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Radio’s Call to Action: DTS AutoStage

Radio World
3 years 4 months ago

“Radio is outmanned, outgunned, out-funded and fragmented. The competition is not.”

That’s the message that Xperi Corp. has been taking to the global radio industry. The technology company believes its DTS AutoStage platform is the answer.

In a new ebook co-produced by Radio World and Xperi, we talk with experts about this proposition — how the connectivity environment is changing and how DTS AutoStage is designed to address that change.

For listeners, this new hybrid radio platform promises more content, better control, and new ways to engage and personalize audio content in the car.

For automakers it offers consistency in the driver experience, global coverage and field upgradeability.

For radio, it promises stations a visual presence that can be monetized and that looks as good as what SiriusXM, TuneIn or Spotify can offer, if not better.

Will it meet those objectives? Providing insights are Roger Lanctot of Strategy Analytics, Steve Shultis of New York Public Radio, John Clark of NAB PILOT, Steve Newberry of QUU and executives at Xperi led by Joe D’Angelo. You’ll also see what real radio station displays look like in DTS AutoStage on the dash of a Mercedes S-Class vehicle.

Read it here.

The post Radio’s Call to Action: DTS AutoStage appeared first on Radio World.

RW Staff

The CW, iHeartMedia Renew Their TV Pact

Radio+Television Business Report
3 years 4 months ago

The nation’s No. 1 radio station owner, by count, and The CW have renewed their multi-year partnership.

What does this mean? The CW will remain the exclusive television broadcast and video streaming partner for both the iHeartRadio Music Festival and the annual holiday iHeartRadio Jingle Ball.

The CW and iHeartMedia have been partners on these events since 2012.

The timing is great for iHeartMedia, as the 2021 iHeartRadio Jingle Ball will air as a national television special on The CW Network this evening (12/15) at 8pm Eastern/Pacific. Performances from Ed Sheeran, BTS, Jonas Brothers, Doja Cat, Lil Nas X, Saweetie, and AJR are in the works, as is a special appearance from Jimmy Fallon.

“From the beginning, we have been attracted to The CW’s young audience reach, and this new agreement will extend our partnership with the Network into a second decade,” said John Sykes, President of Entertainment Enterprises for iHeartMedia. “Each year, the iHeartRadio Music Festival and the iHeartRadio Jingle Ball Tour attract the biggest superstars in music, and this partnership extends the reach of these iconic events into to the homes of millions of viewers around the country.”

Mark Pedowitz, Chairman and CEO of The CW Network, commented, “As we enter into a new decade of collaboration, The CW is looking forward to serving as the exclusive TV broadcast and video streaming partner of both of these can’t-miss events for years to come.”

RBR-TVBR

Here’s When Netflix Reveals its Q4 Results

Radio+Television Business Report
3 years 4 months ago

It is far and away the most valuable content company in the world. And, its executive team led by Reed Hastings has decided to drop its fourth quarter 2021 fiscal report card on the same day as the Matrix Solutions Media Ad Sales Summit — also the concluding day of NATPE Miami at the Fontainebleau Resort in Miami Beach.

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RBR-TVBR

From Translators To Television: Behind The NTA’s New Name

Radio+Television Business Report
3 years 4 months ago

The NTA is no longer the National Translator Association. But, it is very much devoted to serving low-power broadcast TV stations as its largest advocacy group.

And, not much has changed in its mission as Jack Mills has been elected to replace the retiring John Terrill as NTA President.

As such, Mills will assume the leadership of an organization devoted to serving its members in the same way it always had. Only, it has a new name.

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RBR-TVBR

Gray TV co-CEO To Receive 2022 Golden Mike Award

Radio+Television Business Report
3 years 4 months ago

NEW YORK — The co-CEO and Chairman of the Board of one of the fastest-growing broadcast television station ownership groups in the U.S. has been selected as the recipient of the 2022 Golden Mike Award.

Hilton Howell Jr. will be presented with the honor at a black-tie gala on Monday, March 14, 2022, at the Plaza Hotel, adjacent to Central Park.

This year’s event marks the return of the Broadcasters Foundation of America’s biggest fundraiser, which did not take place in 2021 due to the COVID-19 pandemic.

Howell, who leads Gray Television, began his career practicing law and spent several years in the insurance industry. He serves on the Broadcasters Foundation’s Board of Directors, and is a former member of the board of directors for the NAB, the Advisory Council of the Center for Leadership and Ethics for the University of Texas at Austin, and the Advisory Board of Curant Health Care. He is also a former member on the NBC Affiliate Board.

The Broadcasters Foundation of America Golden Mike Award dinner attracts a who’s who of broadcast media executives and celebrities. The presenters and performers for this year’s event will be announced shortly. Previous recipients include Dave Lougee, Perry Sook, Emily Barr, David Barrett, Michael Bloomberg, Bob Pittman, Gordon Smith, and Jeff Smulyan.

The Broadcasters Foundation is the only charity devoted exclusively to providing financial assistance to colleagues in broadcasting who are in dire need. Even with the loss of major fundraising events during COVID, more than $1.8 million in monthly and one-time emergency grants will be awarded this year.

“It’s been a challenging year-and-a-half, and we are thrilled to honor Hilton and once again present the Golden Mike Award live and in-person,” said Scott Herman, Chairman of the Broadcasters Foundation. “Looking ahead, our goal remains to provide financial aid for every broadcaster who qualifies.”

Howell added, “I am honored to be recognized by the Broadcasters Foundation and ask everyone in our business who has made a good living from broadcasting, to consider donating any amount to help our colleagues who have been hit by shattering circumstances.”

RBR-TVBR

Stringr Unveils a New Video Platform for Creators

Radio+Television Business Report
3 years 4 months ago

Video SaaS platform Stringr has brought to market a new creator-focused video sourcing and production platform.

In the company’s view, marketers, brands, creatives, and entertainment companies can now source and produce original video content “with the same speed and ease” previously only available to broadcast news organizations.

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Adam Jacobson

Read the Dec. 15, 2021 Issue of RW Engineering Extra

Radio World
3 years 4 months ago

Happy holidays from the team at RW Engineering Extra! Here’s your latest issue, featuring insights and resources just for engineers.

Take a page from the IT handbook. Chris Fonte writes that FOSS applications can be adapted to create custom solutions for broadcast.

What to know about getting your streams cloud-ready and CDN-compatible from a paper. Rick Bidlack of Wheatstone offers a primer on the politics and protocols of streaming.

And thoughts on streaming for radio by Tech Editor Cris Alexander.

Read it here.

 

 

 

The post Read the Dec. 15, 2021 Issue of RW Engineering Extra appeared first on Radio World.

RW Staff

Don Martin Upped To Sports Programming EVP at iHeart

Radio+Television Business Report
3 years 4 months ago

LOS ANGELES — A 26-year veteran of iHeartMedia who has most recently served as SVP of Programming for FOX Sports Radio and in the concurrent role of SVP of KLAC-AM 570 has been elevated to EVP/Programming for what is now being called “iHeartMedia Sports.”

Earning the promotion is Don Martin.

According to iHeartMedia, its sports audio network is among the largest in the U.S., with products across broadcast, streaming, digital, podcast and experiential. The portfolio includes the iHeartSports Network, which provides customized local, regional and national sports content and updates across more than 490 stations; the Fox Sports Network, home to veteran hosts Dan Patrick and Colin Cowherd; and 78 dedicated sports radio stations.

Additionally, it features the iHeartPodcast Network, with more than 40 national and 100 local sports podcasts plus exclusive podcast agreements with the NFL and NBA.

In his new role, Martin will lead Sports radio operations and oversee recruiting for on-air talent, program directors and board operators for the iHeartMedia Markets Group and Premiere Networks. In addition, Martin will identify opportunities to expand iHeartMedia Sports partnerships – including leagues, teams, podcasting and broadcast. He will continue to oversee the programming, promotions, operations and sales for the Los Angeles Dodgers, Los Angeles Clippers, Los Angeles Kings, Los Angeles Chargers, UCLA and others.

Martin will also continue his operational, programming and sales responsibilities for KLAC, the AM sports station serving Southern California that competes against KSPN-AM 710, which Good Karma Brands is agreeing to purchase from The Walt Disney Company.

 “The iHeartMedia Sports Network would not be what it is today without Don’s years of experience and innovation,” said Kevin LeGrett, President of iHeartMedia Sports and iHeartMedia Los Angeles. “He is the perfect choice to lead our ever-expanding network, bringing us the most exciting new partnerships and team members.” 

Martin added, “In life, you are only as good as the family around you. I have had the privilege of working with three of the most incredible families in the business – from KOA in Denver to AM 570 and FOX Sports Radio in LA, and now the family just gets bigger! Thank you, Greg Ashlock, Kevin LeGrett, Julie Talbott, and Tom Poleman for your belief and trust in me. I am a blessed man!”

Before trekking up Interstate 5, straight in a line, Martin oversaw the 2013 merger of XTRA Sports (XETRA-AM 690 in San Diego and KXTA-AM 1150 in Los Angeles) and was responsible for moving XTRA Sports to KLAC. Martin has also served as Program Director of KOA-AM 850 in Denver.

RBR-TVBR

Improving Opportunities for Minority Broadcasters

Radio World
3 years 4 months ago
Jim Winston

Jim Winston is president and founder of the National Association of Black Owned Broadcasters.

He was interviewed by Victor Bruzos, a 2021 law fellow at the Multicultural Media, Telecom and Internet Council (MMTC). Answers were edited for clarity and brevity. MMTC commentaries appear regularly in Radio World, which welcomes other points of view on industry issues.

Victor Bruzos: NABOB has been around for more than 40 years, please tell us about the association’s history, work, and core principles.
James Winston: NABOB was founded in 1976 after a series of conversations at the National Association of Broadcasters convention. A young lady who worked for NAB at the time, Patty Grace Smith (she went on to have a very successful career at the Federal Communications Commission and at the Department of Transportation), spoke to several different Black broadcasters and they all described similar problems to her; however, most of them did not know each other, and they assumed that they were experiencing these problems all by themselves.

She introduced a few of them to each other and when they realized they were all having similar problems, particularly with advertisers not understanding African-American consumers, they created NABOB.

NABOB was formed with two goals: to increase the number of African-American–owned radio stations and to improve the business climate in which they operate by making advertisers and advertising agencies aware of the business value of advertising on their stations…

We still have a very small number of African-American owners … approximately 200 radio stations about 35 TV stations, which is still a considerably small part of the industry. …

Moreover, we advocate on behalf of our members within the advertising industry. … Many corporations now realize that, in spite of past efforts, there’s still a great lack of diversity, equity and inclusion in corporate America. And we have seen in recent months, several corporations specifically say they would like to do more business with Black-owned media companies. We are working with several companies to try to make that happen.

Bruzos: What is NABOB’s position on H.R. 4871, the Expanding Broadcast Opportunities Act of 2021, introduced in August by Rep. G.K. Butterfield (D–N.C.) and S.2456, the Broadcast VOICES Act, its Senate companion bill introduced by Sen. Gary Peters (D–Mich.). What kind of impact will it have for minorities and women wanting to gain entry into the media business?
Winston: The tax certificate program is a very interesting program. … NABOB was instrumental in getting that program adopted in 1978 as part of what the FCC called its minority ownership policy.

When the FCC had a conference in 1977 looking for suggestions about how to promote minority ownership, one of the things NABOB explained was that we weren’t getting phone calls telling us about stations that were available. Stations were mostly being sold through an “old boys” network that didn’t include NABOB members.

With the tax certificate program … if you sold a radio, television or (eventually) cable TV system to a company owned and controlled by minorities, you got a deferral of the capital gains tax. … Owners who never contacted NABOB members were now contacting them regularly saying, please buy my station.

In 1978 when the policy was adopted, African Americans owned 37 radio stations and one TV station, but by the time the policy was eliminated in 1995 there were 250 African-American–owned radio stations and 25 African-American–owned TV stations. That growth was primarily due to the tax certificate policy. Since the elimination of the policy in 1995 we have actually seen our numbers of radio stations and TV stations decrease.

NABOB has worked to get that policy reinstated for many years and we’re very hopeful the bill introduced by Congressman Butterfield and Senator Peters will get favorable consideration and bring that policy back. Additionally, the new policy is being proposed for small businesses, which include minorities and women-owned businesses, so we think it will have a broad impact in a number of areas and will significantly increase diversity within station ownership.

We still have some owners that took advantage of the program the first time around who would love to see it come back so they have a chance to use it again. The support is very high among our NABOB members for getting it reinstated.

Bruzos: Geo-targeting is another area of interest to minority broadcasters. If the FCC allows FM boosters to have separate programming and to engage in geo-targeting, what would be the impact on minority-owned stations?

Winston: The geo-targeting proposal is designed to enable radio stations to target smaller areas within their service area. For specialized programming, the geo-targeting program would stay the same, but an expanded program would allow for more local announcements. … So, for example, you could allow for different public service announcements, traffic announcements and, of course, commercials. …

For example, I might have a restaurant and my patrons come from an area that’s within a specific neighborhood and advertising to communities 10 to 20 miles away would not be cost effective for me; in that instance geo-targeting might be exactly what I need.

One other interesting thing I just learned about geo-targeting is that because it uses FM boosters, it can actually improve the service quality for FM boosters by directionalizing the signal. … I think that is a further reason for the FCC to grant the rule change.

Bruzos: What are your thoughts on the FCC incubator program?

Winston: NABOB has advocated for this program for a very long time, and I think it has the potential, if implemented properly, to be very positive for minority station owners and prospective owners.

The problem we had with the policies adopted by the FCC was the manner in which an incubating company could use the benefit could be contrary to the value of the incubated station. For example, a company could incubate a station in a very small market that had a number of stations and then use the waiver of multiple ownership rules the policy provides to gain a new station in a much larger market. That would not be in the public interest. It wouldn’t be a good thing for minorities, certainly, if someone were allowed to exceed the ownership limits in a market where they already had stations competing with a minority-owned station.

We could have a net decrease in minority ownership as a result of a badly used incubator program, so we’re hoping the FCC, as it the looks at its ownership rules in the current quadrennial review, will consider whether or not it should look to change the incubator program.

I think it has great potential, but our members would like to see it implemented in a in a more favorable manner.

Bruzos: During this ongoing pandemic, how have NABOB members been affected and what have they learned?

Winston: In the early days of the pandemic, our members were hit really hard because advertisers dwindled. If you shut down your business, you have no reason to advertise. We saw many of our stations lose advertising dollars in the 30 to 50 percent range over the first few months of the pandemic.

Fortunately, as people started getting back out into public and stores learned to adjust their sales so that people could pick up products on the curb or they added outside eating areas, the economy started slowly coming back and we were able to withstand the impact.

Fortunately, I’m not aware of any NABOB station that went out of business as a result of the pandemic, but they certainly had a very, very rough time and even now, of course, with the delta variant. We see that we’re not back 100 percent to where we want to be, but we’ve made a great deal of progress from where we were a year ago, and I know our stations will come back strong.

The post Improving Opportunities for Minority Broadcasters appeared first on Radio World.

Victor Bruzos

Life Is Good — As Long as You Have Internet

Radio World
3 years 4 months ago

The author is president/CEO of Bohn Broadcast Services and The MaxxKonnect Group. This commentary appeared in the free Radio World ebook “Mission-Critical: Maintaining Your Transmitter Site.”

Picture it: 1997.

Bill Clinton is president. Reed Hundt is FCC chairman.

Radio deregulation is now the norm — but so are tube transmitters, analog consoles and dialup-only remote controls.

It was a different world in so many ways.

In 2021 deregulation is still the norm, but solid-state transmitters have overtaken tubes by a large margin. Analog consoles are still in service, but AoIP has a huge stronghold in the modern broadcast plant. And remote controls now can call, text and email.

What’s the common denominator in all of those modern devices?

IP connectivity

We live in a world where the internet is connected to everything from your phone to your security systems and, in some cases, even your refrigerator.

The modern broadcast plant is no different. Today’s solid-state transmitters basically are giant computers with RF amplifiers attached to them. They’ll tell you exactly what the fault is and in some cases even order parts for themselves — as long as they have an internet connection.

Remote controls allow you to connect nearly infinite amounts of monitoring and controlling countless devices, plus they’ll show you everything visually on a neat little screen — as long as the internet is working.

POTS lines are nearly impossible to get in many locations now, but you want the remote to call you; what’s the solution? A reliable VoIP service is great — if you have internet.

Many broadcasters have embraced the connected site. Cameras, Burk ArcPlus remote controls, Nautel transmitters — you name it. But the key is reliable and redundant IP delivery. There are a plethora of ways to accomplish this.

This translator built is 100% IP connected, with Wheatnet as the primary delivery over UBNT, fiber as backup and MaxxKonnect for secondary backup and remote control.

The earliest P2P IP option specifically for broadcasters was duplexed ISM radios, offered by Moseley as LANLink nearly 20 years ago. This provided a 512 kbps data link from studio to transmitter site and offered Ethernet and RS-232 connectivity.

It was a revolutionary system and allowed, for the first time, networked devices to live at the transmitter site but be part of the studio LAN without adding costly telco circuits or expensive, dedicated, licensed standalone radios.

The IP delivery landscape was altered again with the proliferation of low-cost unlicensed 2.4 GHz and 5.8 GHz radios. These systems, with their significantly higher throughput, altered the way stations delivered content to their sites.

Traditional 950 MHz STL systems were backed up, and in some cases supplanted, by IP-only radios carrying codec audio, HD Radio data, RDS metadata and remote control information.

Now sites without some type of internet connectivity are in the minority.

IP radios have become, by far, the most common method of internet delivery to transmitter sites. Prioritized cellular, such as my company’s MaxxKonnect Wireless offering, is another great option to get connectivity into a site without major tower work, large upfront costs or long-term commitments.

A screen capture from a Wyze Cam Pan camera. Extremely helpful to diagnose things remotely.

If fiber is available at your site, take advantage of it! Costs on fiber internet are coming down significantly.

Satellite internet is an option as well. In the past, satellite has not always been the fastest or most reliable option. However, with the coming of SpaceX’s Starlink and other new low-earth orbit (LEO) technologies, satellite could rival wireline delivery in the not-too-distant future.

And so?

You may be asking yourself, “What does this have to do with site maintenance?”

Answer: Everything!

Having the ability to know what’s going on at your site, even when you can’t get there as often as you’d like, is key to keeping things running smoothly.

Example: Install an inexpensive web camera or cameras at your site. We typically install three: one looking at the room as a whole, one outside the door, and one aimed squarely at the front of the transmitter and/or equipment racks.

Dashboard for a Ubiquity AF60 IP radio.

This allows you to know who or what is lurking at your site, inside and out, plus it allows you to diagnose equipment faults or failures visually before rolling out.

Being able to see which fault indicator is lit on an older transmitter or hear the UPS beeping through the camera lets you plan for what tools and equipment to bring on your trip. This is a huge timesaver for an engineer. And less time spent on a problem means less money spent or lost — which is a win for management.

Another example is program delivery redundancy.

IP radio systems are awesome but they’re mounted on a tower and will, most likely, get popped by lightning at some point. Same goes for 950 MHz STLs.

A wireless internet option such as prioritized LTE provides an alternate program delivery path that is less prone to lightning strikes and power spikes. This backup program path can be the difference between minutes of off-air time or hours.

Climate control is another hot topic for internet connectivity. App-linked Wi-Fi thermostats are a great way to give you 24-hour remote control of the temperatures at your site. Set up your own lead/lag controller using the schedule functions, and adjust it from your phone at your house. Plus, you’ll know immediately through push notifications if the temperature exceeds the limits you set.

Other benefits include the ability to look up manuals and parts onsite rather than the 4-inch screen of your phone, and Wi-Fi calling capabilities. At many remote sites, Wi-Fi may be the only way to get a call through if cell service in the building is bad.

Our connected world is overtaking our broadcast facilities. There are more options than ever before to know what is going on at your site, without being there.

The post Life Is Good — As Long as You Have Internet appeared first on Radio World.

Josh Bohn

LG x iSpot Deal Bumps A TV Measurement Panel

Radio+Television Business Report
3 years 4 months ago

As of today, real-time cross-platform TV ad measurement company iSpot has a 54-month licensing deal in hand for all smart TV data from the advertising and data platform from LG Electronics.

The deal gives iSpot access to LG on-the-glass program and ad data from more than 20 million opted-in smart TVs from a broad range of TV makers in addition to LG.

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RBR-TVBR

Actions

FCC Media Bureau News Items
3 years 4 months ago
.

Notice of Apparent Liability for Forfeiture, Big Pine Paiute Tribe of the Owens Valley, Station KOGI-LP, Big Pine, California

FCC Media Bureau News Items
3 years 4 months ago
Issued a Notice of Apparent Liability for Forfeiture in the amount of $1,500 to Big Pine Paiute Tribe of the Owens Valley for failure to timely file a license renewal application for Station KOGI-LP, Big Pine, California

In the Matter of Online Political Files of Lazer Licenses, LLC, Licensee of Commercial Radio Station(s)

FCC Media Bureau News Items
3 years 4 months ago
Lazer Licenses, LLC enters into consent decree to resolve political file investigation

Applications

FCC Media Bureau News Items
3 years 4 months ago
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In the Matter of Online Political Files of Iliad Media Twin Falls, LLC, Licensee of Commercial Radio Station(s)

FCC Media Bureau News Items
3 years 4 months ago
Iliad Media Twin Falls, LLC enters into consent decree to resolve political file investigation

Pleadings

FCC Media Bureau News Items
3 years 4 months ago
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Broadcast Applications

FCC Media Bureau News Items
3 years 4 months ago
.

Broadcast Actions

FCC Media Bureau News Items
3 years 4 months ago
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More Downbeat Stock Activity For Beasley, Audacy

Radio+Television Business Report
3 years 4 months ago

One year ago, Beasley Media shares were priced at $1.45, and were on the rise from the depths of the COVID-19 pandemic-fueled lows seen across Wall Street.

For Audacy Inc., its stock was at $2.24, and also on the rise.

Today, the stock for each of these radio station owners who seek to describe themselves as audio media content and distribution companies has retreated to prices that aren’t much better than they were in mid-December 2020.

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Adam Jacobson

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