Aggregator

Voice of America has launched its first radio program in Rohingya, the language of more than 800,000 refugees who fled Myanmar and are living in camps across the border in Bangladesh.

Amanda Bennett

Many international organizations are working to provide the refugees with necessities such as food, clean water and shelter, but there is another critical need facing these refugees — the need for information. When I visited the largest camp in Cox’s Bazar, Bangladesh, last year, many who had just recently been driven from their homes, wanted to know what was going on back in Myanmar. They wanted to know what the international community was thinking about them, or if they had been forgotten.

The life for these and other refugees and displaced persons is extremely difficult. They are basically stateless, homeless, with little opportunity for education or jobs, and few hopes for the future. They are very isolated and want to know what, if anything, is being done to try to resolve their crises.

VOA’s new Rohingya program is called “Lifeline.” It airs for 30 minutes, five days a week, on shortwave and medium-wave frequencies. The program focuses on the lives and needs of the refugees, providing them with valuable information about the situation in the camps — security issues, food rations, education and health. In addition, a daily segment of the program offers the refugees the opportunity to share their stories and try to connect with relatives in other camps.

There is also a need to address rumors in the camps. Refugees are particularly vulnerable to human trafficking and recruitment by extremist groups. In Bangladesh, they also must deal with natural disasters such as flooding and landslides, especially during the rainy season.

We’ve already had feedback expressing great appreciation for programming in the Rohingya language, and for giving refugees a window to the outside world.

VOA Director Amanda Bennett with two Rohingya broadcasters Mohammed Hussain (on her left) and Sami Ahmed (on right), Bangla Language Service Chief Roquia Haider and the Bangla language service group.

Why did VOA choose to use SW and MW? While there is Internet access in the refugee camp, and limited power supply for televisions or computers, the camp-based refugees, however, share a practice that has been common throughout VOA’s history: They gather around shared radios and listen as a group, much as SW listeners did in years past.

Rohingya is now one of 22 VOA language services that still broadcast radio programming via SW and MW frequencies. Most of these are targeting audiences in Africa and South or East Asia.

VOA’s distribution strategy has evolved over the years to meet changes on the ground in its markets. Where we can get placement on local television, radio, or online affiliates, we do. Where we can build our own FM towers, we do. And in areas where VOA content is aggressively blocked, such as China and Iran, we employ circumvention technology.

A growing proportion of VOA’s audience is now accessing content via mobile devices and social media platforms. In fact, while still the smallest share overall, the digital audience is the fastest growing segment of VOA’s audience over the past five years.

The weekly radio audience has also grown during that time frame, increasing 23 million to a total of 107.9 million. During that same period, VOA’s television audience doubled to more than 174 million, accounting for the largest share of audience.

VOA will continue to adapt to changing market environments in an effort to provide truthful, fact-based news and information to those needing it most: those with little or no access to a free press and those who are inundated with misinformation and disinformation from state-run media or extremist groups.

The growing number of refugees and displaced persons are among those with the greatest need. With numbers now totaling a combined 70 million globally — more than the population of France — and with many children knowing no other life than that in a refugee camp, their needs will continue to grow.

One other way VOA is helping refugees is through its popular Learning English program — another one of our historic practices. Prior to launching the Rohingya language broadcasts, a VOA Learning English team traveled to the Rohingya refugee camps at the invitation of the United Nations High Commissioner for Refugees. The VOA instructors offered six days of intensive training on teaching techniques and methods for 100 selected English teachers. The teachers, in turn, will use the acquired knowledge and the VOA curriculum to train another 5,000 of their colleagues in the camps.

Amanda Bennett is director of Voice of America.

The post Voice of America Begins Rohingya Language Programing appeared first on Radio World.

.

.

.

.

.

.

The Corporation for Public Broadcasting is looking to promote community engagement in the 2020 elections.

CPB, the independent authority that distributes government funding for noncommercial media, will announce at its Pubic Radio Programmers Department Conference in Minneapolis Wednesday evening that it is giving $1.9 million to noncommercial KCUR(FM) Kansas City to head up “Election 2020: Listening to America.”

Election 2020 is a national listener engagement effort in which noncommercial stations will collaborate to gather data and sponsor “listening events,” public forums and outreach, including via social media.

One goal is to provide election reporting that highlights different community perspectives on specific issues via interactive maps, graphs and other visual representations that work across multiple sites and stations.

NPR and PBS will also be able to tap into those perspectives for their national reporting.

KCUR will create a team to coordinate the Election 2020 efforts.

“As a public radio station in the geographic center of the country and a leader and member of several highly successful public media journalism collaborations, KCUR is well-positioned to lead this effort,” said KCUR GM Nico Leone of the grant.

[Subscribe to our newsletter and get it delivered right to your inbox.]

The post CPB Funds Noncom Election Reporting/Engagement Effort appeared first on Radio World.

MIDDELKERKE, Belgium — For the 6th edition of the “Nostalgie Beach Festival,” commercial radio station Nostalgie Vlaanderen installed an on-air studio next to the festival stage, boosting its visibility and guaranteeing proximity to the audience.

The Nostalgie Beach studio used a connection between the Lawo Ruby consoles in Middelkerke and Antwerp. All photos. MMPress

Over 15,000 people attended the annual event that took place on August 10. With bands like Wet, Wet Wet, Fischer Z , Flemish top band Clouseau and Status Quo performing, the festival’s line-up perfectly matched Nostalgie’s on-air format.

For the station’s live broadcasts, between 10:00 a.m. and midnight, Nostalgie made use of a split Lawo Ruby AoIP mixing console for the first time. The system mixed the microphone and live sources, providing full remote control of the broadcaster’s Lawo Ruby located in its main on-air studio in Antwerp.

Luk de Groote (L) and Tom Callebaut (R) teamed up for the beachside on-air set-up.

TECHNICAL CONFIGURATION

“The twin Lawo Ruby set-up allowed us to define remotely controllable channels,” said Tom Callebaut of Radiostudio.be , who provided the technical set-up in Middelkerke. “We established a secure VPN tunnel from the beach to our main studio to ensure a glitch-free and secure connection between both Lawo Ruby consoles. The remote control ran on the EmBER+ protocol allowing us fader-start and level-control of the Zenon-playout solution in Antwerp. We established the screens and human interaction on the playout system by using the Teamviewer software.”

“The visibility of the on-air studio was essential,” said Tom Klerkx, managing director of Nostalgie Vlaanderen.

Luk De Groote, technical manager for Nostalgie Vlaanderen said they developed the set-up in close collaboration with Radiostudio.be. “The system was first used and tested during NRJ België’s morning broadcast when we aired from a yacht in the Antwerp port,” De Groote explained. “We further elaborated the configuration in view of the live broadcast at the Beach Festival.”

Callebaut added that the festival’s technical layout was nearly identical to that of the main studio. “We used two Telos AoIP Zip One codecs to link the audio from both studios. One channeled the audio from the presenter, audience and artists’ interviews from the remote studio. The second one returned the audio signal that was played out in Antwerp. This offered the hosts a “normal studio experience” one they are used to,” he said.

[Read: Belgium’s Wallonia-Brussels Federation Redefines Radio Landscape] 

“Thanks to the EmBER+ link, our engineer Jan Hodister in Antwerp was able to see all the fader movements, made on the beachside on-air console. When and if necessary, he could adjust the faders as well, immediately visible on the board in Middelkerke, as the link was in full duplex,” he said. STATION VISIBILITY

DJ Marcia presented the station’s afternoon program live from Nostalgie Beach.

Zenon’s files were played from the main studio in Antwerp. “The big advantage of this remote-approach is that the played audio is not coming from the remote studio – without any audible effect on the broadcast. In case of an interference, the engineer in Antwerp takes over. With the audio already coming from the Antwerp studio, the listeners won’t notice any problem on the air. We’ve anticipated this in case of a connection drop,” explained Callebaut. “While the connection is being re-established, the radio show continues from our Antwerp studio so the engineers can investigate and work on the problem.”

In addition to the station’s musical program and interviews, Nostalgie Vlaanderen also broadcast live snippets from the festival’s stage. “We get a live mix from the FOH console — every recording is checked by the artists’ managements for clearance. The authorized .WAV files are then used during the live broadcast, offering live footage from most bands that played on the festival,” added De Groote.

For Tom Klerkx, managing director of Nostalgie Vlaanderen, the station’s visibility was a crucial element throughout the one-day festival.

“At most other festivals, participating radio stations are not very visible. This year, we were close to the stage and the audience was able to see the presenters and the radio studio. We invited listeners to the panoramic studio as well,” he added.

The post Nostalgie Vlaanderen Goes to the Beach appeared first on Radio World.

AoIP has touched thousands of radio and audio facilities to date, but the audio over IP landscape continues to evolve and grow. Radio World’s new ebook “AoIP for 2020” — our biggest ebook ever — asked manufacturers and industry experts about trends and best practices.

Aaron Farnham

Aaron Farnham is the chief engineer for Bonneville Salt Lake City and former chief for Bonneville Phoenix; he has been in radio engineering since he was 16.

Radio World: What is your company’s philosophy in 2019 about audio over IP? What equipment are you using?
Aaron Farnham: AoIP is the next evolution in audio and the death of analog audio, with a few exceptions, i.e. microphones, speakers and headphones. The capability to pass hundreds of audio channels, status and GPIO down one Cat-6 cable drastically reduces the amount of cable needed to operate a facility.

Being able to take one feed from your console and take it all the way into the transmitter without ever leaving the AoIP world means no conversions take place. There are no chances for sample rate issues. For every box you had to go through in the past, you added delay because every box needs to re-clock the signal.

We use Wheatstone LXE for our consoles, Telos VX for phones and we are working with Comrex on the Access multirack.

RW: What features do you want to see or anticipate from manufacturers?
Farnham: AoIP needs to be more plug-and-play. AES67 allows the devices to talk to each other but you need to know the multicast address for everything. This leaves the potential for collisions since no two systems talk directly to each other.

I would love to see integration with video, as more stations do live video; it would get rid of the need for so many converter boxes.

Read the free ebook “AoIP for 2020” under the Resource Center tab at radioworld.com.

RW: How have AoIP trends affected design of technical centers, rack rooms and control rooms?
Farnham: Because of AoIP you need far less space in your rack rooms and control rooms. In the control room you are able to use one rack because equipment can live in the rack room without large amounts of wiring. AoIP allows many channels of audio and logic over one Ethernet cable. In the rack room, redundant power and network are a great idea. Systems are getting smaller. In technical centers you can have all audio come through your center, leaving the ability to monitor all streams at once with visual and audible alerts.

RW: What should someone new to AoIP need to know?
Farnham: Don’t be afraid. A well-laid-out plan will have you running AoIP fast. Manufacturers are happy to help you lay out your system. Think about your sources, lay out your air chain and write it down. Network switches are key to your AoIP system; quality switches will make your life better and help with troubleshooting later on.

Comment on this or any story. Email radioworld@futurenet.com with “Letter to the Editor” in the subject field.

The post “Don’t Be Afraid of AoIP” appeared first on Radio World.

IBC2019 is almost here. Between now and then Radio World will conduct several short Q&As with manufacturers about their plans and offerings, to help you get the most out of the big annual trade show. Rich Redmond is president and managing director, International, GatesAir, and Carlo Bombelli is executive technologist, GatesAir Srl.

Rich Redmond

Radio World: How has business been for the company since last year’s IBC Show?

Rich Redmond: The global business for GatesAir remains strong. We had exceptionally strong performance in the United States with the spectrum repack, where we captured the lion’s share of that business. We have also experienced tremendous international growth, which was driven by a renewed strategic focus worldwide. We made investments in people and infrastructure in every region around the globe. The acquisition of ONEtastic establishes our European headquarters with sales, service, manufacturing and development. All of this highlights the commitment we’ve made to the global transmission market.

Radio World: What are you hearing from your customers about their business outlook this year? In what areas should we expect growth or the most interesting projects?

Carlo Bombelli: When you talk to customers around the world, the implementation of new technology varies broadcaster by broadcaster, country by country. The reallocation of UHF spectrum, and 5G implementation from global carriers, are two interesting examples. Meanwhile, some countries are working on their first transition from analog to digital, while others are moving to advanced standards like DVB-T2 and ATSC 3.0. In radio, we continue to see new FM licensing in different countries, the migration to DAB for digital radio, and a stronger embrace of the IT infrastructure to support audio contribution and distribution.

We are seeing significant adoption of new technology that enables lower total cost of ownership in all of these examples. We’re helping our customer realize those savings as they transition to new systems, as broadcast transmitters are substantially more efficient today than 10–15 years ago. Broadcasters and network operators are also using these technological advances to streamline their own operations.

Radio World: Within the last year or so the two large station ownership groups have emerged from bankruptcy. Are you seeing any increase in equipment sales or interest? What is your feeling for the overall health of the radio industry?

Redmond: The market dynamics between the TV and radio businesses are generally different. Spectrum policy dictates much of what happens in television, from spectrum repack initiatives to mobile data services. These dynamics don’t really affect the radio business, and we see healthy global opportunity for radio. India continues to rollout new commercial FM licenses, we see expansion of digital radio in Europe and Australia, and general advancements of radio networks in Africa, the Middle East and Latin America.

Carlo Bombelli

Worldwide, we are also seeing broadcasters update their existing infrastructure with higher efficiency technologies. This was the case with one of our most recent project wins, Nova Entertainment in Australia, which cited operational efficiency improvements as a major drive in their purchase requirements. At minimum, investments such as these will keep the radio market steady, while accelerated adoption of DAB and HD Radio will keep the market moving forward.

Radio World: You’ve been active in the equipment manufacturing market for years. What’s the biggest problem or challenge facing manufacturers right now? Does the trade row between the United States and China greatly affect you? 

Redmond: I think many of the same challenges that our customers face certainly impact broadcasting manufacturers. We see fewer and fewer young people entering the RF broadcasting field, and those that do are being spread wider and further. Customers are increasingly looking to their suppliers as engineering resources as a result. We are addressing these dynamics through stronger training and education initiatives. We have developed some online training classes that specifically teach RF skills to young engineers that possess IT backgrounds.

There is no question that the recent round of tariffs in China affect the global electronics market. I wouldn’t say that GatesAir has been heavily impacted, but the tariffs ultimately ripple through just about everything that’s being made in electronics, including broadcast equipment.

RW: What new goodies will your company be showing? Why should attendees visit your stand?

Bombelli: We’re excited to be bringing our high-efficiency, software-defined TV and DAB radio transmitters for global broadcast standards to the GatesAir stand, 8.D60. We have some unique solutions for DAB, including a new high-efficiency liquid-cooled VHF solution, and a multicarrier transmitter that will broadcast up to three signals in a single transmitter, greatly simplifying multinetwork deployment.

We also have a very innovative pole-mounted transmitter that is ideal for areas that lack a transmitter shelter. The system mounts outdoors on the leg of a tower or a mast. It’s a high-efficiency, weatherproof system that revolutionizes the cost of deploying gap fillers and transposers, for example.

Redmond: On the Intraplex side, we have added video over IP transport to our Intraplex Ascent platform that was introduced at the NAB Show. The Ascent SRT Gateway is new for IBC and is ideal for broadcasters to securely transport high-bandwidth video from a centralized IT infrastructure to multiple transmission sites. All of these systems will be shown at Stand 8.D60.

Radio World: Going by the interest on our website, AoIP technology is on the top of the list for product acquisition and upgrades. Is that something you are seeing and if so, how are you addressing that? 

Redmond: Audio over IP has been a big part of our portfolio for many years. Our Intraplex networking business began innovating for this space more than a decade ago with NetXpress, and our next-generation IP Link codecs have evolved to support virtually any audio contribution and distribution need. This includes innovations for AES67, MPX FM composition and digital AES192 transport, and now with Ascent we can manage audio over IP transport from standard computing platforms in the broadcasters’ IT infrastructure.

We are helping our customers manage DAB networking through dual EDI inputs, which take the IP transport stream for digital radio and put it directly into the exciter, lowering the broadcaster’s cost of deployment. And when sending these streams over highly complex networks, our Intraplex Dynamic Stream Splicing application adds another layer of transport reliability by duplicating streams over common or disparate network paths.

Radio World: What do you anticipate will be the most significant technology trend at the 2019 IBC Show? 

Bombelli: Continuous improvements in operational efficiency. That includes energy efficiency in transmitters, but it all comes down to total cost of ownership. This is why we hear from so many customers that are interested in our outdoor pole-mounted transmitters, because these can really transform how TV and DAB radio services are deployed. And in general, they want modular, lightweight and resilient solutions that consume less space and energy.

Redmond: Using IP for content delivery, as well as remote control and monitoring, remains a significant focus at IBC. We continue to hear from more broadcasters that want the flexibility to control transmitters and manage data over the IP network. Our Intraplex IPConnect solution offers some interesting applications in that regard.

Radio World: Will you be attending any sessions or looking forward to any events?

Redmond: We do our best to participate in every facet of the show, but first and foremost IBC is a venue for us to meet with customers from around the world and help to solve their problems. We try to be very customer-focused, but we certainly try to take advantage of opportunities on the cutting-edge. IBC is second to none when it comes to offering new and innovative topics presented by some of the world’s market-leading technologists.

Radio World: You’re a show veteran, how has the show changed since your first visit?

Bombelli: The types of visitors have changed over time. We don’t see as many big groups from the same companies as we used to, and certainly consolidation in the market has contributed to that change. But we do see a nice mix of commercial and government public service broadcasters, as well as network operators. IBC remains the best place to meet our customers.

Redmond: This is also an excellent opportunity to meet with our channel partners who travel from many countries to attend IBC. I would add that the way technology has changed has also contributed to fewer visitors by the year. It’s undeniable that the last five years have seen a merging of standard computing and IT platforms with broadcast-specific applications. The days of broadcast products being relatively unique and hardware-based have transitioned to more software-based solutions.

Radio World: Finally, how has the ONEtastic post-acquisition process been going?

Redmond: It’s been going very well from the integration perspective. We just had our global sales team at the GatesAir Srl facility in Italy for training. We have been hiring new staff for that facility so that we have more resources on the ground in Europe. Our pipeline of opportunities has grown significantly. It’s a very exciting time.

Bombelli: We couldn’t be more excited and energized to become part of the GatesAir family, and our presence will certainly be felt on the IBC stand.

[Subscribe to our newsletter and get it delivered right to your inbox.]

The post IBC Exhibitor Viewpoint: Rich Redmond, GatesAir and Carlo Bombelli, GatesAir Srl appeared first on Radio World.

MB requires licensee to pay delinquent regulatory fees or show cause why payment should be waived or deferred

.

.

Media Bureau announces that the rules adopted in the Section 621 Third Report and Order will become effective on September 26, 2019

MB requires licensee to pay delinquent regulatory fees or show cause why payment should be waived or deferred

.

MB requires licensee to pay delinquent regulatory fees or show cause why payment should be waived or deferred

.

.