Industry News

He was nominated by the readers of the Radio + Television Business Report as the eighth-ranked Top Local TV Leader in 2020 and appears on the soon-to-be released 2021 list.

Now, this head of a dominant station owned by The E.W. Scripps Co. is saying goodbye to his longtime colleagues. Why? He’s just been named the VP/GM of the FOX and MyNetwork TV stations serving the Charlotte market, owned by Nexstar Media Group.

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Until recently, a 3,500-watt Class A facility with a broadcast tower in the city of Oak Brook, Ill., could barely penetrate the Loop and much of the city of Chicago.

Despite the efforts of Richard Jakle to attract progressive rock listeners in the 1970s, lure Adult Standards lovers throughout the 1980s, and cruise across the 1990s with satellite-delivered Adult Contemporary programming, Educational Media Foundation reached a Time Brokerage Agreement in March 2011 for the facility.

Today, EMF owns the station, which carries the WAWE-FM call letters. And, for the first time ever, it fully reaches Chicago’s most populous zones. Thank GeoBroadcast Solutions for making it happen.

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ATLANTA — On the northeast corner of the I-285 spur, adjacent to Norcross, is the town of Doraville, Ga.

It’s home to a movie and television production facility developed five years ago that just happens to be next to an entertainment-centric studio and community development dubbed “Assembly.”

That proximity is what led one of the biggest broadcast TV station ownership groups to buy the film facility, Third Rail Studios, in a multimillion-dollar deal that closed on Tuesday.

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Gray Television has completed its purchase of Third Rail Studios from The Integral Group for $27.5 million.

And, it will be a key component to Assembly, presently under development at the former site of a General Motors Assembly Plant.

Gray says the location is “conveniently located” inside the I-285 perimeter.

With no traffic, it’s about a 25-minute drive from CNN Center in downtown Atlanta. MARTA Gold Line service to Doraville is available to, and it offers a direct 75-minute connection to Atlanta Hartsfield International Airport.

Integral purchased the property in 2014 and master developed the site before selling to Gray in March 2021.

Since it opened its doors in 2016, Third Rail Studios has gotten attention for its stages, mill and support spaces, and production offices; Gray says it will serve as an anchor for the future multi-studio site.

For the past few years, Netflix has produced a number of feature-length programs at
Third Rail Studios, including “Ozark.” Recently, Apple leased a significant amount of space within Third Rail Studios to help fulfill its production needs.

Gray CEO Hilton H. Howell calls Third Rail Studios “a pioneer in bringing film and television production to the Atlanta community. We are excited to join forces to create an entire
studio city to serve Georgia’s booming media industry and we are thankful for all of the work already completed at Assembly and proud to usher in the next chapter for the historical site.”

Development plans for Assembly include studio space, mixed-use development, as well as entertainment areas that will be a go-to destination for the Atlanta community. The first phase is expected to be finished by fall 2022.

Gray isn’t a stranger to sound stages: the company is a majority investor in Atlanta-based Swirl Films, which will occupy one of the stages on the property. Gray also owns video
production companies Raycom Sports, Tupelo-Raycom, and RTM Studios, the producer of PowerNation programs and content. Furthermore, Gray launched Circle Network with Opry Entertainment in January 2020.

Gray Television, pending FCC approval of its Meredith Local Media transaction, will soon become the second largest local broadcaster in the United States. Gray will own
television stations serving 113 markets that reach approximately 36% of U.S. television households.

On July 29, 2008, the nation’s two subscription-based satellite radio companies officially completed their merger. Washington, D.C.-based XM Satellite Radio and New York-based Sirius Satellite Radio were now one. And, in retrospect, it saved satellite radio’s fiscal failures as deep debt eventually shifted to profit pops as Sirius XM fought traditional radio while acquiring streaming audio pioneer Pandora in the coming years.

Today led by CEO Jennifer Witz, Sirius XM Holdings has come a long way in 13 years. Now, it is contemplating a move that may eventually end the Sirius legacy of the satcaster, technically speaking.

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Of the big regional religious radio broadcasting operations, the Houston-based entity devoted to “keeping Him close by” has emerged as a force in the Lone Star State.

It’s expanded well beyond its home market, and is now ready to enter two new Texas locales.

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Travel along Interstate 81 between the Tri-Cities of Tennessee and such Virginia locales as Harrisonburg, and you’ll travel through the Blue Ridge region that’s a key part of the Appalachian Mountains.

And, it is an Eastlan-rated market, last updated just two weeks ago. With local broadcasters dominating, a new Virginia-based licensee has emerged as a station owner, thanks to a deal signed September 3.

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The 2021 NAB Show is coming soon. While some big companies including Ross Video have opted not to move forward with attendance at this year’s convention and expo, others including Marketron are excited about interacting with broadcast media executives for the first time since spring 2019.

In this InFOCUS podcast, presented by dot.FM, SVP of Product Jimshade Chaudhari chats with RBR+TVBR Editor-in-Chief Adam R Jacobson on what NAB Show attendees that swing by Marketron’s booth can expect in the way of safety and interaction, and what products Marketron is ready to put the spotlight on — including one new offering of interest to radio and TV.

Listen to “The InFOCUS Podcast: Jimshade Chaudhari, Marketron” on Spreaker.

Sinclair Broadcast Group-owned Dielectric has literally changed how FM broadcast antenna manufactures validate directional pattern studies for new FM broadcast antennas.

In fact, the company’s research played a key role in the recent FCC filing of a Petition for Rulemaking, written with leading broadcast consultancy Merrill Weiss Group, that could be approved within weeks.

The new rule, Dielectric says, paves the way for the first directional FM pattern verification rule change in 58 years — a rule change that passes the torch from physical to AI-driven simulated modeling.

Merrill Weiss, principal of Merrill Weiss Group, offered his expertise on existing FCC rules while assisting with the writing and filing process.

The inspiration behind Dielectric’s effort is to provide FM broadcasters with a more efficient and economical antenna modeling process. FM broadcast antenna manufacturers today build physical models and collect measured data to verify antenna patterns – a time-consuming and burdensome process. Dielectric’s petition proposes that the FCC allow FM antenna manufacturers to transition to computer-based antenna modeling using computational methods – an approach widely used in other broadcast products. In fact, this technique has been used for TV station antenna modeling since 2017.

“This is simply long overdue,” Dielectric VP of Engineering John Schadler said. “FM is the only FCC service that still requires a physical range measurement, and anyone who has worked with range measurements knows that accurately measuring radiation patterns is extremely difficult. Simulated pattern verification is much more economical with less chance of error — it just makes sense.”

The clearance to leverage simulated antenna modeling will also result in better accuracy for broadcasters. “3D high-frequency simulation will, in many ways, yield results that are superior to traditional range measurement proofs,” Schadler added. “Since simulations are done in a true free space environment, any issues with the range or anechoic chamber and with the surrounding environment are eliminated, resulting in more reliable azimuth patterns and H/V ratios.”

The use of software also eliminates the lengthy set-up and take down time of models, as well as the need for a technician to adjust the model and take data points by hand. This removes mechanical tolerances and human error affecting the data. Another advantage of designing in a virtual environment is that the geometry can be completely optimized and not compromised by time, materials and tolerances.

Schadler adds that since the start of Repack in 2017, Dielectric has shipped more than 1,000 TV antennas using a virtual-only design process, which has both accelerated design timelines and eliminated the traditional physical design process. Many of these designs have been field verified, further supporting the accuracy of computer simulations.

“It is safe to say that it would have been essentially impossible to design, manufacture, test, and install this many antennas to successfully complete the Post-Incentive Auction Spectrum Repack, in the minimal time allowed, without the use of virtual simulation,”  Schadler said. “Another fallout of Repack is that we created a new crop of engineers – HFSS computer simulation super users. ANSYS HFSS is 3D electromatic simulation software tool for designing, simulating and evaluating high-frequency components. New opportunities such as FM pattern studies will take advantage of our engineers’ new expertise.”

HFSS software can make small changes to completely optimize radiation patterns and not be constrained by time and material. This replaces the time-consuming trial-and-error procedures that engineers and technicians have lived with for nearly six decades.

— Brian Galante

HD Radio, touted by parent Xperi Corp. as “the most successfully deployed commercial digital radio system worldwide,” has expanded into the motorbike category.

But, don’t expect any Harley drivers to suddenly start cranking up “97.3 The Coast HD2” while enjoying a ride down to the Florida Keys from Miami anytime soon.

The HD Radio receivers are currently available on the digital dash display of one motorbike brand — an uncommon one across the U.S.

So, who among the nation’s motorcyclists can enjoy HD Radio? The new 2022 BMW R 18 Transcontinental, the latest addition to the R 18 family, has it.

While it marks another industry first for HD Radio technology, which recently entered the commercial truck market, it also demonstrates that Xperi has a long way to go to get entry into the most commonly used motorcycles.

That said, HD Radio technology is currently available from more than 40 manufacturers across 200 passenger vehicle models and is currently in over 75 million vehicles.

“We are proud that the R 18 Transcontinental marks the first motorbike to offer HD Radio technology,” said Xperi SVP/GM for the Connected Car division, Jeff Jury. “Our entry into the motorbike category is yet another step in our mission to ensure that consumers across the globe have access to the best quality digital radio experience. We are so pleased to continue to partner with BMW, and other OEMs worldwide, as we broaden the reach of HD Radio technology.”

LONDON — AdTonos has appointed Paul Smith as Senior VP of Sales to support the global growth of sales, with a primary focus on the U.K.

Smith has more than 12 years of experience in the radio industry and has successfully managed multiple commercial teams across Great Britain.

In fact, Smith spent much of his career with iHeartMedia investor Global, becoming the youngest Commercial Director at the time.

Smith progressed by joining the Senior leadership team in NewsUKs Wireless group before finally integrating the stations into the Bauer portfolio.

AdTonos is owned by Radio Net Media, an operation designed to monetize podcasts, audiobooks, music and radio streams of over 200 recognized publishers across the U.S., U.K., European Union and in Latin America. Specifically, AdTonos works with online audio publishers and advertisers to deliver ad solutions.

Smith “will strengthen AdTonos’ network of advertising brands so the company can meet the increasing demand for effective, measurable tools within digital audio advertising
and seamlessly connect brands with online radio publishers to utilise the interactive nature of audio,” the company said.

AdTonos CEO Michał Marcinik commented, “Paul’s extensive background in scaling digital advertising solutions, combined with his unrivalled vision of how brands should interact
with their audience makes him the ideal candidate to join AdTonos’ team. Well-recognized
media buyers are actively investing in our audio offering, and the time has come to make it
available to a wider group of advertisers.”