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ATSC Looks Ahead To CES Splash

Radio+Television Business Report
3 years 4 months ago

As 2021 comes to a close, NEXTGEN TV service is available to half of all U.S. television viewers — assuming they’ve shelled out hundreds of dollars as the economy hurtles into recessionary uncertainty.

For ATSC President Madeleine Norland, however, “next year is promising to carry forward the tremendous momentum.”

The PR push and continued quest to convince consumers that NEXTGEN TV is worth the investment enters 2022 on a strong note, indeed, as Norland others tied to ATSC will be in Las Vegas for the pandemic-plagued CES 2022 event.

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RBR-TVBR

Is AM Radio Future-Proof? Saying No To DAB Impacts the Answer

Radio+Television Business Report
3 years 4 months ago

RBR+TVBR OBSERVATION

As 2021 comes to a close, the subject of AM radio’s continued viability in the coming years has arose anew, driven by the decision of companies including Cumulus Media to surrender the licenses of stations that have had their fair share of challenges.

While some may shed a tear over these station’s final broadcasts, there is a bigger, more fundamental question that needs to be asked: Did the U.S. radio broadcast industry fail to future-proof itself when it decided to embrace in-band, on-channel HD Radio instead of progressing to DAB, which much of Europe and Australia have adopted? 

Yes, and no.

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Adam Jacobson

Cumulus Adds To AM Station Death Count

Radio+Television Business Report
3 years 4 months ago

In October 2020, Cumulus Media made an executive decision as to whether or not the transmitter for a pair of AM radio stations serving Savannah, Ga., should be repaired, or if it was more prudent to surrender the licenses of the facilities. Cumulus chose the latter, with WBMQ-AM 630 and WJLG-AM 900 disappearing from the Coastal Empire radio dial.

Now, Cumulus has decided to terminate the life of another AM radio station — this time in a hurricane recovery zone.

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Adam Jacobson

The InFOCUS Podcast: Marianne Vita

Radio+Television Business Report
3 years 4 months ago

Of the topics that have continued to attract the attention of broadcast media’s C-Suite leaders across 2021, addressable advertising is poised to remain front and center as a big concentration point in 2022. With video-on-demand a leader in addressable advertising, how can OTA and VOD collide, providing broadcast media with some solid revenue opportunities in the coming years?

That’s just one question Marianne Vita, SVP and Director of Integrated Strategy and Marketing at the VAB, answers in this fresh podcast arriving just in time for CES 2022, and the upcoming Matrix Media Ad Sales Summit and NATPE Miami in Miami Beach, Fla.

The InFOCUS Podcast is hosted by Adam R Jacobson, with the support of dot.FM.

Listen to “The InFOCUS Podcast: Marianne Vita” on Spreaker.

RBR-TVBR

BDI RF Power Monitors at Work

Radio World
3 years 4 months ago

The Dec. 22 issue of Radio World features our Buyer’s Guide for antennas, RF support and power products. Buyer’s Guide features application stories like this one.

Here’s an example of how Broadcast Devices DPS-100D series RF power monitors are being used in an FM combiner installation.

“Pictured are two DPS-100D-3-1/8 RF power monitors at the input to a two-station FM combiner for WEZN and WEBE in Connecticut,” the company wrote.

“Both meters can report forward and reflected power, temperature and line pressure and also provide positive interlock control to either transmitter. Each transmission line and combiner module is protected against VSWR fault at the combiner input. This was an important feature for customer consideration.”

Cat-5 cables attached provide user monitor/remote control and provides electrical power via passive POE. A third meter not shown monitors the output of the combiner, and all three meters can be connected to an SWP-206D Supervisory chassis for complete monitor and control of the entire system.

BDI said all of its products support SNMP for integration to third-party remote controls and software. DPS-100D series power monitors are available in all EIA line sizes plus others like N, DIN and the popular 4-1/16-inch line size.

The DPS-100D series meter is suitable for monitoring one transmitter or a combined system, particularly for multi-station and digital radio transmission.

The photo was provided by BDI installer Xenirad Broadcast Engineering.

Info: www.broadcast-devices.com or call (914) 737-5032..

The post BDI RF Power Monitors at Work appeared first on Radio World.

RW Staff

Trends in Transmitters 2022

Radio World
3 years 4 months ago

The quality of professional broadcast transmitters available today is unquestionably high. That’s good news for radio engineers and managers who are in the market for a new one.

If someone hasn’t purchased a transmitter in a while, what should they know? What are the most important recent developments in how they are designed and manufactured?

In Radio World’s latest free ebook, we asked engineers, managers and our sponsoring manufacturers to comment. We asked how a smart buyer can differentiate among products; what features they value most; and what features or services they’d like to see added.

We asked about the impact of virtualization on transmitters, and what buyers should know about hybrid radio platforms that are coming into the marketplace. And we sought an update on technologies like MDCL and liquid cooling.

Learn from technology veterans Rob Bertrand, Andy Gunn, Mark Persons, Cris Alexander, Mike Cooney, Buc Fitch, Mike Martin, Greg Dahl and Don Stevenson, as well as from manufacturers WorldCast Systems, Broadcast Electronics, GatesAir, Nautel and Rohde & Schwarz.

 

 

The post Trends in Transmitters 2022 appeared first on Radio World.

RW Staff

Kubernetes Brings Broadcast to Next Level

Radio World
3 years 4 months ago

The author is Chief Technology Officer of 2wcom. This article originally appeared in the ebook “What’s Next for Virtualization?”

Virtualizing software, especially using containers, makes it much easier to run the software on standard server hardware instead of dedicated broadcast devices.

It is a very good exercise to build platform independent software. It definitely was an exercise for us at 2wcom when we migrated our embedded software that was designed for a four-channel audio over IP codec hardware (IP-4c).

But after that was achieved, it helped us to realize a project where approximately 400 height units of equipment could be reduced to just six rack spaces of servers — including redundancy!

As we are diving deeper into the virtual rabbit hole named Kubernetes, it becomes clearer that virtualization was just the beginning.

Why do broadcasters need Kubernetes?

Kubernetes — “K8s” for short — is an open-source platform to manage containers, services, and workloads across multiple physical machines. It is the state-of-the-art platform to manage containers and is used by Netflix, Google, Spotify and many more.

But why do we need this in our broadcast world? — Because it helps a lot to fulfil some of our daily requirements: reliability, scalability, updates and monitoring.

Reliability

Kubernetes is self-healing! This is a major advantage over traditional systems where just backups and redundancy are defined.

Using K8s it is possible to evade entire machines in disaster scenarios. If for example one of your servers is crashing or has a disk pressure condition, the other servers (also known as worker nodes) can take over the service for the machine that is failing.

Even though this process might not be seamless, it is self-healing because K8s tries to maintain the same number of services and containerized apps that you have defined.

Together with a sophisticated redundancy scheme, the broadcaster can achieve seamless switching and zero downtime even while replacing entire machines in the cluster.

Scalability

Let’s say your CPU load requirements for one of your apps increases, because you want to transcode an additional audio/video stream for monitoring purposes.

2wcom’s MoIN orchestration overview hides Kubernetes complexity.

Without Kubernetes, the operator will likely have to install a new server and move some of the app instances from each running computer to this new server. This frees up resources on all machines, enabling the additional monitoring stream. Managing that process can be a high workload and requires extensive planning.

With Kubernetes this is as simple as installing a new server and letting it join the cluster with just one simple command:

kubeadm join [api-server-endpoint]

After that the operator just needs to push the new configuration and its resource requirements into the cluster (in Kubernetes called limits and requests).

Updates

Everybody working in IT knows that updates can be time-consuming and the cause of a lot of troubles. Kubernetes really helps to deploy software updates because it lets you define strategies to do that.

One strategy could be to update 25% of your containerized apps at the same time and roll that update through the cluster. This gives the user time to react and roll back the update in problematic situations.

Additionally, the update can therefore maintain seamless redundancy with no manual switching required. The maximum “surge” that defines how many of your app instances are updated at the same time can be defined by an admin who is deploying the update.

Another update strategy could be to push a new version into your cluster and let the individuals who are controlling and using your software decide when to apply the new version. In our case this was a very nice feature.

An administrator can push the new software version into the cluster whenever it is approved. The operator who configures only his audio streams can simply reboot an instance at any time when it is suitable. The reboot will automatically apply the updated version while keeping the same config.

Monitoring

Operating a huge cluster instead of hundreds of individual hardware boxes can be fearsome. It all relies on a couple of machines instead of hundreds. But Kubernetes can seriously increase the speed of a root-cause analysis and fixing of a bug instead of making it more complex as one might think.

Screenshot of a MoIN Grafana dashboard that monitors audio errors and internal buffer values.

A great advantage is that standardized mechanisms can be used to obtain logs from different parts of the software. These logs can even be used by an indexing search engine (for example Elasticsearch), which lets you search and correlate the log files many times faster. Therefore, one can find common failures across multiple instances easier.

Let’s say you need to find a reason why SNMP connections break down. In that case you could search through all log files of all software parts for an entry of “snmp”. The result will quickly show you the number of found entries and you can explore the relationship and chronological sequence of the errors.

Setting up such systems is time-consuming, but with a Kubernetes installation the vendor can also provide the monitoring stack, like we do it at 2wcom. We are providing Elesticsearch, Kibana and Grafana as a very sophisticated monitoring stack that integrates well with our software.

Conclusion

Although the shift towards virtualization can be scary because it is such a different environment than physical devices, it provides some valuable improvements and streamlined processes to operate a high-quality broadcast system.

The streamlined processes provided by Kubernetes reduce the maintenance overhead of a broadcast system, which leads to lower operational expenses or frees up resources to do what really matters: delivering high-quality broadcast content.

The post Kubernetes Brings Broadcast to Next Level appeared first on Radio World.

Leif Cipriani

Applications

FCC Media Bureau News Items
3 years 4 months ago
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Broadcast Applications

FCC Media Bureau News Items
3 years 4 months ago
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Actions

FCC Media Bureau News Items
3 years 4 months ago
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Pleadings

FCC Media Bureau News Items
3 years 4 months ago
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Broadcast Actions

FCC Media Bureau News Items
3 years 4 months ago
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The AM Radio Die-Off: ‘It Makes Sense’ To Sutton

Radio+Television Business Report
3 years 4 months ago

RBR+TVBR this week has offered no less than three articles about licensees who have opted to turn in the license of their respective AM radio stations. By January 8, 2022, four stations — each of them at least 65 years old — will disappear forever.

A Georgia Association of Broadcasters 2018 Hall of Fame inductee shares that this news shouldn’t be that surprising. Speaking of the Friday final sign-off of KDKD-AM in Clinton, Mo., Art Sutton says, “If this station and the other AMs leaving the air were viable businesses, they wouldn’t be going dark.”

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Adam Jacobson

Mid-Week Red For Broadcast Media Stocks

Radio+Television Business Report
3 years 4 months ago

With the Closing Bell on Wall Street and at Nasdaq headquarters in Times Square on Wednesday, nearly every broadcast media company RBR+TVBR tracks had declined from Tuesday’s trading.

Among the companies seeing declines of particular note is The Walt Disney Co. Approaching $177 on November 8, shares in DIS dipped as low as $142.15 on December 1 before attempting a comeback. On December 29, Disney was down 33 cents to $154.87 in regular trading, and off an additional penny in immediate after-hours trading.

Meanwhile, technology company Veritone saw a $1.75-per share dip, as Sinclair Broadcast Group saw its shares decline by 72 cents per share.

 

 

RBR-TVBR

A Webinar Designed To Tackle ‘Truth Decay’

Radio+Television Business Report
3 years 4 months ago

“Fighting Fake News and Truth Decay.”

That’s the name of a webinar scheduled for Tuesday, Jan. 4, 2022, that is being presented by The Massachusetts Broadcasters Association.

Al Tompkins from the Poynter Institute will host the online event.

Topics covered include:

⦁ Where does information come from and who is behind it?
⦁ Why do people spread disinformation?
⦁ How can you detect fake photos?
⦁ What is metadata and what will it tell you?
⦁ What does every journalist need to understand about algorithms?
⦁ See the newest tools fakers use to alter video and audio.
⦁ How to use polysearch tools to get to the root of an images’ origin.

Webinar information and registration can be found Here.

RBR-TVBR

Technology: Empowering Broadcast TV

Radio+Television Business Report
3 years 4 months ago

The 2021 NAB Show was cancelled. Then came IBC, in Amsterdam.

By December 22, Twitter, T-Mobile and the parent of Facebook had pulled out of CES 2022. Then came iHeartRadio, and P&G.

Despite the dark clouds, there was no hard stop on product rollouts and big plans for the year ahead from broadcast media’s biggest technology partners. RBR+TVBR‘s all-new Winter 2022 Special Report, distributed digitally on January 24, 2022, offers exclusive insight and full details about their latest gadgetry and technological advancements key broadcast media tech companies are eager to show off.

Among the broadcast media tech players with new products they’re ready to share with radio and TV industry leaders is GatesAir. In late October 2021, GatesAir added audio processing to its Intraplex IP and Cloud Transport products. For those asked to sign off on a purchase order, cost savings is certainly a big selling point when it comes to auxiliary equipment. But, how does CEO Bruce Swail explain to the C-Suite executive who may not understand what this technology advancement brings to broadcast media means in layman’s terms?

Swail points to the two-year growth of the Ascent product line, which was officially introduced at the NAB Show in 2019 — the last Las Vegas gathering.

On the subject of monitoring and compliance, broadcast monitoring and analysis-focused technology firm Qligent has seemingly been silent across 2021 when it comes to product development and updates to its existing process. “You’re right, we have been quiet,” notes CEO Brick Eksten.

That’s why NAB 2022 is the focal point of Qligent’s “pause,” one that serves as a way to look internally while reviewing the general transition of the market.

With the April affair in Las Vegas marking the “big return” for many a broadcast media technology vendor, as key withdrawals from CES 2022 emerged heading into Christmas, CP Communications has perhaps emerged as one of the more active players of late.

CEO Kurt Heitman is excited about what lies ahead for the company in 2022. That very much includes RF coordination, which CP has done “for many, many years,” he says.

To ensure you’re getting the full story, please take a moment to become a RBR+TVBR Member. All Members will receive a digital copy of our Winter 2022 Special Edition, the only home of our all-new Broadcast Media’s Top Tech Leaders ranking. Sign up by clicking on the menu at the top of the page.
Adam Jacobson

January Regulatory Dates for Broadcasters

Radio+Television Business Report
3 years 4 months ago

As the holiday season comes to an end and 2022 comes into focus, broadcasters have several dates and deadlines to keep up with in January and early February.

David Oxenford, the respected Washington, D.C., communications attorney with Wilkinson Barker Knauer LLP, has noted some of the important dates media industry C-Suite professionals should be tracking.

Oxenford starts with some of the annual dates that always fall in January.

By January 10, full-power radio, TV, and Class A licensees should have their quarterly issues/programs lists uploaded to their online public file. The lists are meant to identify the issues of importance to the station’s community and the programs that the station broadcast in October, November and December that addressed those issues. “Prepare the lists carefully and accurately, as they are the only official records of how your station is serving the public and addressing the needs and interests of its community,” Oxenford advises.

Class A licensees must upload to their public file by January 10 documentation of their continuing Class A eligibility for October-December 2021.  For noncommercial educational stations not affiliated with the Corporation for Public Broadcasting, if your station conducted on-air fundraising for third parties during the last three months of 2021 that interrupted normal programming, documentation of those efforts must also be uploaded to the public file.

An annual obligation for television stations is to prepare and file their annual Children’s Television Programming Report (Form 2100, Schedule H – formerly Form 398).  Also due is a certification of compliance with commercial limits in children’s programming.  Schedule H would normally be due to be filed at the FCC on January 30 but, as that date falls on a Sunday in 2022, the FCC filing deadline this year is January 31, the next business day.  Records documenting compliance with the limits on the number of commercial minutes that stations can allow in children’s programming are also due to be uploaded to each full-power and Class A TV station’s public file by January 31—another January 30 deadline pushed to the next business day.  As a reminder, the quarterly filing requirements were replaced with annual filings as part of the 2019 KidVid rule changes.

An important deadline also falls this month for LPTV stations and TV translators. 

Analog TV translators and digital LPTV construction permit holders whose CPs have expiration dates that have expired that received a one hundred and eighty day extension of the July 13, 2021 digital transition (or construction) deadline must be operating digitally by January 10, 2022 or by an earlier January date specified on the station’s extension authorization.

“While in a few cases, the FCC is granting requests to toll that deadline, very specific showings as to why construction was delayed for reasons beyond the control of the broadcaster need to be made or the authorizations of stations not operating digitally by the January 10 deadline will be cancelled,” Oxenford says.

A MID-MARKET MUST

Also important for some TV stations, specifically those in DMAs 71-80 affiliated with one of the top four TV networks, is the requirement to comply with the FCC’s audio description rules beginning January 1, 2022.

The audio description (formerly known as video description) rules make video programming more accessible to blind or visually impaired persons by requiring the use of an audio subchannel to provide descriptions of the visual action in a TV program that is occurring on screen. The affected DMAs are Omaha; Wichita-Hutchinson; Springfield, MO; Charleston-Huntington; Columbia, SC; Rochester, NY; Flint-Saginaw-Bay City; Huntsville-Decatur; Portland-Auburn; and Toledo.

For radio, January 1 brings new higher rates for all digital streaming, including simulcasting, as a cost-of-living increase in the increased SoundExchange royalties as recently announced by the Copyright Royalty Board (though payments are not due for January streaming until 45 days after the end of the month).  But most webcasters do need to pay their minimum annual fees by January 31 (now $1000 per stream for commercial and noncommercial streams not affiliated with a school or CPB).  Noncommercial educational webcasters (affiliated with a school or college), not covered by deals with NPR and CPB, must make elections about recordkeeping requirements that will apply to their stations by January 31.

Looking ahead to February, television and radio stations in several states must file applications for license renewal and file and upload EEO reports.  By February 1, TV stations in Kansas, Nebraska, and Oklahoma and radio stations in New York and New Jersey must file their license renewal applications through the FCC’s Licensing and Management System (LMS) on Form 2100, Schedule 303-S.

Stations filing for renewal of their license should spend the next few weeks reviewing the contents of their online public file and making sure that all required documents are complete and were uploaded on time.

Also on or before February 1, all radio and TV station employment units (a station employment unit is a station or stations that share at least one full-time employee, are in the same geographic area, and are under common control) with five or more full-time employees licensed to communities in Arkansas, Kansas, Louisiana, Nebraska, New Jersey, New York, and Oklahoma must upload to their online public inspection file an Annual EEO Public Inspection File report.  This report covers their hiring and employment outreach activities for February 1, 2021 through January 31, 2022.  

These broadcast licensees must also post on the homepage of their station website (if they have one) a link to the most recent report.

RBR-TVBR

A ‘Real Oldies’ Sign-Off Scheduled for Western Michigan

Radio+Television Business Report
3 years 4 months ago

As the Noon hour approached in Grand Rapids, Michigan, the Classics IV single from late 1970, “Where Did All the Good Times Go?,” segued into “Teach Your Children” by Crosby, Stills, Nash & Young.

Those songs are “Real Oldies,” and they’ve been a key part of a most unusual noncommercial Class B AM that also offers NPR newscasts.

On Friday, January 7, the station — and its Muskegon simulcast partner — will become the latest operating in the kHz band to call it quits.

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Adam Jacobson

Salem Provides An Answer To Scott, as Genette Joins Team

Radio+Television Business Report
3 years 4 months ago

For 17 years, Mike Scott anchored the newscasts for a Salem Media Group conservative Talk station serving the nation’s third-largest market. He did so through a relationship with Total Traffic and Weather Network and NBC News Radio.

On Friday, that arrangement between iHeartMedia-owned TTWN and Salem will end. But, Scott’s not going anywhere, as “The Answer” is engaging in an “overhaul” of its news and traffic operations.

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RBR-TVBR

Ave Maria Completes Michigan Translator Deal

Radio+Television Business Report
3 years 4 months ago

From the town of Spring Harbor, Mich., a Class A FM has served the cities of Jackson and Albion with a student-run Christian music format. Until now, it has reached the Ann Arbor area via a FM translator outside of the city that’s home to the University of Michigan.

That’s come to an end, however, as the school that owns the FM translator has completed the facility’s sale to another religious broadcaster.

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Adam Jacobson

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