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KAISERSLAUTERN, GERMANY — Converter manufacturer Ferrofish has expanded its family of Pulse16 converters to include the new Pulse16 MX +24dBu and Pulse16 DX +24dBu.

These new Pulse16 AD/DA converters increase the maximum input and output level from +20dBu to +24dBu — an important upgrade for American broadcasters requiring proper headroom, while providing MADI and ADAT connectivity with the MX model and MADI, ADAT and Dante connectivity with the DX model.

Pulse16 MX +24dBu
In addition to increasing the maximum input and output levels from +20dBu to +24dBu — which complies with the American SMPTE guidelines calling for +24dBu levels for the analog portion to keep all analog and digital levels uniform — the new Pulse16 MX +24dBu model features seamless ADAT and MADI integration. As two of the most widely used digital interfaces available, this addition will allow broadcasters to transmit an audio signal over a simple optical MADI cable pair, making high-end multi-channel recording a non-issue. Fanless and compact, the Pulse16 MX takes up 1HU space in a rack, making for the ultimate choice when high-end conversion is needed.

Pulse16 DX +24dBu
Similar to the Pulse16 MX +24dBu, the DX model features increased input/output levels and MADI and ADAT connectivity but brings Dante connectivity into the mix — opening up a new dimension of flexibility. Fanless and compact, the 1HU device is the ultimate audio problem solver for broadcasters, wherever high-end, multi-format conversion is needed in the Dante network.

High-Performance Ready
The Pulse16 is a high-density converter providing 16 x 16 balanced analog TRS I/O and is relied on by some of the biggest names in recording. Thanks to its Cirrus Logic converter chips, the Pulse16 operates with an active digital jitter elimination, which compensates shifts or jitters in the audio signal and provides audio engineers with the highest-quality audio possible. The Pulse16 family now includes the Pulse16 DX, Pulse16 MX and the original Pulse16.

In addition to the new Pulse16 MX +24dBu and Pulse16 DX +24dBu models, Ferrofish also recently announced a new Pulse16 MX CV and Pulse16 DX CV, perfect for users working with modular synths using CV/Gate technology.

RBR+TVBR PRODUCTS AND SERVICES

Seeking a bi-directional encoder/decoder appliance for remote production (REMI) workflows?

Look no further than Montréal-based Matrox Video, which has brought to market its new Monarch EDGE S1.

“Featuring simultaneous encode/decode support, Monarch EDGE S1 allows broadcasters to deliver secure, high-quality, low-latency program feeds from the studio to multi-camera production crews, talent, and guests in any remote location,” the company says. “Monarch EDGE S1’s return feed functionality overcomes the two-way communication challenges in REMI and multi-site workflows by enabling smooth and natural interaction between remote and in-studio production personnel for broadcast-quality productions.”

Equipped with a 3G-SDI input and output, the EDGE S1 encode/decode appliance can encode a studio-produced program feed for transport over private or public internet connections to Monarch EDGE S1-equipped sites to decode and view the return feed.

Monarch EDGE S1 provides latencies as low as 100 ms. The appliance includes MPEG-2 TS, SRT, and RTSP streaming protocol support for secure transmission across various networks, along with tally and talkback channels to facilitate communication between camera operators and in-studio personnel.

Broadcasters deploying Monarch EDGE E4 quad-HD encoder and Monarch EDGE D4 quad-HD decoder appliances for multi-camera REMI workflows can integrate Monarch EDGE S1-based return feeds allowing camera operators and in-studio personnel to communicate accordingly during a live event and help deliver the best production possible.

Monarch EDGE S1 is also well-suited for single-and multi-site remote contribution workflows. Remote contributors located across various geographical regions can simultaneously send a high-quality camera feed while receiving a return feed.

“The broadcast industry has seen a rise in the adoption of remote production technologies for live sporting and entertainment events, as well as live broadcasts, news, and interviews,” said Daniel Maloney, technical marketing manager at Matrox Video. “Matrox Monarch EDGE S1 is designed to further enhance these multi-camera REMI and multi-site contribution workflows by bridging the communication gap between the in-the-field and in-studio personnel. This two-way video platform replicates in-person interactions with real-time communications. Broadcasters and live-event producers will appreciate Monarch EDGE S1’s production value that will allow for the delivery of more efficient, cost-effective, and engaging live productions.”

The Matrox Monarch EDGE S1 encoder/decoder appliance (part number: MDG2/ED10/I) is now available. For more information or to request a demo, contact Matrox.

Veritone has extended its agreement with the audio media content creation and distribution company formerly known as Entercom.

The continuation of the agreement arms Audacy’s 235+ stations nationwide with the ability “to seamlessly ingest, index, organize and analyze its media” through the use of Veritone Discovery, an AI-powered content search and analysis application.

Using Veritone Discovery, Audacy can provide in-depth visibility and analysis into content performance to deliver greater results to clients and partners, Veritone says.

“As Audacy continues into its next phase of growth as an organization, recent upgrades to Veritone Discovery will match Audacy’s momentum by providing Earned Media monitoring features, expanded audience data analytics and updated reporting customization features with AI engines that will continue to learn and scale,” Veritone adds.

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Charlyn Stanberry has been hired on to join the lobbying team at the National Association of Broadcasters.

She will be vice president of government relations and report to Shawn Donilon, executive vice president of government relations.

Stanberry is former chief of staff for Rep. Yvette Clarke, a Democratic congresswoman from New York, for whom she also worked as legislative director and counsel.

[Read: LeGeyt Is Experienced D.C. Lobbyist]

Past roles also include VP of external affairs for Net Communications; counsel for the Multicultural Media, Telecom and Internet Council; and professional staff member for the Congressional Black Caucus. She was a regional voter protection director in Florida for the Hillary Clinton campaign in 2016.

She also is an adjunct professor at the University of the District of Columbia where she teaches Foundation Civics and Ethics & Values.

In the announcement, NAB President/CEO Gordon Smith said Stanberry “has excelled on Capitol Hill, in the private sector and in the legal community, and commands expert knowledge of the legislative process.”

Last week, NAB announced that Smith plans to retire from the association at the end of this year, to be succeeded by Curtis LeGeyt, a veteran of that same lobbying department.

The post Stanberry Joins NAB Lobbying Team appeared first on Radio World.

KING FM has joined VuHaus Group.

The classical music station in Seattle “will curate a new local Seattle Classical page on the NPR Live Sessions website with their unique, local and engaging music video content,” VuHaus announced.

Nonprofit VuHaus Group is a network of public radio and TV stations and national radio shows that support emerging and local artists. The announcement was made by Chris Kirchner, COO of VuHaus Group, and Brenda Barnes, CEO of Classical KING FM.

[Read: Tiny Desk Series Works From “Home”]

VuHaus and its video platform “NPR Live Sessions” encourage music discovery through video, station collaborations and partnerships with NPR Music and other organizations. The network is supported by funding and grants from the Corporation for Public Broadcasting and is operated by Public Media Company.

VuHaus Group also includes WFUV in New York City; KCRW in Los Angeles; Vocalo Radio/Chicago Public Media in Chicago; KXT in Dallas/Ft. Worth; WXPN and WRTI in Philadelphia; GBH in Boston; Indie 102.3/Colorado Public Radio in Denver; Oregon Public Broadcasting in Portland, Ore.; KUTX in Austin; KTBG The Bridge in Kansas City; WUNC Music in Raleigh-Durham-Chapel Hill, N.C.; WMOT and WNXP in Nashville; 88Nine Radio Milwaukee/WYMS in Milwaukee; “Live From Cain’s” in Tulsa, Okla.; “Mountain Stage” in West Virginia; and “Colorado Sound” in Fort Collins, Colo.

 

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Can a non-sales person lead a sales team? Of course, says sales training expert Barrett Riddleberger. Many companies have leaders over sales teams that have never made a sales call in their life. In fact, many small business owners are the sales managers of their sales teams and have never been a sales rep, either.

In this column, Riddleberger shares three reasons why, in his view, experience matters.Please Login to view this premium content. (Not a member? Join Today!)

Media companies were largely on the decline in Monday’s trading, as Audacy was down 32 cents and Cumulus Media shed 30 cents.

For two of broadcast TV’s biggest players, Wall Street green was seen.

Sinclair Broadcast Group, which has a MOU with Bally’s Corp. for non-play by play content collaboration in place, saw its shares rise 12 cents to $29.96.

Meanwhile, Nexstar Media Group had another positive session on Wall Street. Its shares ended the day at $151.50.

 

LOS ANGELES — With Jeff Fife as its morning anchor and modern rock music across the rest of the daily schedule, a station once known as “Star 98.7” and for the presence of Ryan Seacrest as its afternoon co-host found new life as “ALT 98.7.”

Today, this incarnation of KYSR is Southern California’s leading Alternative station, winning a head-to-head battle with Audacy’s KROQ. Fife, known to listeners as “Woody,” is part of ALT’s winning recipe.

The executives at iHeartMedia are acknowledging this by keeping him under contract for six more years.

Fife and iHeart agreed to a long-term contract extension, one that keeps The Woody Show “solidly headquartered” at ALT 98.7 and in national syndication through iHeart-owned Premiere Networks until 2028.

As “Woody,” Fife and his wake-up troupe arrived at KYSR in April 2014.

Today, iHeart reports, it is ranked No. 1 among persons 18-49 and 25-54.

Before arriving in Los Angeles, The Woody Show could be heard at KPNT-FM in St. Louis, WKQX “Q101” in Chicago and KITS-FM “Live 105” in San Francisco. The program also has roots in Portland, Ore., where it today airs on an FM translator branded as “ALT 102.3.”

Even iHeartMedia Chairman/CEO acknowledges the strength that The Woody Show has brought to its Alternative station, and Premiere’s affiliates. “Woody is one-of-a-kind — and it shows in his ratings success, in L.A., across the country on the iHeartRadio digital service, locally in key markets and on our other iHeart platforms,” Pittman said. “His unique talent, combined with his unbelievable work ethic, are key to his success and we are delighted to continue this journey with him.”

Also commenting: former KROQ Music Director and current iHeartMedia VP of Rock and Alternative Lisa Worden, who serves as KYSR’s day-to-day Program Director.

“Woody is a true morning show savage,” Worden said.  “There is no one better to anchor mornings on our flagship ALT 98.7, and his commitment to excellence is bar none.”

Fife said he’s thrilled “to stay ‘work married’ to iHeartMedia. This has been, and will continue to be, one of my longest and healthiest relationships. I wouldn’t be able to do what I’ve done to this point without the incredible support of people like Bob Pittman, Kevin LeGrett, Tom Poleman, Greg Ashlock and Lisa Worden. There isn’t another company better positioned, with a clearer vision for the future than iHeartMedia, and I’m beyond grateful to be a part of that.”

— RBR+TVBR West Coast Bureau. Editing by Adam Jacobson, in Boca Raton, Fla.

The company formerly known as Entercom “is possibly approaching a major achievement in its business.”

That’s the positive declaration on Audacy from influential financial watchdog Simply Wall St., which put a spotlight on the podcast purveyor and linear and digital audio entity.

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In year’s past, April was the month where the media industry gathered in Las Vegas for the NAB Show. Due to the COVID-19 pandemic, that last happened in 2019.

While a NAB Show is planned for October 2021, a digitally delivered “NAB Show Premiere” kicked off Monday as a forum for innovation and discussion hub for radio and TV station owners in continuous transition as local digital nibbles away at ad dollars and localism’s balance with budget realities continues to create challenges for some broadcast companies.

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Spring is here, and with the housing market on fire in locales as diverse as Ulster County, N.Y. and Palm Beach County, Fla., the need for new furniture is growing.

One retailer is using spot television to court these potential customers.

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It boasts 6,000 watts of power, and provides “Today’s Best Music” to communities due west of Midland, Mich.

Now, it is trading hands, and Norm McKee and Michael Chires are the two individuals tied to the buyer.

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A Flexible PVC pipe union.

Bill Bowin, CSRE/CBNT, chief engineer at North American Broadcasting, writes that we’ve “beaten to death’” the topic of condensate drains over the last six months, but Bill has one more trick that he has used on rooftop units that he wanted to share.

Rooftop units may be located far from the roof drains and require a very long piece of PVC drain pipe.

Sometimes, installers don’t use glue so the PVC junctions can be disassembled and cleaned later. But Bill finds that this is not a good idea. Wind on the roof may move the long horizontal runs of PVC around, and, if the fittings are not glued, joints can pull apart.

An alternative to glue is to use pipe unions, so the drains can be taken apart, cleaned and reassembled. Bill provided a closeup of the junctions at one of his sites; note each section can be easily removed.

Fig. 1: PVC junctions make disassembly and cleaning much easier.

You’ll also find a number of online videos on this subject from manufacturers like Flexible PVC.

Nifty sensor

Consulting engineer and frequent Workbench contributor Frank Hertel of Newman-Kees RF Measurements & Engineering spotted this interesting device.

The SensiML is a sensor tile that can be affixed to a fan or motor. It’s a predictive maintenance device that gives a condition readout on a smartphone.

Watch a very interesting demo of it at https://youtu.be/qad5dFzqdI8.

The SensiML is a sensor tile that can be affixed to a fan or motor. It’s a predictive maintenance device that gives a condition readout on a smartphone.

Using the sensors in the battery-powered STMicro SensorTile, which is mounted atop the fan, SensiML shows how its AutoML software can produce autonomous predictive fault models. The device’s sensing algorithms can be built by developers with little to no data science expertise using the SensiML Analytics Toolkit.

Remember the failed blower fan on the BE transmitter that was causing overheating, discussed in the Feb. 17 issue? A sensor such as this, mounted on each fan, would alert the engineer of failure, loose mounting or blade obstruction.

Visit https://sensiml.com/products for more information. A headline on that page gives a sense of their purpose: “Transform your IoT device from merely connected to truly intelligent.”

Seeking slip-ups

Louis Judson was the first of many to respond to our question about a flaw in the Seekers’ Abbey Road video discussed in the Feb. 17 issue.

Louis, who works as an audio engineer for Intuitive Audio in the Bay Area, notes that the percussion is not in the room and apparently not on the multi-track either.

He also noted the interesting mic position on Judith Durham. “Assuming it is side address, why have the mic below her and pointing up? That would invite ‘plosives’ — better above the singer, pointing slightly down.”

But what was the “flaw” I referred to? Louis spotted it as well. Watch when the engineer starts the Ampex recorder. He presses what appears to be the “stop” pushbutton and doesn’t depress the “record” pushbutton.

Okay, picky-picky! Still a fun video to watch.

John Bisset has spent over 50 years in the broadcasting industry and is still learning. He handles western U.S. radio sales for the Telos Alliance, holds SBE CPBE certification is a past recipient of the SBE’s Educator of the Year Award. Workbench submissions are encouraged and qualify for SBE recertification. Email johnpbisset@gmail.com.

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PSAs and podcast promotion, along with iHeartRadio content plugs, permeate the latest Spot Ten Radio report from iHeart-owned Media Monitors.

What brands stick about in-between all of those efforts? Indeed, there’s a big return for the nation’s largest do-it-yourself home improvement chain.

That’s The Home Depot, which storms back into the Spot Ten this week thanks to nearly 41,000 spot plays, as detected by Media Monitors.

Otherwise, job search site Indeed is in power mode, with nearly 56,500 spot plays seen as the employment market is heating up, based on RBR+TVBR monitors.

Also of note: Progressive trumps GEICO in the auto insurance category once again.

 

Streaming service provider SurferNetwork has implemented RadioDNS to support radio stations that want to participate in hybrid radio.

“With so many features, such as ‘follow on’ that dynamically switches between broadcast and internet radio, and enhanced ‘now playing’ information, hybrid radio is the way of the future,” the New Jersey-based company stated in a press release.

[Read: Power Up Hybrid Radio With RadioDNS].

WEZF(FM) Star 92.9 in Colchester, Vt., owned by Vox AM/FM, is one of the first stations to get a DNS hookup through SurferNetwork. Jamie Dennis is chief engineer and director of IT for Vox AM/FM.

Nick Piggott, project director at RadioDNS, was quoted in the SurferNetwork announcement saying, “RadioDNS is looking forward to more stations across the U.S. adopting our standards in the future.”

Bill Grywalski is president and co-founder of SurferNetwork.

Send news for Who’s Buying What to radioworld@futurenet.com.

 

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