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Everything Criss Man: ATSC 3.0 Comes To Jamaica

Radio+Television Business Report
3 years 2 months ago

On Monday, January 31, the island nation known for reggae music and jerk chicken propelled its television broadcasting well into the 21st Century, as Television Jamaica Ltd. joined the U.S. and South Korea as the only three nations in the world to offer viewers NEXTGEN TV broadcasts.

The ATSC 3.0 standard is now in use at TVJ, which airs everything from newscasts to daytime animated series, and select second-run syndicated programming.

Leading the switching on ceremony for TVJ: A new Jamaican Minister with responsibility for Information, Hon. Robert Morgan. The ATSC 3.0 signal went live just after 6:30pm local time.

How many Jamaican TV viewers watched is the key question, as access to new ATSC 3.0-compatible televisions at a cost Jamaicans can afford will prove to be the key test to NEXTGEN TV’s rollout in the island nation.

That said, TVJ put NEXTGEN TV into action in order to abide by the Jamaican government’s decision to enforce a ATSC 3.0 transition no later than January 2022.

TVJ in December 2021 became an official member of ATSC Inc., and it has commenced consultations with U.S. and South Korean experts, as well as with local television set retailers, advertisers and other stakeholders on the next steps. Up to 20 similar transmission sites are being commissioned into service, bringing 95% coverage of Jamaica that is targeted for NEXTGEN TV.

TVJ is a member of the RJRGLEANER Communications Group, parent of 12 media brands.

“What TVJ and the RJRGLEANER group have done is not only invested in its own business, but it has invested in the digital future of Jamaica…I am impressed with the commitment shown to making government policy a reality”, Minister Morgan said.

The ATSC 3.0 installation was conducted by an all-Jamaican engineering team.

RJRGLEANER CEO Gary Allen notes that some $12 million USD was invested in the transition, with half of the funds tied to the first transmitter, now in operation in the Jamaican capital of Kingston.

 

Adam Jacobson

Why Do Cable TV Subscribers Still Pay For Service?

Radio+Television Business Report
3 years 2 months ago

Given all of the chatter about OTT, SVOD, AVOD and Fast Channels, the future of cable TV as it has existed for four decades is being questioned by many across the television industry. To some, a MVPD is all about broadband, with TV service greatly diminished.

But, is that an exaggeration? Who still pays for cable TV and why?

CableTV.com surveyed Americans who still subscribe to traditional cable to understand why they keep the service.

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Adam Jacobson

Human Connection Draws in Younger Listeners

Radio World
3 years 2 months ago

This week, Radio World is providing coverage of the EBU Digital Radio Summit.

If broadcasters want to attract young listeners, they need to offer content that focuses on human connections and shared experiences, more than Top 40 hits.

That’s the message radio futurologist and Podnews editor James Cridland delivered during his keynote address to the European Broadcast Union’s (EBU) Digital Radio Summit. The summit was held online February 16, 2022.

“Ten great songs in a row is absolutely fine and a great radio programming technique, but it isn’t something that radio can do by itself anymore,” Cridland declared. “Spotify can do that very well.”

Radio’s decline amidst record listening
James Cridland began his address by noting how well radio appears to be doing these days.

“Radio is still tremendously popular,” he said. “Whether you are in the UK or New Zealand or Finland or the U.S., nine  out of 10 people are listening to the radio every single week.”

The trouble begins when one starts to dig deeper into the audience numbers. For instance, EBU data cited by Cridland showed “about a 3% decline in the last five years in terms of total audience, and a 6% decline in terms of younger audiences as well.” Meanwhile, total audience listening is “down by 7% in the last five years,” said Cridland, and “when you have a look at younger audiences, then you can see that nearly one out of five [listening] hours has gone away in the last five years.”

So why are U.K. radio audiences looking so strong in the research? “It’s only the fact that there are more old people in the U.K. that is keeping the figures up as high as it is,” he said.

Meanwhile, young listeners who aren’t tuning into radio now, won’t suddenly do so as they age. “You don’t grow into listening to more radio,” quipped Cridland. “So, we are not going to see a lot of people suddenly starting to listen to tons more radio because they happen to hit 30.”

The way back for radio
When it comes to reaching younger listeners, Cridland wants to target them where they are.

This isn’t on smart speakers, where 72% of the content consumed is radio, he said. Rather, it is on their smartphone-connected headphones.

RAJAR figures showing the disparity in radio listening among younger and older listeners.

“When you ask people, ‘what are you listening to on your headphones?’, podcasts and audio books are the No. 1 choice,” said Cridland. “Live radio is the least most popular in terms of 11%.”

The big takeaway: The 13–34 audience is listening to in-depth, meaningful spoken-word content when they listen to podcasts and audiobooks — the kind of content commercial radio rejected decades ago when it went Top 40.

This spoken-word content tends to focus on human connections and shared experiences, and it’s a model that radio must seize upon if it is to become relevant to younger listeners again. “That’s why people turned to radio in the middle of the pandemic because they wanted other human voices,” Cridland said. “They wanted that shared experience, [contact with] the other person who was out there dealing with the same things that they were dealing with as well.”

As for “live and local” being radio’s edge? “I would argue that live actually isn’t important at all … [and] that local is just another way of saying relevant,” he said. “Relevant content for people could be local, [it ] could be talking about what’s going on in their town in their city, [or it] could be talking about very, very other things as well … So real and relevant are very key parts of the content strategy that we should have in terms of radio.”

Cridland also advised radio broadcasters to stop defining themselves in terms of their delivery mechanisms (i.e., AM, FM, and DAB), and start thinking of themselves as content providers first.

As well, being live is less important in an online age where on demand content is so popular. He made his point by citing some Australian audio content that is recorded and then served out on radio and on demand, to maximize reach and penetration.

“I’m talking about making stuff, particularly in terms of great pieces of audio, that you can pre-produce and make sound absolutely fantastic as well,” he said.

Quoting from a U.S. patent application to underscore his point, Cridland said, “’traditional broadcast radio spends billions of dollars creating millions of hours of creative audio content that is only used once.’ And it’s [only] when you see that written down in black and white, then you suddenly realize, ‘oh, we could be doing so much more with the great content that we are making by packaging it up so that we can reuse it on the air, so that we can give that to other audiences.’”

In closing, Cridland said radio has a future, and “it’s focused less on music and more on speech. These days it’s producing audio for on-demand first, rather than live, which helps get the most value out of the audio. And I believe that the future is less about broadcasting and more about reaching audiences across multiple platforms, however they want to consume it.”

The post Human Connection Draws in Younger Listeners appeared first on Radio World.

James Careless

‘Editor Corps’ Support by CPB Continues

Radio+Television Business Report
3 years 2 months ago

The Corporation for Public Broadcasting (CPB) has approved a grant that will fuel the funds necessary to continue the “Editor Corps” of the Public Media Journalists Association.

In particular, the dollars will fund the program for one more year as PMJA develops a financial sustainability initiative.

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Adam Jacobson

Bloomberg: Soo Kim/Apollo Deal For TEGNA Coming Soon

Radio+Television Business Report
3 years 2 months ago

On Monday (2/28), TEGNA will release its fourth quarter 2021 earnings and host an earnings call including such C-Suite leaders as Lynn Beall, Victoria Harker and CEO Dave Lougee.

Will the company formerly known as Gannett have bigger news to share on that day, if not this week? Bloomberg says so, reiterating a recent report that majority control in the company is about to go to a partnership involving Soohyung Kim and the majority shareholder in Cox Media Group. 

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RBR-TVBR

Deutsch Post: A Steel City Snag In K.C.

Radio+Television Business Report
3 years 2 months ago

For 24 years, he’d been associated with a group of radio stations today owned by Audacy Inc.

Now, he’s resurfaced across the street to become General Sales Manager of Steel City Media’s radio properties in the heart of Mid-America.

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RBR-TVBR

A Wall Street Blogger Asks: Does Audacy’s Owner Structure Offer ‘Useful’ Insight?

Radio+Television Business Report
3 years 2 months ago

With Audacy Inc. poised to report its fourth quarter 2021 and full-year fiscal health report on Wednesday (2/23), there’s bound to be a lot of attention from the investment community placed on just how the audio content creation and distribution company’s final three months of last year fared, dollar-wise.

Ahead of that earnings report’s release, financial blog Simply Wall St. took a moment to examine Audacy’s ownership structure. Could that structure “tell us something useful?”

Here’s what the bloggers found.

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Adam Jacobson

An Exponent AM Sells in Georgia

Radio+Television Business Report
3 years 2 months ago

What’s a Class D 1kw daytime-only Gospel station and its FM translator worth in the first quarter of 2022?

Here’s a Georgia deal that provides such an answer — and hope for similar broadcast facilities searching for a buyer.

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Adam Jacobson

The New Political Programming Rules: What To Expect

Radio+Television Business Report
3 years 2 months ago

The FCC has been busily updating aspects of its political programming and recordkeeping rules. In particular, a January 25, 2022 Order revised the Commission’s definition of what a “legally qualified candidate for public office” is, while amending the political file rules.

Paul Feldman at Fletcher Heald & Hildreth has been monitoring when the effective date of the new rules will be, minus portions of the rules that require OMB approval.

He now has a date circled on his 2022 calendar.

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RBR-TVBR

Application Window Opens for Broadcast Leadership Training Program

Radio+Television Business Report
3 years 2 months ago

The NAB Leadership Foundation is now accepting applications for the 2023 Broadcast Leadership Training (BLT) program. Applications are being accepted through May 31.

The BLT program is designed to prepare senior-level broadcast executives to advance as group executives or station owners. Women and people of color are encouraged to apply.

Now in its 23rd year, BLT is an executive MBA-style program that teaches the fundamentals of purchasing, owning and operating radio and television stations. As the foremost executive training initiative for the broadcast industry, the 10-month program prepares aspiring broadcast station owners and executives with the working knowledge to further their careers.

The 2023 Broadcast Leadership Training program will consist of weekend sessions held in-person at the NAB Headquarters in Washington, D.C. The starting session will be held in September 2022.

Broadcast professionals from all areas of the industry, including general managers, experienced sales managers and seasoned department heads, as well as regional and corporate executives, are encouraged to apply. Fellowship opportunities are available for women and people of color.

For 2023 sponsorship and speaking opportunities, please contact Tim Dotson, NAB Leadership Foundation Senior director of Development.

INTRODUCING THE CLASS OF 2021

NABLF also announced the 2021 BLT class graduates, who completed the program in November 2021.

“These talented broadcasters join the long list of industry leaders with roots in the BLT program,” NAB Foundation President Michelle Duke said. ” We look forward to watching their careers grow from this success and witnessing the positive impacts as new and diverse leadership advances our industry.”

With this class, more than 350 participants have graduated from the program.

The 2021 Broadcast Leadership Training Class graduates are:

  • Melissa Begay, Operations Director, Native Public Media
  • Robert Brooks, Digital Solutions Specialist, WHUR-FM in Washington, D.C.
  • Cathy Cangiano, Senior Vice President and Market Manager, Bonneville – Seattle Media Group
  • Thomas Ciprari, Station Manager, KTMF-23 in Missoula, Mont./Cowles Publishing Company
  • Leon Clark, Vice President and General Manager, KGTV-10 in Sacramento/The E.W. Scripps Company
  • Tina Commodore, News Director, WFTV-9 in Orlando/ Cox Media Group
  • Kate Doty, Director of Talent and Team Development, Morgan Murphy Media
  • Susie Doucette-Pyle, Vice President and General Sales Manager, KRIV-26 & KTXH-20 in Houston/Fox Television Stations
  • Alfredo Duran, President and Founder, Duran Media Management Services
  • Blanca Esparza-Pap, Station Manager, KPHO-5 & KTVK-3/Phoenix
  • Mariana Ferro, Regional Vice President, Sales Manager – National Sales, Univision Communications
  • Andrew Givens, Station Manager and Director of Sales, KMSS-33 in Shreveport, La. (Mission Broadcasting)
  • Ben Hart, President and General Manager, WJCL-22 in Savannah, Ga.
  • Charity Holman, Station Manager and General Sales Manager, WVVA-TV in Beckley, Va. (Gray Television)
  • Andre Holmes, Vice President, Financial Analysis, Gray Television
  • Kari Jacobs, President and General Manager, WTSP-10 in Tampa
  • Kim Parker, Vice President and Chief Financial Officer, Graham Media Group
  • Nicole Ovadia, Vice President/Client Success, Mediaco and Emmis Communications of New York

The 2021 and 2022 program sponsors include Beasley Media Group, Bonneville International Corp., Cox Media Group, Fox Television Stations, Futuri Media, Graham Media Group, Gray Television, Hearst Television, Legend Communications, NAB, The Nielsen Foundation, Meredith Corporation, Morgan Murphy Media, The E.W. Scripps Company, TEGNA, Univision Communications, and Paramount.

The 2022 class is currently underway, will attend the NAB Show in April and graduate in June. For more information about the NAB Leadership Foundation or the BLT program, please visit, nabfoundation.org.

RBR-TVBR

Gray Gives Hettrick Greater Role In Western Mass.

Radio+Television Business Report
3 years 2 months ago

Since March 2015, she has served as the News Director for the ABC and CBS affiliates serving Springfield, Mass., and has spent the majority of her career at nearby WFSB-3 in Hartford, a former Meredith Local Media property.

Now, she’s earned a promotion in Western Massachusetts.

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RBR-TVBR

Who Will Win The ‘Medallas de Cortez’ This Year?

Radio+Television Business Report
3 years 2 months ago

Nominations for the 13th Medallas de Cortez awards — the most respected honors in U.S. Hispanic radio — are now being accepted. If you know someone who is doing great work in Hispanic radio across the U.S. and Puerto Rico, don’t miss this chance to spotlight their efforts with a nomination.

The awards, sponsored by vCreative, will be presented at the Hispanic Radio Conference, June 22-23 in Miami at the Intercontinental at Doral.

Nominations can be made in seven categories:

  • Marketer (may be someone from a station, an agency, or a client)
  • National/Syndicated Personality
  • Local Personality
  • Program Director
  • Sales Manager
  • General/Market Manager
  • Station of the Year

Nominations are now being accepted. The deadline is April 22, 2022.

The Medallas de Cortez awards presentation is one of the most inspiring and memorable aspects of the Hispanic Radio Conference. By recognizing excellence in Hispanic radio, these awards pay tribute not only to some amazing and dedicated professionals in Hispanic radio, they serve to energize and encourage others to follow their footsteps.

The awards are named in honor of Raoul Cortez, who founded KCOR — the first Spanish-language station in the United States — in 1946. Nominations are open to anyone, Hispanic and not, who is involved in Hispanic broadcasting. The goal is to make sure everyone dedicated to this segment of the industry has an opportunity to be recognized for their contributions to excellence in radio.

Click here to make your Medallas de Cortez nominations, and remember, nominations are due by April 22, 2022.

SPONSORS Platinum Sponsor Medallas de Cortez Sponsor Corporate Sponsors Participating Sponsors Media Partners
RBR-TVBR

Visual Component Growing in Importance

Radio World
3 years 2 months ago
Steve Koenig speaking at the 2022 CES. “Consumers endorse options and abhor complexity,” he said.

A top Consumer Technology Association executive says the global technology market remains stout and that consumers are adopting new tech at an accelerated pace — all of which has implications for radio and audio companies.

Steve Koenig, vice president of research, says the future of tech innovation is healthy and fueled by demand from consumers for breakthroughs that add convenience and simplicity to their everyday lives.

He spoke after the conclusion of the Consumer Electronics Show in Las Vegas in January.

Among the announcements and debuts at the convention, the biggest headline was probably the simple fact that the convention was held in person.

But key trends showcased at CES included artificial intelligence and 5G, which Koenig believes will serve as the “connective tissue” for innovation and as the building blocks of the metaverse, this year’s buzzword.

Koenig said there’s plenty happening in audio.

“There was a lot of innovation [at CES] across the audio spectrum — featuring listening products, but also a variety of innovations that will impact the future opportunity of audio and, by extension, broadcast radio,” he said.

“A lot of innovation in personal audio, what we’re seeing in true wireless ear buds, for example, and in home theater and home audio. Smart speakers have populated and in some ways democratized listening around the house, since people tend to have several of them in dens, kitchens and bedrooms.”

‘Screenification’ in cars
Koenig also says the “visual element” is fast becoming a focus for audio products.

“In a lot of the vehicles shown at CES, there was a premium on monitors. For instance, Togg [a Turkish automaker] had a dashboard that was one giant screen, similar to the Mercedes-Benz Hyperscreen we have seen before,” he said.

He calls this the “screenification” of the automobile, and those bigger and additional video screens for both the front and rear seats have crucial import.

“Radio broadcasters need to utilize that space, because a lot of others are. Streaming audio and other connected services coming into connected vehicles utilize that screen real estate for drivers and occupants.” He said this development spotlights the importance of the metadata carried by many broadcast and streaming signals.

He sees the role of radio evolving as it adds various dimensions. “It is similar to what has happened to Next-Gen TV. It could be shopping, maps or other services that accompany the traditional broadcast service. I see this happening for radio broadcasters, which will increase opportunities for sponsorship and advertising deals. In the end, it’s a deeper engagement with the consumer.”

Broadcast radio’s familiarity to consumers is a strength, he said, but radio faces does face challenges as entertainment becomes more immersive.

“Broadcast radio is a very accessible and familiar medium, of course. We don’t track engagement, but what I can say is that consumers enjoy a mosaic of audio sources. Obviously podcasts and streaming music collections are growing in popularity; but still I think a lot of people enjoy radio.”

He declined to say whether he thinks broadcasters are doing enough strategically to adapt to increased competition, specifically in the dashboard. But he believes radio has a lot of options to amplify its business model and enhance the media experience for consumers.

“They have to engage with a variety of different partners, whether it is automakers or other possibilities. But there is a chance to remake radio and align it with a more visual element and add appeal to consumers.”

The mobility sector at CES had more than 200 companies in the new West Hall of the Las Vegas Convention Center, including automakers with self-driving cars and electric vehicles. Many vehicle exhibits exploited interior technology touting audio and video with additional media displays, Koenig said.

Broadcast radio was represented in the transportation section by Xperi’s exhibit of DTS AutoStage, its hybrid radio platform that merges IP connectivity and broadcast reception, promising a richer user experience similar to the offerings of digital pure-play services and satellite radio.

DTS AutoStage “is one of these market plays that is trying to deliver what consumers are asking for,” Koenig said. “Consumers endorse options and abhor complexity. So a platform or system to allow them to partake in a variety radio and audio streams across their interest areas will resonate.”

Consumer behavior
Supply chain issues and computer chip shortages were topics of conversation at CES, Koenig said, but much of the focus was on artificial intelligence, including how it can learn the behaviors of consumers across the audio ecosystem. He said companies are leveraging AI in more applications and every economic sector, from manufacturing to entertainment.

“AI is getting better so it can do more things. There are a lot of flavors of AI for consumers across different devices, from smart speakers and your phone to your new car. AI will learn behavior and knows what a person likes to listen to and it gets to a point where it is predictive. AI can learn patterns and help tech goods anticipate what the consumer expects.”

Autonomous automobiles open up a new world for media entertainment and productivity, Koenig said. The extension of that is the range of opportunities via screens through internet connectivity in the car cabin.

“When you consider how these technologies will allow consumers access to entertainment and content via the cloud, things will really start to get interesting,” he said. “Cloud computing and online gaming [in the car] will also be possible.”

CTA believes consumers maintain their appetite for new technology thanks in part to the “season of the pandemic,” Koenig said.

“We have seen historically high demand for consumer technology the past two years. By spending more time at home and needing to bolster work productivity, school and education and entertainment, consumers are leveling up their tec — smart home devices and smart phones. Smart doorbells. You can also include services like connected fitness and online ordering for groceries and even telemedicine. The level of adoption of new technology by households has been at an all-time high.”

Koenig projects that consumer spending on hardware, software and services in the United States will reach $505 billion, a 2.8% growth over 2021.

“Once consumers get a taste for these things, they tend to spend more on them. Why? Because it is delivering value and convenience and making life better.”

And then there’s the metaverse.

“The metaverse isn’t something we build and then we have it,” Koenig said. “To me it’s the next generation of the internet, with enhanced connectivity that will deliver increasingly immersive digital experiences through virtual reality. And these next-generation experiences will over time become inextricably linked to our physical reality.”

Comment on this or any article. Write to radioworld@futurenet.com.

The post Visual Component Growing in Importance appeared first on Radio World.

Randy J. Stine

iHeart Will Use Voice Cloning to Amplify Podcasts

Radio World
3 years 2 months ago

iHeartMedia plans to use cloned voices to translate and produce podcasts, hoping to reach new markets.

It announced this week that it will use technology from AI software company Veritone for this purpose.

“iHeartMedia will leverage Veritone’s AI platform to make more shows across the iHeartPodcast Network available in multiple languages, helping to expand their podcast market,” they said in the announcement. “The first use case is to translate iHeart’s marquee podcasts for Spanish-speaking audiences.”

[Related: “Veritone Ramps Up Synthetic Voices”]

They quoted Veritone President Ryan Steelberg saying, “iHeartMedia will not only be able to scale to new markets with localized language translations but retain the brand value of their top talent’s voice, which is fundamental in podcasting. We are also partnering to develop synthetic voices for advertising and engaging content while reducing time-to-market and production costs for radio, podcasting and the metaverse.”

The companies said iHeart voice talent will be able to authorize Veritone’s synthetic voice solution to produce more podcasts, ads and additional audio in multiple languages “with the same energy, cadence and uniqueness of top talent.”

[Related: “Create Synthetic VOs Just by Typing”]

The post iHeart Will Use Voice Cloning to Amplify Podcasts appeared first on Radio World.

RW Staff

NPR, EarPeace Team Up for Hearing Protection

Radio World
3 years 2 months ago

EarPeace has collaborated with NPR to create a line of custom branded earplugs based around newly patented EarPeace PRO earplugs.

EarPeace PRO features a contoured design that conforms to the natural shape of the ear canal, featuring a tuned acoustic mesh filter intended to replicate the sound signature. Recently granted a second patent for the proprietary earplug design their utility patent, PRO aims to handle the mismatch between the shape of the ear and plug better. The earplugs use less material to expand in the ear canal, minimizing unwanted bunching and slit leaks. According to the company, the plugs’ oval, offset wave-shaped design permits the filters to perform at peak capacity.

“EarPeace are among the best earplugs out there and have used them literally at over a thousand shows. My ears thank you,” stated Bob Boilen, creator/host of NPR’s “All Songs Considered” and “Tiny Desk Concerts.”

“Unless I’m mixing and recording at the Tiny Desk, I’m using hearing protection at concerts. EarPeace has been one of my go-to brands for years. Do your future self a favor and protect your ears,” said Josh Rogosin, Tiny Desk audio engineer and technical director for NPR Music.

The post NPR, EarPeace Team Up for Hearing Protection appeared first on Radio World.

Mix Editorial Staff

Kyros Media Corp., Consent Decree

FCC Media Bureau News Items
3 years 2 months ago
The Media Bureau enters into a Consent Decree with Kyros Media Corp.

Broadcast Applications

FCC Media Bureau News Items
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Actions

FCC Media Bureau News Items
3 years 2 months ago
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Broadcast Actions

FCC Media Bureau News Items
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Applications

FCC Media Bureau News Items
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