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Radio World

WFWL Readies for Its Last Day on Air

Radio World
3 years 5 months ago
WFWL’s Original Studios in the Former Lockhart Motel Village (left); The Current WRJB–WFWL Facility

After 65 years on air serving Benton County from Camden, Tenn., WFWL(AM) is signing off the air for good on Dec. 1.

Community Broadcasting Services Inc., owner of the station, plans to focus its energies on WFWL sister station, WRJB(FM). “It’s purely a business decision. … It just makes sense for us,” said Dylan Powley, program/music director for the organization and host of the WRJB morning show.

“The studio will be converted into a multimedia space. We plan on being able to offer more in the way of interviews and digital content, as well as hosting musicians for live performances. This ties back into us putting our efforts into 95.9 WRJB,” Powley said.

Station Manager Ron Lane (left) conducts an interview during the station’s annual broadcast from the Benton County Fair, a tradition that started in the 1960s.

He also noted that plans for the station’s towers and transmission equipment, had yet to be finalized. Community Broadcasting is looking to repurpose W259BN, WFWL’s FM translator on 99.7 MHz.

WFWL has been a fixture in Camden since it went on air on September 18, 1956. “It was the only radio station in Camden for 20 years,” said Powley. “It was instrumental in covering news and offering entertainment to every corner of the county.”

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Originally owned by Camden Broadcasting Co., the station was sold to WRJB in the mid-1980s. John Latham, one of the original partners in Camden Broadcasting, had launched the FM station in 1976. With the ownership change, the two stations’ studios were consolidated on Vicksburg Avenue in Camden.

Over the years, the station operations changed, but Powley said WFWL remained a presence on 1200 kHz. “WFWL has maintained a presence, albeit much smaller, in the more recent history, playing modern country and gospel on Saturday mornings,” he said.

“While it’s always sad to see a station like WFWL go off-air, this doesn’t mean that local radio is going anywhere in Camden,” said Powley. “We have made a commitment to get off satellite programming, which is rare in rural radio, at least here. We’ve already been able to build an improved listener base with a new, unique format, and the exit of WFWL will allow for the entrance of a more modern operation that can better service our listening area.”

WRJB WFWL Staff at Their 2019 Holiday Party

Powley noted that WFWL going dark will not affect any of CBS’s four full-time employees and the “handful of part-timers that help out.”

To mark the end of the WFWL era, the station will spend its last day on air celebrating the station’s history. Station Manager Ron Lane, who has worked at the station since he was a high school senior in 1959, told The Camden Chronicle that the station’s last day of programming would include comments from current and former WFWL personalities.

“We have such tremendous memories surrounding this station. It has been a pleasure to be part of it,” Lane told The Chronicle.

Send your station news and updates to radioworld@futurenet.com.

The post WFWL Readies for Its Last Day on Air appeared first on Radio World.

T. Carter Ross

Comment Deadlines Set for FM Antenna Computer Modeling

Radio World
3 years 5 months ago

Due dates have now been published to comment on the FCC’s proposed rule change regarding directional FM antenna patterns.

We reported earlier that the commission has opened a notice of proposed rulemaking to update its rules for applicants proposing directional antenna facilities for FM and low-power FM stations. The commission wants input on rule revisions allowing an applicant to verify a directional antenna pattern through the use of computer modeling.

The proposal was made in a joint petition by Dielectric, Jampro, Radio Frequency Systems, Shively Labs and Educational Media Foundation.

The NPRM asks specifically for help from “engineers, broadcasters, antenna manufacturers, and other interested parties” to help clarify some issues raised by the proposed rule.

[Read the full NPRM text.]

Now that the NPRM has appeared in the Federal Register, the FCC can set the comment deadlines. So comments are due by Dec. 30, and reply comments by Jan. 14.

Use the FCC online comment system, and type 21-422 in the “Specify Proceeding” field.

Comment on this or any article. Write to radioworld@futurenet.com.

The post Comment Deadlines Set for FM Antenna Computer Modeling appeared first on Radio World.

RW Staff

Bhardwaj Joins International Sales Team

Radio World
3 years 5 months ago

International Sales Team named Anil Bhardwaj as its specialist in transmission, antennas and associated RF components.

IST Sales Force Manager Roland Schaller said Bhardwaj has experience in engineering, sales and law, including a law degree.

Bhardwaj has worked as a sales manager and sales director, with global relationships particularly in South Asia and the Middle East. His background includes stints at Jampro and GatesAir.

[Visit Radio World’s People News Page]

“Anil is particularly known for his work in the RF field working with high-power broadcast transmission systems including the antenna arrays, however he has also successfully delivered numerous turnkey studio, CTI, server, storage, and broadcast automation platforms and systems,” according to the announcement.

International Sales Team is a network of broadcast and media industry sales professionals for hire and deployment.

Send announcements for People News coverage to radioworld@futurenet.com.

The post Bhardwaj Joins International Sales Team appeared first on Radio World.

RW Staff

User Report: StreamGuys Provides Growth Platform for RFEN

Radio World
3 years 5 months ago

The author is founder and CEO of Radio Free Entertainment Network Ltd.

Christavus Dominic at work with StreamGuys’ SaaS tools. (Photo by Thomas Mendenhall)

Radio Free Entertainment Network Ltd. is a broadcast and internet streaming radio network playing the music of renowned and independent artists as well as local talk shows. We are dedicated to empowering our communities to promote educational, civic and cultural development by amplifying the voices of the traditionally underrepresented.

Its origins date to my tenure as general manager of grassroots radio station WMVU(FM), Radio Free Akron. When we decided to start broadcasting WMVU online in 2019, we chose StreamGuys as our streaming service provider at the recommendation of our engineer Blake Thompson.

With our success in streaming WMVU and my desire to bring more community to the world through music, I wanted to expand our efforts into a full-service radio network to help more people get their content out. I approached the principals at WMVU with my idea, and launched RFEN in March 2021 with co-founders Warner Mendenhall and Shuaib Meacham.

RFEN now hosts and aggregates live content from a growing roster of stations beyond the Akron area including Youth Artist Network Radio from Waterloo, Iowa; hip-hop station WJJN(FM) in Dothan, Ala.; and urban gospel station WINW(AM) in Canton, Ohio.

We use a broad range of StreamGuys solutions. In addition to delivering streams over its CDN, we use the SGplayer HTML5-based multimedia player and rely on analytics tools such as SGreports and SGmon to monitor and measure our operations and audience traffic. StreamGuys created an Alexa skill for WMVU to allow the station to be accessed easily on smart speakers.

[Read More Buyers Guide Reviews Here]

We also used StreamGuys partner SoCast to create our website and mobile app, and products such as encoders from StreamGuys partners including Videon and Telos.

While at first we focused on live streaming, we added podcast hosting and distribution at the request of our clients, starting with a podcast series for Ted “The Man with the Golden Voice” Williams. StreamGuys once again made it easy for us to expand our offerings, and we use SGrecast for podcast management and publishing.

In addition to audio, we are starting to use StreamGuys services for video. We are using SGrecast to manage video podcasts and delivering them over StreamGuys’ CDN, and we plan to add live video streaming from our recently renovated studio soon.

I love the reliability, great sound and functionality that we get from StreamGuys’ streaming tools and SGrecast, but the number one thing I like about StreamGuys is its customer service. I can call them at any time, and they treat me like I’m a multimillion-dollar client.

I am not an engineer, so having StreamGuys provide managed services is worth every penny in taking the technical load off me and my team. They’re also proactive in sending out information about industry and technology updates. StreamGuys gives us a platform we can grow on, and is a great partner in helping us achieve our goals.

Info: Contact Jason Osburn at StreamGuys at 1-707-667-9479 or visit www.streamguys.com.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

The post User Report: StreamGuys Provides Growth Platform for RFEN appeared first on Radio World.

Christavus Dominic

NAB Expresses ‘Serious Concerns’ About Sohn FCC Nomination

Radio World
3 years 5 months ago
(Photo courtesy Public Knowledge)

In advance of the Senate hearing scheduled for Dec. 1 on the nomination of Gigi Sohn to the Federal Communications Commission (FCC), National Association of Broadcasters (NAB) president and CEO Gordon Smith has expressed “serious concerns” about her previous involvement as a director in the streaming service Locast.

After lengthy litigation, the Locast service, which streamed local broadcast signals in more than 30 markets, was forced to shut down in September when a judge in the Southern District of New York ruled it was illegally streaming the signals.

“NAB strongly supports Congress’s desire to have a fully seated Federal Communications Commission as soon as possible,” Gordon said in a statement. “Although NAB does not currently oppose the nomination of Gigi Sohn, we have serious concerns about her involvement as one of three directors of the illegal streaming service Locast.”

[See Our Business and Law Page]

“NAB is confident that these concerns can be resolved,” stated Gordon. “However, the ethics agreement that Ms. Sohn submitted to the Senate currently does not adequately address the inherent conflict presented by her recent leadership position at Locast and her potential role as an FCC commissioner. NAB is actively working with members of the Senate Commerce Committee and the White House to address this conflict and requests that Ms. Sohn submit an amended ethics agreement that meaningfully and effectively addresses this clear and troubling conflict.”

Sohn is one of three leaders at the company, along with one other director and former Dish executive and Locast founder David Goodfriend. Two days after her nomination as commissioner, Sohn entered into a settlement with the plaintiffs in the case that enjoined her from operating Locast in the future or any other service seeking to exploit Congress’s nonprofit exemption to the copyright laws. The company also agreed to pay the broadcaster plaintiffs $32 million as a result of its ongoing illegal activity.

Comment on this or any article. Write to radioworld@futurenet.com.

The post NAB Expresses ‘Serious Concerns’ About Sohn FCC Nomination appeared first on Radio World.

George Winslow

SBE Announces Ennes Scholarship Recipients

Radio World
3 years 5 months ago

Don’t tell this crowd that there aren’t young people out there who are interested in broadcast technology.

The Society of Broadcast Engineers announced that the Ennes Educational Foundation Trust has awarded five scholarships for 2021.

They are given to individuals interested in continuing or beginning an education in broadcast engineering and technology. Each recipient this year receives $2,500. The choices were announced by SBE President Andrea Cummis.

From left: Ismail Otu, Michael Cassara, Zachary Cameron, Christopher Gamelin and Meredith Frank

The Harold E. Ennes Scholarship recipient is Ismail Otu, CRO, CTO, a graduate of the Broadcasting Production Technology Program at Central Piedmont Community College in Charlotte, N.C. SBE said he plans to attend the Cleveland Institute of Electronics and major in broadcast engineering/wireless communication electronics.

[Visit Radio World’s People News Page]

The Robert D. Greenberg Scholarship recipient is Michael Cassara, who is in his sophomore year of studying computer engineering at the University of Pittsburgh.

The John H. Battison SBE Founder’s Scholarship is awarded to Zachary Cameron, who is attending Ball State University in Muncie, Ind., studying telecommunications.

The Gino Ricciardelli Scholarship goes to Christopher Gamelin, who has worked at iHeartMedia and Entercom Communications and now is a maintenance technician with WFSB(TV), where he has worked on remote broadcasts and continues to expand his electronics knowledge.

And the Youth Scholarship goes to Meredith Frank, who will pursue her interest in live TV production at Hofstra University, working on a degree in television production and studies.

The Harold Ennes Scholarship Fund Trust was started by Indianapolis Chapter 25 in 1980 in memory of Harold E. Ennes. Administration was taken over by the national SBE in 1981, and the name of the trust was changed in 1995 to the Harold Ennes Educational Foundation Trust.

Send your people news to radioworld@futurenet.com.

The post SBE Announces Ennes Scholarship Recipients appeared first on Radio World.

RW Staff

A New Antenna for KQED

Radio World
3 years 5 months ago

We love great photos of broadcast facilities!

Photo courtesy Jake Wang/Fullwave Tower & Broadcast

Here’s one from the San Francisco market, posted on LinkedIn by Jake Wang. He’s vice president of construction for Fullwave Tower & Broadcast.

“A beautiful day on San Bruno Mountain yesterday!” he wrote. “We installed a new replacement ERI SHP-6 for our friends at KQED(FM). A great antenna that will surely last many years for them.”

Send us your photos of new or interesting facilities, whether it be of an antenna, transmitter, studio or NOC. Email radioworld@futurenet.com.

The post A New Antenna for KQED appeared first on Radio World.

RW Staff

FCC Publishes MX Application List for New NCE FMs

Radio World
3 years 5 months ago

The FCC’s Media Bureau has published the list of mutually exclusive applications submitted in the recent window for new noncom educational FM stations.

The commission received almost 1,300 applications. Out of those, there are 231 MX groups with a total of 883 applications. They are listed here.

Now comes the 60-day period in which MX applicants can reach settlement agreements and file them with the FCC, and/or submit technical amendments to resolve conflicts.

The bureau also dismissed 13 MX applications that had “numerous significant and egregious technical defects.” Each applicant has an opportunity to ask for reconsideration.

It said it will expedite the processing of all complete and rule-compliant settlement agreements and technical amendments that are filed by Jan. 28, 2022. Applicants in MX groups that have not submitted settlements or technical amendments during this period will then proceed to a comparative analysis.

All the procedures are

The post FCC Publishes MX Application List for New NCE FMs appeared first on Radio World.

RW Staff

North American Tower Expands Use of Stellar Eclipse

Radio World
3 years 5 months ago

From our Who’s Buying What page: North American Tower Company has made a multi-site purchase of the Stellar Eclipse broadcast site monitoring system.

Stellar Eclipse is made by Shulins’ Solutions, which announced the sale.

“With this purchase [North American Tower] will increase their deployment of Stellar Eclipse to over 70 sites across the top 50 markets protecting over 350 of radio and TV stations,” Shulins stated in the press release.

[Related: “Shulins Opens Up His Own Shop”]

“Shared common antenna sites often with complex combining networks demand monitoring and protection beyond a simple remote control. To protect these significant investments, broadcasters need a proactive solution to not only provide next level of monitoring, logging and control, but a comprehensive VSWR system for maximum protection.”

It said North American is deploying a platform and architecture to protect the RF systems for FM and all formats of analog digital TV on VHF and UHF including ATSC 3.0. It also is using cloud-based monitoring of shared systems that Shulins says are often overlooked in an individual station’s remote control.

Shulins’ Solutions also offers drone-based tower inspections and broadcast consulting services.

Users and suppliers are both invited to send news about recent installations and product applications to radioworld@futurenet.com.

The post North American Tower Expands Use of Stellar Eclipse appeared first on Radio World.

RW Staff

Two New Board Members for Library of American Broadcasting Foundation

Radio World
3 years 5 months ago
New LABF Board Members Deborah Parenti (left) and Dan Spears

The Library of American Broadcasting Foundation (LABF) elected two new board members at its recent board meeting: Streamline Publishing President Deborah Parenti and BMI Vice President of Licensing and Industry Relations Dan Spears.

The announcement came from long-time D.C.-based communications attorney and former NAB General Counsel Jack Goodman and Beasley Media Group Chief Communications Officer Heidi Raphael. Goodman replaced Hubbard Radio CEO Ginny Morris as co-chair of the LABF in mid-2021. Morris had served as chair of the LABF Board of Directors since 2013; she remains on the foundation’s board.

At the meeting, 11 board members were reelected to new three-year terms: Chandra Clark, Ginny Morris, Harry Jessell, Heather Birks, John Taylor, Joyce Tudryn, Larry Patrick, Richard Liebner, Michael Carter, Wally Podrazik and Dennis Wharton. Executive Committee members elected to additional two-year terms were co-chair Heidi Raphael, Jim Morley, Joyce Tudryn, Marci Burdick, Harry Jessell and David Kennedy.

[Visit Radio World’s People News Page]

Other current LABF board members include Mike Conway, Dave “Chachi” Denes, April Carty-Sipp, Gary Chapman, John Dille, Harry Jessell, Erwin Krasnow, Brian Philips, Patricia Smullin, Jeff Smulyan, Julie Talbott, Erica Farber, Dr. Judy Kuriansky, Mary Collins and Pierre Bouvard. Kathleen Kirby, a partner at Wiley Rein LLP, serves as LABF’s counsel.

“The LABF Board, and the broadcast industry as a whole, is indebted to Ginny Morris for her service to the Library and its mission of preserving the legacy of broadcasting and archiving its history,” said Raphael and Goodman in a joint statement. “We are delighted Ginny is remaining with LABF as a Board member.”

The foundation also extended its gratitude to Ramsey Woodworth, who transitioned off the board following more than 20 years of service.

The LABF is the philanthropic arm of the Library of American Broadcasting, the largest U.S. collection of broadcast history, policy and tradition, including historical documents, professional papers, oral and video histories, books, scripts and photographs. It is based at the University of Maryland in College Park.

Send your people news to radioworld@futurenet.com.

The post Two New Board Members for Library of American Broadcasting Foundation appeared first on Radio World.

T. Carter Ross

Dua Lipa, Ariane Grande Score Big on iHeart Popularity Chart

Radio World
3 years 5 months ago

iHeartMedia just put out some interesting data about which songs are most popular in the United States.

According to the company, it measured total audience spins (TAS) and streams across iHeartRadio stations to look at the top played songs and artists of 2021.

The #1 played song on the list is ”Levitating” by Dua Lipa, which the company said reached an audience of nearly 1.2 billion in the U.S. alone. The #1 played artist this year was Ariana Grande, reaching more than 2.6 billion listeners.

“What’s perhaps most interesting about this data is that it shows a complete picture of what folks across the country listened to — not just what those using digital streaming services had queued up.”

The Total Audience Spins is based on Mediabase airplay and is multiplied by the number of persons listening to the radio at the time of those plays, delivering total audience impressions which iHeart says is the broadcast equivalent of the number of streams from a streaming music service.

Its lists of top overall played songs and artists are below, followed by a breakdown by format.

Top Overall Songs 2021

  1. “Levitating” Dua Lipa (1.19+ Billion)
  2. “Save Your Tears” The Weeknd (969+ Million)
  3. “34+35” Ariana Grande (898+ Million)
  4. “Kiss Me More” Doja Cat ft. Sza (888+ Million)
  5. “MONTERO (Call Me By Your Name)” Lil Nas X (822+ Million)
  6. “What You Know Bout Love” Pop Smoke (810+ Million)
  7. “good 4 u” Olivia Rodrigo (733+ Million)
  8. “Peaches” Justin Bieber ft. Daniel Caesar/Giveon (696+ Million)
  9. “Leave The Door Open” Bruno Mars/Anderson .Paak/Silk Sonic (692+ Million)
  10. “drivers license” Olivia Rodrigo (660+ Million)

Top Overall Artists 2021

  1. Ariana Grande (2.6+ Billion)
  2. Dua Lipa (2.5+ Billion)
  3. The Weeknd (2.39+ Billion)
  4. Olivia Rodrigo (2.2+ Billion)
  5. Pop Smoke (1.99+ Billion)
  6. Doja Cat (1.66+ Billion)
  7. Justin Bieber (1.57+ Billion)
  8. Luke Combs (1.27+ Billion)
  9. Ed Sheeran (1.27+ Billion)
  10. Luke Bryan (1.18+ Billion)

Top Country Songs 2021

  1. “Just The Way” Parmalee ft. Blanco Brown
  2. “Lady” Brett Young
  3. “What’s Your Country Song” Thomas Rhett
  4. “Single Saturday Night” Cole Swindell
  5. “Famous Friends” Chris Young & Kane Brown
  6. “Forever After All” Luke Combs
  7. “Better Together” Luke Combs
  8. “Gone” Dierks Bentley
  9. “Made For You” Jake Owen
  10. “One Of Them Girls” Lee Brice

Top Country Artists 2021

  1. Luke Combs
  2. Luke Bryan
  3. Jason Aldean
  4. Thomas Rhett
  5. Blake Shelton
  6. Sam Hunt
  7. Kenny Chesney
  8. Dierks Bently
  9. Lee Brice
  10. Dustin Lynch

Top Hip-Hop Songs 2021

  1. “For The Night” Pop Smoke ft. Lil Baby/DaBaby
  2. “What You Know Bout Love” Pop Smoke
  3. “You’re Mines Still” Yung Bleu ft. Drake
  4. “On Me” Lil Baby
  5. “Time Today” Moneybagg Yo
  6. “Back in Blood” Pooh Shiesty ft. Lil Durk
  7. “Calling My Phone” Lil Tjay Ft. 6LACK
  8. “Beat Box” SpotemGottem
  9. “Late At Night” Roddy Ricch
  10. “Heartbreak Anniversary” Giveon

Top Hip-Hop Artists 2021

  1. Pop Smoke
  2. Drake
  3. Lil Baby
  4. Moneybagg Yo
  5. Roddy Ricch
  6. Yung Bleu
  7. Rod Wave
  8. Megan Thee Stallion
  9. Pooh Shiesty
  10. Lil Tjay

Top Alternative Songs 2021

  1. “Monsters” All Time Low ft. blackbear
  2. “Follow You” Imagine Dragons
  3. “Sofia” Clairo
  4. “my ex’s best friend” Machine Gun Kelly & blackbear
  5. “All My Favorite Songs” Weezer ft. AJR
  6. “Shy Away” Twenty One Pilots
  7. “Therefore I Am” Billie Eilish
  8. “Waiting on a War” Foo Fighters
  9. “Heat Waves” Glass Animals
  10. “Nowhere Generation” Rise Against

Top Alternative Artists 2021

  1. Green Day
  2. Twenty One Pilots
  3. Imagine Dragons
  4. Red Hot Chili Peppers
  5. Linkin Park
  6. Foo Fighters
  7. Weezer
  8. All Time Low
  9. Machine Gun Kelly
  10. Blink-182

 Top R&B Songs 2021

  1. “Leave The Door Open” Bruno Mars/Anderson .Paak/Silk Sonic
  2. “Pick Up Your Feelings” Jazmine Sullivan
  3. “Damage” H.E.R.
  4. “Can’t Let It Show” Tank
  5. “He Don’t Know Nothin’ Bout It” Jimmy Jam & Terry Lewis Ft. Babyface
  6. “You Made A Fool Of Me” Anthony Hamilton
  7. “Not Another Love Song” Ella Mai
  8. “Look Easy” Robin Thicke
  9. “Complicated” Leela James
  10. “Essence” Wizkid ft. Tems

 Top R&B Artists 2021

  1. H.E.R.
  2. Bruno Mars/Anderson .Paak/Silk Sonic
  3. Ella Mai
  4. Chris Brown
  5. Jazmine Sullivan
  6. Mary J. Blige
  7. Wale
  8. Khalid
  9. Tank
  10. Usher

The post Dua Lipa, Ariane Grande Score Big on iHeart Popularity Chart appeared first on Radio World.

Paul McLane

Imlay to Retire as SBE General Counsel

Radio World
3 years 5 months ago

Chris Imlay credits an abiding love of ham radio as one of the reasons he has devoted his career to communications law.

Imlay, 68, retires as general counsel for the Society of Broadcast Engineers at the end of 2021. His tenure in that role began in 1991, but his actual work for the group goes back to 1980 when he took up SBE’s appeal of the FCC decision to eliminate the First Class Radiophone License.

Announcing of Imlay’s retirement, SBE President Wayne M. Pecena said, “Chris Imlay has been a valuable resource for and asset to the SBE over the past 41 years. He has also been a staunch advocate for the SBE’s goals and objectives. He is a tough act to follow.”

Imlay specializes in federal communications law but has represented licensees and associations of communications users, especially technical and electronic communications associations, electronic equipment manufacturers, colleges and universities, in addition to his work on FCC regulatory issues for SBE.

“I still plan to work with a handful of my mom-and-pop broadcasters as clients past the end of the year. I want to make sure they are settled and taken care of as I begin to wind down my practice,” he said. “But I have to give this up at some point and there are other things I want to do.”

Imlay began his legal career in 1975 after graduating from American University’s Washington College of Law. He began practicing communications law in 1979 when he joined the firm Booth and Freret.

It was there that his long relationship with the SBE began. Soon Imlay found himself attending society board meetings and NAB Shows, and providing reports about pending FCC regulatory issues.

Imlay was retained as SBE communications counsel in 1984. In 1991, SBE President Rick Farquhar arranged for the board to confer Imlay with the general counsel title.

Advocacy role

Reflecting on his career, Imlay said, “I have valued my work with the SBE, as it has allowed me to do what I do best: defending spectrum allocations of clients and participating in technical regulatory proceedings. I have always been most comfortable working with broadcast engineers.”

The SBE chief counsel was elected a Fellow of the SBE in 1997, which he still considers the most important honor received throughout his professional career.

Imlay, who has worked with 22 SBE presidents, describes himself as a “down in the trenches” communication lawyer, focused on advocacy and education.

“I grew along with the advocacy program at SBE. It’s been interesting how that happened. I fell in with a very technically inclined communications law firm, and that was a stroke of luck. The very first thing I worked on for SBE and then-President Bob Jones was the appeal of the FCC decision to eliminate the First Class Radiophone License, which interestingly was was very much against SBE’s best interest.

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“SBE thought the license signified something and should be preserved. SBE lost, but the appeal did serve as the first step into the waters of advocacy, something at the time the SBE board hadn’t really considered.”

This would signal a major turn in philosophy for SBE and a growing role for Imlay within the organization.

“Spectrum management issues were beginning to become a thing, and SBE thankfully believed this was an important topic for its membership. I never tried to push them in that direction, but gradually we undertook more and more advocacy projects,” Imlay said.

Imlay credits another past president, Richard Rudman, with a leadership role in developing SBE’s more proactive approach.

“He had some important observations about how broadcast engineers needed access to decision-makers and how the broadcast auxiliary spectrum needed protection from encroachment from incompatible sharing partners or being reallocated. This was great foresight, considering what we see currently from the FCC in regards to spectrum management.”

Informing regulators

An early goal for Imlay was making sure people who worked at the FCC understood what broadcast engineers did in the way of program production and ENG.

Under Rudman’s guidance SBE turned the corner in how it approached advocating in FCC dockets dealing with spectrum. But Imlay said Rudman also realized the need to educate FCC staff.

“SBE had never taken an active role in broadcast auxiliary spectrum protection but more a reactive role; we became more active in that. We decided we needed to do more than just make comments in rules proceedings.

“So we organized half-day long presentations to the FCC staff. It was very well received by FCC engineering staff and even non-technical staff. We quickly learned this was a good thing, creating comprehensive awareness of what broadcast engineers do and why spectrum is important to them.”

So began Imlay’s longtime focus on “educational advocacy” and his efforts to ensure that the FCC and those in Congress were aware of nuances of the work of broadcast engineers and how they utilize Broadcast Auxiliary Services.

Chris Imlay is shown speaking at the NAB Show in 2014. (Courtesy SBE)

“Today everything I do is generally focused on spectrum issues, everything from advocating for more UHF wireless mic spectrum, following the 600 MHz auction, to making sure that 2 GHz especially, but also 6.5 GHz and 7 GHz are continually available and not usurped by incompatible services,” he said.

“SBE is focused on making sure the scientific integrity of those spectrum compatibility determinations are made as a prerequisite for a spectrum sharing proposal. And that it shouldn’t only be an economic analysis judgment of the FCC.”

In fact, Imlay said a section of the Communications Act focuses on the economic success of spectrum auctions, which forces the FCC to accept proposals based on their potential economic success.

“It’s the policy of the United States to encourage the provision of new technologies and services to the public; so anybody who opposes a new technology, that is proposed to be permitted under the act, has the burden to demonstrate that the proposed service is inconsistent with the public interest,” he said.

“So without assessing anything about the technical integrity of a new proposed service, the U.S. policy is for the FCC to support that service. By definition that puts incumbent services, like broadcast radio and TV, which are considered older technology, at the back of the bus,” Imlay said.

Imlay is known for his work helping amateur and broadcast engineering associations prepare materials in FCC rule making and adjudicatory proceedings.

H said he believes the FCC does a “poor job” of ascertaining spectrum compatibility before making rulemaking decisions. He nevertheless characterizes the technical competency of the FCC as “exceptional and consistently high,” especially in the Office of Engineering and Technology and in the Media Bureau.

“Audio Division engineers are top-notch, to a person, and they are accessible and helpful. That said, they are not always consulted by the bureau front offices when technical decision-making occurs. But they should be,” Imlay said.

Defining an “engineer”

The attorney recalls some “wins and losses” through the years. One important victory was preventing states from implementing statutes that required broadcast engineers to register with the state and obtain a PE certificate.

“The effect of these statutes, which were intended to protect the public, meant broadcast engineers couldn’t call themselves engineers. Our position was and still is that broadcast engineering is a different animal than civil or mechanical engineering. Broadcast engineers work in facilities solely under the jurisdiction of the FCC and states have no jurisdiction to regulate the practice of broadcast engineering,” Imlay said.

“These statutes were clearly not in the interest of broadcast engineers. We had some good decisions in Texas and Oregon; and we don’t seem to have those issues today.”

SBE did end up losing a battle to prevent numerous FCC field offices from closing a few years ago.

“We took the issue to Energy and Commerce Committee members in the House and to Commerce Committee members in the Senate. The aggregate loss of engineering talent when the field offices closed, and the loss of rapport and positive working relationships with broadcast engineers caused by the forced retirement of experienced FCC field engineers, was a nightmare. We have visited with House members in an effort to restore some of that talent, and continue to do so,” Imlay said.

There are issues on which SBE continues to seek action, including background noise on the spectrum. The society believes the commission lacks a good basis for determining levels of ambient, manmade RF noise in various allocations.

“The FCC relies heavily now on spectrum overlays and the interference temperature of receivers, and it uses those concepts in determining what radio services can be combined in the same bands. That presupposes that the FCC knows how much noise there is in various RF environments,” he said.
“SBE’s frequency coordinators know their markets very well and they know what works and what doesn’t, but FCC doesn’t have any idea what those levels are,” he said.

Imlay, points to SBE’s certification program as the “flagship” of SBE educational services.

“Without exception, I have found SBE presidents, folks like Chriss Scherer and Richard Rudman and really all of them, to be team-spirited folks not interested in self-promotion at all.”

The SBE has 5,000 members and 114 chapters across the United States. It will split Imlay’s responsibilities, planning to retain an Indianapolis attorney for association business matters.

“I believe they have already found an Indianapolis law firm to help with corporate and tax type issues, which isn’t something I really did anyway. The important part of finding a successor to me is finding somebody who is skilled in spectrum allocations and spectrum management issues,” Imlay said.

Imlay is a devoted bagpiper. “I just love the sound of the instrument and the emotive sound of it.”

Imlay, described as a spectrum expert by many in the industry, says he spent countless hours of his career writing comments on behalf of SBE for FCC spectrum dockets, which would have been for naught without the expertise of practicing broadcast engineers.

“As technically oriented as my law firm is, I’m not a broadcast engineer. I have to rely on fact-gathering of SBE board members, the SBE Government Relations Committee and leaders of our frequency coordination program. All FCC responses are very collaborative efforts,” Imlay said.

Imlay resides with Rita, his wife of 41 years, in Cloverly, Md. The couple has two children, Bonnie and Ashton, and two grandchildren, Simone and Langston. (“So far, only one of the family is an engineer,” Imlay said.)

Since 2014, Imlay has been managing member at what is now called Booth, Freret & Imlay LLC. He said he hopes to find a balance in order to work two or three days a week and have more time to fish and play his favorite musical instrument.

“I have 24 acres in western Maryland that I manage and do forestry on the weekends. I just haven’t had the time to enjoy that,” he said.

“I’m also a dedicated bagpiper. I go to all the Highland games in the area. I compete in solo and band competitions. In fact, I have studied with some of the old masters in Scotland. I just love the sound of the instrument and the emotive sound of it,” he said.

Imlay has all kinds of interests to pursue in semi-retirement. “I haven’t been up any of my three ham radio towers in way too long. I have rotators that don’t work. I have coax and antennas to replace. And I need several new transceivers, so I want to stop and smell the RF for a change,” he said with a chuckle.

Comment on this or any story. Email radioworld@futurenet.com.

The post Imlay to Retire as SBE General Counsel appeared first on Radio World.

Randy J. Stine

Lawo diamond Broadcast Console Launches

Radio World
3 years 5 months ago
Lawo diamond Broadcast Console

Lawo has unveiled its diamond broadcast console for radio and TV applications. This completely modular production system allows broadcasters to build a console tailored to specific requirements of their users and workflows. Several module types are available for customer-specific arrangements of hardware controls and sections.

The IP-native mixing system is based on the open AES67/RAVENNA audio-over-IP networking standards and also complies with ST2110-30/-31 and ST2022-7. The diamond is designed with expandable I/O in mind, accommodating AES67, MADI, analog, AES3 and Dante audio sources and destinations.

Modular by design, the diamond is available in configurations from two to 60 physical faders, either in a desktop or flush-mounted build. Fader-adjacent color displays give extended source information, and two fader layers allow operators to instantly switch among multiple tasks. Silent, motorized faders and precise encoders inherited from Lawo’s mc² audio production consoles aid integration with program automation and playout systems. Programmable, color-coded LED button and encoder lighting highlights common control functions.

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Optional Virtual Extension modules feature HD color TFT displays for extended information and touch control. Ember+ and HTML5 integration enable control of third-party hardware and software.

diamond sports numerous assistive mixing technologies; for example, the AutoMix function automatically maintains the balance of multi-mic productions, and AutoMix Grouping allows that automatic mixing to be applied to multiple independent source groups. AutoGain, an automatic gain setting function, optimizes guest and host mic levels.

The diamond display apps take advantage of IP studio networking, giving users the ability to operate their console remotely with complete access to every function from a PC with a LAN/WAN connection.

Thanks to an unlimited number of snapshots and DSP profiles that can be stored and recalled from any networked console, individual talent profiles or customized show setups are available anywhere, including to operators working remotely from home studios and other sites. A rights-management system gives engineers the power to tailor access to console features based on multiple user groups, or on a user-by-user basis.

Send your new equipment news to radioworld@futurenet.com.

The post Lawo diamond Broadcast Console Launches appeared first on Radio World.

Mix Editorial Staff

DRM Radios Going Strong in Indian Cars

Radio World
3 years 5 months ago

The author is chairman of the Digital Radio Mondiale consortium. Her commentaries appear regularly at radioworld.com.

Ruxandra-Obreja

The public broadcaster All India Radio (AIR) embraced radio digitization after 2010 delivering the largest radio digitization roll-out in the world. With just 39 powerful DRM transmitters (mainly mediumwave and shortwave) installed and operational, AIR can already cover a large part of the subcontinent and an estimated 900 million people with digital DRM signals.

Despite its staider programs, AIR is truly the one and only platform reaching all the corners of India and almost 100 percent of its population with news, Bollywood music, and more.

Speedy digitization decisions

The organization realized that the DRM all-band standard is the only option for bringing the large AIR AM infrastructure into the 21st century. DRM means additional digital radio services with reduced energy costs (40 to 80 percent for AM and up to 90 percent for FM). Pretty early on, it was recognized that the additional services can generate new revenue streams without compromising the existing content offer.

The creation by AIR of a more varied program content offer could maintain the interest of the listeners wooed by the nimbler news-free but music- and gossip-rich private FM stations prevalent in the big- and medium-size metros and cities (no more than about 60 percent of the total Indian listenership).

The better DRM content and active promotion of the technology can spur Indian listeners to buy digital receivers. Their increasing demand for receivers can then drive the industry to produce many such devices at decreasing prices as the volume goes up.

The primordial place held by radio in India, coupled with the rise of a stronger middle-class avid for new things like cars, delivered an interesting reality, despite the disruption of Covid-19.

Quick adoption in cars

With about five years of sustained sales, today there are more than 4.2 million cars on Indian roads equipped with DRM receivers as a standard feature. The Indian automotive market has achieved the fastest digital radio adoption, with 28 percent of new cars on the road currently equipped with a DRM digital radio receiver.


The automobile market enjoys the second highest share in the radio receiver market (after mobile phones and five-times greater than for standalone receivers). This achievement was recorded with most of AIR’s transmissions operating in digital-analog simulcast mode, but with the pure DRM transmissions slowly gaining ground. The figure of 28 percent within this short time frame after launching digital radio services is unparalleled in the world. The market share is similar with what has been achieved by DAB+ and, in the U.S., HD Radio over the past 20 years and with proportionally much greater investment from commercial companies.

A whole domestic automotive eco-system and digital radio lab incubation lab was developed around DRM by chipset manufacturers such as NXP, top receiver manufacturers and automakers, including Maruti Suzuki (the most popular brand in India), Hyundai, Toyota, MG Motor, Mercedes-Benz and others. These efforts have been supported by other major global companies, including NXP, RF2digital, Harman/Samsung, Visteon, LG Electronics, Hyundai Mobis, Fraunhofer IIS, StarWaves, Gospell, Inntot, CML Microcircuits, Ittiam Systems and Dolby, as well as organizations like the not-for-profit international DRM Consortium.

These companies have invested millions of dollars in developing and building DRM-related technology and know-how in and for India that can also be applied by the global automotive industry.

Digital FM decision

This development has run in parallel with the continuous examination of the next phase of Indian radio digitization — the FM band. While the AM sector is dominated by AIR, the FM band is shared between the public broadcaster and the many active FM stations that have brought listeners back to radio over the past 20 years. This has also created much more interest in the future digital FM radio decision.

The Telecom Regulatory Authority of India (TRAI), the Indian broadcasting regulator, has recommended the in-band FM digitization with only two possible candidates — DRM and HD Radio. Private broadcasters are largely supportive of the process, but are looking for additional guarantees from the government before they must digitize.

[Read More Guest Commentaries Here]

The public broadcaster has been asked to check, advise and decide. A “beauty contest” between DRM and HD Radio was organized last year and this year and the technical results are being examined and, according to some sources, being aligned with various criteria.

DRM on AM already works and is easy to extend to the FM band, as the VHF bands are part of the same DRM standard. DRM in FM was demonstrated successfully in cars in New Delhi and Jaipur in March. DRM seems the natural choice, as deviating from the all-band, open standard or even mixing two diverse digital standards to please everyone, brings with it heavy costs, significant time delays, a waste of money and energy, and confusion for both manufacturers and listeners.

DRM in the FM band – the next step?

The DRM standard allows for the FM digitization with minimal investment. It is compatible with the existing Indian Common Transmitter Infrastructure (CTI) of India and does not affect the ongoing analog FM services during the transition period. Adopting DRM for local FM services gives India stability and certainty, resulting in a continued strong growth of DRM receiver availability as a default feature in Indian cars. Today every automotive company and manufacturer of DRM receivers has a solution to support DRM in all frequency bands, including digital FM. Most of the serious investment in R&D and testing is complete, and there is a single IP royalty for DRM receivers irrespective of the supported bands.

The Indian automotive industry has clearly expressed an interest in having the single DRM standard extended to all broadcast bands, as this can be done with minimum development, testing and cost, without any hardware modifications (software upgrades can be used).

The DRM India Automotive Group encourage the Indian government to mandate future cars to be equipped with DRM digital radio functionality including support for Emergency Warning Functionality (EWF) as a default feature, in line with what has been legislated in other parts of the world.

But getting the all-band receiver in the car, at no extra cost, is often just the beginning. Getting some very attractive content, whether it comes from public or commercial stations, or both, is the next requirement.

In-car digital radio — More gas, please

According to recent studies, radio is the primary entertainment source in cars for motorists, and they want it to remain free. The radio tuner, not the browser, is what people want to have easy access to, for now.

The availability of a car radio seems to be an important consideration for car buyers, although car manufacturers and distributors devote it little space to it in their brochures and training program.

Recently, DRM supporters launched a DRM awareness program, supported by AIR, targeting automobile showrooms, managers and dealers across India. All participants, whether in the showroom or on the road, were delighted with the DRM sound quality, lack of interference, variety of services, ease of switching from analog to digital and other services delivered through Journaline.

This grassroots initiative is commendable, but it is not enough. The various stakeholders need to work together to bring the desired content with metadata and extra information in the car without interference (a challenge to be solved for the electric vehicles), and, maybe, with voice control for station or program selection.

Educating the car manufacturers, distributors, advertisers and even broadcasters, on how best to use digital radio is a complex task. And to quote Deborah Wahl, General Motors Global chief marketing officer, who said in a recent interview: “There is also the need to tie outcomes — visits to a showroom, vehicle or service purchases to the radio media that is consumed.”

The mandatory introduction of digital radio in cars, a clear roll-out and communication plan and the meaningful outreach effort to the automotive industry is where the focus needs to be now.

Radio World invites industry-oriented commentaries and responses. Send to Radio World.

The post DRM Radios Going Strong in Indian Cars appeared first on Radio World.

Ruxandra Obreja

FCC Plans Vote on Improving Accessibility of Emergency Alerts

Radio World
3 years 5 months ago

The Federal Communications Commission is planning to vote on a proposal to improve the accessibility of the Emergency Alert System at its Open Meeting on Dec. 14.

In announcing the agenda for the meeting, Jessica Rosenworcel, chair of the FCC noted that “the Emergency Alert System (EAS) allows the President, FEMA, the National Weather Service, or state and local authorities to deliver warnings to TV viewers about dangerous weather and other imminent threats. Unfortunately, alerts sent using legacy broadcast technology have limited ability [to] relay text, which can create disparities between the information conveyed in the audio and visual alert messages, including during nationwide tests of the system. The Commission will vote on a proposal to improve the clarity and accessibility of EAS visual messages and tests, especially for persons who are deaf or hard of hearing or are otherwise unable to access the audio message.”

The Notice of Proposed Rulemaking for the changes to the EAS system would “propose to require use of a predetermined script as the visual message for legacy EAS nationwide tests, and propose to revise the terminology associated with the codes for nationwide tests, in order to improve the clarity of these visual messages displayed to the public for Common Alerting Protocol-based nationwide EAS tests,” the FCC said.

[See Our Business and Law Page]

It would also “propose to require that stations check for and use the available CAP versions of all State and Local Area alerts (which includes alerts issued by the National Weather Service) instead of the legacy EAS versions, to increase the use of CAP in light of CAP’s superior visual messaging capabilities.”

The Notice of Inquiry would “seek comment on how the legacy EAS architecture can be modified, augmented, or redesigned to enable alert originators to relay visual text that matches their audio message in legacy EAS alerts, as well as to enable more functionality within the EAS as a whole.”

The full agenda is available here.

Comment on this or any article. Write to radioworld@futurenet.com.

The post FCC Plans Vote on Improving Accessibility of Emergency Alerts appeared first on Radio World.

George Winslow

Tascam Portacapture X8 Recorder Debuts

Radio World
3 years 5 months ago
Tascam Portacapture X8 Recorder Top View

Tascam has launched the Portacapture X8, a new portable eight-track audio recorder. The unit can record with up to 32-bit floating point resolution, offers sampling rates up to 192 kHz and sports a 3.5-inch touchscreen.

Aiming to help users who might be unsure of what settings to use in a given situation, the unit offers a Launcher feature, which allows users to pick from a series of presets (“recoding apps”), with a half-dozen settings offered at press time — multitrack recording, interview, podcast, music recording and field recording.

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The Portacapture X8 has two detachable microphones with 14.6 mm diaphragms that can be mounted in either AB or XY orientation. Also onboard are Tascam’s proprietary HDDA preamplifiers, along with four XLR/TRS combo jacks, and Aux In and Line Out, which can optionally serve as audio input and output for a camera. The level of the camera output can be adjusted to the requirements of the respective model, while functions for marks and slate tones are also available.

DSP options on the Portacapture X8 include compressor, limiter, low-cut filter, noise gate, reverb, automatic level adjustment and more. Settings can be made via simplified or advanced pages within the user interface. Users can also control the unit remotely via Bluetooth and the Portacapture Control app for Android and iOS.

Tascam Portacapture X8 Recorder Side View

In total, the eight-channel recorder (six tracks + stereo mix) includes a USB interface, eight inputs and two outputs; additionally, for monitoring, a built-in loudspeaker is available. The Portacapture X8 can be used with microSD, microSDHC and microSDXC cards with up to 512 GB capacity.

Send your new equipment news to radioworld@futurenet.com.

The post Tascam Portacapture X8 Recorder Debuts appeared first on Radio World.

Mix Editorial Staff

REC Networks Warns LPFMs of Potential Displacement

Radio World
3 years 5 months ago
(Freepix/starline)

The FCC’s full-service noncommercial educational (NCE) filing window earlier this month could result in the displacement of an existing LPFM station if there is an interference complaint from the proposed NCE station.

REC Networks is advising eight LPFM licensees to “closely watch the progress of new NCE applications and be prepared to take remedial action to change operations to a different channel as the result of a potential complaint by a new NCE station or highly intolerable incoming interference.” Low-power FM is considered a secondary service.

The NCE filing window, the first since 2007, included 20 reserved-band channels from 88.1 to 91.9 MHz.

[See Our Business and Law Page]

Michi Bradley, founder of REC Networks, stated on her website the FCC will not immediately shut down any LPFM as a matter of course once the full-service stations application is granted. However, if a complaint is sent to the FCC, the LPFM licensee must discontinue operations within 24 hours and only resume operations when directed to do so by the FCC, according to REC Networks.

“Unlike commercial stations, which must include a significant portion of the community of license within the 70 dBu City Grade contour, NCE FM stations operating on the reserved band channels (88.1– 91.9 MHz) are only required to place a 60 dBu contour over at least 50 percent of the designated community of license,” REC stated.

Here’s the list of potentially displaced LPFM stations:

  • KAKU-LP Kahului, Hawaii
  • KCWB-LP Crown King, Ariz.
  • KEQQ-LP Grand Forks, N.D.
  • KQLO-LP Clarksville, Ark.
  • KTHN-LP Texarkana, Texas
  • KWRK-LP Fairbanks, Alaska
  • KXWR-LP Tsaile, Ariz.
  • WKMP-LP Eastman, Ga.
  • WYTC-LP Hyde Park, Vt.

LPFMs on second-adjacent channels of proposed NCE stations are not subject to displacement, according to REC.

The consulting group also placed another 19 LPFM stations on their “encroachment warnings” list for their co-channel and first-adjacent relationship with a proposed NCE FM. Those LPFM stations do not face displacement, but could potentially be operating within the interfering contours of a newly proposed full-service station. REC Networks notes those LPFM stations may or may not suffer incoming interference from the new NCE FM.

“The LPFM station must accept any incoming interference from those full-service stations, and they have no grounds to complain about a full-service station operating with their authorized facilities,” according to REC.

REC said a handful of low-power FM operators are seeking to secure a full-power noncommercial FM and in “most cases those LPFM stations have proposed their own channels.”

The FCC, which had more than 1,200 applications filed in the November NCE window, said it has begun to process NCE applications and is expected to announce winning bids that faced no competing applications. The FCC then will reach out to competing applicants with mutually exclusive applications and urge them to reach a settlement prior to completing the award process.

The FCC has said once the licensing of noncommercial FMs is completed, it expects to open another filing window for low-power FMs.

Comment on this or any article. Write to radioworld@futurenet.com.

The post REC Networks Warns LPFMs of Potential Displacement appeared first on Radio World.

Randy J. Stine

Inside the Nov. 24, 2021 Issue of Radio World

Radio World
3 years 5 months ago

Chris Imlay has been a stalwart at the Society of Broadcast Engineers for four decades. He is about to retire from that role. Read what he told us about his career and his passion for a particular musical instrument.

Also, making magic online: Buyer’s Guide offers a roundup of tools helpful for podcasting, streaming and online content delivery. John Bisset shares a tip about T-R-R-S connectors. And David DeSpain shares some shortwave memories.

(Note that his issue contains preview coverage of the IBC show, which subsequently was canceled.)

Read it here.

The post Inside the Nov. 24, 2021 Issue of Radio World appeared first on Radio World.

RW Staff

COLA Will Affect Some Public Broadcasters

Radio World
3 years 5 months ago

A cost of living adjustment is pending to the compulsory license royalty rate paid by some public broadcasters in the United States.

The judges of the Copyright Royalty Board announced a cost of living adjustment to the rate that some noncommercial radio stations must pay for the use of published nondramatic musical compositions starting in 2022.

[See Our Business and Law Page]

The COLA affects certain colleges, universities and other educational institutions not affiliated with National Public Radio. The change affects the compositions in the SESAC repertory (the performance right organization) as it relates to the Copyright Act for noncommercial broadcasting.

The rates become effective starting Dec. 23, 2021. More information can be found in the Nov. 23, 2021 version of the Federal Register.

Comment on this or any article. Email radioworld@futurenet.com.

The post COLA Will Affect Some Public Broadcasters appeared first on Radio World.

Susan Ashworth

Advocado Acquires VEIL Patents

Radio World
3 years 5 months ago

A long-time licensee of VEIL technology, Advocado has acquired that technology and 46 other patents from VEIL Interactive Technologies, an affiliate of Koplar Interactive Systems International (KISI).

The company will integrate VEIL watermarking capabilities into its data-management platform for broadcast TV and radio, while also adding detection and attribution for interactive TV and gaming. This will enable advertisers, networks and media partners to measure more accurately ad effectiveness and consumer engagement across channels.

“For decades, VEIL has been the industry standard to verify billions of dollars’ worth of media spend,” stated Jeff Linihan, co-founder and COO of Advocado, in a release announcing the deal. “We can now offer the industry a non-biased, real-time attribution and campaign-coordination platform that’s capable of measuring next-generation media experiences, at scale.”

Following the acquisition, Advocado customers will gain expanded monitoring capabilities on cable and over-the-air television, with piloting on radio and streaming audio starting soon thereafter.

The post Advocado Acquires VEIL Patents appeared first on Radio World.

RW Staff

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