Radio+Television Business Report

For decades, Univision Communications has maintained a strong presence in the Miami-Dade County, Fla., city of Doral. Here, it has television studios and office space on NW 36th Street, a stone’s throw from Miami International Airport. There’s also a spacious rented facility that is home to Univision Radio/Miami, and had been used for the Fusion cable TV network operation.

However, Univision’s corporate headquarters happens to be on Third Avenue between East 39th and 40th Streets, just southeast of Grand Central Terminal and the Chrysler Building in Midtown Manhattan.

According to media reports in South Florida, that’s about to change, with Univision’s headquarters set to head out of New York.

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The Big Bend region of Florida is still one of the more desolate, bucolic portions of the ever-growing Sunshine State, attracting more hurricanes than travelers or Snowbirds. It’s bigger communities include Apalachicola and Port St. Joe, due east of Panama City.

It is here that a 100kw FM is being spun, putting a “Cross Country” move in play.

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He’s known across the U.S. for his longtime role as the host of the syndicated early-prime TV game show Wheel of Fortune. But, in broadcast circles, he’s also known as the licensee of an AM radio station that has served Maryland’s state capital since 1949.

Now, Pat Sajak is selling the station’s license, while listing the land where this property’s studios and towers lie for a bit more than he’s collecting for the 72-year-old broadcast facility.

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Nielsen Holdings plc will report its financial results for the third quarter 2021 two weeks for today.

What can investors expect to hear from CEO David Kenny on Thursday, October 28 at 8am Eastern when he and other company executives will host a call to discuss its Q3 results?

Numbers that reflect the full-year 2021 guidance offered with Nielsen’s Q2 results are expected.

Nielsen is updating full year 2021 guidance as follows:

• Total revenue growth on a constant currency basis: 2.5% to 3.0% (previously 2.0% to 3.0%)
• Organic revenue growth on a constant currency basis: 4.0% to 4.5% (previously 3.5% to 4.5%)
• Adjusted EBITDA margin: 42.3% to 42.6% (previously 42.25% to 42.5%)
• Adjusted EBITDA: $1,475 – $1,490 million (previously $1,470 – $1,490 million)
• Adjusted earnings per share: $1.54 – $1.61 (previously $1.47 – $1.58)
• Free cash flow: $620 – $650 million (previously $595 – $645 million)

These estimates reflect Nielsen as if the sale of Global Connect occurred on January 1, 2020. The estimates exclude $200 – $220 million (previously $220 – 240 million) of separation-related costs related to the sale.

 

TORONTO — The digital audio advertising exchange “connecting brands with audiences at scale” across music, radio and podcasts has selected its new Chief Growth Officer for North America.

It’s a move that follows Les Hollander’s promotion to CEO of DAX North America earlier this year.

Jon Hales is taking the role. He joins Global-owned digital advertising platform DAX from Spotify, where his seven-year tenure saw him launch the Spotify Canada Team, Spotify’s Global Sales Operations Group and, most recently, lead a re-boot of Spotify’s LATAM advertising business.

Hales previously headed up Video Sales for AOL Canada and was Director of Sales for Discovery Channel Canada, under Bell Media.

Hollander calls Hales “a growth-oriented leader and brings a wealth of expertise in the areas of sales and operations, with an eye for innovation and keen ability to scale the business.”

Hales will split his time between the U.S. and Canadian groups, focusing on tactical revenue growth, team performance, strategy, and alignment across the North America operation, DAX says.

— Carina Newton

In late June RBR+TVBR first told readers about Dartmouth College’s decision to place its 6kw Class A FM, branded as “99Rock,” on the market.

The commercially licensed radio station that is advertiser-driven doesn’t shy from loud, hard rock. Soon, it will be up to a new owner to determine whether or not acts such as Seether, Godsmack and Alice in Chains will remain on the station’s playlist.

With veteran station trader George Kimble of Kozacko Media Services serving as the exclusive broker in this transaction, WFRD-FM in Hanover, N.H., is being sold to Sugar River Media.

A $225,000 price was agreed to, with John Landry signing off on the FM’s purchase for Sugar River, a 50/50 partnership between him and Bob Landry.

A $30,000 escrow payment is being held by Kozacko Media Services.

With WFRD, Sugar River will grow its stable to five, as it also owns WUVR-AM 1490 in Lebanon, N.H.; WNTK-FM 99.7 in New London, N.H.; WCVR-AM in Randolph, Vt.; and WCNL-AM in Newport, N.H.

Dartmouth says the sale proceeds will be used to support “WDCR,” which is not to be confused with Decatur Catholic Radio and its WDCR-FM. Student-run “WDCR” had been an on-air AM from 1958 through 2010.

The sale of WFRD will result in the loss of one staff position, the college said earlier this year.

Why is Dartmouth selling WFRD? “The station has been operating at a financial loss for a number of years,” it says. “In addition, student involvement in the commercial station has waned.”

The Gauge, Nielsen‘s recently created monthly total TV and streaming snapshot, has just released its latest data portrait, reflecting the month of September.

Here’s the good news for broadcast television: the share of total TV viewing saw a 2% increase.

Now, for the not-so-lovely news: The gain puts broadcasters as recipients of 26% of consumers’ total TV time.

“The boost,” as Nielsen calls it, comes on the heels of “a strong ratings start” to the NFL season, as well as the beginning of the traditional TV season on September 20.

Still, the consumer share of TV time for both cable and streaming remained flat at 38% and 28%, respectively.

At the same time, the “Other” category—which includes and is reflective of video game usage—was down from 10% to 8%.

This 2% decline, Nielsen concludes, was driven by a combination of video game users turning off their collective controllers and heading back to the classrooms as well as a shift of attention from gaming to the gridiron.

Looking at the streaming platforms themselves, data from Nielsen’s Streaming Platform Ratings show both Netflix and Disney+ each ticking down a percentage point from August. Netflix now commands 6% share of total TV time, while Disney+ holds 1% of share of overall TV time. Hulu and Amazon Prime Video remained steady at 3% and 2%, respectively.

The first worldwide 24-7 live linear video channel dedicated to the growing E-Sports arena has partnered with an independent provider of personalized sports data and gaming visualization to help bring greater value for both fans and, importantly, sponsors.

BE SURE TO FOLLOW RBR+TVBR ON TWITTER FOR THE LATEST BREAKING NEWS!

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It’s been way too long since broadcasters have been able to gather, meet, network, and discuss. Don’t wait until April. Secure your seat in New York for Forecast 2022, an exclusive gathering where broadcast TV and radio’s top leaders will be — live and in-person. The issues. The challenges. The opportunities. All the things that matter to broadcasters. FORECAST IS BACK – AND BIGGER THAN EVER! From broadcast leaders and media investment pros to Wall Street analysts, communications attorneys and other key industry influencers, all will be present at Forecast 2022 — the only event of its kind this year!

Debra OConnell — President, Networks, Disney Media & Entertainment Distribution, The Walt Disney Company Bill Wilson — CEO, Townsquare Media FEATURING …

INFORMATIVE SESSIONS INCLUDING:

• Broadcast Revenue Trends and Expectations for 2022
• Prospects for Broadcast Media as an Investment in 2022
• Cross-Ownership and the FCC
• Main Street Media: Where Local Broadcast Survives & Thrives— What Now?
• Passing the Torch: A Conversation with Gordon Smith
and Curtis LeGeyt
• Executive Leadership Session – Sharing Visions for Tomorrow

There’s nothing like Forecast — especially this year. Register today!! The venue is small – demand is higher than usual – don’t be left out due to a sellout!

 

PLATINUM SPONSORS

 

 

 

 

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SILVER SPONSOR

BRONZE SPONSOR

TOP 40 PLAQUE SPONSOR

CORPORATE SPONSORS

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The presentation of the 2021 NAB Marconi Radio Awards and the annual “State of the Industry” Address by NAB President/CEO Gordon Smith will take place virtually on the second Wednesday in November — just days before his appearance at Forecast 2022 in New York, perhaps his last industry event before Smith’s year-end retirement.

The Marconis, and Smith’s speech, are scheduled for Wednesday, November 10 at 2pm Eastern. To view the event, access is available at NAB.org/watch and will be available on-demand on NAB Amplify.

The NAB Marconi Radio Awards honor radio stations and on-air personalities for excellence in broadcasting. NAB will name the winners in each of the 23 categories during the November event, which will be hosted by Angela Yee, co-host of the nationally syndicated morning show, “The Breakfast Club.”

Prior to the awards presentation, Smith will deliver his final State of the Industry address, in which he will reflect on his tenure leading the association and how the broadcast industry can continue to thrive into the future.

“It has been my great honor to represent America’s broadcasters in Washington D.C. and around the world for the past 12 years,” said Smith, who will assume an advisory and advocacy role beginning next year. “While I am disappointed we are not able to gather in person in Las Vegas, I look forward to connecting virtually and seeing everyone in-person at the 2022 NAB Show.”

Passing the Torch: A Conversation With Gordon Smith And Curtis LeGeyt
As Gordon Smith exits his role at year’s end as CEO of the National Association of Broadcasters and Curtis LeGeyt prepares to take the helm, what is the state of the broadcast industry from the Beltway view? Steve Newberry, who worked closely with both executives during his own tenure at the NAB, sits down with them in an exclusive Forecast 2022 chat covering legal, regulatory, and legislative initiatives under the leadership of the NAB that have impacted the broadcast industry over the past 12 years, how they will shape and define its future, and what challenges and opportunities lie on the horizon.
Moderator: Steve Newberry, CEO, Quu
Curtis LeGeyt, COO, National Association of Broadcasters
Gordon Smith, President and CEO, National Association of Broadcasters

 

REGISTER NOW!

Veteran public relations pro Rosemary Ravinal is often asked, “How do I stand out during a virtual meeting and make a strong impression?” 

“My answer draws from techniques honed during my corporate career, combined with what I teach my clients about public speaking and executive presence online,” she says in this latest Media Information Bureau column focused on Zoom excellence in today’s workplace.

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It’s official. And, a formal announcement was released minutes ago.

A COVID-19 pandemic-influenced plan to co-locate the Radio Show, co-produced by the NAB and the Radio Advertising Bureau, at the now cancelled 2021 NAB Show will be extended to 2022 — and beyond.

There will no longer be a stand-alone Radio Show. 

“In today’s world where radio companies are essentially multimedia companies, the value in attending NAB Show cannot be overstated,” said Dave Santrella, president of Broadcast Media at Salem Media Group and NAB joint board chair. “We are now streaming and podcasting and even producing video. NAB Show provides unparalleled access to the critical tools, knowledge and connections we need to grow and thrive in today’s media business.”

For the last two decades, the Radio Show has faded with respect to its size and must-attend status in a consolidated industry. As a co-production of the NAB and RAB the Radio Show enjoyed renewed vigor in the last five years, with the 2016 Radio Show in Nashville particularly memorable, followed by the 2017 Radio in Austin. At the Austin event, Audacy CEO David Field delivered an impassioned speech in support of Radio industry leaders still recall.

With attendance of 2,130 people, the 2018 Radio Show was staged in Orlando. In 2019, it shifted to Dallas.

Then came COVID-19 and the pandemic. The 2020 Radio Show, scheduled for Sept. 13-16 of last year in Nashville, was scrubbed. A decision to co-locate in October 2021 in Las Vegas was then made, with a definitive plan to return to Music City USA from October 5-7, 2022.

That Nashville event is now a permanent COVID-19 scar.

With April 2022 now set for a redo of what was supposed to have concluded today (10/14), the 2022 NAB Show, which will precede the Radio Show, will feature “signature awards, networking events and a comprehensive conference program, including popular sales and marketing sessions” the RAB will present.

RAB President/CEO and former Radio & Records Publisher Erica Farber said, “It’s important that we continue to bring radio professionals together to network, celebrate audio and engage in meaningful discussions around the future of our industry.”

The RAB and NAB also note that the permanent change will benefit radio industry leaders by gaining access to the NAB Show floor and sessions, should they choose to attend those co-located events.

While the newest FCC Commissioner, Nathan Simington, is widely known as an advocate for Section 230 reform, it’s unlikely he’ll agree with newly crafted legislation introduced by Democrats on the House Energy & Commerce Committee.

Introducing “The Justice Against Malicious Algorithms Act,” which Democrats say erases the liability shield when a digital platform “knowingly or recklessly promotes harmful content.”

This FCC Commissioner Wants To Hear From You FCC Commissioner Nathan Simington As he demonstrated at the recent Hispanic Radio Conference, FCC Commissioner Nathan Simington is eager to learn about the broadcast media industry’s input and concerns. You can share your thoughts and desires with Simington in-person, with your registration to Forecast 2022 at the prestigious Harvard Club in New York.

 

 

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The 2020 Census is complete. The topline data is out. And … are marketers doing anything yet to better reflect in their advertising campaigns the consumers that define the U.S.A. today?

It’s a tricky question. As Diversity, Equity and Inclusion efforts have swept through Corporate America and many media companies, some in the marketing and advertising world wonder if D&I has inadvertently become synonymous with marketing.

In this fresh InFOCUS Podcast, presented by dot.FM, Ana Ceppi, a senior advisor on the U.S. Hispanic market at Edelman, shares how one can easily distinguish DEI from multicultural marketing and what broadcast TV and radio station management and ownership may wish to consider if the goal is connecting brands with all consumers — including key multicultural segments.

Listen to “The InFOCUS Podcast: Ana Ceppi, Edelman” on Spreaker.

WHAT BROADCASTERS NEED TO KNOW ON ADVERTISING’S NEW COURSE Brands are paying attention to the multicultural consumer like never before. Consumers are watching and listening to see how brands are reacting. Creative directors and media buyers are shifting greater focus and budget to better reach a more diverse audience and engage the same in marketing partnerships. At Forecast 2022 on November 16 in New York, General Motors Global CMO Deborah will chat with with American Urban Radio Networks CEO Chesley Maddox-Dorsey (pictured, at left) for an exclusive conversation on GM’s commitment to increased minority media expenditures along with her thoughts on how broadcast media fits into GM’s marketing strategy. They will be joined by Doug Ray, Chief Product Officer, Global Media & dentsu Americas, who has been instrumental in the creation and launch of Project Booker, an initiative focused on African American-developed and -owned content that is being distributed on African American-owned radio and is leading the way in how the global media agency community is doing business with African American-owned media. DON’T HESITATE. SECURE YOUR SEAT FOR FORECAST 2022 TODAY!

In August, RBR+TVBR shared with readers the details of two “unique” low-power TV station permits that had just been sold by Mako Communications.

These LPTV permits don’t need to be constructed until 2023, giving the buyer a big window for getting the stations on the air.

The transaction involving this LPTV-to-be pair just closed.

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By Brad Altfest

Imagine until now, the broadcast and OTT viewing experience has been one way, one to many – the lean-back experience, as we call it. And how many lean-back experiences can we really have? At this point, key players in the industry are struggling to play catch up to having their own OTT channels. But the reality is that there’s so much more that is technically possible than is being technically exploited industry-wide. The ongoing pandemic has only accelerated the trend toward trying something new of when, where and how we can watch.

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He’s largely known as one of the nation’s top media brokers. But, Eddie Esserman of Media Services Group is also the head of Golden Isles Broadcasting, the licensee of three FM radio stations serving the Brunswick, Ga., region.

And, like other radio station licensees, Golden Isles has something to say to the FCC regarding its 2018 Quadrennial Regulatory Review of Commission broadcast media ownership rules.

That said, Esserman tells RBR+TVBR he believes his Reply Comments in M.B. Docket No 18-349 raise a new question.

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A new era in leadership at Jacksonville’s most-watched television station will take place next month.

Graham Media Group has named the next Vice President and General Manager of unaffiliated WJXT, branded as “News4Jax,” and The CW Network affiliate serving Jacksonville, WCWJ-TV.

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New York Festivals Radio Awards announced the 2021 Storytellers Gala award-winners.  World-class audio work created by global storytellers from 30+ countries was honored at the October 12 Storytellers Gala virtual event.

The 2021 Radio Awards Grand Jury panel honored riveting podcasts and audiobooks, dramas, documentaries, breaking news coverage, entertainment and music specials created by masterful audio storytellers from around the globe.

The BBC was honored with the 2021 Broadcaster of the Year Award. Award-winning entries captivated listeners with exceptional storytelling in News, Podcasts, and Dramas. Exceptional entries honored with the NYF Radio Awards Gold trophy include: “I’m Not A Monster” and “Where Is George Gibney?”.

TBI Media UK earned the title of Production Company of the Year. Known for award-winning programs and live events created for TV, Radio, online, and brands, the London based company earned multiple Gold trophies for their work for high profile clients including the BBC.

2021 Grand Awards

I’m Not A Monster – from BBC Panorama & FRONTLINE PBS – News Programs: Best Nonfiction Series (BBC) The 10-part series explores journalist Josh Baker’s four-year odyssey to uncover the complex truth about an American family’s journey from Indiana to the Islamic State’s caliphate and back again to the US.

The Hobbit, By J.R.R. Tolkien, Read by Andy Serkis – Audio Books: Best Narration – Solo (HarperCollins Publishers) The new Hobbit recording was inspired by an extraordinary charity effort that raised over £300k for Coronavirus charities. This led to actor Andy Serkis narrating this newest recording of The Hobbit. Serkis, who voiced “Gollum” in the film recorded this magical performance of the classic text with affinity for the Tolkien world.

Weightless – Podcasts: Drama Podcast (DMC Studio Argentina) The podcast tells the story of a character who has reached a critical moment in his life and deceives himself by telling a story that abounds with emotions, memories, and sensations. Weightless uses sound elements and song samples from different periods of the character’s life to illustrate his epic journey.

For 2021 new categories were unveiled across all genres to shine the spotlight on Social Justice. Trophy winning entries include Gold – “Birds Eye View” (StoryProjects), Silver – “Racism within” (SBS Australia), and Bronze – “Say Their Name” (DCP Entertainment), and “Bioneers Radio Series” (Bioneers Radio Series).

Compelling podcasts in a variety of categories captivated listeners. Gold winning work includes “Alligator Candy”, “The Lost Kids”, and “The Followers: House of Prayer”(USG Audio),“Dead Memory Clinic” (Welcome to Earth), “Driving the Green Book” (Alvin Hall & Macmillan Podcasts), “The Secrets in Us” (Loftus Media), “Earth Eclipsed” (The Lunar Company), “Nut Jobs: Cracking California’s Strangest $10 Million Dollar Heist” (Audible), “Dérives (Out of Control)” (Radio-Canada/CBC), “The Debrief with Major Garrett” (CBS News Radio), “The Battersea Poltergeist” (Bafflegab Productions), and “The Unthinkable” (Radio New Zealand).  For the complete list of 2021 Radio winners, visit: HERE.

Documentaries masterfully captured reality and gave voice to diverse points of view. Entries earning Gold include: “Nations United” (TBI Media),” Bob Dylan: Verbatim” (Zinc Media), “The FRONTLINE Dispatch presents: The Choice 2020: Trump vs. Biden” (FRONTLINE PBS), “Kangaroo Cuddles” (ABC Radio National), “Stuff The British Stole” (ABC Radio Australia), and “The Grief of a Nation” (RTÉ Radio 1).

Powerhouse entertainment entries recognized with Gold include “There Used To Be A Me” (Spiteful Puppet Entertainment & AUK Studios), “Stripey tales/ Randiga sagor” (Sveriges Radio), and “Musicals: The Greatest Show” and “Laura Whitmore” (TBI Media). “Q with Tom Power” (CBC) was honored with a Gold trophy in Craft: Best Interview.

Audio Books transported listeners, Gold winning entries from HarperCollins Publishers include “Girl A, By Abigail Dean, Read by Holliday Grainger” and “Imaginary Fred, By Oliver Jeffers, Read by Ciaran Hinds”.  Penguin Random House entries achieving Gold: “A Life on Our Planet” and “Beatrix Potter – The Complete Tales”.  Additional Gold entries in the spotlight: “Modigast i Världen i Barnradion” (Swedish Radio) and “The Tale of Squirrel Nutkin” (Almost Tangible).

Breaking News, features, and investigative reporting captured events as they unfolded on the world stage.  Gold winning entries include “Where Is George Gibney?” (BBC), “The Great Post Office Trial” (Whistledown), and Silver trophy winner, “How fracking could threaten Australia’s Paris target” (Australian Broadcasting Corp. Sydney).

Gold winning entries in Sound include “La foresta dei violini / The violins forest” (RSI SRG SSR and Faïdos Sonore) and “Islands with Chris Watson & Luke Clancy” (RTÉ Radio 1). “The Ballad of the Stolwijk Rescue” (RTE Lyric FM) was honored with a Silver trophy in Craft: Best Original Music.

New York Festivals Radio Awards Grand Jury honored content creators across all platforms and in all genres and awarded in total of 3 Grand Awards, 48 NYF Gold Radio trophies, 46 Silver and 49 Bronze.

This year is the eleventh year of NYF’s strategic partnership with NAB Show.

For a complete list of the New York Festivals 2021 Storytellers Gala Radio Awards winners, please visit  HERE.

New York Festivals Television & Film Awards has revealed the 2021 Storytellers Gala award-winners. World-class work created by global storytellers from 40+ countries was honored at the October 12 Storytellers Gala, a virtual event due to the cancellation of the 2021 NAB Show in Las Vegas.

2021 Grand Awards

“My Octopus Teacher” Documentary: Nature & Wildlife (Off the Fence B.V./Sea Change Project/Netflix)

This acclaimed effort was recognized for their Grand Award-winning documentary. The film takes the viewer to a spectacular undersea world few humans have ever seen, rich with unimaginable vistas, creatures, and characters. The 2021 Oscar-winning documentary showcases a fully immersive cinematic experience and redefines the relationship between human and wild animal.

“All Creatures Great And Small” Entertainment Program: Drama (Playground TV for Masterpiece PBS and Channel 5 in association with All3media International and Screen Yorkshire) earned the NYF Grand for their adaptation of the much-loved popular BBC series that ran through the 70s-90s. The new vision for the show preserves the rich spirit, tone, and values of Herriot’s iconic characters and stories and brings his sharply observed, entertaining tales of country life in the North of England to life for a wide modern audience.

“The Last Dance” News Program: Best Nonfiction Series (ESPN) The Grand Award winning 10-part documentary series from ESPN Films and Netflix explores the period in 1997 as Michael Jordan and the Chicago Bulls were followed by a film crew as they began their quest to win a sixth NBA title. The result is the film “The Last Dance”, a remarkable portrait of an iconic player and a celebrated team –revealed more than two decades later.

For the fifth consecutive year, Al Jazeera English’s coverage of international issues and universal themes earned the network the prestigious title of Broadcaster of the Year. The network garnered medals for a diverse programming roster including Al Jazeera Investigations, Witness, 101 East, Al Jazeera Correspondent, Talk to Al Jazeera, Fault Lines, and Story to Follow.

“We are delighted to once again win the top accolade of Broadcaster of the Year from the New York Festivals,” said Giles Trendle, Managing Director of Al Jazeera English. “We consider it a great honour to have our work recognised and rewarded by such a distinguished jury of our industry peers. I attribute this win to all our wonderful and diverse teams at Al Jazeera English who, with professionalism, diligence and creativity, remain committed to reporting and telling the stories that matter.”

This is the 15th year consecutive year that The Edge Picture Company UK earned the prestigious title of Production Company of the Year. The Edge Picture Company’s corporate and brand-image films earned a robust number of medals for their visionary work for prestigious brands including Deloitte, PwC, Openreach, Standard Chartered, The Guardian Service, Havas Just and Ahmad Tea.

The 2021 New York Festivals Storytellers Gala celebrated Molly Solomon, Executive Producer & President of NBC Olympics Production and Executive Producer for the Golf Channel with the eleventh annual New York Festivals Lifetime Achievement Award. NBC Sports host Mike Tirico presented the 2021 Lifetime Achievement Award to Solomon.

For 2021 NYF added 10 categories for social justice across all genres to honor storytellers using creativity to engage audiences on this critical topic. Entries earning Gold include “CBS Sports Presents:  8:46” (CBS Sports), “The Price of Poverty” (DW Deutsche Welle), “I Am Not A Commodity” (ANTENA 3), “A Most Beautiful Thing” (50 Eggs Films), and “The Psychiatrist of Aleppo” (CRTVE). Silver winners include “Momma Lonnae O’Neal Essay” (ESPN), “MLB Tonight: A Conversation” (MLB Network), “Insight: Stateless In India” (Mediacorp Pte Ltd), “The Time is Now” (The Edge Picture Company), and “Surviving R. Kelly Part II: The Reckoning” (Kreativ Inc. for Lifetime),

Gold winning Documentaries in the winner’s circle this year include “Why We Hate” Discovery Channel), “Witness – St Louis Superman” (Al Jazeera), “Surviving Jeffery Epstein” (Bungalow Media + Entertainment and Break Thru Films, Inc For Lifetime), “Love on the Spectrum” (Northern Pictures Pty Ltd), “Beethoven’s Ninth: Symphony for the World” (DW Deutsche Welle), “The Real Right Stuff” (1895 Films/Disney+), “Into America’s Wild” (MacGillivray Freeman Films), “America´s Arctic – A Refuge imperiled” (Terra Mater Factual Studios GmbH), “The Meadow – Paradise lost?” (nautilusfilm GmbH), “Wild Africa in Pandemic Times” (Story Producciones/RTVE), “Wild Tokyo” (NHK Japan Broadcasting Corporation Global Content Development Division), and “Mesa Para Todos “Mesa Para Todos/Table For All” (Globo Comunicações e Participações SA).

Entertainment entries captivated viewers and earned Gold including: “Das Boot” (Bavaria Fiction/Sky Studios), “Dear Santa” (UM Studios), “Freud” (Satel Film/Bavaria Fiction), “MasterChef Australia” (Banijay Rights), “Barefoot Contessa: Cook Like A Pro” (Pacific Television), “That Animal Rescue Show” (CBS Studios), “100 Días Para Enamorarnos” (Telemundo), “Des” (New Pictures/ITV, UK), and “Bäckström” and “Caliphate” (Banijay Rights).

Entries earning Gold in Special Events include “The 2020 Innovators Awards: Wall Street Journal Magazine” (WSJ. Magazine), “One World: Together at Home “(Global Citizen), and “Space Launch Live: America Returns to Space” (Discovery Channel).

Broadcast Journalism from around the globe showcased breaking news and headline topics emerging from the world stage. Gold winning work includes “The Search for Assad Executioners” (Al Jazeera Media Network), “101 East – India’s Child Sex Highway” (Al Jazeera English), and “From China With Love: An Adoption Story” (Voice Of America). Silver trophy winners include “NBC Nightly News: Kids Edition” (NBC News) with anchor Lester Holt, and “Beirut Blast” (Al Jazeera English).

Sports content scored Gold. ESPN’s inclusive coverage and in-depth sports reporting earned Gold including: “Backstory: The Decision”, “Lance”, “The All-American Cuban Comet”, “First Take: George Floyd and Police Brutality Protest Show”, and “D. Wade: Life Unexpected”.  Additional Gold winners in the spotlight include “Kick Off! Explains” (DW Sports), “Stories of Women in Sports: 2020 Animated Vignette Series” (CBS Sports Network), and “MLB Network Presents: Junior” (MLB Network).

Compelling Promos enticed viewers. Gold Medalists include: “Monday Night Football Open” (ESPN), “Agatha Christie Compilation” (BBC Studios), “Dinda – The Voice of Barcelona Bekasi” (beIN SPORTS Asia), “Astro Citra August Monthly Highlight” (Measat Broadcast Network Systems Sdn Bhd), “Love and Destiny” (Shanghai Xia Yi Culture Communication CO. Ltd.), and “What’s your story? // Was ist deine Geschichte?” (Luxlotusliner GmbH).

Corporate and Brand Image Films showcased the mission and vision of prominent brands. Networks and production companies honored with Gold trophies include: The Edge Picture Company, Seed Audio-Visual Communication, CBS Sports, UM Studios, KWP and Zoom Film TV, Indigo View Productions, and Sledgehammer Studio.

New York Festivals TV & Film Awards Grand Jury recognized global content creators across all platforms and in all genres and awarded in total 3 Grand Awards, 126 Gold World Medals, 136 Silver and 124 Bronze.

This year is the eleventh year of NYF’s strategic partnership with NAB Show, the ultimate marketplace for people passionate about media, entertainment, and technology.

Entries to each of the competitions are judged around the world by panels of peers in their respective industries. For more information, go to www.newyorkfestivals.com.