sons Justin, left, and Brandon.

When I asked him to describe his management personality, he replied, “I try to treat others as I would want to be treated. And at Cox there’s a culture of getting the right person and empowering them, giving them the tools they need and then letting them do their job.

“That sounds really easy, but it’s not,” he continued. “Technology is challenging, but the most important thing is getting the right people doing the right things — giving the right leaders the right boundaries and allowing them to do their job, supported by coaching and followup. For instance, recognizing that some people are more creative than task-driven.

“You have to understand the technology too — invest in reading, trade shows, learning from vendors and adjacent businesses. We have to lead by example with that,” he said.

“But we also have to make sure people are given the flexibility and freedom to execute and be successful on their own.”

Outside of radio, Roz enjoys camping and the great outdoors, and is active in his church. He also restores muscle cars and still owns a 1967 GTO that he purchased 40 years ago.

Roz and Bobbie have two grown sons, one of whom is a mechanical engineer, the other a business/marketing professional, as well as two small grandchildren.

Would he encourage a young person to get into radio broadcast technology today?

“It’s not like any other type of engineering job. If you’re interested in all sorts of technology, the answer would be yes — but understand that it’s a lifestyle choice.”

Comment on this or any story. Email radioworld@futurenet.com.

Excellence Honor Roll

2004 Andy Andreson
2005 Mike Starling
2006 John Lyons
2007 Clay Freinwald
2008 Jeff Littlejohn
2009 Gary Kline

2010 Milford Smith
2011 Barry Thomas
2012 Paul Brenner
2013 Marty Garrison
2014 Wayne Pecena
2015 David H. Layer

2016–17 Michael Cooney
2017–18 Larry Wilkins
2018–19 Russ Mundschenk
2019–20 Dave Kolesar
2020–21 Jason Ornellas
2021–22 Roz Clark

The post Roz Clark Embodies Business Continuity at Cox appeared first on Radio World.

Paul McLane

Applications

FCC Media Bureau News Items
3 years 5 months ago
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Broadcast Actions

FCC Media Bureau News Items
3 years 5 months ago
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Pleadings

FCC Media Bureau News Items
3 years 5 months ago
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Actions

FCC Media Bureau News Items
3 years 5 months ago
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Broadcast Applications

FCC Media Bureau News Items
3 years 5 months ago
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Cumulus Shares Enjoy A Strong Session

Radio+Television Business Report
3 years 5 months ago

It’s long-term outlook looks good. But, the next nine months aren’t so rosy for Cumulus Media, say Wall Street analysts.

Yet, as soon as Jessica Rosenworcel scored the approval of Congress and officially took the role as Chairwoman of the FCC, Cumulus shares went from sour to sweet on Wall Street.

Almost as if on cue, CMLS reversed its downward activity seen at the Opening Bell and propelled forward, reaching $12.24 with just 1 minute remaining in Tuesday’s trading.

That’s a 5.6% gain from Monday, and puts Cumulus back on track to get a bit closer to its year-to-date high of $14.75, seen in late June. Meanwhile, CMLS has clawed back from a $9.89 finish seen on September 20.

CMLS bears a 1-year target price of $23.67. To say that is a bit aggressive is an understatement. In the past five years, $20.90 is the highest Cumulus shares have ever been. And, that closing price was seen in August 2018, just days after the company emerged from Chapter 11 reorganization and began trading as CMLS on Nasdaq.

Adam Jacobson

Letter: Ham Radio, a Gateway to Broadcast Engineering

Radio World
3 years 5 months ago

I really appreciated the article from Mark Persons on amateur radio (“Alike, but Not Alike: Broadcast vs. Ham Radio”).

Unfortunately, as Mark mentioned, with cell phones and the internet, the youth of today can’t be bothered with amateur radio and that poses a problem to get new broadcast engineers. As a kid, I was really into music and where did music come from, why, the radio, where else. So I was addicted to AM radio.

While my parents watched television, I sat in a different room listening to radio, DXing the AM dial and the shortwave bands on an old Zenith chassis with its 12-inch electromagnetic speaker and its metal 6F6 output stage that burned the skin off my forearms more than once.

The good thing is that most of the hams at that time used AM so I could listen to them without the luxury of a BFO that the Zenith didn’t have. So after listening for years, I got the old Ameco study guide and a key from Olson Radio and went about getting a novice license in 1961. Had a lot of fun with a homebrew single 6L6 running off an old TV power transformer and 5U4.

[Check Out More Letters at Radio World’s Reader’s Forum Section]

When I got a “real” license I added another 6L6 and a 12AX7 and made an AM rig, wow, a Heizing choke and downward modulation on 40 all the way.

Well, that led to a First Phone license when I turned 16 and wound up as Chief Engineer of a commercial classical station after the Chief passed away on Christmas morning. Sure the transmitter was a lot bigger and a lot more sophisticated than the 6L6 rig but from the years of building ham transmitters, receivers, and antennas, walking into a broadcast station was not a shock (pardon the pun).

I think there are two things that make a great broadcast engineer, one is a background as a ham and second an appreciation for music as it trains your ears to good audio. I still have my ham license and operate regularly as does my wife. The old 6L6s are gone but still operate with some homebrew gear and a Collins S line; no solid-state gear here.

I am pushing 73 now and if I was 10, I would have followed the same path as I did knowing what I know now.

Ron Schacht
K3FUT

Share your thoughts with us. Write to radioworld@futurenet.com

The post Letter: Ham Radio, a Gateway to Broadcast Engineering appeared first on Radio World.

Ron Schacht

Jim Bohannon Heads to NAB Hall of Fame

Radio World
3 years 5 months ago

Jim Bohannon is headed to the NAB Broadcasting Hall of Fame.

The National Association of Broadcasters said Bohannon will be inducted during the NAB Show in April. If current plans hold, that will be the first in-person spring NAB in three years.

Bohannon is host of Westwood One’s syndicated radio talk show, “The Jim Bohannon Show,” which airs on approximately 300 radio stations.

“Delivering his wit, wisdom and natural charm to listeners across the nation, Bohannon offers a unique blend of breaking news, informative reports on a wide range of topics and live conversations with listeners,” NAB stated in the announcement.

It noted that he has been in broadcasting for more than 50 years, and spent more than 31 of them as host of the early morning show “America in the Morning.” He previously hosted the weekend program “America This Week.”

NAB President/CEO Gordon Smith has been a guest on Bohannon’s program. “Jim encompasses the spirit of radio. His distinct voice, humor and engaging programs have informed and entertained listeners for 50 years, while addressing historic milestones affecting our nation,” Smith said.

Bohannon started in radio at KLWT(AM) in his hometown of Lebanon, Mo., in 1960.

“Following college and military service during the Vietnam War, he returned to radio in the Washington, D.C. market, covering news at both WTOP(AM) and WWRC(AM),” NAB wrote in a bio. “He later worked as a morning anchor at WCFL(FM) in Chicago and as a freelance reporter for CNN.”

He hosted a Saturday night phone-in program starting in 1984 and was principal back-up on the “Larry King Show.” In 1993, he took over King’s time slot.

“Bohannon joined Westwood One in 1983 and has anchored newscasts, political conventions and election night coverage in addition to his weekday programs.”

Read the list of past inductees.

The post Jim Bohannon Heads to NAB Hall of Fame appeared first on Radio World.

RW Staff

A Decade Of Service, Topped With FCC Ascension

Radio+Television Business Report
3 years 5 months ago

One decade ago, RBR+TVBR was sharing kind words from then-FCC Chairman Jules Genachowski for the Democrat and Republican, respectively, who had their names put forth by the Obama Administration as the next two commissioners at the FCC.

The GOP nominee was Ajit Pai, who would go on to become Chairman. Now, Obama’s other selection has become Chairwoman — Jessica Rosenworcel. 

As she looks ahead to her new role, how she got to the highest post at the FCC wasn’t an easy ride.

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Adam Jacobson

Senate Approves Rosenworcel’s Reappointment

Radio World
3 years 5 months ago
Jessica Rosenworcel, now chairwoman of the FCC, is shown at a Senate committee hearing in 2018. Photographer: Andrew Harrer/Bloomberg via Getty Images

The first woman to lead the Federal Communications Commission as its chair is Jessica Rosenworcel. She has been reconfirmed to the FCC by the U.S. Senate.

CNBC reports the vote was 68 to 31.

Her term was set to expire shortly; and because the commission is already down one member, the prospect that Rosenworcel would not be reconfirmed raised the possibility of a commission with a Republican majority despite a Democratic administration holding the White House.

The nomination of Gigi Sohn for the remaining seat is having a rougher go, and until she or another candidate is confirmed, the commission will consist of two Democrats and two Republicans, which most observers believe means the FCC must limit itself to relatively uncontroversial actions for now.

The National Association of Broadcasters congratulated Rosenworcel and called her appointment historic.

“She is a dedicated public servant who has demonstrated effective leadership and expertise on telecommunications issues during her tenure at the FCC. We look forward to continuing to work with her and her fellow commissioners on ensuring a vibrant future for free and local broadcasting.”

Commissioner Brendan Carr, a Republican, offered congratulations and said, “Under her leadership, the FCC has taken significant steps towards eliminating the digital divide, increasing support for telehealth services and enhancing the security of America’s communications networks.”

NATE: The Communications Infrastructure Contractors Association said Rosenworcel “has demonstrated sound leadership, a keen command of critical communications issues and a firm commitment to preserving and expanding the nation’s essential communications capabilities,” in the words of NATE President/CEO Todd Schlekeway. “NATE has been pleased with Chairwoman Rosenworcel’s engagement with industry leaders and her continued support of NATE’s legislative and regulatory priorities, updating broadband maps, closing the digital divide and securing the nation’s leadership in 5G deployment.”

In a statement, Rosenworcel said: “People across the country count on the FCC to support the connections they need for work, learning, healthcare and access to the information we require to make decisions about our lives, our communities, and our country.  I look forward to working with the administration, my colleagues on the commission and FCC staff, members of Congress, and the public to make the promise of modern communications a reality for everyone, everywhere.”

The commission has not had a female chair until now. Mignon Clyburn was acting chairwoman for about six months in 2013.

 

 

The post Senate Approves Rosenworcel’s Reappointment appeared first on Radio World.

Paul McLane

NAB Broadcasting Hall of Fame To Induct Bohannon

Radio+Television Business Report
3 years 5 months ago

Jim Bohannon, who hosts a nationally syndicated eponymous talk show distributed to radio stations by Cumulus Media-owned Westwood One, has been selected as the NAB Broadcasting Hall of Fame 2022 radio inductee.

The induction will take place at the Achievement in Broadcasting event at NAB Show, scheduled for April 23–27, 2022 in Las Vegas.

“The Jim Bohannon Show” airs from 10pm-1am Eastern weeknights and is distributed to more than 300 radio stations. A 50-year-plus broadcasting veteran, Bohannon spent over 31 years as host of the early morning weekday news magazine “America in the Morning,” for which he still provides interviews and his feature “The Offbeat.” He previously hosted the weekend news magazine “America This Week.”

“Jim encompasses the spirit of radio. His distinct voice, humor and engaging programs have informed and entertained listeners for 50 years, while addressing historic milestones affecting our nation,” NAB President/CEO Gordon Smith said. “I am grateful for his friendship and the opportunities I have had to be a guest on his show. We congratulate Jim on this befitting honor.”

Bohannon began his radio career in 1960 at KLWT-AM in his hometown of Lebanon, Missouri. Following college and military service during the Vietnam War, he returned to radio in the Washington, D.C. market, covering news at both WTOP-AM and WWRC-AM. He later worked as a morning anchor at WCFL in Chicago and as a freelance reporter for CNN.

Bohannon hosted his own Saturday night phone-in program starting in 1984 and served as the principal back-up for Larry King on the “Larry King Show.” In February of 1993, Bohannon took over the prestigious nighttime radio talk show slot formerly held by King.

Bohannon joined Westwood One in 1983 and has anchored newscasts, political conventions and election night coverage in addition to his weekday programs.

The NAB Broadcasting Hall of Fame recognizes radio and television personalities or programs that have earned a place in broadcasting history. 

RBR-TVBR

Teleamerica Blossoms In the Coachella Valley

Radio+Television Business Report
3 years 5 months ago

It positions itself as the TV channel “in constant evolution that brings the best of Latin America.”

Now, this unique offering is poised to welcome viewers in the Coachella Valley of California, thanks to a just-filed transaction awaiting FCC approval.

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Adam Jacobson

The InFOCUS Podcast: Steve Walsh

Radio+Television Business Report
3 years 5 months ago
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Adam Jacobson

KNX Is Now Heard on FM, Too

Radio World
3 years 5 months ago

Audacy has added FM service to another of its iconic AM news stations, this time with KNX(AM) in Los Angeles.

“KNX News 97.1 FM” now carries the 24-hour news and traffic content of its AM sibling. The station most recently had been branded as “97.1 Now, LA’s Party Station,”

Audacy, the former Entercom, picked up a number of iconic AM news outlets through its 2017 acquisition of CBS radio assets. In the past year or so it has made similar moves onto FM in St. Louis with KMOX, Pittsburgh with KDKA and Philadelphia with KYW.

KNX is celebrating its 100th anniversary this month.

“For over 100 years, KNX has been the station Southern California has depended on for breaking news, important events and life changing moments,” said Regional VP Jeff Federman in the announcement.

“With spoken word audio consumption at an all-time high, this move allows us to significantly upgrade the existing KNX brand and create a news destination for a new generation.”

Audacy said this launch shows “its commitment to its local news brands, reflective via a multiplatform transformation announced earlier this year.”

The company no doubt is hoping that the AM/FM combo will help KNX do some leapfrogging in the ratings. In the Nielsen Audio top line ratings released this month, KNX(AM) was 10th in the market in AQH Share for Persons 6+, Mon-Sun 6AM-Mid overall; the only other AM in the top 10 was No. 8 KFI. Audacy’s former music format on 97.1 was much farther down the list.

Audacy describes itself as “the No.1 local news platform in the country, operating more than two dozen news stations across the U.S.” It has all-news formats in 26 markets.

The station launched with a tribute to some of the station’s biggest headlines over 100 years.



The post KNX Is Now Heard on FM, Too appeared first on Radio World.

Paul McLane

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