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Radio World

TV Channels Offer Radio an Answer

Radio World
3 years 3 months ago

The author of this commentary is a broadcast technical author in Australia, which still uses AM radio extensively. He has spent a lifetime in training technicians. He writes here in response to Larry Langford’s recent commentary “Time to Come Clean on AM Quality.”

Larry Langford’s brief history should have noted that AM was invented in 1901 and the first permanent broadcasts were 110 years ago. By comparison, cellphone companies switch off their oldest technology every eight years, leaving an operating life of 16 years.

The AM channels are spaced 10 kHz apart with a high-frequency audio limit of 10 kHz, so the transmission channels overlap the adjacent channels. This may have been fine in the past due to the quality of audio equipment, but now with audio processors there’s plenty of energy in the 5–10 kHz range to cause more audible interference to broadcasters in the adjacent channels. Outside of the Americas, spacing has been reduced to 9 kHz with a 4.5 kHz overlap on each adjacent channel.

Figure 1

This overlapping is the reason many AM stations must reduce power at night.

As the number of AM stations rose, it may have been better to put in a 5 (4.5) kHz brick-wall filter prior to transmission, which would have eliminated much of the interference. Without the brick-wall filter at the transmitter, the receiver manufacturers took the cheapest option and limited receivers to speech frequencies to stop the interference. This has made music sound dull. If instead they had installed a 5 (4.5) kHz brick-wall filter in the receiver, at least they could have maintained the much more important frequencies between 3.5–5 kHz.

Larry has been lamenting the lack of implementation of pre-emphasis in AM radio from the 1988 version of the NRSC standards, which were updated in 2018 to include HD Radio, NRSC-1-C, a voluntary standard. However, of the receivers on the HD Radio website, there are now only infotainment systems in vehicles, aside from Sangean and Insignia radios with HD capability.

Software-designed receivers have made discussion of pre-emphasis irrelevant because there is no intermediate frequency filter. They use the homodyne or direct conversion system to convert the signal directly to audio. This makes any out-of-channel signals supersonic, thus inaudible and easily filtered digitally. SDRs are used in cellphones and infotainment systems, as they have a typical frequency range from almost “DC to daylight,” i.e., 100 kHz–2 GHz. If the broadcaster uses pre-emphasis and a standard SDR receiver, which has no de-emphasis, the sound will be excessively bright.

Because SDRs perform most functions digitally, they contain a specialized microprocessor that can be loaded with digital radio firmware such as Digital Radio Mondiale, DAB+ and HD Radio, as well as FM and AM. This is a single chip!

Figure 2

Pre-emphasis is used to minimize the characteristic hiss in FM and in AM to try to overcome the filtering effect of the intermediate frequency filter used in common super-heterodyne receivers.

There is a disadvantage to the use of pre-emphasis and de-emphasis in FM and AM. All broadcasters use sound processors that employ nine-octave-wide compressors. This will increase the level of high frequencies, which if boosted by pre-emphasis can overload the transmitter and cause interference. So the processors must not boost high-volume, high-pitched sounds. This results in dullness on loud sounds. Digital transmission systems do not use pre-emphasis as it is unnecessary; so it will sound “brighter,” particularly on drums, tympanies and piccolos, as they do live.

AM has a number of disadvantages:

It originally contained a carrier to provide DC bias for the “crystal” diode detector to prevent severe distortion. Modern AM and HD Radio AM receivers still use a detector diode buried in an integrated circuit. This is expensive for broadcasters and causes electric companies to produce lots of carbon dioxide on their behalf.

SDR radios when tuned to Digital Radio Mondiale and DAB, use some low-powered pilot tones to control the recreation of the carrier, because there is no wasteful carrier transmitted.

Also not mentioned by Larry Langford was the effect of increased interference and poor vehicle antennas, making reception unpleasant. “Static” from lightning has always been present.

There’s no immunity from noise, which has been increasing since the invention of the switched-mode power supply used in nearly everything powered by electricity, including electric vehicles and lighting. In addition, there are now many more electrical lines with high-voltage insulators to arc!

Beyond all this, AM has issues because the overlapping channels cause many broadcasters to reduce their coverage areas at night. It has high audio distortion levels and no stereo sound. And, as discussed above, there is a lack of high-frequency sound.

Hybrid FM, hybrid AM and pure digital FM HD Radio systems use overlapping channels, so, interference will remain, forcing broadcasters to hire lawyers. Lawyers are not required for the pure digital AM HD Radio, which has a low data rate mode, keeping the transmission within its channel.

The solution to this is to use the old analog TV Channels 2–6 (VHF Band I), where only 41 medium-power and 61 very low-powered transmitters still operate in North America.

One TV transmitting channel contains 58 DRM transmitting channels, which can carry three stereo music channels each. There are 208 DRM channels available in Band I in the Americas. One transmitter can carry six DRM transmission channels or 18 programs. All programs from one site will have the same coverage area, unlike the current HD1–HD4 channels, which are transmitted at a very low power to prevent interference to their own and other broadcasters’ signals.

Many AM broadcasters have obtained FM translators, choking the FM band, whereas Band I is virtually deserted and has more channels than the number of AM and FM channels combined. Since Band I is virtually deserted and the 100 kHz wide channels do not overlap, the FCC can allocate the power required to fill the license area without restrictions. It is also possible to use a low-powered repeater transmitter on the same channel within the coverage area for blackspots.

A decade ago in the United States, the telcos pushed government and broadcasters to complete the conversion of all television stations to digital.

Similarly, for AM radio, I propose the FCC provide a free DRM Band I license for every radio broadcaster for 10 years, provided they begin broadcasting in that band within five years. They would be allowed to simulcast with their existing broadcasts for 10 years, after which all existing AM/FM broadcasting will cease.

After five years it would be illegal to sell radios (including in vehicles) that cannot receive DRM Band I. Capable receivers already exist. There are more DRM radio models on the market than HD Radios, and in India 4 million cars have been factory installed over the past three years at no extra cost. For older cars, a Starwaves TukTuk receiver is available that converts the DRM signal into FM stereo.

Given the competition from audio on-demand services and the telcos, isn’t the dramatic drop in transmission costs and greenhouse pollution enough to convince the FCC to take this step?

This should be a task for the new president/CEO of the National Association of Broadcasters.

Comment on this or any article. Write to radioworld@futurenet.com.

The post TV Channels Offer Radio an Answer appeared first on Radio World.

Alan Hughes

Shure Updates SRH Headphones

Radio World
3 years 3 months ago
Second-generation Shure SRH440A Headphones

Shure has improved its line of SRH headphones. According to the company, the second-generation SRH440A and SRH840A headphones offer enhanced audio quality and are built for long-wearing comfort.

The new models incorporate upgrades for critical listening and studio monitoring with lower harmonic distortion and more precise left-right driver matching. The SRH840A offers a tailored frequency response powered by 40-mm neodymium dynamic drivers for rich bass, a clear mid-range and extended highs. The SRH440A delivers detailed frequency response with audio designed for podcasting, home recording and critical editing and mixing, according to Shure.

Features for both the SRH440A and SRH840A include a closed-back, circumaural design with a lightweight, wide, padded headband that helps reduce background noise for long-wearing comfort, as well as a detachable straight cable standard for both models for better mobility.

The company says both headphones provide unique sound signatures optimized for creating and editing.

The SRH440A retails at £89/$99/€99 and the SRH840A is available for £135/$149/€149. Prices for both include the headphones; a detachable, straight 9-foot locking bayonet cable; and a threaded gold stereo 1/8- to 1/4-inch adapter. The SRH840A also includes a carrying bag.

The post Shure Updates SRH Headphones appeared first on Radio World.

Terry Scutt

SiriusXM Expands Its Music-for-Business Offerings

Radio World
3 years 3 months ago

SiriusXM Holdings Inc. has acquired Cloud Cover Media, expanding its offerings for businesses that want music and messaging services.

Cloud Cover Media offers Cloud Cover Music, which offers services that “allow businesses to deliver music, with customized audio messaging if desired, to create the desired atmosphere for their prospects, customers and clients.”

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SiriusXM already serves the commercial music market with SiriusXM Music for Business and Pandora for Business. “Together these services provide comprehensive and complementary offerings for businesses of all sizes,” it said in the announcement.

Terms of the acquisition were not disclosed.

Cloud Cover Music has an online platform and a large enterprise account team that “offers organizations of any size in any industry a robust selection of ad-free music for their business with full control over what their customers and employees will hear.”

The announcement was made by SiriusXM EVP Joe Verbrugge and Cloud Cover Music team VP/GM Mark Lehman, who remains with the firm.

Submit business announcements to radioworld@futurenet.com.

The post SiriusXM Expands Its Music-for-Business Offerings appeared first on Radio World.

RW Staff

DHD.audio DX2 Compact Mixing Console Debuts

Radio World
3 years 3 months ago
DHD.audio DX2 Compact Mixing Console

The new DHD.audio DX2 desktop audio console will be unveiled next week in Germany at Hamburg Open 2022, January 19–20.

The DX2 compact mixing console is intended for use in small, tight spaces, such as newsroom desks, podcast studios, voiceover suites and video editing booths. It provides the same assistive mixing functions as other DHD consoles, including motorized faders, automix and auto level gain, and is designed for integration with DHD processing cores to form a complete system.

The DX2 is fully compatible with all current second-generation DHD cores running version 10 firmware. It comes as a four-fader console, with an optional six-fader expansion unit. A 3.5 mm output jack at the rear of the console doubles as an input, which can be used to connect a smartphone for live telephone interviews.

Also debuting will be the latest additions to DHD’s range of audio production processing cores, which integrate elements such as control surfaces, routing and external-device interfacing into a standalone or distributed system. The new XC3- and XD3-cores provide full support for intrasite as well as multisite IP-based device control and audio-over-IP signal distribution. They also support automated workflows and product virtualization.

The DHD XC3 IP core is designed for use in on-air studios. It comprises two dual-core DSP modules which combine into a compact 1U. These jointly support up to 48 stereo faders, 72 stereo buses and 16 channels of AES67 IP audio. IPx expansion modules can be added to accommodate 128 channels of AES67/Ravenna IP audio I/O and up to 512 Dante channels. A companion module, the new XC3 Concentrator, allows interconnection of multiple DHD IPx modules, control surfaces and I/O modules.

DHD’s new XD3 is an IP core for use with large mixing and routing systems. It includes support for networked operations such as DHD web apps. The XD3 IP core allows fully redundant configuration and can accommodate an optional router. Up to 96 stereo faders, 126 stereo buses and 24 Gigabit Ethernet audio ports are supported by the XD3 router and IP core combination.

DHD will also be promoting the extend feature set of is new version 10 firmware. This includes bolstered security and management features, unified user management based on web apps, expanded fader and bus handling, and refinements to the DHD Toolbox configuration software.

The post DHD.audio DX2 Compact Mixing Console Debuts appeared first on Radio World.

Mix Editorial Staff

The Term ’Virtual’ Could Be Outdated Soon

Radio World
3 years 3 months ago
Alan Jurison

Alan Jurison is senior operations engineer, iHeartMedia Centralized Technical Operations, and the chair of the Metadata Usage Working Group within the National Radio Systems Committee.

This interview is from the recent ebook “What’s Next for Virtualization?” Find it at radioworld.com/ebooks.

Radio World: Alan you said a year ago that you define virtualization as consolidating broadcast functions into a software environment or single-purpose hardware and facility functions at the transmitter site. How is that definition holding up?

Alan Jurison: I think that concept is progressing. Many vendors are actively consolidating functions into existing processes, whether it be hardware or software.

This is a transition that will happen over time. For the most part, a lot of what has occurred in the last year has been in existing hardware platforms we are accustomed to; but looking towards the future, as new platforms are developed, I think we will be able to take what we’ve learned as an industry and consolidate even more functions in the next generation of hardware and software platforms.

RW: You’ve also said that there’s no universal solution for getting stations connected to run air chains completely virtually. How far are we from that?

Jurison: I’ve yet to see a cohesive strategy provided by a single vendor, or consortium of vendors, in this space. I think that’s what it will take for most broadcasters to get started — trusted industry partners to help them accomplish this. Vendors are working in this space, but I still think it’ll be a bit of time before we see an ecosystem — i.e., a “product line” or solution that a station could buy into to accomplish this.

RW: The idea of “air chains as a service” is just so interesting. Will we really get to that point?

Jurison: I think so. As connectivity options at transmitter sites improve and become diverse, there will be stations that opt to consolidate everything into a single service or set of appliances to enable them to do exactly that.

RW: We talked too about connectivity at the transmitter site.

Jurison: The success of these future solutions will live or die with connectivity. IP is competing with traditional RF-based STLs that, when designed properly, have near-perfect uptime.

Finding a combination of reliable and diverse connectivity to the transmitter site is key. Diversity is key. You can’t put all of your connectivity in one basket, i.e. with the same connectivity provider, and the same types of delivery mediums.

I think it is possible to achieve IP diversity at many sites across the United States right now with existing wired and wireless telco infrastructure with different providers. As we move forward, connectivity options will only increase over time, as additional technologies and delivery mediums are offered by IP/telco solutions providers.

RW: Are we farther along now in seeing virtualization come to PPM, to EAS?

Jurison: With PPM, we are already there. With the NAB Radio Technology Committee and Nielsen’s PPM Software Encoder, the major audio processing companies all have solutions that eliminate the need for an external PPM encoder.

With EAS on HD2/HD3/HD4, the industry now has a great solution for including alerts on HD subchannels.

EAS on main-channel AM and FM stations is a bit more involved, as the broadcasting industry needs to have broader discussions with our partners at the FCC and FEMA. I wouldn’t expect much change there immediately. But with the FCC’s recent proceedings on EAS, they are looking at ways to modernize EAS, improve alerting capabilities, and out of that process I think there will be a lot of great ideas that can only help serve the public and communities better than we can today.

RW: What are common misconceptions or unfamiliar terms in virtualization?

Jurison: Broadcasters generally think IP audio and software solutions are not as reliable as hardware and traditional STL. The truth is, given the proper hardware and software design, these challenges can be overcome, and someday IP- and software-based solutions will become more reliable and resilient than traditional broadcast infrastructure because it will have more redundancies built in.

RW: What else should we be considering on this topic?

Jurison: It’s interesting, when we started talking about virtualization a few years ago, it seemed like a good term to discuss the modernization efforts for our industry. As time has gone on, it almost seems the term virtual is becoming outdated.

The IT space has moved away from virtual environments and changing platforms completely to work with cloud-based infrastructure. While the industry doesn’t have a “virtual air chain” today, I think by the time we get to that, we’ll be calling it something else.

We likely won’t call it cloud-based either. What we are heading towards is a completely new ecosystem for our industry, and whatever terms we want to call that today will have a short shelf life. Because the new ecosystem will be rapidly changing to meet the industry’s needs, we won’t have time to sit around and dwell on what we should call it.

Share your thoughts on this or any other article. Write to radioworld@futurenet.com.

The post The Term ’Virtual’ Could Be Outdated Soon appeared first on Radio World.

RW Staff

Iowa Event Will Honor Chicago’s WLS (and Other Musical Legends)

Radio World
3 years 3 months ago

What do country rock, boogie blues, swing and the state of Iowa have in common? This year, they’re all part of the Iowa Rock ’n Roll Music Association’s Hall of Fame Class of 2022. And an iconic radio station from another state is a big part of the celebration.

The association plans to welcome this year’s honorees during a Hall of Fame Induction Spectacular on Labor Day weekend.

The festival will kick off with a Rock the Roof concert on Sept. 1 followed by a weekend of festivities, including an opening ceremony with a guitar marching band, autograph party, Iowa Rocks talent contest and an inductee meet and greet. The weekend will wrap up with the Iowa Rock ’n Roll Induction Ceremony and Concert on Sept. 4.

[Visit Radio World’s People News Page]

The announcement was made by Executive Director Clay Norris, who noted that this year is the association’s 25th anniversary.

Among the 2022 honorees is WLS(AM). The Cumulus Media-owned station might be based in Chicago, but it has served as a “huge part of the rock music history of the entire Midwest, and it had a profound impact on Iowa,” Norris said.

The Chicago station’s daytime signal can be heard across much of eastern Iowa — where two thirds of the state’s population lives — and at night, it could be heard all over the state, he said. WLS has also played and promoted other Iowa Hall of Fame inductees — bands like The Buckinghams, New Colony Six and Head East.

In the DJ Category, the Iowa Rock ‘’n Roll Hall of Fame will induct Ron Sorenson of KFMG-LP in Des Moines and Bruce Wasenius of KLKK(FM) in Clear Lake, Iowa.

2022 Iowa Rock ’n Roll Hall of Fame Inductees

  • Band Category: Blue Strings, Gray James Band, The Library, The Pendletons, The Unidynes, Zini
  • Individual Category: Dan Bern, Johnnie Bolin, Tommy Bolin, Jen Brucher, Barry Clark, Laurie Haag, Glenn Henriksen, Kelli James, Troy Johnson, Vance Jorgensen, Kris Karr, T. Wilson King, Ralph Kluseman, Tom Nelson, Paul Miller, Heath Pattschull, Jim Poffenberger, Robby Vee
  • Venue Category: The Burlington Capital Theatre
  • Radio Station Category: WLS(AM), Chicago
  • DJ Category: Ron Sorenson, Bruce Wasenius
  • Support Person Category: Bill Monroe, Mark Sampson

Special Achievement Awards

  • Iowa Rock ‘n Roll Music Association Lifetime Achievement Award: JC Wilson
  • Matousek Lifetime Achievement Award: Tom Pick
  • Spirit Award: Jeremy Ober, Maddie Poppe, Amedeo Rossi
  • John Senn Legacy Award: Naomi Senn

The post Iowa Event Will Honor Chicago’s WLS (and Other Musical Legends) appeared first on Radio World.

Susan Ashworth

IBC2022 Conference Opens Call for Technical Papers

Radio World
3 years 3 months ago

The IBC2022 Conference Technical Papers Programme is now accepting submissions, and they are looking for the latest research on broadcast, communications, electronic media and entertainment fields.

The program, according to IBC, is an opportunity for forward-thinking technologists and companies to put ideas and research before media industry leaders looking for new technology concepts and practical applications.

“Last year we learnt of conversational robots, industry challenging approaches to privacy management, practical improvements to streaming systems and the standardization of AI/Machine learning – to mention only a handful of the excellent papers received,” stated Dr. Paul Entwistle, chair of IBC’s Technical Papers Committee, in the call for papers.

At this stage, the committee is seeking 300-word synopses that provide a clear and concise overview of the concept being discussed in the paper, highlighting what is unique and explaining its background. Synopses are due by Feb. 9, 2022, and can be submitted online via the IBC website.

A panel of professional experts will review all submissions. Papers accepted for presentation at the IBC Conference are considered for the Best Conference Paper Award, which is presented during the IBC Awards.

“This year, more than ever, we are looking forward to the opportunity to sit alongside our peers and learn of their work, enjoying the debate and a glimpse into our industry’s future,” Entwistle stated.

The post IBC2022 Conference Opens Call for Technical Papers appeared first on Radio World.

RW Staff

NATE Unite 2022 Features FCC’s Carr, DISH’s Ergen

Radio World
3 years 3 months ago
Brendan Carr

FCC Commissioner Brendan Carr and DISH Co-Founder and Chairman Charlie Ergen will take part in a Q&A Keynote Fireside Chat at the upcoming conference of the communications tower industry.

The keynote will take place during the NATE Unite 2022 Awards Luncheon, sponsored by DISH, on Feb. 23 at Caesars Forum in Las Vegas.

NATE is the Communications Infrastructure Contractors Association. President/CEO Todd Schlekeway said he welcomed the participation of Carr and Ergen and the chance for them to share their insights.

[For News on This and Other Shows See Our Show News Page]

Charlie Ergen

“Additionally, NATE Unite 2022 being held in Las Vegas is well-timed to coincide with DISH preparing to activate service and make the city its first official 5G wireless market during the first quarter of 2022,” he said in a press release.

NATE quoted Carr as saying, “The individuals who are building, servicing, maintaining and deploying America’s wireless networks have some of the toughest jobs out there. But their hard, often gritty work is critical for the buildout of 5G and has allowed us to continue to lead the world in wireless.”

Carr is one of two Republicans on the FCC and is the agency’s former general counsel. At the FCC, he has worked to update infrastructure rules and accelerate the buildout of high-speed networks. NATE said these reforms have cut a large amount of red tape and enabled the private sector to construct high-speed networks.

The discussion will be moderated by analyst Jennifer Fritzsche, head of North American Telecom and Digital Infrastructure at Greenhill & Co.

Registration is open to attend NATE Unite 2022. Here is a PDF of the schedule of events.

The post NATE Unite 2022 Features FCC’s Carr, DISH’s Ergen appeared first on Radio World.

Terry Scutt

WZFL Deploys Myriad Playout

Radio World
3 years 3 months ago

From our Who’s Buying What page: Zoo Communications station WZFL(FM) in Miami is using Myriad Playout Version 5 automation from Broadcast Radio Ltd.

“With this update the station can now have talent live from home with full on-air control, and even bring guest and co-host on air, and all broadcast to the studio in HD quality audio with a milli-second delay,” the supplier said.

“Myriad Playout also gives the station the ability to display now playing information for syndicated programming on RDS receivers.”

Irvin “Brainchild” Nunez is program director of the station, which is branded Revolution 93.5.

The Myriad line from Broadcast Radio Ltd. also includes Myriad Anywhere products that offer web-based, remote working solutions.

Suppliers and users are invited to send announcements for Who’s Buying What to radioworld@futurenet.com.

The post WZFL Deploys Myriad Playout appeared first on Radio World.

RW Staff

iHeart Takes on Web3 and the Metaverse

Radio World
3 years 3 months ago
(Getty Images)

The metaverse doesn’t really exist yet, at least not in its envisioned form; but that isn’t keeping companies from expanding their efforts to play in it.

That includes iHeartMedia, which says it wants to build “an easy-to-use ramp to the metaverse and Web3 for the mass market.”

iHeart announced an “important next step in extending its presence into Web3 and the metaverse, beginning with plans for the creation of iHeart events and experiences for listeners and music fans on Roblox,” which it says brings people together online through shared experiences.

The company said it also is committed to launch tokenized communities for its users and creators.

It said it plans to use its existing consumer reach and engagement “to create the awareness and demand necessary to bring new metaverse and Web3 platforms to the mass market.” Chairman/CEO Bob Pittman said in the announcement that iHeart “is uniquely positioned” to play that role.

The company said this year it “plans to bring immersive musical moments to the over 47 million daily active users on the Roblox platform.”

It will launch its first tokenized community, “building a new token that will incentivize and reward the iHeart creator community in new ways and give iHeart’s fans unique access to offerings across its multiple platforms.” It will also launch a series of collectible non-fungible tokens, citing he success of its iHeartRadio Music Festival NFTs launched in partnership with NFT platform OneOf last September.

iHeart’s Digital Audio Group President Conal Byrne said, “We are big believers in the incredible potential of Web3. We have already stepped into the metaverse with NFTs and have much more to come.”

Comment on this or any article. Write to radioworld@futurenet.com.

The post iHeart Takes on Web3 and the Metaverse appeared first on Radio World.

Paul McLane

WorldCast Group Hires Uible as Application Engineer, Solution Architect

Radio World
3 years 3 months ago

Cyrus Uible joins WorldCast Group as an application engineer and solution architect. He will be based in Miami.

He’ll offer sales support to account managers and customers for the company’s brands including NMS Kybio by WorldCast Connect, as well as WorldCast Systems’ Ecreso, APT and Audemat solutions.

WorldCast Co-President Christophe Poulain said Uible’s “strong software know-how, market understanding, insights and solution-oriented approach” will enhance the company’s recent successes in North America.

Uible brings 20 years of experience in software engineering to the position with expertise gained during his time at companies such as Dalet and Skyline Communications, and recently serving as a principal solutions architect covering OTT, satellite broadcast management and NOC monitoring for Skyline Communications.

The post WorldCast Group Hires Uible as Application Engineer, Solution Architect appeared first on Radio World.

Terry Scutt

FCC Ends Broadcaster Filings in CDBS

Radio World
3 years 3 months ago

Giving the industry only a day or so of notice, the FCC’s Media Bureau announced that its Consolidated Database System (CDBS) online filing system, used by broadcasters for decades, will no longer accept filings effective at 5 p.m. Eastern today, Jan. 12.

The agency announced new and apparently transitional procedures for types of filings that are currently submitted in CDBS, ones that cannot yet be entered in the newer LMS system.

The move is necessary due to what the FCC calls “pressing technical issues that prevent effective use of CDBS going forward and to facilitate the ongoing transition of all filings to the Licensing and Management System.” It did point out that the majority of types of broadcast filings had already migrated off of CDBS.

The new procedures are apparently transitional, but the Media Bureau emphasized that it expects this to be “a permanent sunset of the use of CDBS for Media Bureau filing.” [Read the announcement.]

So for now, effective with today’s sunset of CDBS filings, broadcasters will need to submit those FCC forms not currently accepted in LMS as an attachment in an email in PDF format, according to the announcement, and the FCC staff will have to enter them manually into its system.

The Media Bureau listed the following filings that will be required to be submitted by email to mailto:audiofilings@fcc.gov:

  • AM Application for Construction Permit for Commercial Broadcast Station on Form 301
  • AM Application for Construction Permit for Reserved Channel Noncommercial Educational Broadcast Station on Form 340
  • AM Applications for Broadcast Station License on Form 302
  • Special Temporary Authority (STA) Engineering Requests and Extension of Engineering STA Requests for all audio service stations
  • Silent STA / Notification of Suspension/ Resumption of Operations / Extension of Silent STA Requests for all audio service stations
  • Change in official mailing address
  • AM Digital Notification on Form 335-AM
  • All-Digital AM Notification on Form 335-AM
  • FM Digital Notification on Form 335-FM
  • Amendments to pending applications previously submitted in CDBS
  • Pleadings (Petitions to Deny, Informal Objections, Oppositions, Replies, Supplements, Petitions for Reconsideration and Applications for Review) concerning applications submitted through CDBS or using the email procedures outlined in the Public Notice

Note that other filing types that had already transitioned to LMS, including FM and FM NCE applications for CPs, must continue to be submitted using LMS.

Media Bureau staff will be entering all pertinent information from the above types of emailed filings into CDBS, the FCC said. “Since this will be a manual process, it may take 1–2 business days to receive a confirmation of your filing.”

The FCC noted that informal filings, such as requests for Special Temporary Authority or Silent Station Notifications, submitted by letter may still be submitted in PDF or Word format.

The majority of applications and submissions have already transitioned from CDBS to LMS. The FCC launched its e-filing LMS forms system for TV licensees in late 2014. The transition for radio broadcasters began in May 2019 with radio station renewal applications.

The FCC says the public will continue to have access to CDBS for public searches and CDBS data files.

Additional information about the LMS system and which filings are supported by LMS can be found at the Media Bureau’s LMS Help Center.

One leading consultant, Gary Cavell of Cavell Mertz & Associates, told Radio World, “Based upon what the Public Notice outlined, the interim procedure for non-LMS filings should be relatively painless. My only long term concern is having continued access to some of the historical data and filing attachments that were a part of CDBS, but I understand that the FCC is aware of the need.”

The post FCC Ends Broadcaster Filings in CDBS appeared first on Radio World.

Randy J. Stine

Russia Continues Campaign to Silence Media, RFE/RL Says

Radio World
3 years 3 months ago

While meetings take place between the United States, Russia and other organizations to discuss Russia’s aggressive posture along Ukraine’s borders, Radio Free Europe/Radio Liberty says Russia is continuing a campaign to silence independent media and drive RFE/RL out of the country.

“In concert with the threat posed by the 100,000 soldiers Russia has deployed along Ukraine’s borders,” said RFE/RL President Jamie Fly in a press release, “Russia’s bullying actions against independent journalism have also intensified. RFE/RL will continue to provide the Russian people with the news and information they need to hold their government accountable.”

RFE/RL said that on Dec. 3, four current and former RFE/RL journalists were named foreign agents, and on Dec. 30, Russia named two more RFE/RL journalists along with others as individual media foreign agents. The organization said this designation makes the journalists subject to onerous and invasive financial reporting requirements and forces them to add lengthy, legally mandated labels of their “foreign agent” status to all electronic communications or posted content.

These additions bring the number of individuals named to the Justice Ministry’s media “foreign agent” list to 75, and another 36 media organizations are also labeled as foreign agents.

RFE/RL said, due to its refusal to submit to the labeling provisions, Russia’s communications regulator has issued another series of violation protocols against RFE/RL, the eighth since the beginning of last year. RFE/RL now faces a total of some 1 billion rubles (US$13.4 million) in fines, which it continues to fight in Russian court. It has also filed suit with the European Court of Human Rights (ECHR) over the law.

The post Russia Continues Campaign to Silence Media, RFE/RL Says appeared first on Radio World.

RW Staff

These Stations Are at Risk of Losing Their Licenses

Radio World
3 years 3 months ago

Nineteen radio station licenses — located in Alaska, Washington, Oregon and Hawaii — will expire on Feb. 1 unless the Federal Communications Commission hears from them.

The FCC has listed stations that were required to fill applications for license renewal by Oct. 1 of 2021 in those states. These 19 stations did not; the list includes full-power stations, low-power FMs and translators.

Each license will expire if no renewal application is received by Feb. 1.

Call sign Community of License Facility ID Licensee KANC Anchorage, AK 198674 Adventist Radio Alaska Corp. KAUG Anchorage, AK 165582 Anchorage School District K282AW Eagle River, AK 139588 MCC Radio LLC KGKR-LP Galena, AK 193373 Galena Seventh-day Adventist Church K296EL Glennallen, AK 73922 Greater Copper Valley Communications Inc. KOGB McGrath, AK 176402 Blessed Hope Baptist Mission K264AV Waimea, HI 152955 WP Media Lending LLC KSEP-LP Brookings, OR 135276 Anchor Network KGMW-LP Chiloquin, OR 192288 Klamath County School District KZZF-LP Klamath Falls, OR 135243 Jesus Radio Inc. KTOD-LP Lakeview, OR 135707 Hope for Today Broadcasting Inc. KLYC McMinnville, OR 6322 Promedia Partners LLC KEZX Medford, OR 23032 Opus Broadcasting Systems Inc. K290BD Omak, WA 148938 Divine Mercy Broadcasting KDXB-LP Seattle, WA 192777 KMIH.org Radio Booster Club K207DC Tonasket & Oroville, WA 49263 North Okanogan Christian Translator KYNR Toppenish, WA 24586 Confederated Tribes and Bands of the Yakama Nation KNLI-LP Waller, WA 197066 Northwest Leadership Foundation KWEW-LP Wenatchee, WA 135720 Wenatchee Youth Radio

 

The post These Stations Are at Risk of Losing Their Licenses appeared first on Radio World.

RW Staff

Vitec Will Acquire Audix

Radio World
3 years 3 months ago

Vitec Imaging Solutions, part of U.K.-based The Vitec Group, will acquire U.S. mic maker Audix.

Audix makes mics for studio and live performance audio. “As part of the Vitec family, the Audix team and facility in Oregon will become Vitec Imaging Solutions’ Audio R&D Centre of Excellence, enabling the acceleration of in-house microphone product design, development and manufacturing across all Vitec audio brands,” Vitec announced, saying the acquisition should close soon.

“With the acquisition of Audix, Vitec’s audio capture strategy is now structured around three core brands that cover all growth segments of the $1 billion microphone market.” Those brands are Audix, Rycote and JOBY.

Audix will open its manufacturing facility to the rest of Vitec’s audio brands.

Vitec employs around 2,000 people in 11 countries; it is listed on the London Stock Exchange.

The post Vitec Will Acquire Audix appeared first on Radio World.

RW Staff

Broadcasters Again Push Back on Foreign Government ID

Radio World
3 years 3 months ago

The legal tug of war continues between the Federal Communications Commission and several broadcast organizations over the new rule about disclosing when programs are sponsored by foreign governments.

At issue is the FCC’s order, adopted last April, requiring that U.S. radio and TV stations disclose when foreign governments lease air time. All four commissioners voted yes, saying the change would ensure that audiences are aware when a foreign government or its representatives use the airwaves to persuade the public.

The National Association of Broadcasters, the Multicultural Media, Telecom and Internet Council and the National Association of Black Owned Broadcasters earlier had asked a federal appeals court to put a stay on the order pending judicial review. The FCC opposed their request.

[Related: FCC Denies NAB Stay Petition on Foreign-Sponsorship ID Rules]

Now NAB, MMTC and NABOB have filed a reply brief, reiterating their arguments that the FCC doesn’t have authority for this requirement under the Communications Act and the First Amendment, that it would be an undue burden and that broadcasters face imminent, irreparable harm unless the court pauses the FCC action.

They criticize the regulation for its “extraordinary reach and sheer pointlessness” and call it a “content-based compulsion of speech.” They repeated their arguments that a broadcaster would have to conduct an investigation of “every programming lease, even commercial and local programming (since virtually every lessee will deny, virtually always truthfully, that it or another person in the production or distribution chain is a foreign governmental entity, thus triggering the duty to investigate).” And they say the whole rule is in place to solve a “phantom harm never known to occur.”

Read the brief.

The post Broadcasters Again Push Back on Foreign Government ID appeared first on Radio World.

Paul McLane

Lawo Ends Production of Its DALLIS Platform

Radio World
3 years 3 months ago

Lawo has announced the end of production of its DALLIS modular I/O system and related cards and components.

“Lawo AG presented the DALLIS platform to the public for the first time in 2002,” the company wrote in an email to customers.

“Since then, the DALLIS interface was Lawo’s highly respected primary I/O system due to its flexibility, modularity and quality. Over the years, DALLIS frames interfaced to Lawo audio products via three different backbone technologies, ATM, MADI and Ravenna, and has supported almost 90 different I/O card options.”

With the introduction of the A_UHD Core Phase 2 architecture in late 2020, DALLIS approached the end of its life as an I/O device.

“For existing mc2, Radio and Routing installations that utilize DALLIS, there is a last-time buy window until June 30, 2022,” the company continued.

“Lawo’s service team will continue to support all DALLIS installations based on the final software release for each of the various products using DALLIS.” It noted that “due to increasing complexity in supply chain,” its support team will only be able to service DALLIS with components still in stock. “Supplies of replacement components will be limited to stock on hand. Limited numbers of products for replacement might also be available until end of stock.”

DALLIS stood for “Digital And Line Level Interface System.”

Send your new equipment news to radioworld@futurenet.com.

The post Lawo Ends Production of Its DALLIS Platform appeared first on Radio World.

RW Staff

Brino Joins Adams Radio in Tallahassee

Radio World
3 years 3 months ago

Adams Radio Group has named Nick Brino as vice president and general manager of its stations in Tallahassee, Fla.

Brino is former market manager for Forever Media in Havre de Grace, Md. He also has worked for Cumulus and Salem Media, the latter as a general sales manager — in New York for WMCA(AM) and WNYM(AM), and in Washington for WAVA(AM/FM).

Brino replaces Jason Lamp, who is pursuing station ownership opportunities. The Tallahassee cluster comprises WXTY(FM), WWOF(FM), WQTL(FM) and WHTF(FM).

Ron Stone is CEO of Adams Radio Group.

Send People News announcements, particularly involving technology and senior management roles, to radioworld@futurenet.com.

The post Brino Joins Adams Radio in Tallahassee appeared first on Radio World.

RW Staff

Josh Reiss Begins Term as AES President

Radio World
3 years 3 months ago

Josh Reiss has begun his term as the new president of the Audio Engineering Society.

He succeeds Jonathan Wyner, who said Reiss “brings a deep knowledge of audio technology coupled with an appetite for innovation.”

“The field of audio engineering is changing fast,” Reiss wrote in his president’s message. “Machine learning is introducing changes to almost every facet of our lives, the music industry continues to undergo rapid innovation and professionals continually require training in new technologies and workflows.

“The AES understands and embraces this need to adapt. Handled well, these changes can bring new and better audio, as well as a more inclusive and diverse field, encouraging talent, creativity and innovation from all walks of life. However, to say that we have challenges would be an understatement.”

The society has posted the text of his president’s message.

Reiss is a professor with the Centre for Digital Music at Queen Mary University of London.

[Visit Radio World’s People News Page]

Over 15 years of involvement with the society, Reiss has been vice-chair of its Publications Policy Committee, co-chair of the Technical Committee on High-Resolution Audio, and a former governor of the society.

In 2007 he was general chair of the 31st AES Conference, “New Directions in High Resolution Audio,” and in 2009 he was general secretary of the 35th AES International Conference, “Audio for Games.” He served on the organizational team for several AES International Conventions, including the role of chair of the 128th. He also has won several AES honors.

He has published more than 150 scientific papers, authored the book Working with the Web Audio API and co-authored the books Intelligent Music Production and Audio Effects: Theory, Implementation and Application.

“As coordinator of the EASAIER project, he led an international consortium working to improve access to sound archives in museums, libraries and cultural heritage institutions,” AES wrote. “He is co-founder of the start-up company LandR, providing intelligent tools for audio production, and Tonz, providing neural network-based audio effects. Another start-up based on his team’s research, Nemisindo, has recently launched an online service for procedural sound design and the Nemisindo Action Pack of fully procedural audio plugins for sound effect creation in Epic Game’s Unreal Engine.”

The post Josh Reiss Begins Term as AES President appeared first on Radio World.

RW Staff

The Optelator Is Discontinued

Radio World
3 years 3 months ago

Stormin Protection Products President John Pecore said the Optelator — a fiber optic isolator that eliminates grounding differentials between equipment and demark ground, protecting against direct lightning strikes on phone lines — has been discontinued.

A common application in broadcasting is to protect lines that serve remote monitors at transmitter sites. It also has uses in the automated milking industry — where remote monitoring equipment often suffers from poor connections — and in the military and homeland security, where Optelator protected inexpensive fax machines, copiers and printers, as well as provided isolated phone lines to silos and other military missile launching sites.

John Pecore blamed three factors for the decision: the pandemic, which he said has caused a 65 percent loss of business; increased pressure from his suppliers for parts orders in larger quantities; and a dramatic decline of demand for this kind of product.

“The phone hardline industry has crashed and burned [while] wireless is alive and well,” he said.

[Check Out More Products at Radio World’s Products Section]

In fact the product was scheduled to be discontinued in the late 1990s, but Pecore said a review that appeared at the time in Radio World was followed by a rush of interest. “This product became a great success in your industry, and has been depended upon in radio for many years.”

The company will continue to support users of the Optelator II and the early-generation Optilator with repair services, and can rebuild or replace PC boards, at least until the supply chain has dried up. But no more brand-new units are available.

“Sometimes progress destroys the old, and brings in the new. It is the end of life as we know it for the hardline phone line,” Pecore said.

“One last final words for the radio broadcast industry: Thank you.”

Radio World invites both users and suppliers to tell us about recently installed new or notable equipment. Email radioworld@futurenet.com.

The post The Optelator Is Discontinued appeared first on Radio World.

Paul McLane

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