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Industry News

It’s Official: Needed RMLC Member OK Puts GMR Deal In Place

Radio+Television Business Report
3 years 3 months ago

It was expected, yet some remained concerned that the necessary percentage of Radio Music License Committee (RMLC) members needed to approve an agreement was still out of reach.

Those worries can now be swept away. A settlement between the RMLC, a group representing several smaller and independently-owned radio stations, and the Irving Azoff-controlled Global Music Rights (GMR) has been reached.

News of the agreement, which RBR+TVBR learned on Friday was imminent, was first shared by Streamline Publishing’s co-owned Radio Ink early Monday.

The deal puts a settlement of long-running litigation between GMR and the RMLC over the royalties that the radio stations which are members of the Committee, led by Executive Director Bill Velez, will pay for the public performance of music written by composers aligned with GMR.

One condition of the settlement, an important one, called for a sufficient percentage of radio stations to opt into the deal by signing the form license agreement that
RMLC and GMR negotiated. The negotiated form license agreement, with member
stations’ annual license fees, was sent directly by GMR via e-mail. That sufficient percentage of signatures was met.

The new GMR licenses that radio stations represented by the RMLC signed will begin on April 1. An interim license previously agreed upon by the parties expires on March 31.

In a statement, Azoff said, “Global Music Rights stands for songwriters and the value of their music. I am proud of the GMR team for the hard work on behalf of songwriters in achieving this settlement. It is wonderful that GMR and thousands of radio stations coast to coast are partnered to bring great music to fans for many years.”

Speaking for the RMLC is its Chairman, Ed Atsinger III, the Executive Chairman and former CEO of Salem Media Group. Atsinger commented, “This settlement puts an end to more than five years of litigation and represents a shared desire by both sides to find a way for radio stations and GMR to work together on a long-term basis without repeatedly resorting to litigation.”

Litigation was perhaps an unfortunate hallmark of GMR’s battles with RMLC, as the settlement resolves antitrust litigation that dates to late 2016.  The battle was bruising, with RMLC striking first in November 2016. A month later, GMR countersued, assailing the RMLC as “an illegal cartel.”

With the deal, radio stations now have rights and royalty accords with GMR, SESAC, BMI and ASCAP. Despite these payments paid by radio, groups including musicFIRST, led by former New York Congressman Joe Crowley, are aggressively seeking Congressional approval of the American Music Fairness Act. While the AMFA was in the spotlight last week on Capitol Hill, it has far less support than the Local Radio Freedom Act, a resolution that serves as a pledge to vote against any legislation placing new fees on broadcast radio with respect to airplay of recorded music.

Adam Jacobson

From WLIR To WRNR, He Championed Progressive Rock. Now He’s Moving On

Radio+Television Business Report
3 years 3 months ago

Forty-three years ago, he began his career at a Class A FM at 92.7 MHz serving Nassau County, N.Y., and parts of New York City with a mix of rock and punk music that would eventually coalesce under leadership that built a radio station that “Dared to Be Different.”

He later made waves as the man who preceded Howard Stern in overnights at a station that previously featured Jay Thomas in mornings that just couldn’t shake its association with Disco.

For the last 18 years, he’s been running a Class A Adult Alternative FM based in Maryland’s state capital.

Now, Bob Waugh is ready to say farewell.

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Adam Jacobson

Retailers Ignite Their Spot TV Efforts as Olympics Begin

Radio+Television Business Report
3 years 3 months ago

Could department store retailers be ramping up their spot TV efforts because of the Olympic Games? Or, are other forces at work?

Whatever the case, Target and Macy’s are highly active users of Spot TV, according to the latest Media Monitors report.

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RBR.com

Macy’s Returns To a Tepid Spot 10 For Radio

Radio+Television Business Report
3 years 3 months ago

How many active advertisers are there at Spot Radio these days?

Once one deletes iHeartRadio promotional spots and podcast teasers from the mix, the answer is, sadly, not that many.

On the bright side, Macy’s is back with a new effort. This puts the retailer at No. 10 with some 35,145 spot plays.

By comparison, the top paid advertiser, Indeed, comes in with 62,554 spot plays for the week ending February 6.

At No. 4 thanks to a renewed campaign push is DuckDuckGo, “the Internet privacy company that empowers you to seamlessly take control of your personal information online, without any tradeoffs.”

Meanwhile, ZipRecruiter is present to challenge Indeed in the job search category.

Lastly, the QSR category is represented by Wendy’s.

RBR-TVBR

Smith Upped To COO at NRG Media

Radio+Television Business Report
3 years 3 months ago

It’s a company “dedicated to providing Great Local Radio and is committed to being an active and integral part of the communities it serves.”

As of today, meeting that goal is now a bigger part of the role Jim Smith will play at the radio broadcasting company led by Mary Quass.

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RBR-TVBR

NextGen TV Is Tapping Us on the Shoulder

Radio World
3 years 3 months ago

The author is a retired broadcast engineer who has been involved with advancing radio and television throughout his career, including for Qualcomm/MediaFLO, Harris, Nautel and ONEMedia LLC/Sinclair.

“I would like to see AM radio begin simulcasting on ATSC 3.0 signals. A single ATSC 3.0 transmitter could carry all of the AM signals in a market, in addition to TV programs.”

That was Dave Hershberger, quoted in a Radio World profile after his much-deserved receipt of the NAB Radio Engineering Achievement Award.

I think his proposition is worth considering.

In my opinion, the ultimate broadcast engineering experience is still an AM directional antenna array. That said, I smile politely when I hear talk of “AM revitalization.” At this point I think a deliberate, clear-eyed look at our much-loved industry leads us to reinvention over repair.

Medium-wave spectrum is far from “beachfront property.” For reasons that have been well documented — poor building penetration, increasing noise, dwindling receivers, aging demographics — the most likely future for AM spectrum is that it will continue to lose value to the point where launching something completely new, like high-power all-digital, makes sense.

The state of deployment of ATSC 3.0 by Nielsen TV market, from the Advanced Television Systems Committee. Areas in orange have at least one station “on the air,” though most have more than one. Those in light blue have stations planning service soon; those in dark blue are coming later in the year, at which point NextGen TV will reach 75% of the viewing public in terms of USA population.

FM’s low-VHF spectrum is closer to “beachfront property,” but even high-VHF is considerably better. Note that originally, FM was promoted as a replacement for AM, it was not promoted as an additional service.

Broadcasters also distribute their linear content via unlicensed and unlimited internet. This is all IP, so there’s no limitation on what can be broadcast, how it is packaged or how much bandwidth it takes.

While OTA broadcast covers unpopulated areas well, streaming is now available in virtually every populated area, building, tunnel, venue, etc., and there are few limits to how big the “coverage area,” can be, up to and including the entire planet.

Besides 5G, tiny IP satellites are coming fast, covering the earth’s surface.

The single most important data point for broadcasters is ascertaining the audience. Our product is “eyes and ears,” a.k.a. “attention,” and we are not alone seeking and selling it.

[Read More Guest Commentaries Here]

When it comes to quantifying and qualifying the audience, OTA falls short of the internet. Interactivity, targeted advertising, non-linear and rich media are all impracticable within the current ecosystem.

That’s not trivial. Radio really can’t compete well with delivery that tells our customers exactly who is listening and can target advertising, alerts and other content.

Radio’s traditional exclusive sweet spot had been mobile. But streaming to smartphones, cars and portable “radios” with the present-day “carrier” access networks, even without 5G, is better in most ways than OTA.

FM chips in phones were never a viable option. But patrons expect that smartphone FM radio will work in any location — basement, elevator, office — where cell phones do but OTA FM cannot reach.

Selling points
So why should radio broadcasters be interested in ATSC 3.0?

First, NextGen Broadcast — and that’s what it is — is not just TV. Because it is IP-based, it can carry anything: linear radio and any data service, album art, or whatever … along with TV.

Second, OFDM on UHF runs circles around AM or FM in terms of coverage and penetration. Critical to this, is that like the HD/OFDM part of HD FM, single-frequency networks composed of multiple transmitters can push coverage into places otherwise unreachable by any other means other than the cellular carriers.

NextGen Broadcast on UHF is beachfront spectrum. No one is lining up to re-farm MW and VHF spectrum. There will be no auctions of radio spectrum.

Moving radio to NextGen Broadcast changes the ground rules.

For my entire career, it has been clear that the Venn diagram of radio and TV has two spheres that are destined to converge. The move to IP does exactly that.

In American radio, broadcasters ordinarily own and operate their own single-service transmitter (HD2, HD3 aside) and maybe some translators and streaming servers. NextGen Broadcast is a multiplex of services, radio, TV and data.

Some NextGen pioneers plan to aggregate their spectrum to move content between transmission systems; adjusting modulation/coding to maximize coverage, reach and capacity as appropriate for the individual services.

ATSC 3.0 can do that. Radio services could have a lease or other arrangement for access to a slice of NextGen multiplexes.

Currently, an FCC license is for 6 MHz of spectrum traditionally held by one entity. In NextGen broadcast, that license typically houses multiple “broadcasters.”

While one might not have to worry about tower lights or transmitter maintenance, “radio stations” likely would not be limited to those with a license and call letters. Regulations probably need to be updated, if for no other reason than rules enforcement reaches the spectrum holder and not the occupants.

There are other regulatory opportunities. For example, being IP, emergency alerting can be done once, collectively, for the whole multiplex.

NextGen has momentum
The current DTV transmission ecosystem is shifting to ATSC 3.0, with the first wave approaching completion with about 75% of the population covered by at least one NextGen Broadcast signal. According to some estimates, 2 million 3.0-capable TV sets will be in homes by Christmas of 2022.

If you think radio has challenges, look at TV. Current DTV is stuck with an ancient inefficient codec that can’t handle what today’s TVs can display and a modulation scheme (8-VSB) that can’t handle motion or support single-frequency network boosters.

It’s hard to imagine that in a decade, OTA TV will still be ATSC 1.0 in any sustainable way. Manufacturers are heavily invested in selling NextGen Broadcast throughout the world because that sells bigger, better TVs. They just have to be contemplating better “radios” too.

So how does that get NextGen Broadcast receiver chips into cars and smartphones?

For that, we have to look at the symbiotic relationship between ATSC 3.0 and 5G.

While most of the world’s connectivity traffic is unicast, the bulky part is broadcast. While the obvious 3.0 use case is the 700-pound gorilla of live linear radio and TV, there is also the anticipated distribution of data for self-driving cars and certainly things yet undreamed.

One can speculate that as the NextGen Broadcast infrastructure expands, discounted distribution and low-cost storage will be attractive for delivering more than the obvious popular movies and podcasts.

When it comes to the intersection of technology, regulation and business, anything can happen anywhere. However, NextGen Broadcast is designed to replace the world’s aging and imperfect OTA distribution. All of it.

This isn’t an incremental improvement.

As NextGen Broadcast transmission is lighting up, what is being distributed is, with few notable early exceptions, simulcasts of existing TV and radio content. That is not a typo. Audio services, including simulcasts of legacy radio stations, are being conveyed by NextGen Broadcast on the air now.

What’s next is the consumer side of the ecosystem. Clearly the first multi-millions of NextGen reception devices will be about simply making pictures and sound.

We radio broadcasters have “asks” that we might not have thought we could dream of. Dynamic (targeted) advertising and listener intelligence will need the devices to run apps that are built in or placed on the device by broadcasters. First-run NextGen TVs do some of that. Radio should be next.

Real opportunity
In a nutshell: After 20-plus years, and millions if not billions of dollars of development by hundreds of entities, NextGen Broadcast is authorized and on the air. Whether incumbent “radio” broadcasters take advantage of its capabilities and opportunities is an individual choice.

Some will stay the course, but others will enter a converged media world that is free of the major impairments and limitations we’ve been “improving” and “revitalizing” our way out of with limited success.

The combination of near-perfect distribution and the unlimited capabilities of OTA IP is a radio content provider’s Holy Grail. It might start with NextGen Broadcast simulcasts, but as a believer in radio, I think it goes much further. While we’ve been running toward revitalization, NextGen Broadcast has just tapped us on the shoulder. This is a tipping point that might take some of us by surprise.

Someday, I’d like to listen to radio in a hotel room again.

Comment on this or any article. Write to radioworld@futurenet.com.

The post NextGen TV Is Tapping Us on the Shoulder appeared first on Radio World.

Fred Baumgartner

Joby Wavo Pro Shotgun Mic Debuts

Radio World
3 years 3 months ago

Vitec Group brand Joby has introduced a string of entry-level mics and lavs aimed at content creators, and the flagship of the new audio capture offerings is the Wavo Pro shotgun microphone, intended for use by storytellers, filmmakers and creators on the go.

The Wavo Pro is equipped with a hybrid analog/digital system to power onboard active noise reduction, a sound management app, and integrated second 3.5 mm mic input. Designed to pair with mirrorless camera hardware, Wavo PRO adapts technology from sister brands like Rycote and Audix for its feature list.

An active noise reduction system leverages onboard Rycote technology to process and clear sounds made by users in the process of operating gear, removing self-generated structural noise.

[Check Out More Products at Radio World’s Products Section]

LEDs in front and back of the microphone help provide users with real-time monitoring no-matter the orientation, but more in-depth monitoring is available via a simple, dedicated iOS and Android digital sound management app that connects to Wavo Pro via Bluetooth. The app provides creators with real-time and remote visual monitoring of sound input, independent dual-mode EQ, and customized, shareable sound setups.

A secondary mic input is provided on the microphone itself, allowing users to use multiple microphones for interviews or dual-channel recording. The mic also sports an onboard −10 dB safe track for mono or dual channel recording.

Helping ensure the microphone doesn’t bleed a camera battery drive, the Wavo Pro has an auto power mode to switch the mic on/off automatically together with the camera. Lastly, the mic pairs with the entire Joby content creation kit, including tripods, lights and mics.

Send your new equipment news to radioworld@futurenet.com.

The post Joby Wavo Pro Shotgun Mic Debuts appeared first on Radio World.

Mix Editorial Staff

UK’s ‘Absolute Radio’ Reveals Personalized Station Winner

Radio+Television Business Report
3 years 3 months ago

A Bauer Media brand with national coverage of the United Kingdom has unveiled the name — and, as such, the winner — of an all-digital radio station named after one of its listeners.

It concludes a unique promotion that began one month ago at Absolute Radio.

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Adam Jacobson

With Days Remaining, All Is Mum On CXR Divestments

Radio+Television Business Report
3 years 3 months ago

On December 8, 2021, now-former Media Bureau Chief Michelle Carey ordered the Elliot Evers-administered “CXR Radio Station Trust” to move forward with the timely divestiture of two Florida FM radio stations. While Evers wanted an extra six months to get the price he believes is fair for the properties, despite an offer for one of the FMs from Spanish Broadcasting System (SBS), Carey said no.

Now, with days remaining, industry observers are eagerly awaiting the station sales. Little is being said privately about the matter, leading some to question when the necessary deals will be struck.

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Adam Jacobson

Senate Confirms Three to CPB Board. One is a Hollywood Honcho

Radio+Television Business Report
3 years 3 months ago

WASHINGTON, D.C. — The U.S. Senate has confirmed three Corporation for Public Broadcasting board members.

Two of the board members were re-nominated, and retain their seats. The third board member is new to the CPB. He’s a major Hollywood figure.

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RBR-TVBR

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