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Radio World

Tyler on AoIP for Everyone

Radio World
3 years 10 months ago

This is one in a series of articles from the ebook “The Real World of AoIP.”

Radio World recently asked several manufacturers to identify the most important technical development or trend in the use of AoIP.

At Wheatstone, Jay Tyler, director of sales, said AoIP today is all about access — access from home, access through the cloud, and especially about access for everyone.

“Our customer base has traditionally been the iHearts and Townsquares of the industry, but more recently, we’ve been getting calls from GMs of family-owned stations or of smaller regional station groups who find that they can’t maneuver in these times without AoIP,” he said.

“Events [of the pandemic] just pushed their plans for AoIP further up on the calendar.”

At the same time, he said, AoIP is following the same trajectory as IP in general and has become a lot more scalable.

“We can now scale the systems used by the iHearts and the Townsquares for those smaller operations and smaller budgets, and we can scale a lot about what makes AoIP useful by adding more and more functions to it. We started out replacing soundcards with AoIP drivers, and now we’re adding appliances, virtual mixers and UIs, software apps, and even, in the case of our Blade-4, codecs.”

Tyler said Wheatstone sees the cloud as the next trend in AoIP, and an important one for regional broadcasters or anyone who wants to join operations and get some of those cost savings.

“Wheatstone has been doing a lot with container platforms like Docker for some time, and this is a great option for running many different applications on a single machine or cloud instance.

“We’re talking about a very lightweight, resource-efficient VM, where one container could host WheatNet-IP audio processing and another could host the station automation. Each is totally isolated yet both run off the same OS kernel. One container communicates with the other through APIs and because each container operates independently of the other, you avoid unintended interactions between software components and eliminate a single point of failure,” Tyler said.

“The container virtualization layer is extremely flexible and can scale up as we need.”

The post Tyler on AoIP for Everyone appeared first on Radio World.

Paul McLane

NABLF Awards Air to on 500+ Local Stations Nationwide

Radio World
3 years 10 months ago

The National Association of Broadcasters Leadership Foundation’s Celebration of Service to America Awards, scheduled for July 10, will be shown on over 500 TV stations according to a release. Over 200 stations will air the program immediately with others airing it through Aug. 14.

The awards honor local radio and television stations from across the country for local community public service.

[Read: NAB Foundation Will Honor Lin-Manuel Miranda]

This is a list of finalist radio and TV stations. Tamron Hall will host the ceremonies.

In addition to the public service awards there will also be the first John D. Dingell, Jr. Award for Excellence, for a Congressmen.

Broadway writer/actor Lin-Manuel Miranda will receive the 2021 Service to Leadership Award, the NAB Leadership Foundation’s highest individual honor. And Procter & Gamble will receive the 2021 Corporate Leadership Award.

 

The post NABLF Awards Air to on 500+ Local Stations Nationwide appeared first on Radio World.

RW Staff

Uncovering What Makes an Effective Sonic Brand

Radio World
3 years 10 months ago

We all know that there’s power in a melody. But how closely do listeners actually associate a melody with a brand?

A recent study conducted by one audio company set to find out. The 2021 Audio Logo Index survey gathered responses of 3,700 consumers in the U.S. and U.K. to evaluate more than 100 consumer brands’ audio logos. The survey found that consumers were more consistently able to identify a brand when the name of that brand was tied to an audio melody.

According to the audio intelligence company Veritonic, which conducted the survey, two strong features work best to define a strong sonic brand: one, the audio logo has to say the name of the brand and two, the logo must have a melody to it.

[Read: Survey Says U.S. Radio Listeners Engaged and Receptive to Ads]

The study specifically analyzed how memorable an audio logo was and what emotional resonance it held for a listener. The survey measured and scored all types of audio content including voices, music, ads and audio logos.

For example, the survey found that those with a combined audio feature that mentions the brand name and have a melody led to higher scores. Those with both a melody and a brand name mention scored an average 78 Veritonic Audio Score. Those without scored a 54 average.

The survey also asked respondents to name the company that came to mind when they heard an audio logo. Topping the list of brands that have the strongest degree of association: State Farm, followed by Arby’s, Ace Hardware and AutoZone. Insurance firms in particular seem to understand the power of putting a brand name into the sonic brand: three of the top 10 strongest audio logos with brand association are State Farm, Farmers and Liberty Mutual.

The study also found a weak brand association for those audio logos that do not say the brand name or have a melody. Less than 2% of respondents were able to correctly associate the audio logo belonging to mainstream brands like Southwest, T-Mobile or Amazon.

Another weak brand association: those audio logos that have a melody but don’t mention the name itself. Despite investment in its long-standing sonic brand, only 13% of respondents could correctly associate the specific audio “ding” belonging to the technology company Intel. The same issues arose with the audio logo for Mastercard; upon hearing the Mastercard logo, none of the respondents could associate it with the brand.

Mastercard isn’t the only major company with a sonic brand no one can associate with the company. Honda, Audi, Nissan and Sprint share that same fate, the survey found.

So how can companies grow association of their audio logo with their brands? In a blog post, Pierre Bouvard, chief Insights Officer at Cumulus Media/Westwood One, “they should take a page from State Farm’s resurgence of brand association and introduce the brand name into the audio logo.”

Other findings revealed by the study found that:

  • Audio logos that mention the brand scored a Veritonic Audio Score of 69 on average. Audio logos that did not mention the brand scored significantly lower with an average 55 Veritonic Audio Score.
  • Audio logos that included a melody saw a 77 average Veritonic Audio Score compared to those without a melody at an average of 60.

More information is available at the 2021 Audio Logo Index.

 

The post Uncovering What Makes an Effective Sonic Brand appeared first on Radio World.

Susan Ashworth

WorldCast Systems Releases Codec Updates

Radio World
3 years 10 months ago

It must be the season for codec updates.

WorldCast Systems has announced an update for its APT badge line of codecs.

System Release 4.0 is for the APT IP, AoIP Multichannel and MPX Multichannel codecs.

[Check Out More Products at Radio World’s Products Section]

According to a release, SR 4.0 adds APTmpX, a nondestructive MPX/composite signal compression algorithm which should save network bandwidth without compromising signal quality, according to the company. SynchroStream, according to WorldCast, synchronizes multiple transmitters used in a single-frequency network with use of an external 10 MHz clock.

Other additions include NAT transversal connection mode for assuring codec connections; and NTP content-alignment for coordinating programming across a multi-frequency network by using IP packet time stamps.

Send your new equipment news to radioworld@futurenet.com.

Info: www.worldcastsystems.com

The post WorldCast Systems Releases Codec Updates appeared first on Radio World.

RW Staff

LPFM Facing $3,500 Forfeiture

Radio World
3 years 10 months ago

An LPFM is facing a $3,500 potential liability for two alleged infractions: failing to file its license renewal application on time and operating a station without authority.

Rules set by the Federal Communications Commission require that license renewal applications must be filed no later than the first day of the fourth month prior to the expiration. In the case of Minority Educational Broadcasting Association, operator of low-power FM station WPJM in Palatka, Fla., a renewal application should have been filed by Oct. 1, 2019. That’s four months prior to the license expiration date of Feb. 1, 2020. But no such application was filed.

[Read: FCC Admonishes Licensees for Missed Deadlines — but Agrees to Cancel Forfeitures]

The Media Bureau sent a letter to the licensee to warn them that if no renewal application was filed by Feb. 1, the license for WPJM would expire. On Feb. 3, the bureau received a renewal application but did not provide any explanation for the late filing.

Also of note, the Media Bureau said: the licensee did not request a special temporary authority for the right to legally operate the station after the license expired.

The commission’s forfeiture rules establish a base forfeiture of $3,000 for failure to file a required form. It also sets a base forfeiture of $10,000 for operating without authority, although the commission has the right to adjust that amount up or down depending on the gravity of the violation and history of prior offenses, among other matters.

Based on the review of the facts and circumstances, the Media Bureau found that a $7,000 forfeiture was appropriate, including the $3,000 for failing to file a required form and $4,000 for operating without a license. But the bureau, after considering the record as a whole, decided to reduce the forfeiture further by setting a forfeiture of $1,500 for failing to file a timely application and $2,000 for unauthorized operations — for a total of $3,500 — because as an LPFM, the station is providing a secondary service.

As part of the license renewal process, the bureau also considers whether the station has properly served the public interest, if there have been no serious violations of the Communications Act and FCC rules and if there have been no other violations that constitute a pattern of abuse.

In this case, the bureau did not find any serious violations that, when considered together, show a pattern of abuse. As a result, the Media Bureau granted the renewal application to the LPFM.

But for that to happen, Minority Educational Broadcasting Association must submit $3,500 within 30 days for its violation of FCC rules and the Communications Act or submit a written statement seeking reduction of cancellation of the proposed forfeiture.

 

The post LPFM Facing $3,500 Forfeiture appeared first on Radio World.

Susan Ashworth

NAB Renews Objections to LP-250

Radio World
3 years 10 months ago

The National Association of Broadcasters remains steadfast in its opposition to an increase in power for the LPFM service in the United States despite a new plan by one low-power advocate to simplify the process to boost the maximum power level for many stations from 100 to 250 watts.

REC Networks’ “Simple 250” LPFM proposal is being considered by the FCC and would amend Parts 73 and 74 of the rules to create an LP-250 class of service with an effective service contour of about 4.5 miles in addition to the current LP100 service.

However, NAB continues to argue the petition does not justify such a dramatic change to LPFM service. In reply comments filed this week the group reiterates worries over possible interference to FM translators and how a power increase would contradict the FCC’s aim to preserve the “simple nature” of LPFM.

[Read: LP-250 FM Petition Draws Lots of Interest]

NAB told the FCC granting a maximum power level of 250 watts would put LPFM stations on equal footing with 250 watt Class A stations.

“Granting REC’s request would effectively provide LPFM stations the same coverage as full-service Part 73 FM stations, but with a fraction of the obligations. Given that any LPFM entity is always free to apply for a Class A FM station, which would operate with the same radiated power as REC’s request, NAB respectfully asks the FCC to prohibit such a sidestep of its rules and dismiss the petition,” NAB commented to the FCC.

The NAB has been joined by Educational Media Foundation (EMF), the largest owner of noncommercial religious stations in the United States, arguing against adoption of the Simple LPFM plan. EMF, which also deploys a large FM translator network, has said in comments the plan under consideration would dangerously allow LPFMs to increase their power without any examination of whether it would cause actual interference with other stations.

“NAB echoes EMF’s concerns that the petition effectively ignores the potentially harmful interference that allowing LPFM power increases will cause to existing radio services,” NAB commented. And while REC asserts that its proposal will cause “only de minimis disruption” to FM radio service, NAB said it believes that characterization is unrealistic.

In particular, NAB points to concern over potential interference to FM translators. “FM translators provide vital radio service to millions of listeners in areas where direct reception of radio broadcast signals is inadequate due to distance or terrain barriers. Translators are also a lifeline for many AM broadcasters, helping them to improve fill-in service or launch first-time nighttime service,” NAB said. “Given these concerns, it is perplexing that the petition fails to even acknowledge the impact of LP-250 service on translator service.”

NAB in its most recent comments also expresses a lack of trust in how LPFM broadcasters would handle interference complaints if necessary. “A cursory glance at the FCC’s website reveals numerous instances of LPFM stations broadcasting at much higher power levels than authorized, including one station that operated at 23 times its authorized power and another that was recently issued a Notice of Violation for spurious out-of-band emissions affect air safety near the Orlando International Airport.”

The broadcast industry group also contends LPFM volunteers are often unqualified to handle technical obligations required by the FCC.

In conclusion, NAB says the Simple LPFM petition contradicts the intent of low-power FM service when it was created. “Granting REC’s proposal would also undermine the intended localized nature of LPFM service envisioned by the FCC and Congress by allowing some LPFM stations to expand their coverage area by a 100% or more and reach hundreds of thousands of additional listeners, including in some of the largest markets nationwide,” NAB commented.

Common Frequency and other LPFM advocates have subsequently filed comments asserting that some of NAB’s arguments are “not substantiated and incorrect.” Here are the FCC filings regarding the Simple LPFM proposal.

 

The post NAB Renews Objections to LP-250 appeared first on Radio World.

Randy J. Stine

TSG Moves Into Larger Facility

Radio World
3 years 10 months ago

Technical Services Group, a Baton Rouge, La.-based broadcast engineering and commercial AV consultancy, designer and integrator, moved into new, much larger facilities to accommodate growth in business. At 36,000 square feet, the new digs are said to be six times larger than their previous home.

A fabrication workshop at the new Technical Services Group facility in Baton Rouge, La.

TSG CEO Bo Hoover said, “Both our commercial AV and broadcast integration, RF, and field services teams are busier than ever. The transmission business continues to grow, too, even as we draw closer to the end of the FCC Repack.”

The new site includes a 25,000-square-foot warehouse; climate-controlled sections for fabrication, integration and training; staging areas for projects; and a loading dock.

Hoover added, “This new facility is an important move forward for TSG and our clients. Now, we have more space to stage, store, and prepare equipment in order to respond faster to what our clients demand. We’ve also incorporated advanced technologies to manage inventories and provide better facility-wide communications.”

The post TSG Moves Into Larger Facility appeared first on Radio World.

RW Staff

Inside the July 7, 2021 Issue of Radio World

Radio World
3 years 10 months ago

Meet Curtis LeGeyt, the next president/CEO of the National Association of Broadcasters, in our special expanded newsmaker interview.

Also, Buyer’s Guide looks at consoles, mixers and routers, featuring products from Arrakis, Broadcast Tools, Calrec, Henry Engineering, Lawo, Logitek, Telos Alliance and Wheatstone.

And read about market research from the European Broadcasting Union that finds that nearly 90% of radio consumption is to linear stations transmitted via broadcast networks.

Read the issue.

 

The post Inside the July 7, 2021 Issue of Radio World appeared first on Radio World.

RW Staff

Tieline Releases Firmware Update for Codecs

Radio World
3 years 10 months ago

Codec maker Tieline has announced a firmware update for its Gateway and Gateway 4 codecs which the company describes as “significant.”

The short description of v3.02.06 is: support for NMOS IS-04 and IS-05 audio channel mapping features in the ST 2110 specification; phase-locking for multichannel event production; dynamic range and EQ on all inputs; SmartStream Plus redundant streaming support for multi-unicast streams; and support for Euro ISDN connection.

[Check Out More Products at Radio World’s Products Section]

Tieline VP Sales APAC/EMEA Charlie Gawley said, “This is a significant release which supports features like NMOS, and up to eight channels of phase-locked multichannel IP audio, which will excite broadcast engineers.”

He also added, “Processing features like input compression and EQ that can be adjusted from anywhere online using the Toolbox web/GUI interface, also take remote control to another level.”

The AoIP stream phase-lock allows for allows broadcasters to stream live events like concerts and major sports in stereo and surround sound simultaneously, or distribute live phase-locked audio between studios or network affiliates. For instance the company illustrates, “a 16-channel Gateway codec supports sending 2 x 6 + 2 channels of phase-locked streams, or 2 x 8 channels of phase-locked streams, or 4 x 4 channels of phase-locked streams.”

Support for NMOS IS-04 and IS-05, Tieline explains, “ensures that components of a networked media system can find each other and delivers connection management and audio channel mapping to device I/O channels. Combined with support for 16 AES67/ST 2110-30 AoIP streams, NMOS brings a new level of interoperability and control with networked equipment throughout the broadcast plant.”

This is a free upgrade for existing customers. Learn more and download at www.tieline.com/support.

Send your new equipment news to radioworld@futurenet.com.

Info: www.tieline.com

 

The post Tieline Releases Firmware Update for Codecs appeared first on Radio World.

RW Staff

Brader: Pay Attention to SIP Protocol

Radio World
3 years 10 months ago

This is one in a series of articles from the ebook “The Real World of AoIP.” Radio World asked several manufacturers to identify the most important technical development or trend in the use of AoIP.

“We see the SIP protocol as the biggest audio over IP trend for radio,” said Reto Brader, CEO of Barix AG.

“Broadcast transmission has been gradual in the migration to internet and IP technology, compared to other markets and applications such as archiving, telephony and corporate AV. However, the industry cannot ignore IT infrastructure, IP components and the benefits they bring to broadcast operations.”

He pointed to Session Initiation Protocol, or SIP, a standard that establishes connection between two internet or IP connected devices such as two telephones.

“For broadcasters, SIP provides connections between an encoder and a decoder,” Brader said.

“The true benefit of SIP is interoperability with any vendor’s equipment. A Wheatstone blade encoder can connect to a Barix decoder without a problem, for example.

“This is not the classical broadcaster approach that requires months of interoperability trials before it works. SIP has been implemented in millions of equipment of different telephony vendors in the world. When added to broadcast equipment, SIP works out of the gate.”

Brader said the industry is at the beginning of the success story of SIP in broadcast for establishing connections.

“We see SIP-based connectivity as a replacement for ISDN, for example. And SIP does much more than simply establish a connection: It allows broadcasters to select an appropriate codec such as Opus, and even adapts to the quality of network.

“This may seem bold, considering the existence of AES67, AES70 and open codecs such as Opus,” he said. “However, audio over IP is growing from unique solutions for broadcasters to core services using available mainstream technology. SIP is one of these, and it is here to stay. It is safe, it is efficient and it works as much in broadcast as it does in telephony.”

Read other articles about trends in AoIP.

The post Brader: Pay Attention to SIP Protocol appeared first on Radio World.

Paul McLane

LeGeyt Sees Radio as a Bipartisan Issue 

Radio World
3 years 10 months ago
Curtis LeGeyt at the headquarters of the National Association of Broadcasters in Washington on April 13, 2021. NAB photo by Jay Mallin

When Gordon Smith drops the mic at the end of December, Curtis LeGeyt will be there to pick it up.

The chief operating officer of the National Association of Broadcasters will assume the role of president and CEO on Jan. 1, 2022. Smith will transition to an “advisory and advocacy role.”

LeGeyt — pronounced “LEH-jet” — is an experienced lobbyist with a background in Democratic politics; but he has been with the NAB since 2011, including five years as executive VP of government relations, a key lobbying post at the association. (See bio at end of this article.)

Radio World Editor in Chief Paul McLane spoke to LeGeyt in June via video conference.

Radio World: Define the purpose of the NAB, its central mission.

Curtis LeGeyt: More than anything, our mission is to ensure that our members, both radio and television, can continue to serve communities across this country with a vibrant but viable means of communication, with locally focused content, in a time of tremendous media disruption. 

For broadcast radio in particular, the competitive threats — between streaming, what’s going on in the dashboard, what’s going on with smart speakers — have never been more pronounced. But radio, it has been demonstrated throughout the pandemic, has never been more important. 

NAB is ensuring that that medium is going to be able to continue to thrive amidst all of this disruption in the marketplace and also, frankly, disruption in Washington.

RW: Leaders of NAB have had their public personas — Eddie Fritts, the classic effective lobbyist; David Rehr, who was “elbows and knees” in Washington. Gordon Smith is known as a pragmatist — “working quietly behind the scenes” would be his public persona. What can we expect from you?

LeGeyt: I think the public persona is very much one of continuing that leadership style that has been a hallmark of Gordon’s success.

We going to know the issues that matter to our membership better than anyone else. We are going to continue to stay on the ground, get outside of Washington and ensure that we understand how what’s happening in Washington is impacting our radio members’ businesses — ensuring that we’re not fighting yesterday’s fights tomorrow but we’ve got our pulse on what’s going on in the industry. 

My leadership style is one of inclusiveness, wanting to hear opposing viewpoints, wanting to get a sense of what matters — in terms of our advocacy, our focus in our technology initiatives, our programming — just one of accessibility and competence. Laying out a transparent game plan as to what we view as the industry’s challenges and how we’re going to execute on real-world solutions.

RW: Is it a coincidence that the Republican is leaving the job, and a Democrat — You having come up with Patrick Leahy and working on the Obama campaign years ago, how important is it that the new U.S. president is a Democrat and the leader at NAB is a Democrat?

LeGeyt: I don’t think it’s that important. What I mean is, we are a bipartisan organization in our DNA. We work with members on both sides of the aisle.

We rely on those members of Congress who, because of their experience in their home districts, understand the importance of local radio. 

On any number of the legislative initiatives where we’ve been successful over the course of the last few years — whether it was COVID-19 enhanced relief for local broadcasters, the performance tax, beating back a change in the business advertising deduction on Capitol Hill — we have been successful because we’ve had bipartisan support from both the Chuck Schumers of the world and the Mitch McConnells of the world. 

The hallmark is the ability to work across the aisle. Gordon certainly had that when he was in the Senate, and he carried over that skill set. 

And if you can’t stop something, you’re going to want to shape it; and in order to shape it, you’re going to need to work with legislators. That’s a bipartisan approach that we take at NAB. 

We’ve got champions on both sides of the aisle, because there are local broadcasters that both Republicans and Democrats want to fight for.

RW: And yet the Hill has never been so bifurcated, at least from a public perception, everybody yelling at everybody else. You’ve worked there as a lawyer and a lobbyist, you’ve seen it up close. So how do you get anything done? 

LeGeyt: That is the real challenge for us right now. 

We did our annual fly-in — where we get 500 local radio and television station GMs in town — we did it virtually this year because of COVID. That was a big theme as we prepared our members for meetings on Capitol Hill: to not get caught up in the divisiveness. It’s so easy to get swept up in the politics and everything that’s going on up there. 

There’s no question it is a very, very divided landscape. But for us, the issues our industry needs help on are too important to get caught up in that partisanship. We’re going to need champions on both sides of the aisle. 

So we’re reminding folks of the role that local radio is playing. “Hey, businesses were closing, schools were closing; where were these members’ constituents relying when they needed up-to-the-minute information on how they were going to navigate through this pandemic?” 

It was local radio. Vaccine education. “Where am I going? What are the safety concerns?” 

There’s all this distrust right now of the social media platforms, of the very politicized cable news outlets. Where can you rely? It’s local radio. 

Yeah, you’ve got to frame it a little bit differently depending on whether you’re talking to a Democrat or a Republican, there’s obvious reasons for that; but I think once you get below the surface, that core understanding of the trust communities have in radio is bipartisan. 

NAB Photo by Jay Mallin

RW: Looking at NAB’s goals on the Hill, what are you advocating for or working on next?

LeGeyt: Our focus is on ensuring that this industry can reemerge from this pandemic as strong, if not stronger, than going in. 

[Also] there’s so much focus right now on Capitol Hill on the role of the tech platforms in undermining public trust, the degree of power that these platforms have as gatekeepers to every type of media. That’s very important for local radio.

When you think about how radio is being accessed — whether it’s through streaming platforms on the dashboard, smart speakers, online — these platforms have major gatekeeping roles. All the content that our members are investing in that sits alongside their traditional streams, our success is at the behest of these platforms.

Members of Congress understand that. There’s a concerted effort to do something, especially as it relates to local journalism and local news. I would pay attention to the conversation that’s taking place in the House Judiciary Committee, the Journalism Competition and Preservation Act in particular, where there’s a real focus on ensuring that local media can compete on a level playing field, negotiate on a level playing field for fair terms when our programming is being used. We want to ensure that policymakers understand that radio is a part of this conversation. 

The second piece is that we need to ensure radio doesn’t end up saddled with new costs as a result of some action that Congress or the FCC takes. This is not the moment for increased costs of doing the same business.

I do think you’re going to see a reinvigoration around the performance tax discussion. 

We’ve already seen that MusicFIRST, the record labels’ advocacy machine, has hired a new spokesperson, a former member of Democratic congressional leadership, Joe Crawley, to spearhead their efforts this Congress. It puts the onus on us to ensure that the support we have in opposing any new royalty on local broadcasters continues to be affirmed through support of the Local Radio Freedom Act in a way that says to the House Judiciary Committee, “Yes, the other side is invigorated in their advocacy; but there’s just a such a disproportionate amount of support for local radio in this fight, that this is not something that you ought to use bandwidth on.”

The third is again to the costs element. [With] everything that is happening in localities around the country with regard to local ad taxes, in Washington there’s going to be, I think, a real focus on how you generate funds to pay for what President Biden and Congress wants to do on infrastructure.

We’ve got to ensure that there are no changes to the advertising deduction or any new ad taxes that are going to disincentive businesses from advertising on local radio.

RW: Broadcasters obviously had a lot of interest in what the Supreme Court did in the Prometheus/FCC case. What are your thoughts about the impact in the marketplace now that the rule change has been upheld?

LeGeyt: I think clarity is important here. For the last 20 years we’ve been living in this seesaw — an FCC that goes in one direction, and the Third Circuit throws its decision back in its face. 

Having certainty as to the rules of the road for local radio ownership will probably lead to some additional scale in certain markets in a way that I think is just necessary in this time and place to compete with these tech platforms that have unbridled ability to offer both a nationwide and also a very locally focused advertising product that our members compete with.

I think it will have some impact there. I also think, though, that the certainty will help lead to more investment in localism. 

RW: You think we’ll see the FCC lift those ownership subcaps per market?

LeGeyt: I hope so, because for certain of our members, it is needed. 

The competitive landscape is so different now than it was two decades ago. The idea that the type of scale that we’re asking for is something that would even give regulators pause relative to what’s happening with our tech competitors, it just seems very antiquated. 

At the same time, we need to be cognizant that in a Democratic FCC, even those commissioners who over the years have been very supportive of local broadcasting have had significant pause when it comes to consolidation and what that might mean for our ability to serve our communities. 

There’s a different philosophical underpinning, but that’s a conversation we’re going to continue to have at the FCC.

RW: What is your read on how acting Chairwoman Jessica Rosenworcel is doing in that role?

LeGeyt: I think she’s doing very well in that role. One thing you’re seeing from her is finding those areas where she can get unanimity and support from the Republican commissioners, and acting on them. That is a wise approach that is buoyed by her years of experience at the FCC and understanding how to get things done. 

And the fact that in a 2–2 commission, she has been able to advance as many measures as she has — at a time and place where the American people really need the FCC to work for them — speaks very well to her political instincts.

RW: You mentioned localism. Now that there’s no main studio rule, and now that companies have the ability to do so much in the cloud, we see regionalization and centralization among bigger broadcast groups, leading to less of a physical footprint in markets. Doesn’t that go against localism?

LeGeyt: I think it’s all dependent on the content. I would not measure a particular station’s commitment to a particular community based on any sort of physical question. 

The fact that I’m sitting in my home right now rather than being at the NAB office where I was yesterday, am I any more or less committed to the NAB? No, I’m not. 

Technology has enabled me to do my job very well and to lead our organization very well remotely. I’m cognizant of the fact that those same concepts apply to local radio. Our members will be judged by how well they serve their audiences with locally focused programming, particularly at moments when communities rely on radio the most.

We will see who stands out in that environment, but I’ll be very surprised if physical presence has a lot to do with it. 

RW: I imagine that your Radio Board meetings were interesting over the last year. Is it, “Oh my God, this has been the worst year in recent memory for our businesses, just do anything you can to help us.” Is it that kind of a vibe?

LeGeyt: What I’ve been so impressed by with our radio members is a recognition that yes, the industry has been disrupted by the pandemic, but there are other industries that have been disrupted a heck of a lot more. Their focus is, “How can we serve our communities and help our communities build out on the other side of this?”

I’ve been awed that, at a time where our industry has been under the most financial stress, we’ve actually done our best work.

The trust that communities are [putting] in local radio stations, especially in rural areas, is tremendous. The resources that our stations are putting into boots on the ground, local coverage, ensuring that their personalities are out in the community, is unparalleled. And they’re doing that at a time when it’s more difficult to afford those things. 

Our members’ focus is on the community service and let the finances build from there — [there’s] confidence that if they can maintain that trust as a lifeline through the pandemic, it is going to pay off in terms of the service to their audience, the audience commitment.

RW: There’s been a proposal to allow FM broadcasters to use boosters to do super-localized geo-targeted content. The NAB came out pretty strongly against that. What would it take for the NAB to have a different opinion?

LeGeyt: Well, without getting into that specific issue, what we are cognizant of is ensuring that those members who are investing in the FM band have the ability to reach their audiences unencumbered. 

We’re open to any proposal that is going to allow for better service options and allow our members the ability to be more creative, more innovative. But if the consequence of that is going to be more congestion, more interference on the band in a way that is picking winners and losers, it is going to give us pause. 

I’m not weighing in on that specific issue. We’re taking a lot of guidance from our members on that; but I think top of mind as we look at a lot of these issues around boosters and translators is: How do we ensure that we’re innovating for our members, and supporting proposals that will allow them to do more hyper-localized things, without the unintended consequence of more interference for current programming?

RW: The association took a real financial hit when you weren’t able to have in-person events, and you had a special assessment for members. There’s a physical show coming back in the fall, but have you recovered from the revenue stream being stopped there for a while?

LeGeyt: We feel really positive about where the association is right now, but that is in large part to the trust and the importance that our members and our board placed in us, in supporting an assessment. 

What we attempted to demonstrate to our members was the value of what we provide as a trade association — as it relates to advocacy, to technological innovations for the industry, to our programming — and to ask the question, “At what level would you like us to continue to do this as we manage through this pandemic and a road back to physical trade shows?” 

The decision was that they wanted our association operating at the highest level. And an assessment helped to ensure we could stay there.

The NAB managed through that. We had to make tough decisions internally on our own to meet our membership halfway. 

We certainly understood how difficult a time it was to go to our members and ask for financial help, humbled by the fact that many of them wanted to provide that but also cognizant that we needed to do everything within our own power to manage through and be responsible financially as well. 

Now we’re on the upside. We’re really optimistic as to what this NAB Show is going to look like in October. It could not be better timed in terms of the demand that we’re feeling from our exhibitors to be back in person and to go and do some face-to-face commerce from attendees. 

We are pacing very strongly several months out from the show. And then we’ll build right on top of that to a second show in April of next year. So we’re optimistic about where we go from here.

RW: And life at NAB headquarters? You’ve got a new building that most people haven’t seen, are people going in? Are you going in? 

LeGeyt: I have been going in regularly, a couple of times a week at a minimum, and over the last month with even more frequency. That’s what we’re seeing from our staff as well. 

We recognize that people have childcare obligations, that there are still health care concerns, so we have a flexible arrangement that those who want to avail themselves to the benefits of the new building are able to do it. But we’ve also been very successful in working remotely, so we want to continue to give our employees the opportunity to do that. 

Then we will continue to scale up and by the fall have the opportunity to showcase this new building externally.

RW: Our readers are interested in technology initiatives of NAB PILOT, which has been paying a lot of attention to radio in the context of the evolving car dashboard. Thoughts about where radio is going in terms of maintaining a foothold there?

LeGeyt: I don’t know that there’s a more existential question for radio than the one that you just posed. That’s something that guides our work, both on the technology front, in terms of how we can be a leader to ensure that the industry is best positioned to appeal to consumers through the dashboard, and to ensure that the automakers understand our value proposition. 

We are spending a lot of time ensuring that we’ve got a centralized voice in articulating the unique benefits of terrestrial radio in the dash. Advocacy, the same guideposts. 

As you think about the importance of the performance tax issue, the importance of ensuring that we’ve got streaming royalties that are affordable for local stations that allow for innovations that will allow for them to compete in the dash in a different way. As we’re thinking about members of Congress, affirming the importance of local radio relative to other platforms. That’s guiding everything we’re doing on the business front. 

A huge piece of our advocacy is ensuring that we’re putting our best foot forward in terms of radio’s place in the dash.

RW: Is there anything else you would like radio people to know about your views on radio or where the industry is going?

LeGeyt: The most important thing I’d like your readers to know is that I started at the NAB 10 years ago as a copyright lawyer and an antitrust lawyer who had advocacy experience in Capitol Hill and was very compelled by the substance of the issues. I’ve grown into someone who is compelled by the importance of the industry and the business. 

Those business owners who are familiar with me know the degree to which I have dug into getting to know local station owners and understand and push an agenda that is going to allow for their ability to innovate, while preserving their ability to maintain a terrestrial signal that’s unique in this media landscape because it’s local and it’s free. 

I am in it because of the belief I have in the value of this industry. It has just been demonstrated doubly over the course of the events of the last year. I’m someone who’s not new to any of this, and look forward and am very proud to lead the industry.

About LeGeyt

Curtis LeGeyt received his J.D. from Cornell University Law School and his B.A. in quantitative economics from Providence College. He began his career as a management consultant for Putnam Associates and worked on the staff of the 2008 Obama For America presidential campaign.

He is a former associate at Howrey LLP, a law firm in Washington, where he worked on antitrust litigation and merger reviews. 

Before NAB, LeGeyt was senior counsel to then-Senate Judiciary Chairman Patrick Leahy of Vermont, advising Leahy and the committee on intellectual property, antitrust and First Amendment issues. 

As chief operating officer of NAB, LeGeyt is involved in all aspects of the association’s work. He was executive vice president of government relations before being named to his current position in 2020. He is also general counsel for the NAB Leadership Foundation.

NAB said that during his tenure he has led successful efforts including permanent reauthorization of the Satellite Television Extension and Localism Act Reauthorization, inclusion of $1 billion in RAY BAUM’s Act to reimburse stations affected by the spectrum auction repack, and successful passage of the Music Modernization Act.

LeGeyt is on the boards of Tracy’s Kids, a nonprofit helping children with cancer, and Musicians On Call, an organization that uses music to help at children’s hospitals and elsewhere. He is an alum of Leadership Music, a Nashville-based program that fosters community and collaboration among music industry leaders.

He lives in Alexandria, Va., with his wife Kacey and their three children.

The post LeGeyt Sees Radio as a Bipartisan Issue  appeared first on Radio World.

Paul McLane

Digigram Makes the Olympics

Radio World
3 years 10 months ago
Digigram Iqoya Serv/Link to be deployed by French radio broadcaster RMC in Paris and Tokyo.

Digigram will supply its fellow French company, broadcaster RMC, with codecs for its broadcast team covering the upcoming Olympic Games in Japan.

Under the banner of One IP, Digigram packages pieces of equipment along with software for a complete remote broadcast package, according to the company.

[See Our Who’s Buying What Page]

For this particular case, 28 Digigram Iqoya Serv/Link codecs will be installed at Paris and Tokyo broadcast centers for RMC. In addition Iqoya Talk portable broadcast commentator codecs will be deployed along with Iqoya Guest smartphone codecs for onsite event production and contribution.

All of these elements work within Digigram’s Iqoya Connect middleware environment to connect and route signals.

Digigram Iqoya Talk commentator broadcast station.

“The easy network configuration via Iqoya Connect is one of the solution’s main assets,” said Digigram’s Edouard Winckel, referring to features such as codec auto-detect and configuration. “This added value will help RMC teams in saving time while setting up their system.”

RMC and Digigram have had a lengthy supplier relationship. RMC leader of External Media Production Dimitri Grossi said, “This is a new scheme for us, and as a longtime solutions provider for RMC, we trust Digigram for its reliable solutions. I am confident the One IP solution will support a seamless processing and editing of live and recorded audio feeds, ready for delivery to the RMC headquarters in Paris.”

Submit announcements for Who’s Buying What to radioworld@futurenet.com.

 

 

The post Digigram Makes the Olympics appeared first on Radio World.

RW Staff

Software Solutions for DIY Projects

Radio World
3 years 10 months ago
Curt Yengst

Readers of my articles featuring DIY projects may be interested in trying their hand at creating a device from scratch. A great place to start is with a clear, well-drawn schematic.

For the last several years, I’ve relied on ExpressPCB for creating the necessary diagrams and circuit board layouts for my projects. As with any DIY application such as this, there are numerous such tools available, and most will do nicely. It mostly comes down to personal preference and workflow.

I asked some of my buddies at www.groupdiy.com for their recommendations and I got several, a few of which I’ll discuss along with one or two I found on my own.

This is by no means a comprehensive list and is not intended to be a review. It’s a sampling of recommended tools available.

 

Preliminaries

A couple guys I chatted with still rely on a hardware-based solution, otherwise known as good old-fashioned pencil and paper.

There’s a lot to be said for that. The learning curve is determined only by one’s knowledge of electronics, which is a given at this stage. There’s nothing to download, no parts library to maintain, and custom or oddball components are easily created.

The downside is that all but minor changes in the schematic can require starting over, or trying to read through a mess of eraser smudges. And in my experience, the only professionals with handwriting as bad as doctors are engineers!

Using software to create schematics may take a little longer, but the effort often streamlines the completion of the project. The programs I tried all come with PCB creation tools that allow finished schematics to be ported in from their own or third-party software. They also allow for designs to be exported for manufacturing purposes, if the project moves beyond the DIY stage.

In order to test the various programs, I took a design for a simple bipolar power supply I’ve used in several builds, and I tried to recreate both the schematic and the PCB in each program.

Since it was originally created using ExpressPCB I’ll start there.

ExpressPCB’s printed circuit board design view.

ExpressPCB

The free download of ExpressPCB (www.expresspcb.com) installs two separate programs on your PC. (There are no Mac or Linux versions as of this writing.)

ExpressSCH handles the creation of schematics. It includes a library of commonly used parts, and users can also create custom components. ExpressPCB can import those schematics, or users can work from scratch. Again, custom components can be created.

The classic version of the software can accommodate PCBs up to four layers, while the “plus” version can handle six. The “plus” version also has a larger library, can copy and paste between designs, and can provide silkscreen patterns for both top and bottom layers.

The interface is pretty intuitive, but the online documentation will walk users through the more complicated features.

ExpressPCB offers a manufacturing service for completed designs, but it’s also easy to print what’s needed for etching boards at home.

KiCad does a nice job with schematics.

KiCad

Next up is KiCad, available as a free download from www.kicad.org. KiCad is open source and available for PC, Mac or Linux.

The schematic program, called Eeschema, includes a large parts library, plus the ability to match schematic symbols with specific PCB footprints. This facilitates PCB design by automatically including the correct footprint for each component, and aiding in trace layout. It also includes design rules checks to keep mistakes to a minimum, and a circuit simulator to test designs.

Another interesting feature is the 3D Viewer, which allows users to envision how a populated board will look, a big help with figuring out how much space the project will take up inside the chassis.

KiCad also exports Gerber files and provides printouts for home etching.

EasyEDA’s 3D view shows what the populated board will look like.

EasyEDA

EasyEDA (www.easyeda.com) also is available for PC, Mac and Linux. It comes in two versions: the Desktop Client and the Online Editor.

The Online Editor allows users to work on designs from anywhere they have internet. Both versions also allow for team collaboration.

The program includes links to a user forum as well as tutorial videos for help with designs. Like KiCad it also has a 3D viewer, design rules checks and Gerber export capability, as well as a large parts library with matching component footprints for PCB work. Multiple PCB layers are supported.

DesignSpark makes PC board design a snap.

DesignSpark

DesignSpark comes from a partnership between RS Components and Allied Electronics.  The software requires free registration at www.rs-online.com/designspark/home. The site offers a vast library of tutorials, projects and other information for DIY.

The schematic software includes a good-sized parts list, and like KiCad and EasyEDA it includes footprints for common components. Like the others, it includes a 3D viewer, design rules checks and Gerber output, as well as multilayer board support.

DesignSpark also includes a Design Calculator tab, which includes not only a scientific calculator but also calculators for trace width and impedance, RCL frequencies, heat sink values and common conversions. On the schematic side, it includes a Spice simulator.

Eagle by Autodesk offers many of the same features as the other programs.

Eagle

Finally there’s Eagle by Autodesk (eagle.autodesk.com). This free download includes almost all the same features as KiCad, EasyEDA and DesignSpark.

Schematics can be created from a vast library of components that include footprints for automatically porting into the PCB side of things. Dozens of possible layers are supported, as well as error correction and virtual test probes.

Another handy feature is the ability to create what are referred to as “design blocks.”  These are essentially electronic sub-assemblies that can be saved as standalone components. For example, if several designs use the same power supply or output stage, that section can be saved as a block, rather than having to redraw it every time.

There is one drawback to this program: the free version limits the size of PCBs to 100 x 80 mm.

Again this is by no means an exhaustive list of available programs. All of these will certainly get the job done. Some have a much steeper learning curve than others, mostly due to the sheer number of features and options.

It really comes down to each DIYer’s preferences and workflow. I’ll likely stick with ExpressPCB, simply because I’m used to it.

There were some nifty features in the others but none that I couldn’t live without. I especially liked the 3D viewers, and while it took a while to find the right parts, having specific footprints for specific parts took a lot of the trial and error out of fitting everything on to the board. On the other hand, most of my projects are not as complex as the majority of these programs are designed to deal with.

If you’re looking to take your schematics to the next level, it costs nothing but time to try any of these solutions.

Do you have a program you prefer? Tell us about it at rweetech@gmail.com.

Curt Yengst, CSRE, is engineer for Lighthouse TV in Allentown, Pa.

 

The post Software Solutions for DIY Projects appeared first on Radio World.

Curt Yengst

Metropolitan Indianapolis Public Media to Take Reins of Purdue Station

Radio World
3 years 10 months ago

Public broadcasting welcomed another station into its fold when Purdue University agreed to have its student station operated by a nonprofit media company.

On July 1 Purdue announced that it signed a letter of intent to enter an agreement for WBAA radio to be acquired by Metropolitan Indianapolis Public Media (MIPM). The nonprofit currently operates WFYI(TV) public broadcasting in central Indiana. The goal, Purdue said in a statement, is to enhance WBAA’s public service while preserving WBAA’s local heritage.

It’s a station with a storied history. WBAA(AM) is Indiana’s longest continuously operating radio station after receiving its broadcast license in1922 followed by WBAA(FM) in 1993. The AM station was one of several that went on the air by land-grant schools in the early days of radio.

Under the agreement, WBAA will maintain its call letters, its physical presence in greater Lafayette, as well as the mainstay of programming including local news and reporting, NPR and global news and classical music.

MIPM is expected to assume operations of WBAA on or around Oct. 1 pending approval by Purdue’s Board of Trustees and approval of the license transfer by the Federal Communications Commission.

“We are so pleased to work with Purdue University … on preserving its public service mission through WBAA,” said Greg Petrowich, president and CEO of MIPM. “Through this agreement, we will strengthen and build on WBAA’s commitment to listeners and the communities served by WFYI and WBAA.”

A series of other enhancements are expected as well. For one, Purdue students in the Brian Lamb School of Communication will have access to expanded learning and development opportunities with WBAA and through the larger MIPM and WFYI networks, and program and underwriting partners will gain access to a broader listenership via shared programming that will also air on WFYI stations.

“Like we’ve seen done at many other higher education institutions, Purdue University has been looking for a public radio partner to lead WBAA toward its next 100 years in greater Lafayette,” said R. Ethan Braden, Purdue senior vice president for marketing and communications. “[W]e believe this agreement represents enhanced opportunities for our students, it preserves the experience that listeners enjoy today, and it extends WBAA’s reach and public service offerings.”

 

The post Metropolitan Indianapolis Public Media to Take Reins of Purdue Station appeared first on Radio World.

Susan Ashworth

Sage Alerting Issues Firmware Update

Radio World
3 years 10 months ago

Sage Alerting Systems has issued two pieces of information for users of Sage Digital ENDEC Model 3644 in the United States.

One is that a signing certificate used by FEMA to validate CAP alerts will expire on Aug. 21, so Sage released a free firmware update for Rev95 that must be installed to permit an ENDEC to continue to receive EAS CAP alerts from FEMA. The CR-Rev6 update can be installed at any time before then.

[Read: National EAS Test Will Focus on Broadcast Chain]

Sage noted that the upcoming national EAS test on Aug. 11 will not use Common Alerting Protocol, so users do not need to install the firmware update by then. But users must already be running the Rev95 release to install this update.

Second, Sage reminded its users that the next National Periodic Test will be sent via the Primary Entry Point network on Aug. 11 at 2:20 p.m. EDT, and it said users should do the following:

1) Check the log to make sure that you are receiving weekly tests from your monitor assignments, and that you have been originating weekly tests and relaying Monthly Tests as required by your license type.

2) Make sure the ENDEC has a filter to receive and relay the NPT. The easiest way to check this is to access the ENDEC with a web browser. From the main page, click the Tools button on the left column, then click the “Verify Req” button. If you see “Your ENDEC will meet the FCC requirements for the National Periodic Test” on the last line, your ENDEC is ready.

Questions about Sage EAS can be emailed to support@sagealertingsystems.com.

 

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RW Staff

Inexpensive Adapters Speed AoIP EAS Connection

Radio World
3 years 10 months ago
Use two connector adapters to connect an S/PDIF output to an EAS input.

William Harrison, chief engineer at WETA(FM) in Washington, wrote us to share a simple way to connect an S/PDIF (Sony/Philips Digital Interface Format) output to an EAS input on an AoIP system, in his case on an Axia xNode.

He uses a combination of two readily available adapters: an RJ45-to-F adapter and an F-to-RCA. William chose adapters from Tech Tool Supply as shown in the first photo, but you can find them elsewhere as well.

The adapter obviously doesn’t take into account the difference in peak-to-peak voltage between AES and S/PDIF, but it usually works, and it is incredibly easy and inexpensive.

William has only tried this to get audio into the xNode. Getting audio out of it, or using it with, say, WheatNet-IP may give different results; but the adapter cost is minimal, so you may want to try it.

[Check Out More of Workbench Here]

The process is straightforward. First plug an RJ45-to-F adapter into the xNode. (At the TechToolSupply site, a Rexford Tools female F to RJ45 Plug is Product Code RTC-RJ45-F). Then add an F-to-RCA adapter to mate to the S/PDIF plug (that’s Product Code SKY01130).

The same result can be achieved using an RJ45-to-BNC (www.newbecca.com/product/546275219824) and BNC-to-RCA adapter (at techtoolsupply.com, search Product Code 200-173).

William says the adapter combination also works great in getting the audio from consumer gear into your AoIP network.

Shure X2U XLR-to-USB Signal Adapter.

I really connect 2U

Speaking of adapters, Dan Slentz amazes me with the things he finds on the internet.

The microphone people at Shure Products are selling a useful device called the X2u. It’s a connector adapter that mates the XLR connector of a professional broadcast microphone to a USB plug.

This makes for easy connection directly to a computer without the need for any additional hardware.

Ideal for podcasters or home recording studios, the connector adapter is compatible with Windows 7, 8, 10 (both 32- and 64-bit), as well as XP, 2000 and Mac OS X (10.1 or later).

What makes this adapter especially helpful is the built-in headphone jack. It lets you monitor the sound without an additional sound card. The adapter includes an integrated preamp with mic gain control, so signal level can be controlled. The X2u also has phantom power, so a condenser microphone can be connected to your computer.

This is a plug-and-play solution, no software is needed. A USB cable and zippered pouch are included, all for $99. Order from your Shure dealer or head to www.shure.com.

If you enter X2u in the search box, the search will also bring up over a hundred application notes; user questions and answers; and specifications.

Learn the basics

Dan also found something for every entry-level engineer on the Radio Shack website: a complete electronics course in 128 pages, originally written for Radio Shack in 1984.

Author Forrest Mims teaches the basics, takes you on a tour of both analog and digital components, explains how they work and then shows how they are combined for various applications.

This sounds ideal for the jock ops manager who wants to know more about electronics and move into engineering.

The lessons include circuit assembly tips and 100 electronic circuits and projects you can build and test. “Getting Started in Electronics” by Forrest Mims is an ebook costing less than $20. It’s available from www.radioshack.com.

Engineering textbooks

And speaking of learning, Charles Frodsham is a retired engineer, nearing 79 years young. Charles writes that he is starting to downsize his library of classic radio and antenna engineering textbooks collected over the years. Charles hasn’t had much success in finding buyers or even a non-profit to donate the books.

Finding classic radio engineering books is a rarity, so here’s what we’ll do. If you have an interest, send me an email with “Workbench Engineering Textbooks” in the subject line, and your contact information. I’ll forward your message on to Charles. These volumes were published between 1937 and 1956. If you are interested, my email address is johnpbisset@gmail.com.

John Bisset, CPBE, has spent over 50 years in broadcasting and more than 30 writing Workbench. He handles western U.S. radio sales for the Telos Alliance. He is a past recipient of the SBE’s Educator of the Year Award. Workbench submissions are encouraged and count toward SBE recertification. Send to johnpbisset@gmail.com. 

 

The post Inexpensive Adapters Speed AoIP EAS Connection appeared first on Radio World.

John Bisset

“The New Normal Is Going to Sound Pretty Great”

Radio World
3 years 10 months ago

Chris Crump, CBNE, is senior director of sales and marketing for Comrex Corp. This interview is from the 2021 Radio World ebook “Remote Radio Phase II: What We’ve Learned During a Pandemic.”

RW: Chris how will our workflows and future infrastructure be different because of the pandemic and how radio responded to it?

Chris Crump: Back in the good ol’ days before lockdowns, self-quarantines and government-mandated stay-at-home orders, some of our customers had the luxury of using our products to broadcast their shows from home studios or mountain getaways. 

After March of 2020, broadcasting from home became a necessity. Comrex moved quite a bit of product to help customers across several verticals adapt to the new way of working. 

In early 2021 I’ve been talking to a lot of customers who have related conversations with management about reducing office and studio space. As building leases come up for renewal, it is making a lot of sense for air staff and content creators to work from home, and the cost savings is substantial. 

We’ve been specialists in remote broadcasting since 1961 and up until now, remotes have been about sports and news coverage or the occasional NTR event. But now, remote is how the majority of broadcasters/content creators are working. Needless to say, it’s been a great time (businesswise) to have the word “remote” in your company description. 

RW: Which Comrex products have played critical roles in these new workflows, and why?

Crump: Our ACCESS NX Portable IP audio codec was front and center in helping broadcasters to get their air staffs equipped to broadcast from home. Our production team worked overtime and weekends over the past year to keep up with the demand. 

The volume of NX Portables was matched with the complementary studio units, the ACCESS NX Rack and ACCESS MultiRack. One large corporate broadcaster made a substantial purchase of our BRIC-Link II IP audio codecs, which they pair with a small podcasting mixer in a convenient and easy-to-configure take-home kit for air talent. 

Our Opal IP audio gateway saw a sizable increase in demand for podcasters that needed an easy way for their guest to connect to them remotely. 

I think it’s fair to say that our entire product line solved a lot of different problems for engineering staffs all over the world as the pandemic took hold. .. .We are having lots of conversations with customers about new solutions for the new and unique scenarios that are presenting themselves in the wake of current events.

RW: Talk to me about the required level of home connectivity and ISP support for work-from-home operations.

Crump: Since we introduced our ACCESS IP audio codecs around 2004, we have worked very hard to ruggedize this platform and make it the most reliable means of transmitting broadcast quality audio, even on challenging networks. 

That being said, my general advice to anyone that asks “what kind of connection should I get” is get the best service you can afford. And that service should reflect the seriousness of your endeavor. In some cases, having two network options is not only a good idea but crucial. 

As more and more people have been working from home, engaging in endless Zoom video calls and kids digital learning from home, we’ve seen huge demands on network infrastructures. We created our CrossLock VPN technology to respond to these kinds of demands to avoid packet loss and provide stability. Part of what makes CrossLock so special is its ability to utilize multiple data networks and load balance between them to respond to packet loss or even network outages in a very nimble and transparent way. 

So, to recap: Get the best network you can afford, then get a second or third network (wired broadband or 4G LTE) and let CrossLock on your ACCESS or BRIC-Link II codec do all the heavy lifting for you to keep you on the air.

RW: What advanced considerations did stations deal with? 

Crump: I can tell you that we heard a lot of very interesting stories from Comrex users, talent and engineers with unique “work from home” challenges faced on a daily basis — from a cat that “learned” how to disconnect the host from the station with a well-placed paw, to a host who uses a closet as a studio because a closet full of clothes is the best acoustic treatment ever. 

I think that many engineers grappled with a shortage of mix-minuses, especially on older analog consoles. It’s certainly an argument for upgrading to a fancy new AoIP console/routing system like WheatNet, Axia or SAS. These all have mix engines with the ability to generate as many mix-minuses as you need. 

I’ve personally had a lot of conversations with announcers about setting up mix-minus on their home consoles. In fact, we’re finishing up a few videos on the topic that we hope our customers will find useful.

RW: Anything else we should know?

Crump: We have always been a strong advocate of improving the listener experience on any platform where content is meant to entertain, educate and inform. 

The main mission of Tom Harnett, our technical director, is to rid the airwaves of low-grade, tinny telephone audio. Our Opal IP audio gateway was one of those first big steps for us. And it’s really nice to hear it being used more and more on the airwaves. 

I’m pretty excited about some of the things I’m seeing and hearing from our development team, especially considering how well they lend themselves to the new way that broadcasters and content creators are having to work. Sure, it’s a “new normal” or whatever, and there are lots of challenges; but we think the new normal is going to sound pretty great if we have anything to do with it.

The post “The New Normal Is Going to Sound Pretty Great” appeared first on Radio World.

Paul McLane

FCC Issues Bidding Instructions for Auction 109

Radio World
3 years 10 months ago

The Federal Communications Commission has issued bidding instructions for the 114 applicants that are qualified to bid in its upcoming Auction 109.

The auction will offer 135 FM construction permits and four AM CPs. Bidding begins Tuesday, July 27. A mock auction will take place earlier in the month.

The commission has put out a public notice with bidding instructions and other important info, including the announcement that one FM CP, in Livingston Manor, N.Y., has been removed from the list; it said the Media Bureau determined that the allotment was not properly added to the Table of FM Allotments and so it was included in the list in error.

Relevant links appear at the end of this story.

The FCC reminded bidders that they are responsible for investigating “technical and marketplace factors that may have a bearing on its valuation of the construction permits in Auction 109. The commission makes no representations or warranties about the use of this spectrum for particular services.”

It also encouraged bidders to do their own research into the existence of any pending proceedings, pleadings, applications or authorizations, and to inspect any prospective transmitter sites in or near the service area for which it plans to bid, to confirm availability.

It also noted that the Media Bureau has protected the parameters of the four previously licensed AM stations on the relevant frequencies in the St. Louis area.

Read the public notice.

Attachment A  — Permits available

Attachment B — List of applicants that are qualified to bid, with their upfront payment amount and maximum eligibility in bidding units.

Attachment C  — List of Qualified Applicants

Attachment D  — Applicants Not Qualified to Bid

 

The post FCC Issues Bidding Instructions for Auction 109 appeared first on Radio World.

Paul McLane

Bahrain Radio Renovates With Lawo

Radio World
3 years 10 months ago
A newly installed Lawo Sapphire console is the centerpiece of an on-air studio at Bahrain Radio.

Bahraini national radio broadcaster Bahrain Radio has undergone a lengthy and thorough renovation. Central to the renovation is becoming a digital plant with Lawo equipment at the heart.

According to a release, “The entire facility has been refurbished, from nine radio studios and control rooms to the MCR (Master Control Room) and CAR (Central Apparatus Room), with a parallel overhaul of furniture, equipment, automation systems, radio library and acoustics.”

[See Our Who’s Buying What Page]

Ministry of Information Affairs Assistant Undersecretary for Technical Affairs Eng Abdulla Ahmed Abalooshi explained, “Our radio station and studios were built in 1980. They were really old, and we used to have the occasional breakdown with no support available for them. All our FM and AM stations are processed in these studios and go through the MCR; our radio channels are also available on satellite and OTT. With this project, we have transferred our entire radio technology to a digital platform and have added a few elements that will make life easier for the production people in our radio department.”

Lawo VisTools on a big screen at Bahrain Radio.

Based around a Lawo MADI network, other Lawo equipment includes consoles, routers, VisTool virtual radio system and VSM IP broadcast control system. An RCS radio automation was also installed.

Thinking toward the future, Bahrain Radio scaled the renovation for 15 stations. It currently has nine.

Overseeing the project was GloCom, a Middle East-based broadcast and multimedia technology integrator.

Submit announcements for Who’s Buying What to radioworld@futurenet.com.

 

The post Bahrain Radio Renovates With Lawo appeared first on Radio World.

RW Staff

Orban Reorganizes PCn1600 Sales

Radio World
3 years 10 months ago
Orban PCn1600 Screenshot

Orban Labs announced a change in how its PCn1600 audio processing software is sold.

“For several years, Modulation Index and StreamS had an exclusive license to sell PCn1600 processing; that exclusivity ended this week,” the company stated.

President David Day said in the announcement, “All Orban dealers worldwide can now add our PCn1600 to their Orban product portfolio. … It is our understanding that Modulation Index and StreamS will continue to support their existing PCn1600 users.”

[Read: KNMJ Simply Streams With StreamS]

Orban said the PCn1600 brought the company’s audio processing technology to audio streaming operating natively on Windows PC platforms and that Orban has used variants in its XPN-AM processor and in the Linux-based Ross RSAP.

Modulation Index is headed by Greg Ogonowski; StreamS is its line of streaming encoders and other audio products. It confirmed that “due to a failure to reach a mutually satisfying agreement with Orban Labs,” it will no longer sell the Orban Optimod 1600 PCn on an exclusive basis.

“The Orban Optimod 1600 PCn has been a big part of our product offerings and we will continue to work with clients who purchase the Optimod 1600 from us and are under a support contract,” Modulation Index said in a statement. “We will also expand our support for other audio processors that are available in software form, which we believe is the future of audio processing not just for streaming but for every broadcast venue.”

 

The post Orban Reorganizes PCn1600 Sales appeared first on Radio World.

Paul McLane

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