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Industry News

SCN and AVIXA Launch InfoComm Sneak Peek Virtual Event

Radio World
3 years 10 months ago

Here’s an upcoming event from one of our sister publications that will be of interest to radio people who also work in AV, education and other related fields.

With InfoComm 2021 coming up in October, Systems Contractor News and AVIXA, the association that produces the show, are teaming up for a virtual event on Sept. 23 called InfoComm Sneak Peek.

Attendees will get previews of education sessions on topics including digital signage trends, emerging audio solutions and classrooms of the future. The event will also feature sneak peeks from manufacturers of products they’ll be launching at InfoComm, in addition to networking opportunities.

Rochelle Richardson, CEM, senior vice president of expositions and events at AVIXA, said the virtual event “will pull back the curtain to reveal new and cutting-edge solutions and technologies and give a glimpse of what the industry can expect to experience at the big show.”

InfoComm Sneak Peek is free to attend for qualified integrators, consultants, content creators, technology managers and others. To register or learn more, visit www.infocommsneakpeek.com.

For sponsorship opportunities, contact Adam Goldstein at adam.goldstein@futurenet.com.

InfoComm also is giving readers a free Exhibit Hall pass to the show. Use VIP Code “FUTURE” to redeem your free pass during registration. And for show updates, visit the InfoComm 2021 hub.

 

The post SCN and AVIXA Launch InfoComm Sneak Peek Virtual Event appeared first on Radio World.

RW Staff

Black Media Works Sells Treasure Coast Pair To NPR Member Owner

Radio+Television Business Report
3 years 10 months ago

FORT PIERCE, FLA. — The future of a noncommercial voice of the African American community across a three-county region of Florida that enjoys a simulcast partner in the important agricultural communities of Belle Glade and Clewiston is now in question, thanks to an agreement  reached last week that sees the FMs heading to a new owner.

Upon closing, ownership will be handed to the local institution of higher learning that owns and operates the NPR Member station serving Florida’s Treasure Coast.

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Adam Jacobson

A New Day For ‘Radio Fe’

Radio+Television Business Report
3 years 10 months ago

If you’ve ever been to North Florida Christian School, you can’t miss the large broadcast tower that sits between the school’s athletic field and North Florida Baptist Church in the Macon Community that sits between Interstate 10 and the state capital of the Sunshine State.

Until now, it has relayed a low-power FM’s Spanish-language religious programming. That could change very soon, as the FM translator is being sold.

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Adam Jacobson

Guidance Issued for Aug. 11 National EAS Test

Radio+Television Business Report
3 years 10 months ago

Digital Alert Systems, the New York-based emergency communications product developer for broadcast media, has released its guidance ahead of the next National Periodic Test of the Emergency Alert System (EAS).

That’s scheduled for August 11 at 2:20pm Eastern, and all broadcast and cable operators must participate in the test.

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RBR-TVBR

AirCheck Tool Aids Sports Journalists

Radio World
3 years 10 months ago
The AirCheck tool is on screen at right.

The author is head of Audio and Innovation at Eurovision Sport, part of the European Broadcasting Union. EBU commentaries appear regularly at radioworld.com.

Rewind your memory, if you dare, to March 2020 and the start of the global pandemic. For radio broadcasters, there was a sudden need to adapt to new workflows from their sofas and closets.

But for one group of resilient and hardy journalists, this transition was relatively painless. Sports commentators have something in their DNA that allows them to easily connect to their studio centers from anywhere in the world and to start broadcasting.

[Read: EBU’s New Head of Radio Sees Opportunity, Peril]

The problem though was that often there was nothing for them to commentate on! The UEFA Euro2020 tournament was to be the big football event of the year, but that was quickly postponed as nations headed towards local lockdowns.

UEFA Euro2020 was set to be the first edition of the tournament to take place across many different countries — an idea conceived back in 2012, in more innocent times, to help celebrate the 60th anniversary of the event.

Football has a remarkable ability to unite nations and to serve as a wonderful distraction in difficult times, something that made its absence in 2020 even more evident.

So, after a long year of waiting, fans collectively breathed a sigh of relief as the first match kicked off in June 2021 at the Stadio Olimpico in Rome.

The tournament, played across different European countries, as originally planned, was to prove challenging for broadcasters dealing with travel restrictions.

The European Broadcasters Union represents and unites broadcasters across Europe and the rest of the world, and around 40 of our radio members delivered coverage of the tournament to millions of listeners worldwide.

Many of those broadcasters deployed commentary teams to cover matches inside venues throughout Europe, while others decided to work from home, commentating off TV monitors in their studios.

For those working “off-tube,” UEFA Bookings provided a “radio international sound streaming service” over the public internet, delivering high-quality sound with watermarked TV pictures specifically for radio commentators.

The rights-protected service was delivered over the SRT and WebRTC streaming protocols to provide high-quality, reliable and low-latency pictures to broadcasters, freeing them from the traditional reliance on expensive satellite downlinks.

Another popular innovation introduced at this tournament was the Eurovision Sport AudioFoot AirCheck platform, designed for EBU radio members to share near-live emotions.

Football delivers raw and passionate moments that cross language barriers. For example, the Portuguese broadcaster RTP celebrates each and every goal with their iconic “Goooaaaal” shouts. Radio Nacional de España sounds dramatic, punctuating their commentary with music and sound effects. The BBC in the U.K. and ARD in Germany deliver a considered commentary style.

Yet no broadcaster can hold back their emotions when their team is about to drop out of the tournament or progress through to the finals.

All of these moments, no matter their language, can prove incredibly useful to producers and journalists looking to build a story of a tournament that stretches far beyond their own radio station’s boundaries.

Swiss start-up deliver.media developed a platform, dubbed AirCheck, to provide access to near-live recordings of the audio output from many of our members.

The platform is unique in its ability to scale using a distributed cloud architecture, currently recording over 240 radio stations. Mathieu Habegger, who established deliver.media, has years’ of broadcast experience behind him.

He created a simple and efficient user interface that does its best to abstract away all of the technicalities involved in the backend, allowing the producer to mark-in, mark-out and download any section of audio for use in their own features or live broadcasts.

We worked with the developers to further customize the platform to support the specific needs of sports journalists working in a pressurized environment.

Live sports data was ingested and embedded onto the digital audio files, making it incredibly easy to locate and download goal commentary.

In addition, a player was developed that could synchronize, display and download audio from multiple broadcasters at any one time.

For broadcasters, it is now incredibly easy to locate a goal from a particular match and to have instant access to the commentary from all of our broadcasters — this makes it so easy for us to reflect the emotions of football across Europe.

It also had some unintended uses. For example, on the second night of the tournament, Denmark’s Christian Eriksen suffered a cardiac arrest on the pitch.

Our Senior Sports Producer Micky Curling was able to locate DR’s highly emotional commentary and make it available to other broadcasters within minutes of the incident. This would have been impossible without the new tool.

The platform also has a flexible data backend that allows users to ingest any type of additional metadata and commentary. deliver.media aims to make linear and audio content searchable in the future and are looking to use AI and deeper audio analysis to really enhance the user experience.

With deliver.media’s AirCheck tool, the innovation from UEFA, and of course the ongoing dedication from radio sports journalists across Europe, UEFA Euro2020 proves once again that football is an opportunity for nations to unite and celebrate a shared human experience.

 

The post AirCheck Tool Aids Sports Journalists appeared first on Radio World.

Brett Moss

Further Relaxation of Ownership Seems Unlikely

Radio World
3 years 10 months ago
Then-Commissioner Jessica Rosenworcel is shown at a Senate hearing in 2020. She is now acting chairwoman. Photo by Alex Wong/Getty Images.

The FCC’s ongoing local media ownership review is in a state of flux without a confirmed chairperson leading it.

Since late January the Federal Communications Commission has been led by Acting Chairwoman Jessica Rosenworcel, and FCC watchers consider it unlikely that she would proceed with the 2018 Quadrennial Review of Media Ownership Rules until a chair is named by President Biden and approved by the Senate. As of mid-June the FCC remained split 2–2 along party lines.

But even when a chair is named — Rosenworcel or anyone else — we probably shouldn’t expect a Democratic-controlled FCC to relax ownership rules further.

Unanimous vote

Broadcasters got a big win in April when the Supreme Court unanimously upheld changes that the FCC made to ownership rules in 2017. The commission had a Republican majority when those changes were made.

The ruling in “Federal Communications Commission v. Prometheus Radio Project” allowed the FCC to abolish the ban on newspaper/broadcast and radio/TV cross-ownership, and relax several local TV ownership regulations. Court challenges have now been exhausted.

That outcome “effectively reinstates the rules adopted in the 2017 Recon Order,” according to a FCC spokesperson.

One attorney familiar with the process says the FCC is likely to tread lightly on further rule changes at least until a chair is named.

“Traditionally an FCC interim chair is unwilling to begin any new initiatives, or in this case conclude the review with any changes. Especially when the current commission is deadlocked,” the attorney said.

And the political world has continued to turn since then-Chairman Ajit Pai prioritized relaxation of media ownership limits.

Rosenworcel voted against the rule changes then; and she again made her feelings known in a statement following the SCOTUS announcement.

“While I am disappointed by the court’s decision, the values that have long upheld our media policies — competition, localism and diversity — remain strong. I am committed to ensuring that these principles guide this agency as we move forward.”

Congress directs the FCC to review ownership rules every four years and update them to reflect competitive changes that affect the radio and television business. The process is intended to allow reforms to reflect the evolving media marketplace. In addition, local ownership rules seek to “promote competition, localism and viewpoint diversity in today’s radio marketplace,” according to the FCC.

The current cycle will likely be completed late this year or early 2022.

The review does offer the commission an opening to change the radio subcap limit, observers said. The Notice of Proposed Rulemaking that launched the process mentions the “local radio ownership rule” as one of those subject to review.

And pressure to relax ownership rules further has increased in light of the economic hit radio took during the pandemic.

The current caps were adopted in 1996. They allow for an entity to own up to eight stations in the largest markets, no more than five of which may be in the same service (AM or FM). The limits drop in smaller markets.

The National Association of Broadcasters thinks that one party should be able to own up to eight FM stations in any of the top 75 Nielsen radio markets. It also has said there should be no FCC ownership limits in markets smaller than the top 75, and that AMs should not be counted against the ownership limits.

In addition, NAB hopes that radio owners that incubate the ownership of stations by new entrants into broadcasting would be allowed to own up to two additional FMs in a market.

NAB in its proposal cited a dramatic increase in competition from streaming and satellite radio. It said over-the-air radio should have a level regulatory playing field with the new competition.

“We should take a close look”

The association is optimistic there will be some movement on radio subcaps.

“We think there will be changes. It’s more of a question how far the FCC will go. A lot will depend on who the chair is. Everyone has a different opinion,” an NAB spokesperson told Radio World.

The spokesperson anticipated that the FCC would issue a notice to refresh the record and collect additional comments before releasing a final order — and that in fact happened in early June.

In inviting fresh comments, the FCC wrote: “Beyond reviewing the existing record in light of the passage of time, we also seek submission of new or additional information regarding the media marketplace that commenters believe is relevant to this proceeding,” mentioning the broadcast industry’s evolution since early 2019, the growth of online audio and video sources and the impact of the pandemic.

When NAB floated its subcap proposal in 2019, the largest ownership group was opposed to higher FM limits. According to an internal memo reported on several industry websites, iHeartMedia Chairman and CEO Bob Pittman and COO Rich Bressler described the NAB proposal as “bad for the industry” and worried “what NAB’s idea would do to the value of AM properties.”

Emails requesting comment from iHeartMedia leadership were not returned.

Matthew McCormick, co-managing member at the law firm Fletcher, Heald & Hildreath PLC, would be surprised if there were any significant further relaxation of ownership rules. “I think it is unlikely that a Democratic-controlled commission will adopt the NAB’s proposal to loosen the radio ownership caps,” he said.

Commissioner Geoffrey Starks, in a speech to the Media Institute in May, said it is not clear if consolidation will accelerate following the Supreme Court decision.

“I certainly have a renewed interested in using the next Quadrennial Review to ensure that the pillars of diversity, localism and competition are fully considered in determining what future media ownership regulation should look like,” said Starks, the other Democrat on the commission.

“We should take a close look at everything and see what makes sense in today’s markets.”

Starks compared today’s media ownership landscape to how it was just 40 years ago.

“In 1983 there were about 50 dominant media companies. Today there are five media conglomerates that own about 90 percent of the media in the United States, including newspapers, magazines, movie studios and radio and television stations,” he said.

David Honig, president emeritus and co-founder of the Multicultural Media, Telecom & Internet Council, thinks it unlikely that this quadrennial review will result in further major changes.

“MMTC, along with NABOB [National Association of Black Owned Broadcasters], has asked the commission to maintain the local ownership caps, and we expect that to happen,” Honig told Radio World in an e-mail.

Others pointed out that as political administrations swing back and forth, so do priorities.

“A Democratic commission is unlikely to relax the multiple ownership rules any more than the Supreme Court required. [And] while the commission is tied 2–2, don’t expect controversial changes,” said Melodie Virtue, a communications attorney with Foster and Garvey PC.

More comments?

David Oxenford at Wilkinson Barker Knauer wrote on his blog earlier this year: “Now that the Third Circuit’s reasoning has been rejected, that still does not mean that the FCC, particularly a Democratic-controlled FCC, will automatically look to relax the radio rule.”

When Oxenford wrote that, he too anticipated that the commission would ask for more comments, as it eventually did. “In other words, any change in the radio ownership rules will not come quickly.”

But political volatility in Washington could also lead to a more unpredictable FCC, according to Scott Flick, a Washington-based attorney with Pillsbury Shaw Pittman LLP.

“The traditional Washington perspective on the FCC is that Democratic commissioners seek to regulate and Republican commissioners seek to deregulate. There was a period of time, however, where the views of an FCC commissioner were more informed by their background and experience than by their party affiliation,” he said.

“Whether it was the result of more flexibility in party ideology or a greater willingness to horse trade on issues to achieve the best overall result in that commissioner’s view, it led to a more predictable and consistent FCC.”

That consistency, Flick said, benefited everyone — not just those appearing before the FCC trying to build new businesses and business models without finding their plans upended every four years, but also “the FCC staffers themselves, whose job is made easier when the correct answer on a particular point is the same this year as it was last year, unaffected by perennial changes in commissioners and politics.”

The post Further Relaxation of Ownership Seems Unlikely appeared first on Radio World.

Randy J. Stine

Federated Media Finalizes Podcast, Streaming Audio Strategy

Radio+Television Business Report
3 years 10 months ago

It’s a family owned company operating 12 radio stations and digital agency Federated Digital Solutions in the Indiana cities of South Bend and Fort Wayne. Among the stations it owns is famed WOWO-AM 1190, once heard across the Eastern Seaboard after dark.

Now, Federated Media has put a stamp on its future by finalizing its digital audio delivery strategy.

How so? It has powered Triton Digital to “power” the company’s podcast and streaming audio platform.

Specifically, Federated Media will utilize Triton’s audio streaming network for the delivery of its radio stations online.  In addition, Federated Media will use Triton’s podcast platform, Omny Studio, to support the creation, distribution, and promotion of its podcast content across devices including smart speakers and mobile phones.

Triton Digital is owned by iHeartMedia and was recently purchased from The E.W. Scripps Co.

RBR-TVBR

A New Entry for Video Editing and Screen Recording Needs

Radio+Television Business Report
3 years 10 months ago

The latest version of Telestream’s video editing and screen recording software for the Mac has been brought to market.

Now available: ScreenFlow 10, giving users the ability to record multiple cameras, microphones, and screens, including iPhone and iPad screens simultaneously.

Built for anyone needing a screen recording and video editing application, ScreenFlow starts at $149 and comes with a new integrated Title Library, enhanced Color Effect Presets, an automatic Background Remover, support for Apple Silicon hardware, multiple performance enhancements and an Archive Storage feature that stores only what was used in the final finished program.

ScreenFlow’s intuitive interface was developed specifically for Mac users. Highly optimized to streamline content creation, ScreenFlow 10 features up to 250% smaller camera recordings at the same quality as ScreenFlow 9 and up to 75% less CPU usage during camera recording. Timeline thumbnail creation is 300% faster and exports are up to 66% faster on the latest Apple Silicon hardware.

Download the trial or purchase ScreenFlow 10 at: https://www.telestream.net/screenflow/overview.htm

RBR-TVBR

NAB Show Launches Annual ‘Product of the Year’ Awards

Radio+Television Business Report
3 years 10 months ago

The NAB Show is now accepting nominations for the third annual Product of the Year awards.

Companies scheduled to exhibit in either the 2020 or 2021 NAB Show are eligible. The awards recognize the most significant and promising new products and technologies developed by NAB Show exhibitors.

Nominations are being accepted through September 17.

The Product of the Year award recipients will be selected by a panel of industry experts in 16 categories and announced during the official awards ceremony and reception at the Westgate Hotel on Tuesday, October 12. Nominated products and technologies must be available for delivery in calendar year 2021.

“NAB Show is the premier venue to launch and demonstrate new products that sit at the intersection of media, entertainment and technology,” said NAB Executive Vice President of Global Connections and Events Chris Brown. “We look forward to exploring innovations from the past two years and celebrating their impact on our industry.”

Product categories for the 2021 NAB Show Product of the Year awards are as follows:

  • AI/Machine Learning
  • Asset Management, Automation, Playout
  • Audio Production, Processing and Networking
  • Camera Support, Control and Accessories
  • Cameras
  • Cloud Computing and Storage
  • Digital Signage & Display Systems
  • Graphics, Editing, VXF, Switchers
  • Grip Equipment
  • Hardware Infrastructure
  • IT Networking/Infrastructure & Security
  • Location/Studio Lighting
  • Monitoring and Measuring Tools
  • Radio
  • Remote Production
  • Streaming

Companies should submit product nominations here. The official rules are available here. 

RBR-TVBR

USSI Global adds to its Executive Team

Radio+Television Business Report
3 years 10 months ago

USSI Global has strengthened its executive team by appointing a Vice President of Programs and Innovation Lab.

Reporting to COO Anthony Morelli, he will focus on technology development and systems integration strategies that bring the company’s core broadcast, digital signage, and electronic business and consumer operations closer together.

Taking the position is Ted Korte, who will also be charged with driving technology and service innovations that “enhance USSI Global’s value as a turnkey project management company.”

Korte comes to USSI Global with 25 years of broadcast industry experience, including 20 years at Harris Corporation. He served as Director of Engineering across key business units (automation and asset management, video servers and editing, and TV and radio transmission), and in later years worked closely with the company’s digital signage and managed services teams. That led to stronger technical synergies across Harris’s broadcast and digital signage businesses.

Korte joined then-upstart Qligent in 2014, now a global leader in monitoring and analytics for broadcasters and OTT services. As COO/CTO, he established a brand reputation for Qligent as an innovator in transitioning QoS, QoE, and compliance monitoring operations to the cloud. After bringing the company’s pioneering Vision monitoring platform to market, Korte helped Qligent launch the industry’s first “monitoring as a service” platform, and expanded Qligent’s horizons into the now-ubiquitous big data space to generate detailed audience and business analytics.

He returned to Harris Corporation, now L3Harris, in 2019 where he focused on internal research and development projects for the space industry. He gained experience in program management and satellite technologies, including LEO groundstations and global networking systems that represent important emerging markets for USSI Global.

“Ted brings enormous value to USSI Global that will help us establish growth strategies for our core markets and new business opportunities, while broadening our horizons as a service-oriented organization,” said Morelli. “With several exciting new initiatives in motion, the time is right to bring on someone who has the right expertise and vision to propel our business forward, and deliver innovative programs and services for our customers. We are confident that Ted is the right person for this job, and we are proud to welcome him to the USSI Global team.”

RBR-TVBR

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