Skip to main content
Home

Main navigation

  • REC Home
  • Apply
    • REC Services Rate Card & Policies
    • LPFM Construction Completed
    • LPFM License Modification
    • New FM Booster Station
    • New Class D FM Station in Alaska
    • New Low Power FM (LPFM) Station
  • Initiatives
    • RM-11846: Rural NCE Stations
    • RM-11909: LP-250 / Simple 250
    • WIDE-FM
    • RM-11952: Translator Reform
    • RM-11843: 8 Meter Ham Band
    • PACE - LPFM Compliance
  • Services
  • Tools
    • Today's FCC Activity
    • Broadcast Data Query
    • Field strength curves
    • Runway slope
    • Tower finder
    • FM MODEL-RF Exposure Study
    • More tools
    • Developers - API
  • LPFM
    • Learn about LPFM
      • Basics of LPFM
      • Self Inspection Checklist
      • Underwriting Compliance Guide
      • Frequently Asked Questions
      • FCC Rules for LPFM
      • HD Radio for LPFM
      • Transmitters certified for LPFM
      • Interference from FM translators
      • RadioDNS for LPFM Stations
    • 2023 Window REC Client Portal
    • myLPFM - LPFM Station Management
    • LPFM Station Directory
    • Spare call signs
    • REC PACE Program
    • More about LPFM
  • Reference
    • Pending FCC Applications
    • FCC Filing Fees
    • Radio License Renewal Deadlines
    • FCC Record/FCC Reports
    • Pirate Radio Enforcement Data
    • Premises Info System (PREMIS)
    • ITU and other international documents
    • Recent FCC Callsign Activity
    • FCC Enforcement Actions
    • Federal Register
    • Recent CAP/Weather Alerts
    • Legal Unlicensed Broadcasting
    • More reference tools
  • LPFM Window
  • About
    • REC in the Media
    • Supporting REC's Efforts
    • Recommendations
    • FCC Filings and Presentations
    • Our Jingles
    • REC Radio History Project
    • Delmarva FM / Riverton Radio Project
    • J1 Radio / Japanese Broadcasting
    • Japan Earthquake Data
    • REC Systems Status
    • eLMS: Enhanced LMS Data Project
    • Open Data at REC
    • Our Objectives
  • Contact

Breadcrumb

  • Home

Operational Status

Michi on YouTube

Most popular

fcc.today - real time updates on application activity from the FCC Media Bureau.  fccdata.org - the internet's most comprehensive FCC database lookup tool.  myLPFM.com - Low Power FM channel search and station management tool.  REC Broadcast Services - professional LPFM and FM translator filing services. 

Other tools & info

  • Filing Window Tracking
  • Enforcement Actions
  • REC Advisory Letters
  • FAQ-Knowledge Base
  • U/D Ratio Calculator
  • Propagation Curves
  • Runway Slope/REC TOWAIR
  • Coordinate Conversion
  • PREMIS: Address Profile
  • Spare Call Sign List
  • FCC (commercial) filing fees
  • Class D FM stations in Alaska
  • ARRR: Pirate radio notices
  • Unlicensed broadcasting (part 15)
  • FMmap - broadcast atlas
  • Federal Register
  • Rate Card & Policies
  • REC system status
  • Server Status
  • Complete site index
Cirrus Streaming - Radio Streaming Services - Podcasting & On-demand - Mobile Apps - Advertising

Industry News

StreamGuys Polishes Offerings

Radio World
4 years 10 months ago
StreamGuys AudioLogger

StreamGuys has added new capabilities in its flagship SGrecast live stream repurposing and podcast management platform that help broadcasters expand their revenues by automatically converting live streams into podcasts without needing to manually tag midroll ad breaks in the results.

[Check Out More Products at Radio World’s Products Section]

StreamGuys says that its AudioLogger (pictured) already offers multiple and flexible methods for transforming live streams into podcasts including both schedule-based automation and manual control enhancements in the SaaS solution’s recording feature. Now it offers a fully automated, metadata-driven podcast publishing workflow.

Previously requiring producers to manually place inline ad markers into its 24/7 live recordings before publishing the resulting podcast, the upgraded AudioLogger gives users the option to preserve midroll ad break metadata from the live stream — thus enabling subsequent dynamic ad insertion in the published podcast without manual effort. The enhanced AudioLogger also supports metadata-triggered recording, giving users more flexibility than prescheduled recordings.

Info: www.streamguys.com

 

The post StreamGuys Polishes Offerings appeared first on Radio World.

RW Staff

Why WWV and WWVH Still Matter 

Radio World
4 years 10 months ago
The WWVH building seen at night.

Last year was one of both celebration and uncertainty for WWV, the station adjacent to Fort Collins, Colo., that transmits automated time broadcasts on the shortwave bands.

On the plus side, it marked the 100th year of WWV’s call letters, making the site, operated by the National Institute of Standards and Technology, one of the world’s oldest continually operating radio stations.

On the negative side, WWV and its sister time station WWVH in Hawaii nearly missed this centennial. That’s because NIST’s original 2019 budget called for shutting down the pair, along with WWVB, the longwave code station co-located next to WWV, as a cost-saving move.

Fortunately, these cuts never happened, and WWV, WWVH and WWVB seem likely to keep broadcasting the most accurate time from NIST’s atomic clocks, at least for the immediate future. (No further cuts have been threatened.)

That’s good news for the stations’ many supporters, who say that time broadcasts still matter in the Internet Age.

What They Have to Offer

Today, listeners around the world can get the most accurate time possible via WWV and WWVH’s broadcasts on the shortwave bands.

To make this happen, “WWV broadcasts continuously on six shortwave frequencies: 2.5, 5, 10, 15, 20 and 25 MHz,” said Glenn Nelson, an electronics technician at WWV and WWVB. “WWV has 11 operational HF transmitters (including standby equipment), eight transmitting antenna towers, and associated time and frequency distribution equipment.”

Timecode generators at WWV.

Located on the southwest portion of Kauai, WWVH “broadcasts 5 kW on 2.5 MHz and 10 kW on 5.0, 10.0 and 15.0 MHz,” said WWVH Station Engineer Dean Okayama. “The time/frequency systems and transmitters are similar to WWV.”

Both stations are known for the automated voices that tell the current time; WWV uses a male voice, while WWVH uses a female one, both timed to speak one after the other whenever both stations are heard on their shared channels.

This NIST service also broadcasts standard time intervals, standard frequencies and other information including solar conditions affecting radio propagation. Both stations report the time using the  Coordinated Universal Time zone, a.k.a. Greenwich Mean Time, which is five hours head of Eastern Standard Time.

In the early days of radio, WWV/WWVH’s standard frequencies were used by commercial broadcasters to calibrate their transmitters to their assigned frequencies.

“In the 1930s, WWV began broadcast standard time interval pulses,” said Nelson. “In the 1940s, the U.S. Navy granted WWV permission to broadcast time of day announcements (this had been the exclusive responsibility of the Naval Observatory up until then). Voice announcements of time were added in the 1950s and a digital time code was added in 1960. In the ’70s, the WWV audio signal was made available by telephone at (303) 499-7111, and this service has continued to the present day.”

Why They Still Matter

The possible closing of WWV, WWVH and WWVB did not pass unnoticed. Tens of thousands of supporters signed petitions opposing the move, for a variety of reasons.

Even today, WWV and WWVH’s standard time broadcasts and frequencies are a great help for engineers calibrating equipment.

Part of the 15 MHz antenna system at WWV.

“While time-of-day information can nowadays be obtained through the internet, the combination of circuits involved in internet distribution can result in delays,” said Dr. Kim Andrew Elliott, retired Voice of America broadcaster and audience research analyst, and now producer of the experimental broadcast Shortwave Radiogram.

“These delays usually involve fractions of seconds, but that is enough to be significant in certain endeavors such as high-speed trading. For a lack of delay, nothing beats terrestrial radio. It is held back only by that pesky speed of light.”

WWV/WWVH’s audio tones are also precise and thus useful.

“On WWV, the 440 Hz tone (the musical note A above middle C) is broadcast once each hour, during Minute 2 on WWV, and Minute 1 on WWVH,” Elliott said. “You can tune your violin using WWV.”

On a more scientific note, these reliable signals play an important role in forecasting “space weather,” which can have a serious impact on the world economy whenever it gets “stormy.”

“As WWV’s signals move from their transmitter site in Fort Collins to shortwave receivers, they pass through the ionosphere and undergo slight delay and frequency changes,” said Dr. Philip Erickson of the MIT Haystack Observatory’s Atmospheric and Geospace Sciences Group.

“These changes, if measured carefully, contain much information on waves, density changes and other phenomena that form space weather known to affect national telecommunications, long-distance power grids, and human spaceflight.”

Initially, these changes could only be detected using professional-grade receivers. But times have changed.

“Atomic clock signal accuracy at the Colorado and Hawaii transmission sites means that modest receivers using inexpensive, modern technology can use these time signals as beacons to sense ionospherically induced changes,” Erickson said.

“This allows the formation of a distributed space weather network in the backyards of thousands of amateur radio enthusiasts across the continental U.S.”

Such a concept is being realized now by the Ham Radio Science Citizen Initiative (HamSCI;  www.hamsci.org), which is developing a personal space weather station for use by citizen scientists.

They Would Be Missed

These benefits would come to an end should NIST’s time stations ever go dark.

“The ideas I’ve outlined, plus other similar concepts, naturally extend WWV’s 100-year historic mission into the 21st century, and form an important part of national infrastructure in both the professional and emerging citizen science field,” said Erickson.

“It is vital that these signals continue to operate for the benefit of advancing human understanding of our near-Earth space environment.”

WWV 10 MHz transmitter and standby.

It’s not just WWV and WWVH that would be missed: “The general public will take notice if NIST station WWVB shuts down as its 60 kHz signal controls self-setting clocks known as ‘atomic’ clocks,” said Thomas Witherspoon, editor of the shortwave radio website the SWLing Post.

“Many don’t realize it, but a large portion of wall clocks, alarm clocks and watches, not to mention weather stations, cameras and potentially a number of other devices, have a built-in receiver that self-calibrates,” he said.

“NIST notes that there are more than 50 million radio-controlled clocks in operation and another few million wristwatches that rely on WWVB for self-calibration.

“The thing is, these devices are so embedded in our lives here in North America we scarcely notice them, and many consumers likely assume they’re set by the internet. They’re not.”

A Defense Against Fake News?

WWV and its sister stations could also have relevance now for another reason.

“The internet has become infamous as a purveyor of false information and counterfeit sites,” said Kim Andrew Elliott. “This is true even during emergencies, including the coronavirus outbreak.

“WWV and WWVH can be useful transmitters of emergency information: They are much more difficult to spoof than a website,” he told RW. “If a fake station tries to transmit on WWV/WWVH frequencies, co-channel with WWV and WWVH, the listener will hear immediately that something is not right. If the fake station comes from overseas, it will usually sound distant, compared to the signal we are used to hearing in North America.”

Comment on this or any story. Email radioworld@futurenet.com with “Letter to the Editor” in the subject field.

 

The post Why WWV and WWVH Still Matter  appeared first on Radio World.

James Careless

Digigram Makes a Connection

Radio World
4 years 10 months ago

Codec and audio network equipment maker Digigram has a new cloud-based service for linking remote contributors to studios.

Iqoya Connect will link equipment and users along with providing management and monitoring tools for remote codec fleets and the destination studio codecs.

[Check Out More Products at Radio World’s Products Section]

According to Digigram for the remote user, perhaps a journalist, Iqoya Connect “features a unified web platform where the user’s custom profiles and audio settings are saved.” Connecting back to the studio is kept as a simple mostly automated two-step process.

For reception personnel back at the facility, Iqoya Connect uses a global monitoring interface that provides “real-time monitoring of the codec fleet on one screen … as well as direct access to devices in the field if required.” Codecs can be programmed and live support enabled as well.

“When designing Iqoya Connect, our goal was to simplify the audio professionals’ daily experience while offering more flexibility, security and efficiency,” said Xavier Allanic, Digigram’s vice president of sales.

Info: www.digigram.com

 

The post Digigram Makes a Connection appeared first on Radio World.

RW Staff

Digital Alert Systems Releases V4.2 of EAS Software

Radio World
4 years 10 months ago

Digital Alert Systems has made available the latest software version, V4.2, of its Emergency Alert System software for its DASDEC-II and One-Net SE EAS devices.

The new version of the software offers features and improvements that are designed to expand the security measures already built into the software. This includes additional communications protocols for EAS-Net, the DAS communications protocol software that enables EAS data and audio transmissions over a TCP/IP network for up to eight EAS-Net compatible platforms.

[Read: Digital Alert Systems Launches Software Assurance Plan]

Another new feature is the software Secure Socket Layer HTTPS certificate management functions, which allow users to perform things like selecting the web server certificate, adding new cert and key certificates, selecting different certificates and deleting a certificate. Users can also load and/or delete their own key/cert pairs.

There are also separate control toggles as part of V4.2 that enable users to control digital signatures selectively from various Common Alerting Protocol servers, with improved logging between servers for more information about CAP files. In addition, communication improvements for users of DAS’ Homogenous Alert Overseer are also available.

Any DASDEC-II or One-Net SE customer running V4.0 or V4.1 can download V4.2 for free. For customers not yet upgraded to V4, DAS has a price relief program that offers a discount on the normal upgrade fee, ranging from 20% to 60% through Sept. 7.

Info: www.digitalalertsystems.com

 

The post Digital Alert Systems Releases V4.2 of EAS Software appeared first on Radio World.

Michael Balderston

People News: Tuzeneu Joins WIHS in Connecticut

Radio World
4 years 10 months ago

There’s a new general manager as well as a new chief engineer at WIHS(FM) in Middletown, Conn. And both are the same person: Steve Tuzeneu.

Connecticut Radio Fellowship announced that Tuzeneu will take those roles at the Christian station beginning July 15. He replaces GJ Gerard, who has held those roles for 25 years and is retiring.

“Tuzeneu brings over 45 years of diverse radio station experience, from announcing to engineering to management,” the organization announced. “His career is coming full circle, because he worked for WIHS from 1985-1991 when the station was located in downtown Middletown.”

It noted that Tuzeneu (“TOO-zen-oo”), a native of New Jersey, has held staff positions at faith-based radio stations in Colorado, Connecticut, Kansas, Massachusetts, New Jersey, North Carolina, Virginia and Wisconsin. He most recently was a network staff engineer for the Bible Broadcasting Network, according to his LinkedIn profile.

He has a Bachelor of Science degree in broadcasting/business administration, CBT certification from the Society of Broadcast Engineers, an FCC General Class Radio Engineering License and an Extra Class Amateur Radio License.

The announcement was made by Drew Crandall, president of Connecticut Radio Fellowship.

[Read Steve Tuzeneu’s 2015 article “In Search of Engineers.”]

Radio engineers and managers, send news of promotions, hirings and job changes to radioworld@futurenet.com.

The post People News: Tuzeneu Joins WIHS in Connecticut appeared first on Radio World.

Paul McLane

NAB Again Goes to the Mat Over Fee Increases

Radio World
4 years 10 months ago

Again the National Association of Broadcasters is blasting the Federal Communications Commission for a planned increase in certain regulatory fees on U.S. radio and TV stations.

[See a chart of the proposed fees.]

NAB submitted reply comments responding to the FCC’s current proposed rate structure. The filing reiterates arguments the association has already made against the fees, in some cases over years. A sampler of phrases in NAB’s latest filing gives you the gist:

“utterly fails to explain its rationale”

“abject failure”

“jeopardize the ability of struggling broadcasters to stay on the air”

“violates the law”

“fly in the face of the statutory mandate”

“increases … created from whole cloth as a means for the FCC to solve a math problem”

“the timing could not be worse”

“inequities in its regulatory fee approach”

“an additional, potentially insurmountable hurdle”

The association repeated its many earlier arguments, including that the FCC proposal doesn’t provide a basis of fee increases; that there has been no change to the total amount of fees the commission is required to collect; that broadcasters are subsidizing unlicensed spectrum users that require a lot of FCC resources; and that the pandemic highlights the unfairness of the FCC’s approach.

The NAB also said it supports suggestions from broadcasters for additional temporary reforms, for instance to allow waiver requests via a single filing; allowing stations in default to seek a waiver of this year’s fees; and a waiver of the automatic 25 percent penalty for late payment of regulatory fees.

Read the NAB comments (PDF).

The post NAB Again Goes to the Mat Over Fee Increases appeared first on Radio World.

Paul McLane

Tieline Adds Gateway to the Lineup

Radio World
4 years 10 months ago

Codec manufacturer Tieline has added a new codec to its product lineup.

The Gateway IP audio codec is a 1RU multichannel IP audio transport solution for radio broadcasters. It can stream up to 16 IP audio channels with support for AES67, AES3 and analog I/O as standard.

[Check Out More Products at Radio World’s Products Section]

The Gateway’s applications include STL, studio-to-studio and audio distribution missions, as well as managing multiple incoming remotes at the studio. It is interoperable with all Tieline IP codecs and compatible over SIP with all EBU N/ACIP Tech 3326- and 3368-compliant codecs and devices.

Tieline VP Sales, APAC/EMEA, Charlie Gawley said, “The new Gateway codec increases channel density with 16 bidirectional mono or eight bidirectional stereo streams of IP audio in 1RU to reduce rack space requirements.”

The Gateway also has Tieline SmartStream PLUS redundant streaming and Fuse-IP data aggregation technologies.

It is configurable through an embedded HTML5 Toolbox Web-GUI interface, the Gateway can also interface with the TieLink Traversal Server for simpler connections and is controllable using Tieline’s Cloud Codec Controller.

An optional WheatNet-IP card is also available.

Info: www.tieline.com

 

The post Tieline Adds Gateway to the Lineup appeared first on Radio World.

RW Staff

Arkansas Broadcaster Puts WebDAD to Use

Radio World
4 years 10 months ago
Baker Broadcasting studios in Arkansas, with WebDAD on the laptop.

From our “Application Notes” page:

Baker Broadcasting is using ENCO WebDAD to solve remote broadcasting problems in the pandemic era.

Baker, based in Fort Smith, Ark., was an early adopter of the DAD automation product family. Now ENCO says in a press release that Baker’s adoption of WebDAD “has allowed flagship station KISR(FM) and KREU(FM) — the only Spanish-language station in Northwest Arkansas — to continue on-air operations without interruption or limits.”

The site usually has about 20 employees but ENCO said Chief Engineer Ayrton McPhail was one of a few team members allowed onsite for two months.

The manufacturer quoted McPhail saying staff can remotely connect to their workstations and coordinate automation from home. “The ability to directly upload audio files into rotation also simplifies our programming,” he said.

He also noted the system’s access to libraries; direct uploads of audio files instead of third-party applications; the ability to remotely voice track; and the option to record audio in-app.

[Related: “New Ebook Explores Broadcasting From Home”]

The post Arkansas Broadcaster Puts WebDAD to Use appeared first on Radio World.

Paul McLane

Workbench: State-of-the-Art Audio on an Octal Tube Socket

Radio World
4 years 10 months ago

Henry Engineering founder Hank Landsberg wrote in after reading the Workbench column where we showed the Sparkos “discrete ICs.” A number of years ago, Hank built an audio console based on OpAmp Labs plug-in amplifier modules that were popular in the early 1970s. Old-timers may remember them.

Fig. 1: Hank Landsberg’s console, based on the Opamp Labs amplifier modules.

Hank’s console, pictured in Fig. 1, was actually a smaller version of the boards that he designed and built for Drake-Chenault in 1977.  Both designs were built using OpAmp Labs plug-in amplifier modules.

Seen lined up inside the console in Fig. 2 (the cylindrical grey “cans”), these modules were made up of discrete parts, which plugged into an octal tube socket. There were dozens of versions, ideal for anyone who wanted to build their own audio gear: mic preamps, equalizers, mixing consoles, monitor amps, etc.

Fig. 2: Inside, the cylindrical grey modules populated Hank’s console.

What made them particularly attractive was the price; they were inexpensive at $35 each, and convenient. Using the OpAmp Labs plug-in modules eliminated the need to make your own PC boards, and simplified construction of home-brew audio gear. The modules continue to be sold; see www.opamplabs.com.

Hank reports that after 30 years, the modules in his console started to fail. So he built a “retro-fit” replacement, similar to the Sparkos stuff reported in our 5/13 column. OpAmp Labs has never disclosed what circuitry was actually in their modules, and since they’re “potted” and sealed with epoxy, it’s impossible to know what components were actually used.

Hank’s “retro-fit” amplifier would be compatible with the OpAmp units, so he could replace those with his own circuitry. Since the OpAmp units use the “octal” or eight-pin base, Hank’s replacement did too, and is seen compared with the OpAmp Labs module in Fig. 3.

Fig. 3: A comparison of the two octal socket amplifiers.

By using surface-mount technology components, Hank was able to put the whole amplifier on a PC board about the size of a postage stamp, and mount that on the top of an octal plug. Hank selected the Texas Instruments OPA1612 dual-opamp IC, and included 15VDC voltage regulators on each PC board.

He rebuilt the console with about 15 of these home-brewed modules. Fig. 4 shows the finished result. With some careful gain-structure engineering, Hank was able to eliminate all of the coupling capacitors in the circuitry, yielding frequency response that is (literally) flat from DC to about 30 kHz, with very low noise and distortion.

Fig. 4: The completed amplifier module retrofit.

Thanks to the availability of small-quantity PC board production, the cost to produce a few dozen of these modules was relatively low. And Hank is sure they’ll be working just fine another 30 years from now!

Want to see what’s new at Henry Engineering? Head to Hank’s fresh new website at www.henryeng.com.

* * *

Like most of us in this business, our career started with a dream, maybe mimicking DJs as you played 45s on your older sister’s record player. Perhaps your inquisitiveness lured you into taking things apart — funny how they never got completely re-assembled!

For me, it was growing up in the Washington, D.C., suburbs and listening to the top 40 powerhouse 1390 WEAM, though I also took things apart that never got reassembled properly.

Fig. 5: The new book by Tommy Edwards of stories from behind the mic is a great read for listeners as well as radio folks.

One of the familiar voices on WEAM was 7-to-midnight jock Tom Edwards. As an early teen, I listened every night while I did my homework, trying to copy the way he talked up every song, never missing the post. I grew up listening to Tom, as did hundreds or thousands of other teens, and not just in Washington.  Tom’s career took him from D.C. to weekends in New York, then Chicago, Boston and finally L.A.

You may recognize him as Tommy Edwards, depending on which market you heard him. As a kid, I met Tom and found a real gentleman, patient and willing to answer a kid’s many questions about radio. Like so many familiar voices, I lost track of him when he left the market.

Imagine my surprise when, nearly 50 years later, I discover that Tommy Edwards has written a book, appropriately titled “I Grew Up Listening to You.” The content is fascinating, as Tom lays out his career, complete with behind the scenes stories — like hanging up on top 40 radio programmer Bill Drake. The book is well-written, easy to read and available on Amazon for under $20. You’ll have a hard time putting it down, as you read about many industry greats with whom he interacted over the years. Find it on Amazon.

* * *

After reading Tommy’s book, I was hankering for some radio like it used to be, and stumbled on WCFLChicago.com. If you grew up in the 1960s and ’70s, this site is for you. Complete with the superlative TM jingles, as well as commercials, promos, and even some of the Chicken Man skits, this site will take you back to Chicago’s Voice of Labor — Super ’CFL.

Want more Workbench? Find it here.

John Bisset has spent over 50 years in the broadcasting industry and is still learning. He handles western U.S. radio sales for the Telos Alliance. He holds CPBE certification with the Society of Broadcast Engineers and is a past recipient of the SBE’s Educator of the Year Award.

 

The post Workbench: State-of-the-Art Audio on an Octal Tube Socket appeared first on Radio World.

John Bisset

Meet the Makers: A New RW eBook

Radio World
4 years 10 months ago

Many Radio World ebooks explore products and tech trends. This one is different.

What is a manufacturer’s business philosophy? Who are its key decision makers? How did the company begin, what were its landmark introductions and how is its history reflected in its products today?

“Meet the Makers” provides a look at the people and philosophies behind eight industry manufacturers: 2wcom, CGI Media Solutions, Comrex, DB Group, Jutel, Lawo, Nautel and Tieline.

It’s a chance to learn more about a favorite supplier — or discover one not familiar to you — and to find out how these companies are contributing to the vibrant marketplace of radio and audio technology in 2020.

Read it here.

The post Meet the Makers: A New RW eBook appeared first on Radio World.

Paul McLane

Pagination

  • First page « First
  • Previous page ‹ Previous
  • …
  • Page 935
  • Page 936
  • Page 937
  • Page 938
  • Current page 939
  • Page 940
  • Page 941
  • Page 942
  • Page 943
  • …
  • Next page Next ›
  • Last page Last »

REC Essentials

  • FCC.TODAY
  • FCCdata.org
  • myLPFM Station Management
  • REC site map

The More You Know...

  • Unlicensed Broadcasting
  • Class D Stations for Alaska
  • Broadcasting in Japan
  • Our Jingles

Other REC sites

  • J1 Radio
  • REC Delmarva FM
  • Japan Earthquake Information
  • API for developers

But wait, there's more!

  • Join NFCB
  • Pacifica Network
  • LPFM Wiki
  • Report a bug with an REC system

Copyright © REC Networks - All Rights Reserved
EU cookie policy

Please show your support by using the Ko-Fi link at the bottom of the page. Thank you for supporting REC's efforts!