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Radio World

WINS Honored With World Radio Day Award

Radio World
3 years 2 months ago

Iconic all-news station WINS(AM) in New York was chosen by the Academy of Radio Arts and Sciences of America to receive the 2022 World Radio Day Award.

“1010 WINS” is famous as the station that launched a groundbreaking all-news format in 1965. Today it is owned by Audacy.

The honor commemorates World Radio Day, established by UNESCO and celebrated annually on Feb. 13.

This is the third annual award given to a U.S. radio station; last year’s recipient was WHRU at Hofstra University on Long Island, and the first was all-news station WTOP in Washington.

The award honors a U.S. station that exemplifies the best attributes of the radio industry. Recipients may be large or small, commercial or noncommercial, located in any market, and broadcasting in any language. The jury looks for stations that demonstrate ideals of localism, audience reach, community service, effective use of new digital platforms, diversity in program content and staffing, and financial and ratings success.

Jurors included representatives of trade publications, including Radio World; broadcast law firms; consultants; and the New Jersey Broadcasters Association.

The post WINS Honored With World Radio Day Award appeared first on Radio World.

RW Staff

NATE Sets Membership Record

Radio World
3 years 2 months ago

The association for companies that work on the U.S. communications infrastructure has set a new record.

NATE: The Communications Infrastructure Contractors Association said it now has 1,100 member companies.

It made the announcement at the NATE UNITE 2022 Conference in Las Vegas.

The association also announced that board members Jimmy Miller, Victor Drouin and Kevin Dougherty were elected to serve on its executive committee. Miller, president and CEO of MILLERCO in Gulfport, Miss., was re-elected as chairman of the board.

Member Services Coordinator Jill Rethke attributed the growth to “the association’s commitment to investing into strategic initiatives and benefits that directly support our membership.” The organization also has added staff positions in government relations, safety, health, compliance and marketing.

NATE members include tower construction firms, general contractors, vertical real estate companies, wireless carriers, engineering and technology companies, public safety and non-profit organizations, design professionals, manufacturers, distributors and training companies.

The post NATE Sets Membership Record appeared first on Radio World.

RW Staff

ACCESS NX Changes the Game for WSCO

Radio World
3 years 2 months ago

Radio World Buyer’s Guide articles are intended to help readers understand why their colleagues chose particular products to solve various technical situations. This month’s articles focus on products for radio remotes and sports.

John Dinse and BJ DeGroot are ready to provide live courtside coverage.

WSCO(AM), a Wisconsin station that is part of the Woodward Radio Group, serves sports and talk programming to an audience that stretches from Green Bay to Oshkosh.

As part of its sports coverage, the station produces live play-by-play for Wisconsin major league, minor league, college and high school sports, as well as a sports morning show called “BJ and the Bear.” WSCO covers every game live for the Wisconsin Herd, the NBA G League affiliate of the Milwaukee Bucks.

[Check Out More Products at Radio World’s Products Section]

In its search for a way to send audio from the arena back to the station, WSCO became familiar with ACCESS 2USB, a portable IP audio codec from Comrex that’s no longer available for purchase.

When Comrex released its latest model, WSCO decided to purchase a new ACCESS NX for courtside coverage of the Herd.

The station often uses a hard-wired internet connection, and intends to implement NX’s portable capabilities for live broadcasts of road games in the coming season. ACCESS NX’s attachable mixer allows them to feed in arena sound as well as maintain a private two-way connection with a producer at the studio.

The Comrex ACCESS NX

BJ DeGroot, assistant brand manager for WSCO/WHBY and co-host of “BJ and the Bear,” told Comrex, “It’s functional and reliable, and it’s changed the game for our live play-by-play broadcasting. As far as quality standpoint and ease of use is concerned, we have been so happy. If you’re looking to take your station to the next level, it’s the way to go.”

Info: http://comrex.com or email info@comrex.com.

The post ACCESS NX Changes the Game for WSCO appeared first on Radio World.

RW Staff

Media Tech Firms Face ‘Bleak’ Components Outlook

Radio World
3 years 2 months ago

“The picture is bleak.”

That’s the assessment from IABM, which published results of its electronic components supply survey of global media technology companies.

The association said lead times are lengthening and component prices are rising significantly since its last survey nine months ago.

“Respondents also sounded the alarm on their financial positions if component supply problems persist for a further 12 months; there are very few signs that the situation will improve in the short-to-medium term,” it wrote.

STMicroelectronics IC microchips designed by ARM Ltd. in a storage tray at CSI Electronic Manufacturing Services Ltd. in April. (Chris Ratcliffe/Bloomberg via Getty Images)

IABM is a trade association for broadcast and media technology. [See a list of IABM member companies.]

It said 97% of technology vendors reported being significantly affected by component shortages, with 63% saying they are severely affected, up from 40% last April.

“The survey finds that lead times for components have increased by an average of 74% and component costs by 44%, resulting in a 26% impact on final product costs.”

[Previously: “Chip Shortage Hits Radio Technology Marketplace”]

The association expressed concern that 86% of respondents “reported facing moderate or severe impact on their financial sustainability if the issues persist for another 12 months.”

CEO Peter White said in the announcement, “With no early prospect of the component shortage problem being resolved, many media tech companies have responded by redesigning their products to mitigate issues with sourcing specific components, and/or stockpiling components where possible to keep their production lines flowing in the face of dramatically increased lead times.”

He also cited evidence of component price increases “which will either need to be absorbed by media tech suppliers or will feed through into increased end-product prices.”

The association recently launched a service that allows companies to list their excess stock; members experiencing shortages can use it to find supplies. “I have been surprised that not many companies have taken advantage of the BaM Stock Exchange so far; perhaps this is the moment for them to do so,” White said in the release.

The post Media Tech Firms Face ‘Bleak’ Components Outlook appeared first on Radio World.

Paul McLane

NAB Crystal Radio Finalists Are Announced

Radio World
3 years 2 months ago

The list of 50 finalists for the NAB Crystal Radio Awards is out.

The National Association of Broadcasters released the list, below. The awards recognize radio stations for outstanding commitment to community service.

KBFB(FM) Dallas, Texas
KBHP(FM) Bemidji, Minn.
KBLB(FM) Baxter, Minn.
KCLY(FM) Clay Center, Kan.
KDWB(FM) Minneapolis, Minn.
KIKV(FM) Saint Cloud, Minn.
KIRO(FM) Seattle, Wash.
KJR(FM) Seattle, Wash.
KMVP(FM) Phoenix, Ariz.
KNDE(FM) College Station, Texas
KOSI(FM) Greenwood Village, Colo.
KPEK(FM) New York, N.Y.
KRMG(FM) Tulsa, Okla.
KRWM(FM) Seattle, Wash.
KSFI(FM) Salt Lake City, Utah
KSNE(FM) Las Vegas, Nv.
KTAR(FM) Phoenix, Ariz.
KTMY(FM) Saint Paul, Minn.
KUPD(FM) Phoenix, Ariz.
KXKT(FM) Omaha, Neb.
KYGO(FM) Greenwood Village, Colo.
KYW(AM) Philadelphia, Pa.
KZFN(FM) Moscow, Idaho
WBAB West Babylon, N.Y.
WBAL(AM) Baltimore, Md.
WBZZ(FM) Pittsburgh, Pa.
WDAS(FM) Philadelphia, Pa.
WDNS(FM) Bowling Green, Ky.
WDSN(FM) Pittsburgh, Pa.
WEDR(FM) Hollywood, Fla.
WFEZ(FM) Hollywood, Fla.
WFLC(FM) Hollywood, Fla.
WGKB(AM) Milwaukee, Wis.
WGY(AM) Schenectady, N.Y.
WHIO(FM) Dayton, Ohio
WHKO(FM) Dayton, Ohio
WHQT(FM) Hollywood, Fla.
WIYY(FM) Baltimore, Md.
WJNO(AM) West Palm Beach, Fla.
WMBX(FM) West Palm Beach, Fla.
WMGK(FM) Philadelphia, Pa.
WMMX(FM) Dayton, Ohio
WNRP(AM) Pensacola, Fla.
WOKV(FM) Jacksonville, Fla.
WSUN(FM) St. Petersburg, Fla.
WTAW(AM) College Station, Texas
WTLC(FM) Columbus, Ohio
WTMJ(AM) Milwaukee, Wis.
WUSQ(FM) Hagerstown, Md.
WXTU(FM) Philadelphia, Pa.

Winners will be announced on April 26 at the NAB Show in Las Vegas.

[Read the list of last year’s winners.]

The post NAB Crystal Radio Finalists Are Announced appeared first on Radio World.

RW Staff

Ziggo Switching off Analog Radio via Cable

Radio World
3 years 2 months ago

Dutch cable operator Ziggo is pulling the plug on its carriage of analog radio signals. The company is the last cable company in the Netherlands to offer analog radio as part of its service, but it is ending the service during the first quarter of 2022 to free up bandwidth.

According to Ziggo, only about 5% of its customers use its analog radio service. “In 2018, we started to discontinue the analog TV signal via cable, now it is analog radio’s turn,” the company wrote in its Dutch-language FAQ about the switchover.

To aid customers affected, Ziggo is offering a free FM antenna to replace the cable connection to their stereo system, or it suggests tuning digital radio stations via television or connecting a cable box to the stereo. The company is also offering for €50 (about $56) a DAB receiver that connects to an existing stereo system.

Ziggo carries more than 100 radio and audio channels via its television platform, including Dutch public and private stations, German and British public broadcasters, and German, French, and British international services.

Ziggo is the largest cable operator in the Netherlands, serving nearly 4 million households.

The post Ziggo Switching off Analog Radio via Cable appeared first on Radio World.

T. Carter Ross

Human Connection Draws in Younger Listeners

Radio World
3 years 2 months ago

This week, Radio World is providing coverage of the EBU Digital Radio Summit.

If broadcasters want to attract young listeners, they need to offer content that focuses on human connections and shared experiences, more than Top 40 hits.

That’s the message radio futurologist and Podnews editor James Cridland delivered during his keynote address to the European Broadcast Union’s (EBU) Digital Radio Summit. The summit was held online February 16, 2022.

“Ten great songs in a row is absolutely fine and a great radio programming technique, but it isn’t something that radio can do by itself anymore,” Cridland declared. “Spotify can do that very well.”

Radio’s decline amidst record listening
James Cridland began his address by noting how well radio appears to be doing these days.

“Radio is still tremendously popular,” he said. “Whether you are in the UK or New Zealand or Finland or the U.S., nine  out of 10 people are listening to the radio every single week.”

The trouble begins when one starts to dig deeper into the audience numbers. For instance, EBU data cited by Cridland showed “about a 3% decline in the last five years in terms of total audience, and a 6% decline in terms of younger audiences as well.” Meanwhile, total audience listening is “down by 7% in the last five years,” said Cridland, and “when you have a look at younger audiences, then you can see that nearly one out of five [listening] hours has gone away in the last five years.”

So why are U.K. radio audiences looking so strong in the research? “It’s only the fact that there are more old people in the U.K. that is keeping the figures up as high as it is,” he said.

Meanwhile, young listeners who aren’t tuning into radio now, won’t suddenly do so as they age. “You don’t grow into listening to more radio,” quipped Cridland. “So, we are not going to see a lot of people suddenly starting to listen to tons more radio because they happen to hit 30.”

The way back for radio
When it comes to reaching younger listeners, Cridland wants to target them where they are.

This isn’t on smart speakers, where 72% of the content consumed is radio, he said. Rather, it is on their smartphone-connected headphones.

RAJAR figures showing the disparity in radio listening among younger and older listeners.

“When you ask people, ‘what are you listening to on your headphones?’, podcasts and audio books are the No. 1 choice,” said Cridland. “Live radio is the least most popular in terms of 11%.”

The big takeaway: The 13–34 audience is listening to in-depth, meaningful spoken-word content when they listen to podcasts and audiobooks — the kind of content commercial radio rejected decades ago when it went Top 40.

This spoken-word content tends to focus on human connections and shared experiences, and it’s a model that radio must seize upon if it is to become relevant to younger listeners again. “That’s why people turned to radio in the middle of the pandemic because they wanted other human voices,” Cridland said. “They wanted that shared experience, [contact with] the other person who was out there dealing with the same things that they were dealing with as well.”

As for “live and local” being radio’s edge? “I would argue that live actually isn’t important at all … [and] that local is just another way of saying relevant,” he said. “Relevant content for people could be local, [it ] could be talking about what’s going on in their town in their city, [or it] could be talking about very, very other things as well … So real and relevant are very key parts of the content strategy that we should have in terms of radio.”

Cridland also advised radio broadcasters to stop defining themselves in terms of their delivery mechanisms (i.e., AM, FM, and DAB), and start thinking of themselves as content providers first.

As well, being live is less important in an online age where on demand content is so popular. He made his point by citing some Australian audio content that is recorded and then served out on radio and on demand, to maximize reach and penetration.

“I’m talking about making stuff, particularly in terms of great pieces of audio, that you can pre-produce and make sound absolutely fantastic as well,” he said.

Quoting from a U.S. patent application to underscore his point, Cridland said, “’traditional broadcast radio spends billions of dollars creating millions of hours of creative audio content that is only used once.’ And it’s [only] when you see that written down in black and white, then you suddenly realize, ‘oh, we could be doing so much more with the great content that we are making by packaging it up so that we can reuse it on the air, so that we can give that to other audiences.’”

In closing, Cridland said radio has a future, and “it’s focused less on music and more on speech. These days it’s producing audio for on-demand first, rather than live, which helps get the most value out of the audio. And I believe that the future is less about broadcasting and more about reaching audiences across multiple platforms, however they want to consume it.”

The post Human Connection Draws in Younger Listeners appeared first on Radio World.

James Careless

Visual Component Growing in Importance

Radio World
3 years 2 months ago
Steve Koenig speaking at the 2022 CES. “Consumers endorse options and abhor complexity,” he said.

A top Consumer Technology Association executive says the global technology market remains stout and that consumers are adopting new tech at an accelerated pace — all of which has implications for radio and audio companies.

Steve Koenig, vice president of research, says the future of tech innovation is healthy and fueled by demand from consumers for breakthroughs that add convenience and simplicity to their everyday lives.

He spoke after the conclusion of the Consumer Electronics Show in Las Vegas in January.

Among the announcements and debuts at the convention, the biggest headline was probably the simple fact that the convention was held in person.

But key trends showcased at CES included artificial intelligence and 5G, which Koenig believes will serve as the “connective tissue” for innovation and as the building blocks of the metaverse, this year’s buzzword.

Koenig said there’s plenty happening in audio.

“There was a lot of innovation [at CES] across the audio spectrum — featuring listening products, but also a variety of innovations that will impact the future opportunity of audio and, by extension, broadcast radio,” he said.

“A lot of innovation in personal audio, what we’re seeing in true wireless ear buds, for example, and in home theater and home audio. Smart speakers have populated and in some ways democratized listening around the house, since people tend to have several of them in dens, kitchens and bedrooms.”

‘Screenification’ in cars
Koenig also says the “visual element” is fast becoming a focus for audio products.

“In a lot of the vehicles shown at CES, there was a premium on monitors. For instance, Togg [a Turkish automaker] had a dashboard that was one giant screen, similar to the Mercedes-Benz Hyperscreen we have seen before,” he said.

He calls this the “screenification” of the automobile, and those bigger and additional video screens for both the front and rear seats have crucial import.

“Radio broadcasters need to utilize that space, because a lot of others are. Streaming audio and other connected services coming into connected vehicles utilize that screen real estate for drivers and occupants.” He said this development spotlights the importance of the metadata carried by many broadcast and streaming signals.

He sees the role of radio evolving as it adds various dimensions. “It is similar to what has happened to Next-Gen TV. It could be shopping, maps or other services that accompany the traditional broadcast service. I see this happening for radio broadcasters, which will increase opportunities for sponsorship and advertising deals. In the end, it’s a deeper engagement with the consumer.”

Broadcast radio’s familiarity to consumers is a strength, he said, but radio faces does face challenges as entertainment becomes more immersive.

“Broadcast radio is a very accessible and familiar medium, of course. We don’t track engagement, but what I can say is that consumers enjoy a mosaic of audio sources. Obviously podcasts and streaming music collections are growing in popularity; but still I think a lot of people enjoy radio.”

He declined to say whether he thinks broadcasters are doing enough strategically to adapt to increased competition, specifically in the dashboard. But he believes radio has a lot of options to amplify its business model and enhance the media experience for consumers.

“They have to engage with a variety of different partners, whether it is automakers or other possibilities. But there is a chance to remake radio and align it with a more visual element and add appeal to consumers.”

The mobility sector at CES had more than 200 companies in the new West Hall of the Las Vegas Convention Center, including automakers with self-driving cars and electric vehicles. Many vehicle exhibits exploited interior technology touting audio and video with additional media displays, Koenig said.

Broadcast radio was represented in the transportation section by Xperi’s exhibit of DTS AutoStage, its hybrid radio platform that merges IP connectivity and broadcast reception, promising a richer user experience similar to the offerings of digital pure-play services and satellite radio.

DTS AutoStage “is one of these market plays that is trying to deliver what consumers are asking for,” Koenig said. “Consumers endorse options and abhor complexity. So a platform or system to allow them to partake in a variety radio and audio streams across their interest areas will resonate.”

Consumer behavior
Supply chain issues and computer chip shortages were topics of conversation at CES, Koenig said, but much of the focus was on artificial intelligence, including how it can learn the behaviors of consumers across the audio ecosystem. He said companies are leveraging AI in more applications and every economic sector, from manufacturing to entertainment.

“AI is getting better so it can do more things. There are a lot of flavors of AI for consumers across different devices, from smart speakers and your phone to your new car. AI will learn behavior and knows what a person likes to listen to and it gets to a point where it is predictive. AI can learn patterns and help tech goods anticipate what the consumer expects.”

Autonomous automobiles open up a new world for media entertainment and productivity, Koenig said. The extension of that is the range of opportunities via screens through internet connectivity in the car cabin.

“When you consider how these technologies will allow consumers access to entertainment and content via the cloud, things will really start to get interesting,” he said. “Cloud computing and online gaming [in the car] will also be possible.”

CTA believes consumers maintain their appetite for new technology thanks in part to the “season of the pandemic,” Koenig said.

“We have seen historically high demand for consumer technology the past two years. By spending more time at home and needing to bolster work productivity, school and education and entertainment, consumers are leveling up their tec — smart home devices and smart phones. Smart doorbells. You can also include services like connected fitness and online ordering for groceries and even telemedicine. The level of adoption of new technology by households has been at an all-time high.”

Koenig projects that consumer spending on hardware, software and services in the United States will reach $505 billion, a 2.8% growth over 2021.

“Once consumers get a taste for these things, they tend to spend more on them. Why? Because it is delivering value and convenience and making life better.”

And then there’s the metaverse.

“The metaverse isn’t something we build and then we have it,” Koenig said. “To me it’s the next generation of the internet, with enhanced connectivity that will deliver increasingly immersive digital experiences through virtual reality. And these next-generation experiences will over time become inextricably linked to our physical reality.”

Comment on this or any article. Write to radioworld@futurenet.com.

The post Visual Component Growing in Importance appeared first on Radio World.

Randy J. Stine

iHeart Will Use Voice Cloning to Amplify Podcasts

Radio World
3 years 2 months ago

iHeartMedia plans to use cloned voices to translate and produce podcasts, hoping to reach new markets.

It announced this week that it will use technology from AI software company Veritone for this purpose.

“iHeartMedia will leverage Veritone’s AI platform to make more shows across the iHeartPodcast Network available in multiple languages, helping to expand their podcast market,” they said in the announcement. “The first use case is to translate iHeart’s marquee podcasts for Spanish-speaking audiences.”

[Related: “Veritone Ramps Up Synthetic Voices”]

They quoted Veritone President Ryan Steelberg saying, “iHeartMedia will not only be able to scale to new markets with localized language translations but retain the brand value of their top talent’s voice, which is fundamental in podcasting. We are also partnering to develop synthetic voices for advertising and engaging content while reducing time-to-market and production costs for radio, podcasting and the metaverse.”

The companies said iHeart voice talent will be able to authorize Veritone’s synthetic voice solution to produce more podcasts, ads and additional audio in multiple languages “with the same energy, cadence and uniqueness of top talent.”

[Related: “Create Synthetic VOs Just by Typing”]

The post iHeart Will Use Voice Cloning to Amplify Podcasts appeared first on Radio World.

RW Staff

NPR, EarPeace Team Up for Hearing Protection

Radio World
3 years 2 months ago

EarPeace has collaborated with NPR to create a line of custom branded earplugs based around newly patented EarPeace PRO earplugs.

EarPeace PRO features a contoured design that conforms to the natural shape of the ear canal, featuring a tuned acoustic mesh filter intended to replicate the sound signature. Recently granted a second patent for the proprietary earplug design their utility patent, PRO aims to handle the mismatch between the shape of the ear and plug better. The earplugs use less material to expand in the ear canal, minimizing unwanted bunching and slit leaks. According to the company, the plugs’ oval, offset wave-shaped design permits the filters to perform at peak capacity.

“EarPeace are among the best earplugs out there and have used them literally at over a thousand shows. My ears thank you,” stated Bob Boilen, creator/host of NPR’s “All Songs Considered” and “Tiny Desk Concerts.”

“Unless I’m mixing and recording at the Tiny Desk, I’m using hearing protection at concerts. EarPeace has been one of my go-to brands for years. Do your future self a favor and protect your ears,” said Josh Rogosin, Tiny Desk audio engineer and technical director for NPR Music.

The post NPR, EarPeace Team Up for Hearing Protection appeared first on Radio World.

Mix Editorial Staff

NABiQ Challenges Participants to Innovate

Radio World
3 years 2 months ago

Tired of the traditional networking happy hour? The 2022 NAB Show has something new for you — NABiQ.

Innovation consultant Maria Duloquin will facilitate nine 90-minute competition-style events focused on the NAB Show’s content pillars: create, connect and capitalize. Participants will be grouped into five six-member teams to collaborate on a solution to common challenges facing the industry.

“This dynamic ‘hackathon’ format allows attendees to collaborate and draw on their collective experiences to create the next great out-of-the-box solution for our industry,” said Chris Brown, NAB executive vice president and managing director of Global Connections and Events.

[Read More of Our NAB Show Coverage]

“Building on diverse knowledge under a tight deadline is a sure-fire way to foster innovation,” said Duloquin. “Teams listen to each other, prioritize ideas, and define the most powerful solutions in an intense but incredibly rewarding experience!”

Supported by Cynopsis and ProVideoCoalition, the challenge events include leveraging new technology in video production, preparing for the future of delivery and utilizing audience insights. The complete list of challenges and registration information is available here. Each competition is followed by time for informal networking, and winning solutions will be shared with the entire NAB Show community and via NAB Amplify.

The post NABiQ Challenges Participants to Innovate appeared first on Radio World.

RW Staff

FCC Finalizes Changes to Radio Tech Rules

Radio World
3 years 2 months ago

The Federal Communications Commission has finalized a series of changes to its technical rules covering U.S. broadcast radio.

Many of the changes are bureaucratic — cleaning up wording and inconsistencies. But some have meat. For instance, some Class D NCE stations may now be able to increase power and coverage as well as enjoy more flexibility in site selection.

On Thursday the FCC released its report and order that eliminates or amends rules it says were outdated or unnecessary. The changes “better reflect current developments in the radio industry and ensure that our technical rules are accurate, up to date and consistent,” it wrote.

“In so doing, we increase transparency and certainty for broadcasters while eliminating unnecessary regulatory burdens.”

Radio World reported earlier on the planned changes.

[Related: “FCC Takes a Broom to Radio Technical Rules”]

The commission adopted almost all the proposals set out earlier except that it kept its “proximate interference” rule.

Here is what the commission did:

The FCC removed the maximum rated transmitter power limit for AM stations, saying it had received no opposition.

“[A]n equipment limitation on transmitter power is outdated and unnecessary given our current reliance on actual operating antenna input power as the most accurate and effective means of ensuring that AM stations adhere to their authorized power limits.”

It said elimination of this restriction will allow AM stations of any class to use transmitters of any rated power, “benefiting the AM service by broadening the market of transmitters available to stations, enhancing the secondary market for AM transmitters and reducing the number of transmitters that need to be disposed of.”

It eliminated an inconsistency between sections of the rules involving NCE FM community of license coverage.

Two sections currently state that NCE stations must demonstrate that they cover “at least a portion of the community of license” when submitting certain types of applications. But another section established the current standard that NCE stations must cover 50% of their community of license or 50% of the population in their community with a 60 dBu signal strength predicted contour.

The old language was changed to conform to the current standard.

It updated signal strength contour overlap requirements for NCE FM Class D stations to harmonize with a less restrictive section of the rules that applies to other NCE FM classes.

“We agree … that there is no reason to continue treating Class D stations differently in this context.” When the FCC updated these rules in 2000, it deferred including Class D NCE stations to accommodate the establishment of the low-power FM service.

“Because the LPFM service is now mature, it is appropriate to extend the general contour overlap limits to Class D NCE stations. We anticipate that the less preclusive requirement will create opportunities for NCE stations to increase power and coverage, as well as provide them with greater site selection flexibility.”

It eliminated four obsolete provisions that require radio stations operating in the 76–100 MHz band to protect grandfathered common carrier services in Alaska. “Our licensing databases indicate that there are no common carrier services remaining in this band in Alaska.”

It tweaked the definition of “AM fill-in area” in one part of the rules to conform to a later definition, which states that the “coverage contour of an FM translator rebroadcasting an AM radio broadcast station as its primary station must be contained within the greater of either the 2 mV/m daytime contour of the AM station or a 25-mile (40 km) radius centered at the AM transmitter site.”

Currently, one section refers to the lesser of these two distances. The NAB said the current wording “may inadvertently prevent many AM stations from operating FM translators within their 2 mV/m contour.” The FCC agreed, so the relevant section now defines an AM fill-in area as: “The area within the greater of the 2 mV/m daytime contour of the AM radio broadcast station being rebroadcast or a 25-mile (40 km) radius centered at the AM transmitter site.”

Finally, the commission adopted several changes that relate to coordination with Canada and Mexico.

It updated a rule that contains minimum distance separations between U.S. and Mexican or Canadian FM stations, to reflect treaty requirements. The FCC noted that the NAB was concerned that the updated requirements appear to impose greater minimum distance separations on Class A FM stations than is currently provided for in the rules, so NAB asked the FCC to confer “grandfathered short-spacing” status on existing U.S. stations; but the FCC said such “grandfathering” is not necessary.

It also updated the rules regarding stations near the Mexican border. At NAB’s suggestion, it clarified that, for the purposes of a table associated with the relevant rule, U.S. Class C0 assignments or allotments are considered Class C.

It adopted an NAB suggestion about how distances are calculated for the border agreements. It also updated the rules to eliminate inconsistent language and reflect current treaty requirements applicable to FM translators.

But the FCC did NOT adopt a proposal to eliminate the requirement that applications proposing use of FM transmitting antennas within 60 meters of other FM or TV broadcast antennas must include a showing as to the expected effect.

The National Association of Broadcasters had objected, saying this would weaken the FCC’s “newcomer policy,” under which a party constructing a new or modified facility is responsible for eliminating objectionable interference to existing stations.

The commission noted that in the FM service, it has rarely if ever expressly relied on the rules as a means of implementing the “newcomer policy,” but it concluded that the rule provides useful guidance for broadcasters. “We do not wish to introduce uncertainty or ambiguity into situations where it does not currently exist.”

[Read the complete FCC order.]

The post FCC Finalizes Changes to Radio Tech Rules appeared first on Radio World.

Paul McLane

Telos Alliance Launches Container Education Series

Radio World
3 years 2 months ago

Telos Alliance announced a series of online presentations about software container technology.

The first part, streaming on March 2, “introduces hardware selection concepts for containerized software applications, analyzes the importance of dedicated CPU resources, and differentiates which computing resources can be de-emphasized vs. those which must be prioritized,” the company said.

“Attendees will learn which computing functions are key to successful broadcast functionality in a software container environment.”

The five-session series is intended for broadcast engineers. Part 1 on March 2 is at 1 p.m. Eastern. Archived versions will be available.

Subsequent sessions will discuss various AoIP transmission formats, the three main deployment scenarios for virtualized broadcast infrastructures, synchronization and key security issues.

The registration page is open.

The post Telos Alliance Launches Container Education Series appeared first on Radio World.

RW Staff

ViA Brings Wireless Freedom to Eastern Shore Radio

Radio World
3 years 2 months ago
Tieline ViA was used for coverage of this forum of the Eastern Shore of Virginia Chamber of Commerce.

Radio World Buyer’s Guide articles are intended to help readers understand why their colleagues chose particular products to solve various technical situations. This month’s articles focus on products for radio remotes and sports.

Program Director Will Russell has been with Eastern Shore Radio in Virginia for 12 years. His first experience with Tieline was using a Report-IT app for sports coverage.

“We realized the superiority of the audio quality, but the phone app had its limitations.” The Tieline ViA remote codec turned out to be the solution.

“Tieline’s SmartStream Plus redundant streaming technology is crucial for us,” he said. “Wireless technology is improving, but it still has its issues on the Eastern Shore. Knowing we have two signals and one can replace packets if required, really makes live remotes less stressful.”

Eastern Shore covers a lot of high school sports, and it also has aired graduations during COVID, with parents listening in their cars on the radio.

[Check Out More Products at Radio World’s Products Section]

“Recently, we covered a political debate on the radio and provided video with Facebook Live.”

Russell said they normally employ SmartStream Plus using an iPhone hotspot connection over Verizon, along with a Verizon Jetpack tethered hotspot.

“Rural cellular connectivity is always the challenge. Sometimes you’ll have enough signal for sound, but not for video. Video is nice, but at the end of the day we are a radio station.”

For sports, Russell uses one or two headsets for the play-by-play and color commentator, and adds a third mic for crowd effects. For video he’ll use a mini-USB cable to send line-level audio from the ViA into a dongle for an iPhone video stream.

“We connect to a Bridge-IT codec at the studio. After one of the graduations a member of the local school board came up to me and said the sound was just as good as being there in person. I think this is the best compliment a radio person can get on the technical side of things.”

Russell said redundant streaming is simple to configure and that Wi-Fi works well too. “The ViA remembers hotspot connections, which is nice. We have broadcast in stereo, but with internet connectivity sometimes an issue, we went back to mono to reduce bandwidth without sacrificing audio quality. Studio-based audio is streamed back to the Tieline ViA from our studio console for remote site monitoring.”

Recently, a friend and client wanted to make a big announcement about the entertainment for a fundraiser he was holding.

“He had a two-day window to announce it, but unfortunately he came down with COVID and couldn’t come to the studio. He didn’t want to make such a big announcement on the air with a regular telephone call. So I went to the venue and set up the ViA, ran a 10-foot cable for his mic to ensure social distancing, and we made the announcement live on location. This remote was made on battery power and was cool all the way around.”

Info: https://tieline.com/contact/

The post ViA Brings Wireless Freedom to Eastern Shore Radio appeared first on Radio World.

RW Staff

Audio-Technica Canada Opens New Headquarters

Radio World
3 years 2 months ago
Entrance area at Audio-Technica Canada’s new headquarters in St. Hubert, Quebec.

Audio-Technica Canada has expanded its operations with the grand opening of its new headquarters in St. Hubert, Quebec. The new facility provides the company with an open floor plan, conferencing capabilities and room to display a wide range of products.

The 3120-square-foot facility sits on the first floor of a newly constructed office complex in St. Hubert, in the Greater Montréal area. A total of nine full-time employees will be based there, including sales, marketing, artist relations, product specialist, logistics, accounting, customer service and executive personnel. Additional members of the A-T Canada team will be based in Stow, Ohio.

A fully outfitted boardroom will host internal company meetings as well as conferences with major vendors, artist endorsers and other key business relationships. A common area is decorated with traditional Japanese art, reflecting the company’s Japanese roots and mirroring the aesthetic of the company’s corporate headquarters in Machida outside of Tokyo.

Kenji Yamabe, Audio-Technica Canada general manager, stated, “Audio-Technica has been expanding in Canada in every conceivable way, and the completion of our new office is an important step toward the next phase of business growth. We are seizing the opportunity to further strengthen our market penetration and foster new relationships with dealers, system integrators and all manner of end-users. Our newly opened headquarters in St-Hubert will serve as the base of operations for our expanding enterprise and we will be able to optimize work efficiency at this facility, to the benefit of our clients. We look forward to continuing to serve new and existing customers from our new home.”

Submit business announcements to radioworld@futurenet.com.

The post Audio-Technica Canada Opens New Headquarters appeared first on Radio World.

Mix Editorial Staff

Across Europe, Most New Cars Are DAB+ Equipped

Radio World
3 years 2 months ago

According to figures released by WorldDAB, 95% of new cars sold in key European markets were equipped with DAB+ receivers as standard in 2021. The organization credited this level of support to the Electronic Communications Code (EECC), which requires all new car radios sold in the European Union after December 2020 to be capable of receiving digital terrestrial radio.

On a country-by-country level, the percentage of new cars equipped with DAB+ receivers ranged from 90% in France to 100% in Italy and Norway. Norway began shuttering its FM networks in 2017.

In Switzerland, which is set to switch off FM in favor of DAB+ by year-end 2024, 99% of new cars had DAB+ receivers as standard. The U.K. and Belgium were both at 98%.

Courtesy WorldDAB. Sources: JATO H2 2021, Digital Radio UK/SMMT/cap hpi, GfK Italia CAWI, Weer GmbH, Digitalradio Norway

In total, 13 of the top 15 car sales markets in Europe have 90% or more of new cars sold with DAB+ receivers as standard equipment. The other two top 15 markets, Sweden and Portugal, were not included in WorldDAB’s report.

The findings echo the Edison Car Buyers Survey figures released last year, which showed that 90% of survey respondents in Europe expected a DAB+ receiver to be standard equipment in any new car they purchased.

The post Across Europe, Most New Cars Are DAB+ Equipped appeared first on Radio World.

T. Carter Ross

Friends of WLRN Sign Management Agreement

Radio World
3 years 2 months ago
An image from the WLRN website.

The organizations Friends of WLRN Inc. secured an agreement with the Miami-Dade County school board to become the media management company of the WLRN Public Radio and WLRN television stations.

Friends of WLRN is the support and fundraising arm of WLRN Public Media.

Board Chair Joseph M. Goldstein thanked the school board for its commitment “to sustaining independent journalism and safeguarding this important asset for the public.”

“The agreement grants Friends of WLRN, an experienced management company and philanthropic arm of WLRN since 1974, the rights to run the day-to-day operations of WLRN-FM and WLRN-TV, ensuring compliance with all applicable school board policies, regulations, and fiscal reporting requirements while continuing the highest quality media standards of the WLRN stations,” the organizations stated.

The Miami-Dade County Public School Board is the broadcast license holder.

WLRN is public radio and television for South Florida. It began in 1948 as a non-profit, noncom radio station licensed to the School Board of Dade County. TV followed in the early 1960s. Friends of WLRN was created in 1974 to provide financial support and enhance the programming of the organization.

The post Friends of WLRN Sign Management Agreement appeared first on Radio World.

RW Staff

Texas LPFM Issued Forfeiture for Late-filed Application

Radio World
3 years 2 months ago

The Federal Communications Commission has issued a monetary forfeiture to a Texas LPFM licensee for failing to file a license renewal application on time.

The $1,500 fine is to Holy Spirit Oil Filled Ministry, licensee of low-power FM station KERC(LP) in Kermit, Texas.

FCC rules require stations to file for renewal application at least four months before their license expiration date, which for Holy Spirit was April 1, 2021. The Media Bureau said an application was not filed until May 13 and the licensee hasn’t explained why.

Soon after the bureau sent a notice of apparent liability for forfeiture and gave Holy Spirit 30 days to pay or reply. To date, the bureau said, the licensee has done neither.

The bureau has now determined that Holy Spirit willfully violated the rules and it confirmed the $1,500 forfeiture.

 

The post Texas LPFM Issued Forfeiture for Late-filed Application appeared first on Radio World.

Susan Ashworth

iHeart Pursues “Brand Safety” With Sounder Deal

Radio World
3 years 2 months ago

iHeartMedia has announced a partnership with Sounder, an audio intelligence platform.

The media company said it will use Sounder’s Audio Data Cloud to provide podcast creators with AI and machine learning tools “to help them gain critical, real-time insights to accelerate growth and improve monetization.”

It also is making a financial investment in Sounder, as the lead investor in the company’s Series A round. Sounder was founded in 2019 by former executives of Google and Spotify.

iHeart said approximately 750 of its original podcasts use Sounder technology. An important aspect of the announcement is what is called “brand safety” — a means for advertisers to spend on the iHeartPodcast Network’s content confidently.

[See Our Business and Law Page]

“The brand safety solution enables iHeartMedia’s marketing partners to buy across a wide array of creators with the assurance that the content adheres to industry safety standards,” iHeart stated. “The technology will quickly expand to also allow advertisers to customize their brand safety guidelines, unlocking new and more diverse publishers to provide even more effective ad placements.”

Chief Data Officer Brian Kaminsky was quoted saying, “It’s critical that we learn from the challenges advertisers have had with video and social media to deliver safety tools and controls that allow brands to customize their campaigns and ensure that their ads will be delivered at scale in a brand-safe environment.”

He said the partnership also provides “brand suitability tools” that align brands with relevant content and creator sentiments.

Sounder explained these tools on the company’s blog: “Through our brand safety and suitability solution, we can analyze a publisher’s audio content and identify any segments that might not meet the industry safety guidelines. … Knowing a publisher’s audio content is safe and suitable increases the rate a publisher can charge. Brands, too, are eager to share their messages on audio so long as they know their brand identity isn’t at risk.”

The announcement was made by Joe Robinson, iHeartMedia’s president of corporate development and ventures, and Kal Amin, CEO and co-founder of Sounder.

Kal Amin said, “While podcast advertising is growing fast, it’s still a nascent business when compared to traditional radio advertising.”

Submit business announcements to radioworld@futurenet.com.

The post iHeart Pursues “Brand Safety” With Sounder Deal appeared first on Radio World.

RW Staff

Women Make More Gains in Top GM Jobs

Radio World
3 years 2 months ago

The percentage of women serving as radio general managers in the largest U.S. media markets shows “strong growth year over year,” according to the organization Mentoring and Inspiring Women in Radio.

In the top 100 markets, the percentage continues to run higher than the national average. In 2021, about 24% of stations in these larger markets were managed by women, up from about 22% the year before.

Overall, MIW finds that about 21% of stations in 2021 had women in the general manager position. “This is an increase of almost a full percentage point from 2020 … Notably, this number continues to show consistent growth from 2004, when the percentage of female general managers was only 14.9%.”

[See Our Business and Law Page]

The study is based on data about roughly 11,000 AM and FM radio stations in the United States, as accounted for by PrecisionTrak.

“Overall, the best management opportunities for women in radio continue to be in sales management,” MIW said. About 34% of stations had a female sales manager, basically flat from 2020.

“The greatest challenge for women in radio management continues to be in the area of program directors/brand managers.” Women currently program about 12% of stations, again basically flat.

The organization does not report the number of women in technical management positions.

MIW Board President Ruth Presslaff was quoted saying, “If the glass is half full, we should celebrate any upward movement, even if it’s incremental, as jobs continue to be eliminated in the continuing pandemic. However, it’s disappointing that the glass isn’t filling faster for those in programming and MIW is paying close attention to this issue.”

The post Women Make More Gains in Top GM Jobs appeared first on Radio World.

RW Staff

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