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Industry News

Now Available To You: A ‘Streamlined and Intuitive’ Audiologging App

Radio+Television Business Report
3 years 9 months ago

Radio imaging, voiceover, programming, podcasting and jingles company Benztown has entered into an agreement with Tracy Johnson Media Group to market and distribute a new streamlined and intuitive audiologging app to U.S. radio stations.

Introducing AudioLogger, which Benztown says speeds the process for stations to repurpose audio for other uses.

AudioLogger was developed by Belgian radio broadcaster Alain Claise and is currently used on over 250 stations worldwide. The app is now available to stations from Benztown.

“With AudioLogger, all station staff can instantly access, manage, and share audio for
any station in the world,” Benztown notes. “Broadcasters can access audio for airchecks. The sales team can send proof of performance audio and live reads to advertisers without filling out a production request. And stations can even convert any audio segment into attention-getting videos to post online with just a couple of clicks.”

Benztown President Dave “Chachi” Denes comments, “AudioLogger transforms station
operations by empowering every member of the staff to do more with their audio content
– whether they’re in production, sales, marketing or digital. The system is fast and easy
to use, and audio is available to edit, export and manage within a couple of seconds of
being broadcast. Plus, it works on any platform and device, including tablets and cell
phones. AudioLogger is a game-changer for stations and Benztown is proud and
excited to partner with Tracy Johnson Media Group to bring this smart and affordable
technology to U.S. radio.”

RBR-TVBR

GatesAir: Powering NEXTGEN TV In D.C.

Radio+Television Business Report
3 years 9 months ago

GatesAir, known for its wireless, over-the-air content delivery products used by radio and TV stations across the U.S., has joined forces with Pearl TV and Howard University to bring NEXTGEN TV service to Washington, D.C.

GatesAir will ship a Maxiva ULXTE-50 UHF transmitter to Howard University’s WHUT-TV in preparation for an October launch, forming the nucleus of the public broadcaster’s new ATSC 3.0 transmission facility. WHUT, the market’s secondary PBS member station, will serve as the host station for the collaborative effort — using the liquid-cooled GatesAir transmitter to carry NEXTGEN TV signals from WHUT and four local commercial broadcast network affiliates.

WHUT brings several compelling advantages as a lighthouse station, including a prime location in the city that will maximize market reach. Howard University’s academic resources and educational initiatives will add value to the cooperative effort taking shape in DC. These include a Media Technology Innovation Learning Lab that, in cooperation with NAB, was formed to drive industry collaboration and develop new NEXTGEN TV services. Working closely with NAB, Howard University is also the only learning institution in the United States to offer a dedicated NEXTGEN TV seminar series, which is an educational platform for next-gen eration engineering talent. This important initiative gives students a chance to be on the ground level of NEXTGEN TV development for the Washington DC service.

Local commercial stations WJLA (ABC), WUSA (CBS), WTTG (FOX) and WRC (NBC) will join WHUT in the delivery of HD programming and standard-definition sub-channels (including the PBS Kids service) from the GatesAir transmitter. The transmitter will also carry new digital and multimedia services supported through the ATSC 3.0 standard.

“WHUT is testing many of the datacasting concepts that come with NEXTGEN TV, and all four commercial stations are sharing innovative ideas,” said Sean Plater, Acting General Manager of WHUT. “WHUT will look to provide internet access to those without broadband internet service, particularly in the Ward 7 and 8 neighborhoods of Washington DC. All five stations are looking at emergency alerts and interactive services that weren’t before possible with local television. A Howard University student is interning with Pearl TV this summer to help develop a new application, and we hope to involve more students in these development processes over time.”

Pearl TV Managing Director Anne Schelle added that the Washington DC model exemplifies the spirit of public and commercial broadcasters working together to advance the future of local television. “The commercial stations recognized the challenges that Howard University would have as a lighthouse station and, along with GatesAir and other partnering technology suppliers, played important roles in funding this project,” she said.

GatesAir is one of many suppliers supporting the initiative. The Maxiva ULXTE-50 transmitter, built at GatesAir’s Quincy, Ill., manufacturing center, will provide interoperability with the encoders, schedulers, and other key technologies within WHUT’s transmission headend. GatesAir will provide installation and commissioning services for its transmitter, which integrates an ATSC 3.0-ready GatesAir Maxiva XTE exciter.

— Brian Galante

RBR-TVBR

Red House Builds Full-Sized Chromakey Studio

Radio+Television Business Report
3 years 9 months ago

CP Communications-owned Red House Streaming has completed upgrades to one of the two studios at its St. Petersburg, Fla.-based professional and network operations center (NOC).

The result is the creation of an enhanced chromakey space.

Known as Studio B, the new area can accommodate a four-person interview set and produce a full 16:9 chromakey shot.

Red House Steaming completed the renovations to Studio B in about three weeks and began using the chromakey set in mid-July.

Originally, Red House Streaming had a small chromakey area in Studio B to accommodate single-person standups. “When we were approached by a client that wanted to produce a pilot for a TV series, we decided we needed something larger,” said Red House Streaming GM Lowell Beckner.

That pilot, for a young adult news series, was the first project produced in the new space. The studio continues to be used for regular programming for other clients. Studio B now features a cyc wall that measures 17 feet across and 12 feet high, as well as soundproofing to accommodate musical acts. Three new Neewer globe lantern softbox diffusers help create even lighting across the set for clean chromakey effects, and additional fixtures are used for lighting talent. Studio B features all LED lighting that is controlled via DMX.

The new chromakey area features four of Red House Streaming’s RHS CamSTREAM PTZ camera units, three on tripods and one mounted high on a vertical truss for wide shots. All four cameras are controlled using a Panasonic AW-RP150 touchscreen remote camera controller in the control room, so there are no camera operators in the studio. The Red House Streaming control room, which is shared by both studios, also features a Yamaha TF1 digital audio mixer, CasparCG graphics, and a vMix production switcher.

The chromakey studio is the first major upgrade for Red House Streaming studios, which launched its first production in January 2021. The facility already has several regular clients using its production studios as well as its NOC for content management and delivery. Red House Streaming also offers mobile production and streaming packages.

— Brian Galante

RBR-TVBR

WideOrbit to Release WO Traffic v21.0

Radio+Television Business Report
3 years 9 months ago

WideOrbit, known for its widely used broadcast TV and radio inventory and revenue workflow management products, has brought to market the latest release of its flagship ad sales and commercial operations platform.

Providing a foundation from which 90+% of US local TV and 50+% of US radio broadcasters manage, execute, and scale ad sales, the WO Traffic v21.0 release includes new features and enhancements to help stations and station groups generate new revenue, reduce costs, and improve efficiency.

WideOrbit says the newest release of WO Traffic “marks a significant milestone in the industry” with the introduction of the Electronic Material Instructions module, an automated tool designed to address the need to simplify and streamline the material instructions process.

The Electronic Material Instructions licensed module integrates with several leading material instructions providers, including ECN, PremiumMedia360, ITN Networks, and SpotGenie. More integrations are coming soon, including Warren Lamb and vCreative. These integrations simplify the exchange of new and revised material instructions, helping broadcasters reduce errors (and costly makegoods) while increasing staff productivity.

WO Traffic v21.0 also introduces additional enhancements to improve efficiency, including easier, more intuitive log editing functionality; a new, customizable Inventory Analysis Report; improved New Orders navigation with easier property location and selection, and more.

“WideOrbit has always been committed to continuous innovation and investment in our core products and we’re proud to continue that tradition,” says Will Offeman, WideOrbit Chief Product Officer. “Our 21.0 release of WO Traffic includes the Electronic Material Instructions module, a significant step forward in automation for what was previously a highly manual process, and just one of several new features designed to help our broadcast TV and radio customers maximize revenue, reduce costs, and improve efficiency.”

RBR-TVBR

A Pioneer in At-Home TV Broadcasts, Rediscovered

Radio+Television Business Report
3 years 9 months ago

Software-defined network and cloud platform Masergy’s private network and cloud platform is now playing a key role in enabling Azzurro HD’s AzzurroCam to deliver high-quality broadcast signals required for live, on-air interviews created outside of a professional studio.

Thanks to Masergy, AzzurroCam systems in the field can transmit high-definition signals backed by industry-leading service level agreements, including 100% in-sequence packet delivery and less than 1 millisecond of jitter.

“Masergy gives us the lowest possible latency you can get on the market today, and that’s one of the biggest reasons clients rely on us,” said Azzurro HD CEO Francis Luperella, explaining the criticality of service uptime. “There is very minimal delay, so you can have a long, live TV conversation in high definition. Our business is not about streaming TV shows and it’s not about video conferencing at its best. This is live, real-time TV broadcasting for big-name networks.”

In 2020, TV viewers everywhere got a glimpse into the challenges of remote broadcasting as TV networks were forced to produce shows directly from their homes. Pictures were fuzzy, and split-screen conversations were not always in sync—an experience all too familiar for those using video conferencing tools with home internet services. When it comes to high-profile, national broadcast, dips in service quality are not tolerated. AzzurroCam, released by Azzurro HD more than 10 years ago, is a self-contained camera system providing TV networks with studio-quality broadcast capabilities from anywhere.

Azzurro can monitor and manage the network service via Masergy’s online management portal. AI-powered applications in the portal provide recommendations and predictions to thwart any performance degradations. The portal also allows Azzurro to control bandwidth in an instant. Meanwhile, Masergy provides overall management of Azzurro’s solution from the network to security, including threat monitoring and response services.

“Masergy has been a part of our company since inception, and we have enjoyed a wonderful relationship with all-in-one turnkey service,” said John Bonaccorso, Vice President of Operations at Azzurro HD. Now that Azzurro is forging the future using ultra-high-definition broadcast, also known as 4K, Masergy can deliver the additional required bandwidth.

Bonaccorso commented, “We’re building camera systems that can deliver broadcast-quality 4K video directly from a home studio, so the ability to segregate network traffic on a different tier is key. When we need more throughput and bandwidth, we simply turn it up. The Masergy network is highly responsive.”

When Azzurro is supporting high-profile events, Masergy flags corresponding circuits, delaying any scheduled routine maintenance and automatically escalating issues if they arise.  Luperella said, “That’s the kind of attention you can’t find with big carriers and the reason our events air flawlessly. We will always aim to deliver the most pristine broadcasting service possible, and Masergy is our partner in making that a reality.”

RBR-TVBR

FCC Takes a Broom to Radio’s Technical Rules

Radio World
3 years 9 months ago
Acting Chairwoman Jessica Rosenworcel gavels the July FCC online meeting to order. The four commissioners all supported opening the notice of proposed rulemaking.

The FCC is moving to clean up more broadcast radio technical rules.

The four commissioners voted unanimously in July to adopt a Notice of Proposed Rulemaking that identifies seven technical rules they want to eliminate or at least revise. The vote, and the subsequent publication in the Federal Register, will start a public comment process toward final action.

Some changes are more significant than others, but radio observers told Radio World that all will benefit broadcasters and allow them to operate more efficiently.

[Read: Comment Deadlines Are Set in Tech Rule Review]

Former Chairman Ajit Pai made it a theme of his tenure to eliminate outdated and redundant technical provisions for broadcast radio stations. But acting Chairwoman Jessica Rosenworcel too has identified rules worth revising or trimming.

The proposed changes include clarifying some conflicting technical provisions, as well as eliminating the maximum rated transmitter power limit rule for AM stations.

The FCC believes the latter is “outdated and unnecessary,” given the commission’s reliance on actual operating antenna input power as the most accurate and effective means of ensuring that AM stations adhere to their authorized power limits.

The commission also wants to eliminate a requirement that applicants demonstrate the effect of any FM applicant transmitting antenna on nearby FM or TV broadcast antennas, calling this rule seldom used.

It also plans to update the noncommercial FM community of license coverage requirement to create consistency across different rules for NCE stations. Specifically, the FCC proposes that “the requirement that stations reach 50% of their community of license or 50% of the population in their community should replace the more general requirement that the NCE station cover a portion of the community.”

 

“Reasonable and Prudent”

Bob Weller, vice president for spectrum policy at the National Association of Broadcasters, says the association is working with its members to ascertain whether there are particular benefits or concerns about the FCC’s plans.

“Most of the proposed rule changes seem reasonable and prudent. It’s always good to eliminate or clarify rules that are in conflict with other rules. But we want to ensure that those internal conflicts are resolved in a way that no broadcasters are harmed,” Weller told Radio World in an email.

NAB expects to work with the FCC in its ongoing review of regulations and possibly comment in greater detail on one or two of the specific changes, Weller said.

Broadcast engineering experts contacted for this story generally are supportive about the cleanup.

OLYMPUS DIGITAL CAMERA

One longtime observer of the commission said these updates are “safe and sane” deregulatory efforts and constitute a “clearing of regulatory underbrush” of outdated technical rules. “The changes being proposed appear to be mostly administrative in nature, harmonizing rules and eliminating inconsistencies from some areas and clarifying others,” according to this expert.

Veteran broadcast engineer Ben Dawson, consulting engineer with Hatfield & Dawson, said he is “delighted the FCC has set out to clean up” outdated broadcast rules, in particular the maximum rated transmitter power limit rule for AMs.

“No one has paid any attention to this rule for decades, and the transmitter manufacturers no longer design their products in the old power limit series anyway,” Dawson said.

Another rule that is mostly ignored, he said, is the requirement that applicants demonstrate the effect of any FM applicant’s transmitting antenna on nearby FM or TV broadcast antennas.

“It serves no useful purpose except in the rare case where there is a new installation that really does mess up an existing one — FM antennas improperly interleaved, for example,” he said.

However, one observer said that the “co-location rule” for FM stations provides legal teeth to a longstanding FCC policy that broadcasters who are “second in time” are “first in responsibility” to resolve interference problems due to proximity. “An FCC policy is subject change and may be difficult to enforce, while a rule carries clear legal standing,” he said.

Another FCC watcher, Chris Imlay, general counsel of the Society of Broadcast Engineers, said that efforts by the FCC to ease broadcast regulations and clean up old rules began in earnest during the Reagan administration.

“It was a feverish effort to pare away overly limiting broadcast rules, to try to get broadcasting closer to a print media level of regulation,” Imlay said.

“After that, the biennial review dockets looked for rules that were outdated or needed updating. Advances in the reliability of broadcast equipment and reliable automation justify elimination of outdated technical regulations to some extent,” Imlay said.

 

Update to a Fill-in

Imlay thinks the redefinition of AM fill-in areas will be perhaps the most helpful and relevant change.

The commission wants to amend the definition of an “AM fill-in area” when an FM translator simulcasts an AM station. It says its change would “create consistency” across different rules governing fill-in translator transmitter siting.

“It seems to me that by far, that’s the proposed rule change that will be most helpful, at least for AM radio broadcasters with FM translators,” he said.

“The rules have been inconsistent. Making these two rules consistent alleviates an anomaly that is confusing, to say the least.”

The FCC also plans to update the signal strength contour overlap requirements for noncommercial Class D FMs to bring those rules in line with the contour overlap requirements for all other noncommercial FMs.

The proposal states, “This change will allow Class D stations greater site selection flexibility as well as the opportunity to potentially increase their coverage areas.” The commission proposes that “the time is ripe to extend the otherwise universal 100 dBu contour overlap standard for second-adjacent channels to NCE FM Class D stations.”

The FCC believes the 100 dBu standard “is a better gauge of potential second-adjacent channel interference than the 80 dBu standard.”

According to Laura Mizrahi, vice president of the consulting firm Communication Technologies, “The NCE-FM Class D second adjacent channel interference ratio most definitely should be consistent with all other services. It’s been +40 dB or the 100 dBu interference contour for all other FM services for a long time now. High time to give the second-class Class Ds some relief here.”

Asked if these changes might mean a lot of new business for broadcast engineering consultants, she said no.

“There may be some modest increase, if only from a curiosity standpoint, from some Class Ds, but from my perspective there isn’t likely to be a huge influx of inquiries, since this would only benefit existing Class D facilities, of which it is believed very few would be able to benefit from the change.”

 

Border Issues

As part of the NPRM, the FCC is also seeking to eliminate a requirement for broadcasters to protect grandfathered common carrier services in Alaska operating in the 76–100 MHz frequency band, “since there are no common carrier services remaining in this band in Alaska,” according to the FCC.

The notice would also tweak allocation and power limitations for broadcast stations located within 320 kilometers, or about 199 miles, of the Mexican and Canadian borders.

Bert Goldman, president of Goldman Engineering Management, believes this particular update will affect broadcast licensees, particularly in the planning of translators.

“Codifying and updating some of the rules in Parts 73 and 74 will make things easier and will allow for some improvements of translators along the border. I have filed several translator applications near the Mexican border, and trying to decipher and apply the international treaty requirements for translators near the border is maddening,” Goldman said.

[Read: FCC Finalizes Changes to Part 95 Rules]

“These changes should simplify the application process and allow for more reasonable facilities.”

But Goldman is one of several observers who told Radio World they would like to see further action from the commission on outdated radio technical rules.

“I think it’s a good start, but they’re certainly not taking any risks. In my opinion, this NPRM is an attempt by the FCC to get something passed without creating a lot of pushback. It’s extremely benign,” Goldman said.

“I’d love to see the commission take on some really meaningful reregulation that helps broadcasters and consumers, and not just the biggest voices in the room.”

One industry veteran said he agrees that the rulemaking is conservative and not controversial. “This is what we have seen so far from Rosenworcel, who doesn’t want to rock the boat while an acting chairwoman,” that person said.

And Ben Dawson said the FCC should consider updating rule 73.51, which deals with determining operating power. “The only part worth retaining is a reworded section (e)(1), which would require use of the manufacturer’s stated final amplifier DC-to-RF efficiency factor.”

The text of the NPRM is on the Radio World website at https://tinyurl.com/rw-tech-rules. Interested parties may file comments and replies at www.fcc.gov/ecfs/filings. Specify proceeding MB Docket No. 21-263. Comment deadlines had not been published as of late July.

 

The post FCC Takes a Broom to Radio’s Technical Rules appeared first on Radio World.

Brett Moss

Top-Performing Podcasts Are Consistent

Radio World
3 years 9 months ago

The three biggest U.S. podcasts by audience size are “The Joe Rogan Experience,” “The Daily” and “Crime Junkie.”

That’s according to Edison Research, which has released its latest quarterly list of the top 50 U.S. podcasts.

The list is shown at bottom.

Edicson Research SVP Tom Webster was quoted in the announcement: “This is the second anniversary of the Podcast Consumer Tracker, and the top shows have been fairly consistent over that time. Because our research covers the entire space, regardless of publisher or listening application, we have been able to report that stability even as the space continues to evolve.”

The company’s Podcast Consumer Tracking Report is a measurement service that measures relative audience size and demographics of all podcast networks. Podcast networks and technology platforms are its target customers.

He added that the company sees “some marked differences between people who primarily get their podcasts through Apple Podcasts, those who primarily use Spotify, and those who mainly use YouTube. The character of the shows — and of the audiences — differs by platform,” but did not publish those details.

The post Top-Performing Podcasts Are Consistent appeared first on Radio World.

Paul McLane

Comment Deadlines Are Set in Tech Rule Review

Radio World
3 years 9 months ago

Deadlines have been set to give the FCC your feedback on its proposed changes to technical rules for broadcast radio.

Comments are due Sept. 7, and reply comments are due Sept. 20. You can file via the FCC comment system. Click “Submit a Filing,” and enter 21-263 in the Proceeding field.

The commission wants to change a section of the rules to remove the maximum rated transmitter power limit for AM stations.

[Read: FCC Finalizes Changes to Part 95 Rules]

It wants to change two sections to “harmonize” with the NCE FM community coverage standard in another section.

Another change would eliminate a rule that involves FM transmitter interference to nearby antennas.

Also, the FCC wants to change a section that sets out signal strength contour overlap requirements for NCE FM Class D stations to be consistent across different station classes.

It proposes to delete a requirement that stations in the 76–100 MHz band protect common carrier services in Alaska.

It plans to tweak the definition of “AM fill-in area” in one part of the rules to conform to the requirement in another part.

And it proposes to amend the allocation and power limitations for broadcast stations within 320 kilometers/200 miles of the Mexican and Canadian borders to comply with current treaty provisions.

The full proposal is posted on the Radio World website.

 

The post Comment Deadlines Are Set in Tech Rule Review appeared first on Radio World.

RW Staff

State Broadcasters Want ‘Local Journalism Sustainability Act’

Radio+Television Business Report
3 years 9 months ago

State broadcast associations representing all 50 states, the District of Columbia and Puerto Rico have formally written to leadership in the U.S. Senate urging passage of the Local Journalism Sustainability Act.

Will they be ignored, given the lack of support for the bill?

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Adam Jacobson

Another Ed Stolz Issue: FM Translator NOVs

Radio+Television Business Report
3 years 9 months ago

Add yet another twist to the ongoing saga involving FM radio stations formerly owned by Ed Stolz and his Royce International Broadcasting.

The FCC has issued a pair of Notice of Violation warnings to Stolz’s Palm Springs, Calif., operation for problems tied to two FM translators in the market he owns.

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Adam Jacobson

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