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Radio World

Letter: Shortwave’s huge audience

Radio World
3 years 5 months ago

It was interesting to read the shortwave article. It was also high time to address the issue of SW transmissions, as the death of radio, of shortwave and even of medium-wave is being aired again while the progress of streaming and podcasting is hugely hyped — again trumping global realities.

The article would have benefitted by stressing the actual huge size of SW listening. BBC World Service alone has an estimated weekly audience of 269 million, with radio delivering around 150 million.

This top international broadcaster has 200 transmitter sites, of which four are high-power AM, with 12 others hired. Content is distributed to 800 locations globally (often using SW) for direct broadcast or inclusion in partner broadcasts. And AM services reach many tens of millions across Africa and Middle East, the future potential audience of DRM shortwave as well.

[Visit the Reader’s Forum for More Letters and Comments]

The Radio World piece clearly was aimed mainly at the enthusiasts, as indicated by the receiver prices mentioned. The average non-enthusiast listener who has a laptop with connectivity would probably just listen to radio via the internet.

There is definitely merit in portable SDRs, which (depending on price) will likely keep some of the audiences and make it easy for them to pick up analog shortwave but also DRM.

India, China, Russia, U.K., even Brazil, Pakistan and other countries are testing, broadcasting or seriously considering shortwave DRM at the moment.

The natural and only son of analog SW, DRM, with its huge spectrum, energy and audio quality advantages, does not get a mention in the article, though. This is definitely a missed opportunity, as some of the big public broadcasters mentioned — BBC, All India Radio, Radio Romania, etc. — are already in this space and report excellent reception and increasing listenership.

Most of the new DRM receiver solutions cater for both the analog and digital versions of shortwave reception. Work is afoot to deliver more affordable receivers aimed precisely at the huge and less affluent shortwave markets of Africa and Asia.

Ruxandra Obreja, Chair
Digital Radio Mondiale Consortium

Radio World invites industry-oriented commentaries and responses. Send to Radio World.

The post Letter: Shortwave’s huge audience appeared first on Radio World.

Ruxandra Obreja

User Report: BroadcastPix Brings the Video

Radio World
3 years 5 months ago

When I started doing radio back in 1994, a camera in the studio was unheard of, but now it’s pretty much mandatory to have a streaming component to your show. It helps get your listeners more engaged in what you’re talking about and it helps you do more things.

For instance here at “The Shannon Burke Show” we have a watchmaker as a sponsor. We can have him in to demonstrate his collection of watches to the listeners.

[Read More Buyers Guide Reviews Here]

Towards the end of last year we found ourselves looking for an efficient streaming camera system. A lot of stations around here have employed someone to switch their cameras manually, and that didn’t seem like a very good move to us.

That was part of what led us to a BroadcastPix system. RadioPix is microphone-activated and the cameras just follow whoever is talking.

Once we had the system settled in with our Wheatstone board it’s been fantastic. We haven’t had any issues.

The monitor that it runs off sits back in my engineer’s area; he turns it on at the beginning of the show and we’re off to the races. It just works.

On the rare occasions when we’ve had to call somebody about it, mostly when we were getting up and running, the BroadcastPix folks were attentive.

We have two moving cameras installed at the moment in high-up positions. We’ve got a small table with four positions, and the boom mics would be in the way if they were stationary on the table. But saying that, we’re looking at getting a third camera and we’re toying with a tabletop unit for the center of the table so we can get a closeup of myself or the guests.

I’ve not used any other modern systems, but when looking at other people’s shows, a lot of the time the picture is terrible. The quality is just not there. Our pictures are great, and it’s all from a system that we just set and forget. It’s just rock ’n’ roll, it’s fantastic.

For product information contact Patrick Murphy at BroadcastPix at 1-978-600-1100 or visit www.broadcastpix.com.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

The post User Report: BroadcastPix Brings the Video appeared first on Radio World.

Shannon Burke

User Report: Vox Media Uses Tieline Report-IT for Interviews

Radio World
3 years 5 months ago

The author is director of production technology for Vox Media.

Tieline Report-IT in use at Vox Media.

Vox Media is a leading independent media company, and the Vox Media Podcast Network is one of the largest collections of popular podcasts spanning technology, news, pop culture, futurism, current trends and more.

Our portfolio features the most relevant and respected editorial properties including Vox, New York Magazine, The Verge, The Cut, Eater, Vulture, The Strategist, Polygon, SB Nation, Intelligencer, Curbed, Grub Street and Recode.

Tieline’s Report-IT Enterprise app is an important tool within our technology offerings and it helps us tell stories that affect our audience’s daily lives and entertain as much as they inform. Podcast producers and hosts primarily use Report-IT to interview remotely located guests outside of the company, because the app facilitates high-quality recordings and simple file uploads.

How It Works

The Report-IT Enterprise app is a free Android or iOS download for guests. They download the app and then we send them a URL link created by Tieline’s TieServer Console.

When the prospective user clicks the link it launches the app and automatically authenticates and logs each guest in. The guest then just taps “Connect” to dial a secure Tieline codec (Gateway, Merlin, Merlin Plus, Bridge-IT) at one of our studios. When they connect they can communicate in real time with hosts at our studios in New York, Washington, San Francisco or elsewhere.

Sometimes guests have accessories they plug in to improve listening and sound quality during the interview, but often they just use the phone itself, which usually provides pretty good quality these days.

[Read More Buyers Guide Reviews Here]

High-fidelity audio is automatically recorded as a file on a guest’s device as they chat directly to Vox Media’s producers and hosts. At the conclusion of their interview it is securely uploaded directly to a server over Wi-Fi or cellular for ingest and editing as required.

In my experience, achieving high sound quality and simple file delivery are our biggest challenges. Uploading or sending files can be a huge challenge with nontechnical guests. Report-IT helps us deliver the best possible recording quality from our guests with simple file delivery to our servers. This is a great option for Vox Media Podcast Network producers.

We also use Tieline’s Cloud Codec Controller software, which provides remote control over critical Report-IT functions like input gain, as well as record functions on the app. This makes it easy to adjust settings remotely if a nontechnical person is on the other end.

Ease of Use

We use Report-IT multiple times each week and ease of use is everything with our external podcast guests. The simplicity of configuration regarding file uploads and connection points is crucial to the workflow. The app’s user interface is simple. Plus, it’s easy to connect, record and then seamlessly upload a recorded file.

Producers appreciate the reliable file delivery and quality of recordings. I particularly like the user interface and how you can have different user accounts configured for specific Tieline codecs and server folders etc. It’s very flexible for automation.

Achieving high-quality sound and reliable and timely file delivery of recorded interviews are our biggest challenges. Report-IT delivers superb features and a robust solution at a great price. The app helps achieve the best quality possible from our guests as well as easy file transfer, which keeps our talented producers happy.

Info: Contact Doug Ferber at Tieline at 1-888-211-6989. For international queries contact Charlie Gawley in Australia at +61-8-9413-2000 or visit www.tieline.com.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

The post User Report: Vox Media Uses Tieline Report-IT for Interviews appeared first on Radio World.

Miles Ewell

Sonoma FM Station Ups Its Game With Panel Antenna

Radio World
3 years 5 months ago
The New KSVY Antenna Setup with the Panels Aimed

Community radio station KSVY(FM) in Sonoma, Calif., recently installed a new directional antenna system that is delivering improved coverage.

Bob Taylor is chief operator and manager of the station, which features an all-volunteer air staff. He told Radio World the station wanted higher elevation for improved reach. It looked for a site that was non-residential and that could provide generator support.

“The old site was on the outskirts of Sonoma on a side road with mixed tree coverage in low residential,” he said. “The new site is approximately 620 feet higher on a bald mountain with an unobstructed view. Hammett & Edison was a major contributor in filing for the project and guiding us through the needs of the FCC.” The former site remains available as a backup location.

The station airs at 91.3 MHz. Its new array uses two Kathrein Broadcast SIRA line FMC 05 broadband circular polarized FM panels. The panels are vertically stacked, with one skewed 12 degrees and the other skewed 328 degrees to achieve the desired pattern.

[See Our Who’s Buying What Page]

Each panel is fed equally in phase and amplitude. Panels are mounted to a 4.5 inch OD pipe. The harness and main 7/8-inch foam feed line are dressed to the mounting pipe and routed vertically out of the aperture of the antenna. The pipe is mounted on a wooden pole.

During Construction of KSVY’s New Antenna Setup

“The change has been dramatic,” said Taylor. “Elevation being the key here, dead spots and shadows in our area have nearly vanished completely. We also gained a population increase of approximately 120,000 due to the new pattern including the Petaluma, Cotati and Napa areas.”

A fundraising campaign included donations from a “Signal Booster Society” to support the project.

Taylor said KSVY has been an important resource for Sonoma Valley in the most recent emergency situations with severe fires and public safety power shutoff events.

“The local radio continues to be a crucial part of an emergency plan,” he said. “These situations where the first responders are busy doing what they do best require someone to get reliable information to the common person when the internet isn’t available.”

The Sonoma Index-Tribune recently wrote about the project and reported that KSVY first filed an application for a construction permit for a new antenna in 2008 but didn’t have the funds to build one at the time.

Radio World invites both users and suppliers to tell us about recently installed new or notable equipment. Email radioworld@futurenet.com.

The post Sonoma FM Station Ups Its Game With Panel Antenna appeared first on Radio World.

Paul McLane

More Time to Comment in ‘Resilient Networks’ NPRM

Radio World
3 years 5 months ago

The FCC is giving more time to people who want to comment in its “resilient networks” proceeding.

This is the NPRM that, among other things, could lead to a requirement for broadcasters to have backup power at their transmission sites.

The Public Safety and Homeland Security Bureau extended the first comment deadline by 10 days to Dec. 16, with replies now due Jan. 14. The Edison Electric Institute requested the extension.

[“FCC Disaster NPRM Discusses Backup Requirements”]

The FCC notice of proposed rulemaking asks for comment on proposed rules to improve communications reliability during disasters.

The proposal considers changes to the Disaster Information Reporting System, or DIRS, the web-based system used by broadcasters and other communication providers to report service outages to the FCC. Participation currently is voluntary; the proposal asks if it should be mandatory to participate following a disaster.

The NPRM also seeks ways to mitigate the effects of power outages on communications networks after major storms and other events.

The FCC in the proposal asks detailed questions about how backup power can be deployed to reduce the frequency of power-related service disruptions. The commission raised the possibility of requiring backup power for participants in DIRS and NORS, the Network Outage Reporting System, and that list includes broadcasters.

Comment on this or any article. Email radioworld@futurenet.com.

The post More Time to Comment in ‘Resilient Networks’ NPRM appeared first on Radio World.

Paul McLane

NAB Show Now Accepting Technical Paper and Panel Proposals

Radio World
3 years 5 months ago

The 2022 NAB Show has issued a call for technical papers and panel proposals for the Broadcast Engineering and Information Technology (BEIT) track of the NAB Show Conference, held at the 2022 NAB Show in Las Vegas.

BEIT, which runs from April 24 to 26, is designed for broadcast engineers and technicians, contract engineers, broadcast equipment manufacturers, distributors, engineering consultants, R&D engineers, IT professionals and related media technologists, the NAB said.

The program features technical papers addressing the latest opportunities, challenges and solutions facing broadcast engineering and media industry IT professionals around the world.

In issuing the call for proposals, the NAB Show organizers said they are looking for presenters with fresh ideas and unique perspectives on key trends and technologies driving the future of radio, television and general media creation and delivery.

All paper and panel proposals should be submitted online through the 2022 BEIT Call for Papers and Panels portal.

Proposals are subject to peer review, and those featuring original research or highly regarded speakers receive most favorable consideration, the organizers said.

They also noted that all content proposed should be presented in a tutorial, non-promotional form. Proposals overtly promoting company products or services will not be accepted, although proposals explaining the underlying technologies used in broadcast products or services may be considered.

The deadline for BEIT paper and panel proposals is Jan. 14, 2022. Proposals selected for inclusion in the 2022 BEIT program will be announced in February 2022.

Additional information and forms for submitting a proposal can be found here.

The post NAB Show Now Accepting Technical Paper and Panel Proposals appeared first on Radio World.

George Winslow

Letter: Shortwave memories

Radio World
3 years 5 months ago

Dear RW: Thank you for the article in the Sept. 1 issue by James Careless, “Shortwave Radios Keep Up With Tech.”

When I worked for VOA — actually the International Broadcasting Bureau, later called the Broadcasting Board of Governors and then the U.S. Agency for Global Media — I believe upper management thought people in Djibouti had high-speed internet and laptop computers. In reality they lived largely in small huts made from corrugated roofing iron. They were lucky to have a radio.

When I was 12, my uncle had a TV shop as a second job. He fixed up a 1930s model radio with shortwave bands beside AM. It had the tubes with six or seven pins, shaped like a Coke bottle. I listened to VOA, the BBC, Radio Moscow and HCJB out of Quito, Ecuador.

[Visit the Reader’s Forum for More Letters and Comments]

This experience led me to ham radio, a job at the local radio station to earn money for college, a role at 17 in helping to build KFTW in Fredericktown, Mo., a degree in electrical engineering and, at the end of my career, the job with IBB.

The first time I ever doubted what I heard on the radio was when Radio Moscow announced that the East German secret police had discovered a tunnel into East Berlin to smuggle spies into the German Workers Paradise. I thought “that was really people trying to get out of East Berlin.”

Decades years later, long after the collapse of the Soviet Union, I found out that the CIA had tunneled into East Berlin and tapped the phone lines of the secret police!

David R. DeSpain, P.E., W0BCG
Ft. Worth, Texas

Radio World invites industry-oriented commentaries and responses. Send to Radio World.

The post Letter: Shortwave memories appeared first on Radio World.

David R. DeSpain

Eventide Celebrates the Seven-Second Delay

Radio World
3 years 5 months ago

It’s an all-too-common danger with live radio: A guest or caller gets a bit salty and drops a word (or several words) that could lead to an FCC fine or a suit for slander. Thankfully, a simple audio buffer can provide a seven-second delay — just enough time for the producer or jok to react and spare tender ears.

The latest installment in Eventide’s 50 Years of Gear flashbacks to important moments in the company’s history goes back to 1977 and the Eventide Clockworks BD955 with its big yellow DUMP button before moving forward through time to discuss the company’s advances in digital delay technologies.

Check out “Flashback # 9.2 Dump & Go — The Profanity Delay” to enjoy this celebration of a classic tool for keeping the airwaves clean.

Send your equipment news to radioworld@futurenet.com.

The post Eventide Celebrates the Seven-Second Delay appeared first on Radio World.

T. Carter Ross

FCC Computer Update Disrupted Public File Links

Radio World
3 years 5 months ago

The FCC experienced a technical glitch just prior to Thanksgiving that knocked out hyperlinks to its Online Public Inspection File system on some radio station websites.

Service was fully restored by the afternoon of Dec. 1, according to the FCC.

What happened, exactly?

The OPIF is a way for listeners to view their favorite station’s licensing information and community involvement paperwork. Radio broadcasters are required to post a link to their online Public Inspection File on their own websites.

But a computer update to the OPIF portal apparently took the public file hyperlink offline for an unknown number of stations, according to the FCC.

[See Our Business and Law Page]

Users were getting “temporary bad gateway” errors because the online hyperlinks were not working. But public file materials were still available during the outage through the FCC’s website via the online public inspection search page. There were no compliance issues caused by the computer hiccup, the FCC said.

The commission regularly performs updates to its OPIF online database, and the most recent system update created the issue. “The public file information remained online at all times,” the FCC said, “with only the links at some radio stations’ websites unavailable.”

(Some quick thinking by several state broadcast associations, including the Alabama Broadcasters Association, resulted in some stations updating their URLs using all capital letters to remedy the situation. But radio stations need to make no further updates and all links to the FCC’s OPIF should be fully functional, according to the commission.)

Comment on this or any article. Email radioworld@futurenet.com.

The post FCC Computer Update Disrupted Public File Links appeared first on Radio World.

Randy J. Stine

Chris Evans Puts AEQ Forum in the Water

Radio World
3 years 5 months ago
Chris Evans (right) broadcast his morning show from aboard his yacht Sun Star.

From our Who’s Buying What page: AEQ shares an interesting application note about a user of one of its Forum IP consoles.

“Popular British presenter Chris Evans’ special relation with boats is well known, including the spectacular The Snapper and Sun Star yachts that he owns,” the equipment manufacturer related.

According to Motor Boat & Yachting magazine, early during the coronavirus Chris Evans hosted his Virgin Radio UK morning show from the Sun Star. For the broadcast, Evans traveled part of the River Thames near his home in Marlon, England; he characterized the broadcast as a trial to future-proof his show against Covid-related travel restrictions.

“Inside, all the technical equipment necessary to carry out a professional radio program was deployed, with the AEQ Forum IP console being the heart of the installation,” the company stated.

Send news of notable equipment uses to radioworld@futurenet.com.

The post Chris Evans Puts AEQ Forum in the Water appeared first on Radio World.

RW Staff

User Report: Modulation Index StreamS Works Pattison Media

Radio World
3 years 5 months ago

The author is director of digital for Pattison Media.

At Pattison Media, we operate 48 radio stations across western Canada. Streaming is important to our group

Our programming team actively listens to our streams and promotes the use of smart speakers and mobile apps to our listeners. Our technical teams treat streaming with the same degree of importance as we do with our broadcast signals — if there is a problem, it requires urgent attention. This attention to detail has led to significant growth in our streaming cume and average time spent listening.

For the last 12 months, our radio stations have been using the Modulation Index StreamS encoder to encode our online streams.

We selected the StreamS encoder because of its support for modern audio codecs (HE-AACv2 and xHEAAC), native HTTP Live Streaming support, and metadata injection directly into ID3 tags.

The combination of these features makes it possible to address timing imprecisions that can often plague digital ad insertion. Encoding directly into HLS rather than converting to the format at the server-side has helped us align timing markers by being able to listen to HLS segments as they come out of the encoder and measure metadata offsets to the millisecond level.

[Read More Buyers Guide Reviews Here]

The injection of metadata into ID3 tags allows a consistent granularity of 42 milliseconds, which is a big improvement over traditional ICY metadata that can have significant variations in timing.

We have used the StreamS encoder in markets of all sizes, with some running just a single stream and others running up to six separate streams simultaneously. The configuration within StreamS allows for different settings on different streams and gives technicians the ability to customize encoding values for each stream.

We have also been happy to see the product continue to evolve with support for new codecs such as FLAC and new formats such as fragmented MP4. This evolution is important, as we continue to strive to deliver the best listening experience possible.

We’re happy with the StreamS product. Modulation Index helped support a fast rollout across our group and has been responsive to all of our questions. The encoder has been running reliably and continues to deliver quality audio to our listeners each and every day.

Info: Contact John Schaab at StreamIndex at 1-940-206-7702 or www.streamingindex.com.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

The post User Report: Modulation Index StreamS Works Pattison Media appeared first on Radio World.

Andrew Snook

Music Listening Behavior is Changing

Radio World
3 years 5 months ago

Editor’s Note: This article originally appeared in Mix, but we’re sharing it because of the interest among radio people in the topic.

(Photo credit Rawpixelimages | Dreamstime.com)

A new survey commissioned by Dolby Labs finds that music listening behavior in the U.S. is changing among adults, particularly Gen Z. The study looked at how important audio quality is for the general public, the effect of the pandemic on listening habits, and the impact of Hollywood and social media on music discovery.

The U.S.-based survey, conducted by OnePoll in November 2021, polled 2,000 general population adults who regularly listen to music for at least one hour per day. The survey examined their listening behavior, purchase decisions, and habits formed from the COVID-19 pandemic.

A number of respondents noted that their music tastes weren’t necessarily typical for their age group. Six in 10 listeners feel like they were born in the wrong era because of their taste in music; this was highest among Gen Z (nearly 80 percent). For most, the era that most closely matches their taste in music was the 2000s.

[See Our Who’s Buying What Page]

Almost half of those polled have recently discovered a song released over a decade ago, which was highest among Gen Z respondents (nearly 70 percent). Similarly, almost half stated they had rediscovered an iconic song or album within the past two years, particularly Gen Z (over two-thirds).

Most respondents — close to 70 percent — are embarrassed to share their music playlists with others, particularly their boss.

Unsurprisingly, social media and Hollywood entertainment heavily influence the discovery of new music; social media is the most significant influence shaping how people discover new music, while movies and TV shows play an equally important role.

A full 57 percent said social media is the top way they discover music; while YouTube is the most popular platform for discovering music, according to 79 percent surveyed, Facebook, Instagram, and TikTok significantly influence how people find new songs. Almost a fourth of people who recently discovered a song released over a decade ago attributed this discovery to a viral video on social media. As for Hollywood’s impact, six in 10 have also discovered a new artist or song after watching a TV show or movie.

With the pandemic continuing to alter how people interact and entertain themselves, people in the U.S. are spending more time and money on music. In full, over two-thirds spend more time listening to music each day than before the start of 2020, with over half listening to music four hours per day or more. Meanwhile, 55 percent indicated that they spend more money on music purchases each month, such as streaming subscriptions, than at the start of 2020.

Many are prioritizing audio quality when enjoying music. When choosing a music streaming plan, music fans prioritize quality above all – especially Gen Z. This insight coincides with broader industry trends around the uptick among streaming services that offer subscribers enhanced audio through spatial audio experiences like Dolby Atmos or high resolution (HD) audio.

Among those who pay for a music streaming plan, nearly 90 percent agreed that enhanced audio quality is a “must-have” feature of their subscription, of which more than half strongly agreed. Of this group, 82 percent have upgraded, changed subscriptions, or explicitly paid for a service because it offered better audio quality. Nearly two-thirds who pay for a music streaming subscription indicated that better sound quality was more important than other features such as ad-free listening, exclusive content, or the ability to add multiple users to their account.

More than 70 percent of those surveyed were likely or very likely to purchase a new audio device within the next six months specifically to enhance their experience when listening to music; this stat was 86 percent among Gen Z.

What artists are in high rotation for you these days? Write to radioworld@futurenet.com.

The post Music Listening Behavior is Changing appeared first on Radio World.

Mix Editorial Staff

Nautel Webinars Explore Multiplexing, MDCL

Radio World
3 years 5 months ago

Nautel announced topics for its next round of webinars.

These are part of the company’s “Transmission Talk Tuesday” series that is live on Tuesdays at noon Eastern time. Jeff Welton hosts.

Putting 1+1 Together airs on Dec. 7 and features Kurt Gorman of Phasetek to discuss multiplexing and some of the challenges and benefits of combining multiple AM signals.

Doing More with Less (Dec. 14)  sees Jeff digging into  Modulation Dependent Carrier Level (MDCL) implementations and how the different aspects of installation can affect both quality and savings.

 

The post Nautel Webinars Explore Multiplexing, MDCL appeared first on Radio World.

Paul McLane

A Call to Action: Radio’s Existential Battle for the Dash

Radio World
3 years 5 months ago

Xperi believes that the radio industry is at an inflection point in how its product is delivered to consumers in the vehicle — or to put it more bluntly, that radio is being outgunned, outmanned and out-financed by Big Tech and other competitors when compared to what broadcast radio offers in the dashboard.

In this special webcast on Dec. 15, co-produced by Radio World and Xperi, we talk with experts about how the connectivity environment is changing and why Xperi believes its DTS AutoStage offering is the most powerful global radio solution to ensure radio’s continued prominence.

Xperi’s Joe D’Angelo, Radio World’s Paul McLane and guest panelists will discuss broad trends in connectivity in vehicles, and the implications of these trends for the media landscape; how forward-looking radio organizations are preparing for the digital future; what’s being done to assure radio’s integration with Android Automotive; the role of services like Quu that improve the listener’s user experience; and the value proposition for DTS AutoStage, which Xperi believes brings powerful benefits to broadcasters and radio listeners to address this pressing question.

Viewers of the webcast will also have access to the new companion e-book that explores these topics in more detail

​Register ​​here.​

The post A Call to Action: Radio’s Existential Battle for the Dash appeared first on Radio World.

RW Staff

Senate Committee Advances Rosenworcel Nomination

Radio World
3 years 5 months ago
Acting FCC chair Jessica Rosenworcel at her Nov. 17 confirmation hearing. (C-SPAN)

Acting Federal Communications Commission chairperson Jessica Rosenworcel was approved by the Senate Commerce Committee Wednesday (Dec. 1) on a voice vote for a new, five-year term, meaning only a likely swift full-Senate confirmation remains before she becomes the regulator‘s first non-acting woman chair.

The vote was not quite unanimous, with Sen. Ron Johnson (R–Wis.) voting no, as he did on several other nominations being voted as a package. Also considered at the business session was Alvaro Bedoya to be the fifth member of the Federal Trade Commission. The panel split 14–14 on Bedova, but he is still allowed to advance to the full Senate for consideration.

[See Our Business and Law Page]

Committee chair Maria Cantwell (D–Wash.) introduced the vote as on Rosenworcel as commissioner, leading Sen. Jon Tester (D–Mont.) to ask whether that should not have been as chair. Cantwell pointed out that the chair post was a presidential designation, and that she had been so designated — meaning confirmation as “commissioner” was correct.

“We congratulate Chairwoman Rosenworcel on her approval by the Senate Commerce Committee for another term at the FCC,” NCTA—The Internet & Television Association President and CEO Michael Powell said in a statement. “During her time at the commission, Jessica has been a champion for connecting every American to broadband and she has only heightened this focus during her time as acting chair. We encourage the full Senate to swiftly move ahead with her nomination.”

“Charter applauds the Senate Commerce Committee on today’s vote approving the nomination of Chairwoman Rosenworcel for another term at the FCC,” said the cable broadband operator in a statement. “Throughout her tenure at the FCC, Chairwoman Rosenworcel has proven herself a tireless advocate for consumers and we look forward to continuing to work together.”

Comment on this or any article. Email radioworld@futurenet.com.

The post Senate Committee Advances Rosenworcel Nomination appeared first on Radio World.

John Eggerton

Survey: Trade Shows Remain Vital to Broadcast Tech Market

Radio World
3 years 5 months ago

As the media and entertainment tech industry reels from the cancellation of another important trade show, a new report from the Bubble Agency concludes that in-person industry events are still a main source of business networking and transactions.

The report, Marketing Media Technology: Revealing what broadcast and media technology buyers want from their suppliers, was researched by Caretta Research in partnership with U.K.-based Bubble Agency — a PR company with a number of video technology vendors as its clients — and is based on the analysis of detailed focus group interviews and survey data gathered from a broad range of industry leaders in the third quarter of 2021.

The report concluded that, despite the cancellation of industry trade shows, in-person events remain the most popular channel for buyers to keep up with industry trends and vendor news, chosen by 83 percent of respondents. But it also noted that as the options of connecting buyers and vendors have increased through social media and email marketing campaigns, the role of trade shows evolved, even prior to the pandemic.

“Trade shows increasingly play a more important role in closing sales than in generating pipeline, with content-based marketing raising awareness long before the convention begins,” the report noted.

The increasing focus on software has driven the shift to SaaS and cloud services, smaller projects, faster buying cycles, and increasingly-informed buyers cherry picking the vendors they want to work with.

The report also found that media still plays a critical role, with trade press magazines and websites serving as important channels of information for 71 percent of sellers and 69 percent of buyers. LinkedIn is the most popular social media platform for the industry, with 98 percent of technology providers and 88 percent of buyers using it for industry research “often” or “sometimes.”

[Check Out More Events on Radio World’s Calendar]

YouTube is another popular platform for providing information but is underutilized, according to buyers.

“In general, we think YouTube is an underused resource by many marketing teams. Bite-size videos are an effective way to communicate product capabilities, customer case studies and industry know-how,” the report said. “Yet very few industry suppliers have an actively-updated YouTube channel, and almost none have equipped their spokespeople with even the most basic video and audio kit for recording and streaming.”

The report also noted, however, that there appears to be a disconnect between how information is communicated to customers, with 81 percent of sellers thinking their company is good at understanding potential customers’ needs, and only 61 percent of buyers agreeing.

Buyers are also not big on high-level “thought leadership” pieces on general industry problems, which can appear vague, the report noted. “The problem with lots of content is it turns out to be deceptive,” said one buyer. “Very generic words about an industry topic like ST 2110, but not about what that particular supplier can actually do.”

The report confirms what many in the media and entertainment industry have known for years — that even before the pandemic, trade shows were becoming less focused on the all-important once or twice a year product launches and were becoming more important for networking and maintaining personal business relationships.

“This research reveals the fundamental shifts in the broadcast and media technology buying process that we’re tracking,” said Rob Ambrose, co-founder of Caretta Research and the report’s author. “Buyers want honest, transparent marketing communications from potential suppliers so they can clearly understand what vendors can do, and gauge their ability to deliver. In an increasingly-virtual world building trust has never been more important.”

Sadie Groom, Bubble Agency CEO added, “the industry is changing rapidly, and as a result the successful sales and marketing strategies that the leading companies are deploying are changing too,” comments “Modern marketing communications needs to be a two-way process with a clear strategy developed for engaging with customers and prospects and hearing what they want, and it is fascinating to see both the similarities and the differences in emphasis between the two sides of the conversation.”

“This is great insight and aligns with data we have gathered over the last year around how much media technology buyers value trade shows like NAB Show,” said Chris Brown, executive vice president and managing director, Global Connections and Events for NAB Show. “People in our industry have missed the opportunity that shows provide to efficiently get a comprehensive view on major trends — it is tough to get that complete view otherwise. And, as this study also highlights, trade shows provide a unique opportunity for sellers to gather critical insight from their customers in real-time, as well as build trust through direct face-to-face interaction.”

The free report is available here.

A version of this story appeared previously in our sister publication TV Tech. Send your show news and updates to radioworld@futurenet.com

The post Survey: Trade Shows Remain Vital to Broadcast Tech Market appeared first on Radio World.

Tom Butts

RF Venue Wireless Performance Calculator Debuts Online

Radio World
3 years 5 months ago

RF Venue has introduced a free online Performance Calculator for predicting wireless mic system reliability.

The tool simplifies calculating system performance by incorporating needed specifications within the software. Users of the calculator select system components via a handful of drop-down menus — microphone make and series, distance from mic to antenna, cabling type and length, antenna/DISTRO distribution system models and, if known, the RF noise floor of the performance space. The site then tabulates results, which ultimately boil down to a simple traffic light indication of go (green), caution (yellow), or no-go (red).

“Typical RF link budget calculator tools are so comprehensive and detailed that they become nearly impossible to use for the average wireless system operator,” said RF Venue President Chris Regan. “Now, with our new wireless Performance Calculator, there’s a much simpler option. Our customers are thrilled with the calculator’s performance and ease of use.”

[Check Out More Products at Radio World’s Products Section]

A visual walk-through of the process is available on the company’s blog, as is the “Create a Link Budget” video for users who want to learn more about the parameters that affect the prediction model.

The Performance Calculator is available for use at rfvenue.com/rfvenue-calculator.

Program producers and studio engineers are both invited to send news about equipment used or recent installations at a radio studio to radioworld@futurenet.com.

The post RF Venue Wireless Performance Calculator Debuts Online appeared first on Radio World.

Mix Editorial Staff

Ecreso Offers New Version of Two FM Transmitter Models

Radio World
3 years 5 months ago

WorldCast Systems announced Version 2.3.0 of its Ecreso 5/10 kW FM transmitter. It said the added features will provide easier maintenance, more control and cost savings.

The transmitter now uses Version 2 of SmartFM, an algorithm that WorldCast says enables broadcasters to reduce their energy consumption by up to 40 percent.

[Check Out More Products at Radio World’s Products Section]

“After many tests and deployments worldwide, WorldCast has updated the five saving strategies to adapt to on-field conditions,” the company said. “In particular, SmartFM V2 brings a new ‘Extreme Savings’ strategy for when broadcasters need it most.”

The transmitter also can automate a configuration change or send GPIO commands in case of specific alarms, which the company said is a unique feature. “Complementary to the scheduler features, the automation is part of the Communication Pack license,” it said.

The transmitter also has RDS improvements. “Management of the UTF8 is now available, as are Danish-language characters.” In addition, there is reinforced security from remote FTP via new access restrictions.

Send your new equipment news to radioworld@futurenet.com.

The post Ecreso Offers New Version of Two FM Transmitter Models appeared first on Radio World.

RW Staff

Latest ‘Share of Ear’ Provides New Audio Listening Insights

Radio World
3 years 5 months ago

Audio listening habits have shifted over the past five years — sometimes dramatically — according to Edison Research’s most recent “Share of Ear” study, covering the third quarter of 2021.

One interesting finding in the report runs counter to popular perceptions: listening via Pandora and Spotify has stagnated while AM/FM listening and podcast consumption both continue to see steady gains.

The Edison report also revealed that podcast audience listenership has continued to rise. Over past two years, the daily reach of podcast listening among those aged 13 to 34 rose 43 percent with daily reach up 51 percent among those aged 25 to 54.

[Previously in Radio World “Podcast Listeners By the Numbers”]

The other audio platform seeing consistent growth: AM/FM radio streaming. In the most recent “Share of Ear” study, Edison found that AM/FM radio dominates advertiser-/supported audio with a 75 percent share of listening. Podcasts are capturing 11 percent of ad-supported audio time among those aged 18+ while the ad-supported streaming platforms of Pandora and Spotify are at 6 percent and 4 percent, respectively.

AM/FM radio dominates ad-supported TSL.

The latest “Share of Ear” study found that AM/FM radio leads ad-supported audio across major demographics, regardless of age. AM/FM radio is most popular with those in the 35 to 64 age range with an 80 percent share of ad-supported audio time spent listening to the AM/FM dial, followed by ages 25 to 54 (71 percent), ages 18 to 49 (64 percent) and ages 18 to 34 (55 percent).

Perhaps not surprisingly, most AM/FM radio listening occurs away from home with in-car listening hitting an 88 percent share of listening time. The research also found that Pandora and Spotify listeners primarily use those platforms while at home.

Since Q3 2016, digital streaming of AM/FM stations has nearly doubled.

When it comes to growing audio platforms, both podcasts and AM/FM radio streaming take the lead. The research found that AM/FM streaming is now 15 percent of total AM/FM listening. One of the growth drivers of that boost are smart speakers, with audiences listening to AM/FM radio on smart speakers more than any other ad-supported platform, the report found.

One unique finding, reported by Cumulus Media|Westwood One Audio Active Group President Pierre Bouvard in a recent blog post, is that there is be a significant perception vs. reality problem when it comes to estimating the audience shares of AM/FM radio vs. platforms like Pandora and Spotify.

Perception of TSL to ad-supported streaming services vs. AM/FM radio doesn’t match the reality.

The Audio Active Group quoted a finding from the firm Advertiser Perceptions that asked brand and media agencies in August 2021 to estimate the audience shares of Pandora, Spotify and AM/FM radio. The marketers and media agencies assumed that the share of listeners for Pandora and Spotify were significantly higher than actual levels.

Over the past five years, Pandora and Spotify have seen their ad-supported audience levels erode. In 2016, Pandora was seeing strong listening shares among those aged 13 to 44. Some of that support eroded when Spotify introduced an ad-free subscription service — so much so that Pandora suffered share losses in the 48 percent to 70 percent range among that age group. Meanwhile, Spotify not only saw its reach surpass Pandora but also watched its ad-free subscription service rise 309 percent from the third quarter of 2016 to the same time period in 2021.

[Our Previous “Share of Ear” Report Coverage]

The groups estimated Pandora had a 20 percent share of listening and that Spotify had a 25 percent share of audience. In reality, the audience share of ad-supported Pandora and Spotify is seven times and 12.5 times smaller, respectively.

Media agencies also surmised that the perceived share of AM/FM radio is 28 percent, when in reality AM/FM radio’s actual share is 40 percent, a finding Bouvard called a “massive disconnect” in terms of the perception and reality of audio shares.

Comment on this or any article. Email radioworld@futurenet.com.

The post Latest ‘Share of Ear’ Provides New Audio Listening Insights appeared first on Radio World.

Susan Ashworth

Best of 2021 Award Deadline Extended to Dec. 7

Radio World
3 years 5 months ago

The Radio World Best of 2021 Award has had a final extension until Tuesday Dec. 7.

The awards provide an opportunity for manufacturers to receive exposure for their outstanding products and solutions from the last 15 months.

This final extension is to allow those who were entering the Best of Show at IBC, which has now been cancelled, proper consideration for their entries.

The program website has information about the awards, categories and how to register.

 

The post Best of 2021 Award Deadline Extended to Dec. 7 appeared first on Radio World.

RW Staff

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