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Industry News

Entercom Expands Gambling Radio to Chicago

Radio World
4 years 1 month ago

Entercom will use an HD-2 FM channel in Chicago as it continues to feel its way in expanding radio programming about sports betting.

It announced launch of “The Bet 105.9 FM-HD2,” which will be part of its BetQL Audio Network and an affiliate of CBS Sports Radio.

Until now, that HD-2 channel carried a simulcast of its main station, WCFS(FM), which is branded as WBBM Newsradio.

Because it is a digital subchannel, the content will only be heard by listeners with HD Radio receivers in Chicago. HD Radio developer Xperi has said that receiver penetration continues to increase in major markets.

The company said The Bet format “will feature national sports talk and sports betting programming heard across Entercom’s robust portfolio of sports stations, as well as the BetQL Audio Network.”

Entercom  recently made similar moves in Los Angeles, where the content is heard on an HD-3 channel, and Denver, where Entercom is using an AM station for the format.

[Related: “Entercom Tries Betting Radio in L.A., Denver”]

Rachel Williamson, regional president and market manager in Chicago, said in the announcement that since legalization in 2019, “sports betting has exploded in the state of Illinois and we’re delighted to enter the arena of this rapidly growing landscape to deliver insightful content to our listeners with the launch of this new station.

Programming includes “BetQL Daily” with Joe Ostrowski and Ross Tucker and “You Better You Bet” with Nick Kostos and Ken Barkley.

[Related: “Radio Gambles on Sports Betting”]

The post Entercom Expands Gambling Radio to Chicago appeared first on Radio World.

Paul McLane

WINK Owner Approves A Ratings Deal

Radio+Television Business Report
4 years 1 month ago

FORT MYERS, FLA. — The owner of the CBS affiliate serving Southwest Florida, perhaps the last market in the U.S. where three of the Big Four network affiliates are owned by independent broadcasters, has just signed a new agreement for “industry-leading local TV measurement currency” across its stations in the market.

The deal isn’t with Nielsen.

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RBR-TVBR

This CEO Doubles Down On Its Soft Stock Price

Radio+Television Business Report
4 years 1 month ago

FORT LAUDERDALE — Comscore’s five-year stock trend is far from pretty.

Two years ago, SCOR was suddenly slipping from a $20 price range; it started 2017 in the mid-$33 range. By August 2019, Comscore shares were at $1.86.

Today, they start the week at $3.83 in pre-market trading. For CEO Bill Livek believes they’re seriously undervalued.

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Adam Jacobson

Discovery+ Promotion Continues To Dominate Spot Cable

Radio+Television Business Report
4 years 1 month ago

So far in 2021, the biggest campaign — by a wide margin — using spot cable is that of Discovery, to promote the launch of its much-ballyhooed Discovery+ over-the-top platform.

For the week ending March 21, No. 2 GEICO’s play count on ads was nearly half of that seen by Discovery.

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Adam Jacobson

A Rogue TV Move For An Auto Brand

Radio+Television Business Report
4 years 1 month ago

There’s some exciting activity being seen at spot television as the final days of Q1 2021 are upon us.

Automotive advertising can been seen. What’s intriguing is what brand is the leader.

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Adam Jacobson

A Return to the Top Is A Progressive Move

Radio+Television Business Report
4 years 1 month ago

The gap between rival auto insurance specialists widened last week at Spot Radio, the latest Media Monitors Spot Ten Radio report shows.

In fact, the leader in the category — the new leader for all of spot radio — outpaced GEICO by more than 20,000 spot plays.

As shown below, Progressive is No. 1 with 53,621 plays as GEICO finishes the week at No. 7 (including iHeart promotional campaigns).

The other activity of note involves Indeed, while Babbel is No. 3 among fully-paid advertiser efforts.

Adam Jacobson

Galkoff: Radioplayer Continues to Grow

Radio World
4 years 1 month ago

The author of this commentary is the general manager of Radioplayer Worldwide, responsible for all Radioplayer countries outside the UK.

Radioplayer, the not-for-profit broadcaster-owned and -operated aggregator platform, has spent the lockdown period adding new countries across Europe and increasing audience reach.

Radioplayer is a unique initiative where broadcasters have come together to fund a joint platform where they can ‘Collaborate on technology and compete on content’ ensuring that their content is available in one place just like on the radio.

Radioplayer aims to keep the user interface simple whilst focusing on a highly rated user experience.

Remarkable year

Radio has been incredibly lucky over the past year. With many people confined to home, listenership internationally has increased as people appreciate the companionship that radio offers as well as access to local and highly trusted information. During a national crisis, trusted news from where you are is vital.

Surprisingly, maybe, at this time exactly a year ago when coronavirus forced people to stay at home, Radioplayer saw large increases in online listening on all its platforms internationally.

Despite being at home, people were accessing radio via their computers, phones, tablets, TVs and smart speakers which nowadays are the new radios, especially with the younger demographics that are so important for radio’s future.

It is almost 10 years now since the BBC and commercial radio in the UK saw the advantage of working together on a shared platform and Radioplayer was born.

Norway and Belgium liked what they saw and joined the UK. Radioplayer grew across western Europe and nearly four years ago Canadian broadcasters joined the family.

However, the rate of growth in the last year has been something else. In the early stages of the pandemic last year, Radioplayer Italia launched and in November it was the turn of the Netherlands. Sweden should have launched by the time this article is published, followed not far behind by Radioplayer France.

Three pillars

In each country, Radioplayer is licensed to a local organization running a not-for-profit platform in that country on behalf of the broadcasters there. We are run by broadcasters, for broadcasters.

And that is the real secret of Radioplayer, the ability to pick up the phone and speak directly to the key personnel at every member broadcaster ensures that Radioplayer can represent the radio industry across the private and public service spectrums like no other organization.

Radioplayer has three main pillars to its customer facing platforms.

The first is automotive, with the car dashboard being identified as the place where radio has always dominated and, not surprisingly, the industry does not want to lose its prominence there. The dashboard is joined by smart speakers and connected devices and by the traditional platforms of apps and web players.

Countries are free to choose what products are launched locally. Radioplayer products place the smallest of stations on the same level as their much bigger and better resourced cousins. A country could also choose to join Radioplayer only for our automotive business-to-business work.

Equally important though is the power of the Radioplayer collaboration.

With many of the world’s biggest broadcasters sitting around the Radioplayer table, Radioplayer can speak with a single industry voice to the automotive sector as well as the platforms that carry live and on demand radio. They know that when they speak to Radioplayer, they are speaking to the much wider industry in one conversation.

They also know that through the WRAPI (the Worldwide Radioplayer API), they have access to live and accurate metadata from thousands of broadcasters as well as streams and content that come from trusted, licensed broadcasters. The car companies and platforms don’t need to worry about sports or music rights because this is official broadcaster content.

Radioplayer’s work with car companies is growing. We have been partnering with Audi/VW Group since 2017 to power their amazing hybrid radio experience with more to follow.

Our partnership model is unique in the automotive world and involves a direct collaboration with broadcasters to keep radio strong and prominent in connected car dashboards. For Radioplayer, this is about the broadcast/hybrid radio experience when a driver or passenger presses the button marked “radio.”

This is founded on the use of our official broadcaster metadata via the WRAPI but also includes technology and design support, requirements to meet certain user experience criteria and collaboration on development of the future radio experience. Radioplayer is currently running an ad campaign in the UK based around the future of radio in the car, as shown here:

The hybrid radio experience that Radioplayer champions is platform-agnostic so it doesn’t matter if your over the air transmissions are FM, DAB or HD Radio or a mixture. One of our user experience rules states that over the air transmissions, where available, will always be favored over IP saving both broadcasters and listeners from unnecessary data costs.

Despite recent successes, the Radioplayer team is not sitting back. Conversations are taking place with more new countries as broadcasters realize how important it is to add their voice to the industry conversation.

Radioplayer stations reach an audience of approaching 400 million people in Europe and Canada and serve around 80% of radio listening in those regions so not surprisingly the Radioplayer team are spreading their sights wide and setting challenges in new regions and territories.

 

The post Galkoff: Radioplayer Continues to Grow appeared first on Radio World.

Lawrence Galkoff

Community Broadcaster: Vaccines and Impact

Radio World
4 years 1 month ago

The author is executive director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

In the coming weeks, the White House will launch a national vaccine promotional campaign. Traditionally, these monies have largely gone to commercial radio and television. However, there are many reasons why the Biden administration should turn to public media, especially community radio.

According to CNN, the forthcoming advertising push is aimed at addressing fears of Americans hesitant about the COVID-19 vaccine. Misinformation and delays in vaccine access are among the reasons that polls suggest people are skittish. Although many states have been slow to immunize residents, Pres. Biden has pledged to see vaccines will be more available to all Americans, 18 years of age and up, by May. Promoting the benefits of vaccination against COVID-19 is now on top of the nation’s agenda.

[Read: Community Broadcaster: Off Road]

The Department of Health and Human Services is taking the lead on educating the public about vaccination as part of a $250 million campaign. President Biden has said on several occasions that he’s willing to commit much more, however, to ensure the American people have the knowledge they need to make an informed choice.

Television, radio and digital media will be valuable players in these campaigns, as they have been historically. In this year, federal leaders would serve communities well by giving more attention to the United States’ community radio stations in presenting these crucial messages.

In a forthcoming study from the National Federation of Community Broadcasters, more than 90% of stations are broadcasting public service announcements related to the coronavirus. Seventy-five percent of broadcasters are airing PSAs daily. The overwhelming majority of these announcements are produced in collaboration with local agencies and nonprofits. Clearly, community radio has seen the need for COVID-19 education and is fulfilling the need. They’re ready to make and broadcast locally relevant content now.

Community radio stations are also producing on-air and online programming to talk to their listeners about the coronavirus. For example, Hoopa Valley, Calif.’s KIDE has been jumping on Facebook Live to educate its tribal audience about the fight against COVID-19 on the reservation. Several other stations are engaged in similar initiatives.

Community radio is a lifeline in many areas, which the Department of Health and Human Services must take notice of. Rural community radio stations are situated in communities which are, at many turns, not served by other area outlets broadcasting locally relevant content. In a few cases, it may be even hard to get TV. Yet there is community radio, crowdsourcing questions, vetting guidance with regional nonprofits, and doing crucial work to save lives.

The question about advertising dollars must be about more than simplistic equations of audience size. Who has trust? Is it the station I can rely on to play Kane Brown twice an hour, or the station broadcasting daily the latest area infection rates and talks with city leaders on how to stop the spread, like Oregon’s KPOV? I’d put forward a station like Santa Barbara’s KCSB, which produces a newsletter by staff and students four times a week on COVID-19 for its University of California campus and the city at large, is far more critical in getting out these messages than a station whose morning show many may be in the habit of listening to.

During a pandemic, the comfort of habit is meaningful, of course, but community radio’s responsiveness today is worthy of Pres. Biden’s attention and that of federal leadership.

The post Community Broadcaster: Vaccines and Impact appeared first on Radio World.

Ernesto Aguilar

The Great Unbundling of Radio

Radio World
4 years 1 month ago

The author of this commentary is head of Digital, Platforms & Transformation for the EBU, an alliance of public service media with 115 member organizations in 56 countries. Read about its mission here.

“One, two, three, four. Is it snowing where you are, Mr. Thiessen?”

The very first radio transmission of a voice in 1900 by Reginald Fessenden was little more than a casual question about the weather.

His name is now long forgotten by most people, but that initial conversational aspect of broadcast radio seems to be more alive than ever.

Digital, distributed, in spontaneous organized rooms, audio conversations are taking the internet by storm. Of course, I’m talking about Clubhouse and various other social audio apps that are currently seeing a steady rise in popularity.

Hype? Perhaps. The ecosystem is still new and fragile and the business model as yet unclear. But the map is expanding and as the world is locked in we all seem to crave more intimate digital experiences. Where video can quickly feel too much, audio has a lower threshold for spontaneous socializing.

So is this the next step in the great unbundling of radio?

How radio evolves

If Radio 1.0 is live, linear terrestrial radio with all its magic: connecting people, ideas and music in a schedule that guides listeners across the day then Radio 2.0 can be considered the moment when users got control through interactivity and on-demand content. Very much anything that happened after the invention of the iPod.

Today web and mobile streaming services also emulate radio-like flows, letting you cue up music, talk and more. Spotify and Deezer come to mind as obvious examples, but the range is endless and even video services like YouTube and Vimeo can now be considered as alternative radio stations.

What is left is the less developed area of live episodes: in the moment — spontaneous — and social but also highly tailored or customizable, the third wave: Radio 3.0.

A third wave

The new wave of audio apps have a distinctive social layer. They are either extensions of existing social networks allowing people to chat and send audio messages. (e.g., Twitter launching audio tweets)

Or they are whole new social ecosystems that have audio at the center like Clubhouse, Space or Voicehub. These last ones can be quite overwhelming with hundreds of people in “rooms” in the hands of a skilled or unskilled moderator.

But even here you start seeing well-produced and executed talk shows. With great guests, clear rules of engagement and schedules you can add to your agenda so you don’t miss any upcoming talks.

A second and equally important evolution that is part of Radio 3.0 is the advent of personalized and customizable radio with object-based media, allowing users to mix and match their live radio streams with the music they like, fast forward, save, skip and any other smart or chosen interaction.

One radio show becomes a million individual experiences — while keeping a shared live backbone.

The great unbundling

This third wave further unbundles the traditional radio stream of morning shows, news briefings, hit shows and intimate interviews. Every part of the schedule now can be experienced in isolation.

  • The morning show: Spotify is clearly eyeing this traditional radio block with new formats like “Your Daily Drive” and “The Get Up.’
  • The news briefing: Google and Amazon are both redefining the news briefing and are experimenting with aggregated new news formats like “Your News Update.”
  • The hits: Spotify and other music streaming platforms have defined their own rankings and are challenging the classic hitlists.
  • The talk show: Clubhouse and social audio apps are experimenting with new scheduled live panels and talk shows and seeing figures like Elon Musk and Mark Zuckerberg appear.
  • The focused deep dive or interview session: Interview podcasts are a popular genre that mimic the intimacy of a radio conversation.

Reinventing radio

Rather than a threat, this could be an opportunity for traditional radio broadcasters. Never before has there been such a rich landscape for audio experiences.

From my European vantage point at the EBU, I see many public broadcasters rising to the occasion.

  • Podcasting is on the rise and a significant part of that new podcast listening time in Europe goes to content produced by public service media (PSM). In the UK, BBC podcasts account for 34% of all podcasting hours.In France, data from the new eStat Podcast measurements by Mediamétrie clearly illustrates the leadership position of Public Broadcaster Radio France in the French podcast landscape.
  • PSM rethinks radio in myriads ways. Experimenting with smart streams and atomized content that can be rearranged to enhance the user experience. The new functionalities German Public Broadcaster SWR is exploring in their new mobile app are an impressive example.
  • PSM also evolve by putting more local and diverse talent in front of the mic — blending different media and styles to suit the tastes of a new generation. RTBF Tarmac comes to mind as a prime example. And new social audio spaces feel like a natural ground to deepen the connection with the audience and engage in valuable conversations.

These are just a few examples of how radio and audio is evolving. We are just at the start of the third wave. A lot of the new opportunities will have to be tested and tried. Not everything will stick; but experimentation is key and doesn’t need to be complex.

Comment on this or any story. Email radioworld@futurenet.com.

The post The Great Unbundling of Radio appeared first on Radio World.

Ezra Eeman

User Report: KQAL Move to HD Simplified With Nautel

Radio World
4 years 1 month ago

The author is operations manager of KQAL(FM) in Winona, Minn.

The campus radio station at Winona State University has always led the way in technology among broadcasters in Winona, Minn.

KQAL(FM) was the first radio station in the area with a website; it was the first to do online streaming; the first with a mobile app, and the first to broadcast RDS song/artist metadata. So being the first to broadcast in HD Radio was a logical step for KQAL.

Our upgrade to HD Radio operation went on air in October 2020 with a new Nautel VS2.5 HD transmitter and the new HD Multicast+ Importer/Exporter.

We have been using Nautel for a long time. KQAL’s first venture with Nautel was a M50/V1 exciter/transmitter combo, we then moved up to the VS1, and when we decided to go HD it was a no brainer to stay with Nautel. The customer support, reliability and AUI are unparalleled. And our rep, Jeff Welton, guided us along every step of the way.

The HD MultiCast+ made our transition to HD easy and installation was a breeze. It is basically the standards-based version of Xperi’s HD Radio software implemented on a device that uses an embedded Windows site server. This is a proven, well-supported industrial-quality OS that is used for high-availability applications ranging from bank machines to audio processors.

To put it simply, AES digital audio goes into the onboard sound card and HD Radio comes out, ready to be fed into the Nautel HD exciter. The installation manual is comprehensive yet easy to follow. The only tech support I needed y was to resolve a question about what port to use for song/artist metadata.

Before Nautel can ship any equipment, stations must have a license agreement with Xperi. Being a state university station, KQAL had to receive contract approval from the system office in St. Paul, Minn., and that process delayed us for several weeks.

But when that was resolved, things moved fast. Xperi notified Nautel of the consummated deal on a Thursday, Nautel shipped Friday and it was on-site Monday.

KQAL is an Axia Livewire plant; all sources are digital with no analog conversions at any point, including a digital STL. The 2 RU HD MultiCast+ has everything we needed for managing our signal. It works flawlessly with Livewire; it encodes our digital channel along with data services, and it supports the Artist Experience information that we hope to use soon. The exporter brings together the digital version of the main audio stream plus the HD content and feeds it all to the VS2.5.

Our General Manager Doug Westerman teaches a “Fundamentals of Radio” course at WSU. It’s a great entry to try broadcasting, putting students into the KQAL environment to learn the basics of radio at an actual station. Adding the HD capability to KQAL ensures that our students are staying on the cutting edge of radio technologies, programming and operation. It’s just another “first” for a university that has been leading the way since 1858.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

For information, contact Nautel in Nova Scotia at 1-902-823-5131 or visit www.nautel.

The post User Report: KQAL Move to HD Simplified With Nautel appeared first on Radio World.

Mike Martin

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