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Brompton Goes Beta with Tessera v3.3

Radio+Television Business Report
3 years 3 months ago

LED video processing products manufacturer Brompton Technology has moved forward with the beta release of its Tessera v3.3 software features, a move designed to optimize the performance of LED panels to further streamline professional workflows.

New features include Operating Modes, and Per-Batch PureTone.

Additionally, the Tessera SX40 and S8 now have a preset to support the ACES AP1 color space, as used by ACEScg.

Lastly, in collaboration with Mo-Sys, Brompton has added support for the company’s StarTracker camera tracking system when using panels fitted with the Tessera R2 or Brompton’s new Tessera R2+ and an SX40 or S8 processor with Frame Remapping.

The new Tessera R2+ receiver card has the same SO-DIMM form-factor as the R2. R2+ is backwards-compatible with all existing R2-based panel designs, but brings additional data pins and capability to support new LED drivers.

Operating Modes enables a single panel type to have multiple Operating Modes, each with a slightly different configuration for the panel. Different Operating Modes can therefore prioritize different aspects of visual performance, such as maximum frame rate, low brightness performance, bit depth or effective refresh rate, among others.

Additional Operating Modes can be created by Brompton engineers working closely with the panel manufacturers. Once activated, users can switch panels between Operating Modes via the processor, depending on the requirement of each event or project.

In the new Tessera v3.3 software PureTone has been extended to allow each individual batch of panels to be measured separately to generate a PureTone profile specific to that batch. To create a profile, a PureTone profiling kit is required, which incorporates a sensitive colorimeter. A single LED panel is measured within a dark room to generate the profile, which can then be used with all the panels in that particular batch.

Meanwhile, the Tessera SX40 and S8 now have a preset to support the ACES AP1 primaries, used by the ACEScg color space that is increasingly the choice of CG artists. This avoids the need for a color space conversion in the source device.

ACES AP1 will be automatically recognized by the processor when received over HDMI 2.0, or alternatively, may be manually selected on the processor. The user can also reference the ACES AP1 color gamut within Brompton’s dynamic calibration tools.

 

RBR-TVBR

Nominations Open for Best of Show/Best in Market

Radio World
3 years 3 months ago

Nominations are now being accepted for the Radio World “Best in Market” and “Best of Show” Awards for spring 2022.

“All signs point to the NAB Show returning to an in-person format this year,” said Editor in Chief Paul McLane. “None of us knows exactly what the new normal in convention-going will be like, of course, but it will be so good to see old friends and make new connections again. Meanwhile companies that don’t plan to exhibit can participate in the award program through the Best in Market option.”

The “Best of Show” awards, from Radio World and other brands at its parent company Future, are chosen from companies that exhibit at the NAB Show in April and that submit nominations. The “Best in Market” is open to any company.

Participating brands include Radio World, Mix, TVTech, B+C, Sound & Video Contractor, NextTV and TVBEurope. Each publication announces its own winners’ list.

All nominees and winners will be featured in a post-convention Program Guide distributed to our readers. (Here’s a look at last year’s guide.)

The nomination page includes answers to frequently asked questions. Deadline for entering is April 8.

 

 

 

The post Nominations Open for Best of Show/Best in Market appeared first on Radio World.

RW Staff

FCC Raises Broader Questions About EAS

Radio World
3 years 3 months ago

The FCC clearly has been giving a lot of thought to the state of the Emergency Alert System.

The commission spent much of 2021 reviewing EAS for ways to tweak it, as mandated by Congress; and it has taken some steps, such as requiring State Emergency Communications Committees to meet at least annually and to submit plans for FCC approval. It is exploring other ideas such as internet alerting, as we’ve reported.

Another Notice of Proposed Rulemaking, opened at the FCC’s December meeting, deals mainly with video accessibility but has some radio implications. And a companion Notice of Inquiry asks about further changes that could affect EAS and radio much more broadly.

Better crawls
The EAS system consists of both the legacy broadcast infrastructure as well as an internet-based Common Alerting Protocol structure, which has better visual messaging capabilities.

In its NPRM, the FCC proposes first to clarify the visual crawl for legacy-based nationwide EAS tests — like the National Periodic test last August — by requiring TV stations and other video service EAS participants to use scripted text as opposed to constructing the visual crawl from the header code.

The crawl text would be “This is a nationwide test of the Emergency Alert System issued by the Federal Emergency Management Agency covering the United States from [time] to [time]. This is only a test. No action is required by the public.”

In its notice the FCC asks a series of questions about that proposal, including whether for reasons of consistency it should also apply to CAP-based nationwide EAS tests, or whether doing so would limit the flexibility of CAP alerts.

The commission then also proposes to change the terminology for the nationwide test event code or NPT from “National Periodic Test” to “Nationwide Test of the Emergency Alert System.” The NPT code itself would stay the same but the name seen by the public would be clearer.

The commission pointed out that FEMA separately has recommended a change in terminology for the PEP originator code from “Primary Entry Point system” to “National Authority.”

[Related: The FCC Studies Internet EAS Alerting]

If both of these changes were adopted, the FCC said, the minimum required information in a CAP-based nationwide test visual crawl would change from “The Primary Entry Point system has issued a National Periodic Test for the United States beginning at [time] and ending at [time]” to “The National Authority has issued a Nationwide Test of the Emergency Alert System for the United States beginning at [time] and ending at [time].”

It wants to know, among other things, if these changes will make the visual message for CAP-based nationwide EAS tests more understandable and informative, or if other language would be clearer.

Polling IPAWS
All of the above is aimed at video service providers but sets the stage for consideration of additional changes with more relevance to radio.

The second major proposed step in the NPRM is to require EAS participants, including radio stations, to “poll” IPAWS, the Integrated Public Alert and Warning System when they receive a legacy-based state or local area EAS alert, to confirm whether there was a CAP version available, and to process that alert instead. National Weather Service alerts would be included in this requirement. (NWS alerts are not currently sent on the IPAWS EAS feed.)

The goal is to promote the use of CAP and its capacity to provide matching visual and audio messages.

The FCC noted that EAS participants typically receive legacy and CAP versions of an alert at different times, and the rules don’t specify which version gets delivered. The rules do allow participants to check for CAP versions of state and local legacy EAS alerts but they don’t require it. Unless a station has programmed its equipment to check for a CAP version when it gets a legacy version, the equipment will process whichever is received first.

But CAP allows alert originators to relay enhanced text that can transcribe full audio messages, allowing visual messages that can match longer audio messages. And the FCC believes that any encouragement of the use of CAP versions is beneficial, because those alerts have more information, potentially including visual and audio messages that match.

The commission asks for feedback on that proposal, including whether it could be achieved via a software update and whether there are other ways to facilitate the use of CAP by alert originators with enhanced text that transcribes the verbiage in the audio message.

The FCC isn’t proposing to extend this proposed CAP prioritization mandate to nationwide EAS tests, which often are used to test performance in distributing a presidential EAN message under circumstances where only legacy EAS is available. But it did ask for comment on whether it should do so.

It also asks whether EAS participants should be allowed some minimum timeframe when polling IPAWS before determining that no CAP version is available. And it asked if its CAP prioritization proposal should include required monthly and weekly tests.

Longer view
Along with the NPRM proposals described above, the FCC issued a notice of inquiry, asking for comment on more steps that could improve the accessibility and utility of EAS. The commission uses NOIs as a way to create a dialogue about longer-term questions and possibilities that are not immediately on the table.

Again, much of the NOI’s discussion was about video yet it overlaps with radio interests.

The FCC points out that EAS is an audio-based system and that the legacy portion of the infrastructure was not designed with visual display of text in mind.

In legacy-based alerts, originators currently can generate an audio message that verbalizes the header code elements used to generate the visual message, so that the visual and audio messages match. But this approach may leave unused some of the two-minute allotment for the audio message. That extra time could be used to convey important information. But fully using the two minutes could mean that the visual information will not match the audio portion of the alert.

[Related: Carriers Report Success in National WEA Test]

So in the NOI, the commission asks whether legacy EAS should be modified to enable the distribution of enough text to transcribe the entirety of a two-minute audio message. This raises a technical question.

It notes that the legacy EAS uses AFSK modulation to convert data into audible tones, a process considered cumbersome. Using it to relay sufficient text to match the verbiage in a two-minute audio message theoretically would result in a tone that is roughly 30 seconds in length.

EAS participants have feared that longer alert tones could send listeners searching for the “off” button, or perhaps moving over to streaming providers, where there are no alerts (at least at present).

So the FCC asks: Would the public — not to mention radio and TV stations and other EAS participants — tolerate such a tone? Is there a better compression or modulation scheme that would deliver the necessary information, functioning across all EAS participant services and delivering live audio and maybe video? Is there a role for digital transmission standards such as ATSC 3.0 or HD Radio to improve EAS capabilities?

And last, the commission really goes broad.

It asks: Rather than focusing on ways to modify legacy EAS to relay text or CAP, would it make sense to use legacy EAS only for the Emergency Action Notification (EAN) and NPT, but require use of CAP for all other alerts?

And if legacy EAS can’t be reasonably modified to allow alert originators to distribute text to transcribe a two-minute audio message, should the legacy EAS architecture be redesigned altogether?

The commission noted that in 2012, when it adopted CAP EAS rules, it kept the legacy EAS because of its resiliency in the face of a national emergency and because there was no fully CAP-centric system in place to replace it. It now asks whether those factors “remain as true and relevant today,” and whether EAS could be redesigned to keep the resiliency and automation of legacy EAS but with the functionalities of CAP.

First thoughts
We asked some EAS observers for reaction to all of the above.

Harold Price, president of manufacturer Sage Alerting Systems, said requiring stations to poll the IPAWS server as described in the NPRM is an “automatic seek-and-fetch of the CAP message when the broadcast EAS version is received first.” He said it raises the possibility of delays, including timeouts of alerts and message duplication errors.

“It is possible the legacy message will be generated and transmitted via a state relay system before it is sent to or processed by IPAWS.”

However, he continued, the requirement could result in better audio quality.

On the question of whether the legacy EAS might be redesigned to enable distribution of text sufficient to transcribe a two-minute audio message, Price and some others expressed doubt.

“There is little chance of improving EAS by stuffing long multilingual text strings down a 65-character-per-second pipe,” he said.

Ed Czarnecki, vice president of global and government affairs for manufacturer Digital Alerting Systems, said, “The existing protocol enables us to create that short standard EAS message. The question is whether and how EAS can support more text. I think it’s safe to say that nobody desires a solution that results in overly long tone bursts over the airwaves to carry all that text.”

Czarnecki noted the proposed change of the PEP originator code to “National Authority” instead of “Primary Entry Point.”

“A software update for all EAS devices could handle this. If adopted, I’d hope that this proposal will provide enough time to allow for such a change to be slid into a minor software update.”

Czarnecki said the NPRM asks several questions that may pose issues for the radio industry. “For example, they ask whether it makes sense to only use legacy EAS for the EAN and NPT and rely on internet CAP for all other alerts, which could signal a less relevant position for radio broadcasting in general.”

He also noted that the FCC didn’t exempt radio stations from the proposal that EAS participants poll IPAWS.

“I think there is some good logic behind this. One benefit would be giving radio stations with access to first-generation CAP audio, when available, compared to second- or even third-generation audio from a conventional EAS message,” he said.

“Another indirect benefit for radio stations with newsrooms is that the expanded CAP text may also provide more detail and a fuller ‘story’ than conventional EAS messages.”

He said the company’s DASDEC equipment already has the capability, which it calls Triggered Cap Polling.

“Another use case for the FCC’s proposal comes to mind: multilingual,” he said. “If a multilingual CAP message is available, the use of Triggered CAP Polling would prompt a station to seek out that CAP message and use its contents instead. That content could include optional additional languages, in the case of a Spanish radio broadcaster, or any other provided language.”

Czarnecki does not agree with the idea to use legacy EAS only for the Emergency Action Notification (EAN) and NPT and require use of CAP for all other alerts.

“We’ve noted many times, including in our own filings with the FCC, that legacy EAS provides a resilient backup system when CAP over internet is unavailable for any reason.”

He cautions, “The reliability of our public warning architecture could be dangerously compromised if the FCC allows CAP-only monitoring without radio-based EAS at least as a backup.”

He said EAS manufacturers also have reservations about the FCC’s question about whether the legacy EAS architecture should be redesigned altogether.

“Triggered CAP Polling adequately addresses this question. The full text can be contained in a CAP message. If EAS is received first, that triggers the EAS device to poll IPAWS for CAP, and uses that message instead. If CAP or the internet is not available in an extreme situation, then at least the basic EAS message can be issued.”

Manufacturers believe there may be ways that EAS can be improved without a costly architecture redesign. However, the feeling is that discussion within industry might be more appropriate at this stage.

Czarnecki said, “The questions posed in the NOI are appreciated in that they are far-reaching. We’re hoping to confer with other EAS manufacturers about various technical issues that these questions raise.”

Read the full proposal at https://tinyurl.com/rw-eas-4. File comments to the FCC at www.fcc.gov/ecfs/. To read others, enter 15-94 in the “Specify Proceeding” field.

Comment deadlines had not been set as of mid-January.

The post FCC Raises Broader Questions About EAS appeared first on Radio World.

Randy J. Stine

Radio Broadcasting Services; Various Locations

Federal Register: FCC (Broadcasting)
3 years 3 months ago
This document amends the FM Table of Allotments, of the Commission's rules, by removing certain vacant FM allotment channels that were auctioned through our FM competitive bidding process or undergone FM noncommercial filing window, and are no longer considered vacant FM allotments. The FM allotments are currently authorized licensed stations. FM assignments for authorized stations and reserved facilities will be reflected solely in Media Bureau's Licensing Management System (LMS). These FM allotment channels have previously undergone notice and comment rulemaking. This action constitutes an editorial change in the FM Table of Allotments. Therefore, we find for good cause that further notice and comment are unnecessary.
Federal Communications Commission

Application of ScarboroughRadio, LLC for Construction Permit for New FM Station, Hugo, Colorado

FCC Media Bureau News Items
3 years 3 months ago
Orders $1,000 forfeiture for late filing

Applications

FCC Media Bureau News Items
3 years 3 months ago
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Pleadings

FCC Media Bureau News Items
3 years 3 months ago
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Broadcast Actions

FCC Media Bureau News Items
3 years 3 months ago
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Broadcast Applications

FCC Media Bureau News Items
3 years 3 months ago
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Actions

FCC Media Bureau News Items
3 years 3 months ago
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New APTmpX Algorithm for Radio Arrives

Radio+Television Business Report
3 years 3 months ago

WorldCast Systems, the supplier of advanced broadcast products, is pleased to announce “the further evolution” of its APTmpX product, a “non-destructive” MPX/composite compression algorithm.

Despite the advent of the internet and digital broadcasting standards, FM remains the world’s most popular transmission format and a central technology in radio broadcasters’ efforts to maximize their reach and audience. As a result, new technologies have had to be created to enable an FM-centric workflow to also work for internet delivery.

The initial version of APTmpX, launched in October 2020, offered FM broadcasters access to high quality signal compression for the resulting centralized FM MPX/Composite transmission, solving the difficulty of maintaining both a high quality and a cost-effective transmission.

This provided a solution in the <900kbps region. The latest release of APTmpX takes this even further. Following optimization by Worldcast engineers, three new versions are available that offer new levels of compression at 600, 400 or 300kbps network bandwidth. This means the composite signal can now directly be transported with non-destructive compression from 600kbps down to 300kbps.

The use of APTmpX confers several advantages. Since the majority of composite equipment at transmitter sites is eliminated with a centrally generated MPX/composite signal, besides the obvious network savings, several broadcasters have already managed to save hardware costs with APTmpX. Furthermore, the company says, APTmpX combines signal fidelity with the best latency performance and makes it easier than ever to guarantee a consistent sonic signature across the transmitter network.

“Thanks to its low complexity and easy integration, APTmpX has already proven itself as the ultimate solution to enable a 100% digital transmission chain, bridging the transition from digital studios to digital transmitters,” said Gregory Mercier, Director of Product Marketing at WorldCast Systems. “With these new versions, we bring its power to a whole new section of the market, allowing broadcasters in areas of poor bandwidth penetration to deliver stunning audio quality to their audiences no matter what they are listening on.”

RBR-TVBR

The Profitability of OTT IPTV Services: On Display at Mobile World Congress

Radio+Television Business Report
3 years 3 months ago

It’s known worldwide as a cloud-based multi-tenant platform provider.

At the end of this month, it will demonstrate how, in its view, “easy it is” to implement feature-rich OTT content delivery using the MwareTV platform to mobile operators, telcos and ISPs.

MwareTV will be getting a spotlight at Mobile World Congress, which begins February 28 in Barcelona and concludes March 3.

Mware TV can be found in Hall 5, stand 5J66. “Showcasing the platforms versatility, each visitor will be able to leave with a fully branded proof of concept service,” the company says.

“As an established, cloud-based content platform, MwareTV is able to add services very quickly, anywhere in the world. Users are presented with powerful functionality from content acquisition through delivery to white label Android and Apple apps, all simply customised and branded. Highly tailored and fully branded services can typically be online within four weeks.”

New at MWC2022 will be the latest version of the mobile apps, designed to provide a more enriched user-experience. “MwareTV handles all aspects of delivery, meaning ISPs and telcos do not need to delve into the technology of streaming: simply set quality of service expectations. In many markets, MwareTV can also supply licensed content for multiple channels and services, speeding still further the time to revenue.”

The cloud hosted MwareTV service is based on a “pay as you grow” concept, which means there are no high up-front costs. “As part of the proof of concept, MwareTV will supply a full costing calculator that provides a comprehensive forecast of the launch and running costs of any new service, leading to full investment transparency and profitability predictions. For telcos and ISPs, the ease of operation, ready to launch apps and financial transparency removes the significant barriers to entry and makes new services instantly competitive.”

RBR-TVBR

Heil Sound Has New Leadership

Radio World
3 years 3 months ago
From left: Ash Levitt, Bob Heil, and Steve Warford

Microphone manufacturer Heil Sound has new top leadership for the first time in its 56-year history.

The Illinois-based company said Bob and Sarah Heil have transferred ownership to current President/CEO Ash Levitt and Director of Operations Steve Warford.

“Sarah Heil has retired, but Bob will continue to do outreach work and product design within the amateur radio space under the title Founder and CEO Emeritus,” it stated.

The company said Levitt and Warford each began working with Heil Sound as teenagers, building and packaging products. “Levitt took a different career path in academia for a number of years, but continued to regularly consult with Heil Sound during that time. He returned to the company full-time in 2017 and assumed the role of president in 2020. Warford worked his way up in the company during his tenure and has been responsible for daily operations for the past several years.”

[Visit Radio World’s People News Page]

An Early Photo of Bob Heil

Bob Heil began his audio career as a teenager performing concerts as the house player on the Wurlitzer theater organ at the Fox Theater in St. Louis. According to a company bio he was also deeply involved in ham radio and began tinkering with electronics and electronic design.

He opened “Ye Olde Music Shoppe” in Marissa, Ill., in the early 1960s and found success catering to professional touring bands. Heil Sound was formed in 1966 to provide pro touring gear and systems, and system design and equipment for music festivals.

Among his innovations is the famous Talk Box used by Joe Walsh and Peter Frampton, the quadrophonic mixer for the Who, and modular mixing consoles. The company entered mic manufacturing in the 1990s based in part on the prompting of Bob Heil’s friend the musician Joe Walsh.

In its announcement of the transition, the company quoted Bob Heil saying, “My life has been about achieving great sound, whether on the concert stage or in the amateur radio world. … This company has been my passion but it is time for me to step aside.”

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

The post Heil Sound Has New Leadership appeared first on Radio World.

RW Staff

NAB Supports Directional FM Modeling

Radio World
3 years 3 months ago
An image from Dielectric shows a scale model of an antenna and an HFSS virtual version

The National Association of Broadcasters supports the idea of allowing computer simulations for FM antenna directional patterns — as long as certain guardrails are in place.

“NAB believes that computational simulation of FM directional antennas is already mature and can produce comparable accuracy to physical measurements, thus minimizing the potential for new interference,” it wrote in comments filed with the Federal Communications Commission.

But it cautioned that “electromagnetic modeling software is complex, can be subject to manipulation, and limited by the accuracy and completeness of the input data.”

In November the commission opened an NPRM on this issue and proposed to permit the modeling. The change was urged in a joint petition from Dielectric, Jampro, Radio Frequency Systems and Shively Labs, all of which make antennas, as well as broadcaster Educational Media Foundation.

The most common reason to use a directional antenna by a commercial full-power FM station is to allow it to “short-space” to another FM station while maintaining contour protection to that station.

[Related: “Dielectric Expects FCC to OK FM Pattern Modeling”]

NAB wrote in its filed comments that the accuracy of computer simulation is “fundamentally dependent on the accuracy of the data input to the software.” So the association urged the FCC to require that full documentation of the underlying data and its sources be available to the commission and to “interested parties upon request.”

It wants the FCC to require the following: a statement of the qualifications of the people responsible for modeling; a complete description of the antenna system; limits of 15 dB max/min in the azimuth plane and of 2 dB/10-degree rate-of-change in the azimuth plane; and certification by a licensed land surveyor or equivalent that the antenna is oriented properly and installed at the correct height.

On other aspects, the NAB said the FCC should not require “in situ” measurements beyond ensuring the proper installation of the antenna. The commission should accept results from any appropriate electromagnetic modeling software. And, NAB said, absolute accuracy is not practically achievable, so the commission shouldn’t try to attain prediction accuracies that don’t materially affect the interference environment.

Click here to read the NAB’s filing in PDF format.

The post NAB Supports Directional FM Modeling appeared first on Radio World.

Paul McLane

Exhibitor Preview: Arrakis Systems at NAB Show

Radio World
3 years 3 months ago
Ben Palmer

Planning for the 2022 NAB Show is ramping up, and Radio World is asking exhibitors about their expectations for what will be the first in-person spring show in three years.

Ben Palmer is president of Arrakis Systems.

Radio World: What do you anticipate will be the most significant technology trend that radio professionals should be watching for at the show?
Ben Palmer: I think that there will be a great emphasis on flexibility and accessibility with technology. As we learned with the pandemic, it is important for your studio to be available to you at any moment.

RW: What will be your most important news or exhibit theme?
Palmer: We are excited to show off the new changes we have implemented with our APEX automation system, as well as updates to our analog and AoIP consoles. Specifically with APEX, we have added new cloud features that make it more robust and easier to manage remotely.

The Arrakis APEX Automation System

RW: How is it different from what’s available on the market?
Palmer: The cloud technology services that we are adding to APEX utilizes the latest in security protocols. I believe that this goes a step beyond what has been used by many other systems on the market.

RW: How has the lack of physical trade shows affected your clients or your own business?
Palmer: Sales have done well in spite of the lack of shows. While it has always been wonderful to meet face to face, we have still been able to maintain our relationships with our customers.

Arrakis Booth: N2338

The post Exhibitor Preview: Arrakis Systems at NAB Show appeared first on Radio World.

RW Staff

Scripps Selects Its Q4, Full-Year 2021 Earnings Release Date

Radio+Television Business Report
3 years 3 months ago

The fourth-quarter earnings calendar for broadcast media companies is coalescing, and the latest company to confirm when it is sharing its results is The E.W. Scripps Co.

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Adam Jacobson

Tron Dinh Do Spins an Atlanta-Market AM

Radio+Television Business Report
3 years 3 months ago

Some 20 miles to the northwest of downtown Atlanta is town of Powder Springs, Ga. It is home to an AM radio station that spent much of January off the air, and has been owned by a Vietnamese-American media and entertainment figure for nearly 8 years.

He’s now opting to sell the facility, and at a fraction of the price he paid for it.

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Adam Jacobson

FCC Reduces Fine on Successful Bidder

Radio World
3 years 3 months ago

The FCC Media Bureau has finalized a filing penalty against the winning bidder of an FM construction permit for Hugo, Colo., reducing the fine to $1,000 and calling the error a “minor delinquency.”

ScarboroughRadio LLC, a winning bidder in Auction 109, failed to file a post-auction Form 2100, Schedule 301 long-form application until a couple of weeks after the deadline last September.

Applications can be dismissed outright in such circumstances, the commission pointed out; but an applicant can establish good cause if “minor, inadvertent” post-auction delinquencies don’t disrupt its auction process or undermine its goal of facilitating rapid implementation of service.

[See Our Business and Law Page]

In issuing a notice of apparent liability in December, the FCC waived the deadline, saying that Scarborough had complied with its other obligations, there was no indication of bad faith and the late filing was a minor violation. That meant Scarborough could go ahead with its plan to add FM service to Hugo.

But the FCC did propose a $3,000 fine in the NAL. Company principal Scott Scarborough then filed a response, noting that he is a first-time auction participant, and that after working with the Media Bureau staff on preparation of the long-form application, “it was his understanding that there was no more to be done, that the filing was complete and that there were no issues regarding late filing.”

The commission now has issued a forfeiture order. It said auction bidders were informed through various means of the rules for the post-auction long-form application; but, it continued, Scarborough replied to its NAL promptly, made its final payment and met the other relevant obligations.

“These facts, combined with the fact that Mr. Scarborough proactively reached out to bureau staff to complete the late-filed application, support Scarborough’s assertion that its late application filing was wholly inadvertent.” For this “minor post-auction delinquency,” the FCC settled on a reduced forfeiture of $1,000.

The post FCC Reduces Fine on Successful Bidder appeared first on Radio World.

RW Staff

A TV Measurement Alternative Is Born With Innovid Deal

Radio+Television Business Report
3 years 3 months ago

Connected TV advertising and measurement platform Innovid has struck a deal to acquire television measurement company TVSquared.

The acquisition creates what Innovid calls “an end-to-end, independent TV measurement alternative that brings together streaming and linear television.”

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Adam Jacobson

Gray Grows Its Home Market With ‘Capital’ Deal

Radio+Television Business Report
3 years 3 months ago

Until its merger with Meredith Corporation, Atlanta-headquartered Gray Television didn’t own a broadcast TV station in its home market.

With the FCC‘s blessing, it will be adding a third over-the-air station to its collection in The A.

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Adam Jacobson

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