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Industry News

Letter: Lubricating Contactors

Radio World
4 years 8 months ago

The author is with Griffin Communications in Oklahoma City, Okla.

I saw Mark Persons’ two articles this year on “Best Practices for AM Directional Systems.”

I too have used silicone to lubricate contactors, but I found over the years that often it collected dirt and dust in the contacts and sometimes just didn’t seem to really fix the issue with sluggish contactors.

I was able to fix a particularly troublesome contactor by switching to a dry lubricant using graphite because it wouldn’t get “gummy” over time.

WD40, CRC and Blaster offer aerosol delivery of graphite dry lube. It delivers via liquid and then evaporates, leaving the dry lubricant behind.

Submit letters to the editor at radioworld@futurenet.com.

 

The post Letter: Lubricating Contactors appeared first on Radio World.

Paul McLane

How AI Helps Create Natural-Looking Video

Radio World
4 years 8 months ago
Stan Walbert

Stan Walbert is CEO and marketing director of MultiCAM Systems. The company uses an AI algorithm to choose the best video camera presets based on who is speaking, then emulates how a human operator would switch. A longer version of this appeared in the Radio World ebook “AI Comes to Radio.”

Radio World: What does the term “artificial intelligence” mean for your company and its products for the radio market?

Stan Walbert: Radio stations are now considering themselves as “content creators,” and they need to be able to deliver content in the most interesting form for their audience. Nowadays that means video first, in an increasing number of cases.

Since people don’t have the resources to do everything by themselves, they need to rely on AI to help create natural-looking video that engages the audience. The AI must act as a human would do to make the content interesting. The shots must look natural. What stations really need to avoid is setting up something that is boring with very few shot angles, or something where the shots are jerky in movement.

[Related: “AI Will Help the Industry Reinvent Itself”]

There is a big difference between dummy algorithms, macros and scripts, and AI. AI is the only one that can provide videos that make the show look natural. When you watch stations that use MultiCAM to create their visual experience, you will find you end up focusing on the video content and not the fact that it is “video for radio.” That is because of the AI, because it helps the station create something that you would normally need an entire camera crew and director to create.

Our stations are content creators, no matter what format they are providing. This technology gives radio stations a major “assist” into extremely well-produced video content.

RW: How is this different from other products or technologies on the market?

Walbert: There is no other product that uses AI for visual radio. MultiCAM is the only company that uses AI for visual radio. Our AI reproduces what directors are doing when they produce live videos. This is based on our experience of being in broadcast production for over 10 years; that is how we came up with the AI for this.

RW: Give an example of how the use of this AI changes the workflow for a typical user of your products.

Walbert: With MultiCAM radio, you can create entire programs without additional staff needing to be involved in any of the day-to-day workflow. This is groundbreaking technology because it allows radio stations to compete for content creation in both video and audio areas. In the past without our technology, there may have been a static camera shot or a few camera movements. The novelty of that wears off quickly.

In my opinion, what we are producing with automated almost works better than someone being there could. The reason for this is that AI allows the cameras to respond immediately; and frankly, no human could keep up with that. AI allows the station to avoid what we call “Aquarium visual radio.” This is where it is a static shot.

RW: Describe the development process.

Walbert: We spent a lot of time thinking about how we ourselves did this in our production work. For example, we would never as humans pick two shots with the same angle to follow each other. We emulated the rhythm of how a director would act, and we implemented that. We studied this extensively because we ourselves are from the broadcast production background, so we have looked at how these shots are made. We combined that with our knowledge of robotics and automation.

We are at the very beginning of where this technology can take this industry.

The post How AI Helps Create Natural-Looking Video appeared first on Radio World.

Stan Walbert

Visualization From Broadcast Bionics

Radio World
4 years 8 months ago

Broadcast Bionics Camera One is a new visualization system that the company says will enable radio stations to quickly and easily create live video streams and shareable video clips at an affordable price.

Camera One uses an HTML5 browser interface for setup and operation It offers automated camera switching, graphic generation, recording, streaming and sharing. Automated camera switching is governed with an algorithm that follows conversation.

[Check Out More Products at Radio World’s Products Section]

Graphics can be created automatically from social media messages, album art, and RSS feeds for news, travel and weather. Live streaming can be provided to YouTube Live, Facebook Live and Periscope.

The Camera One application runs on a PC or Virtual Machine, is easy to install, easy to maintain and extremely powerful to use. It is compatible with Blackmagic ATEM Mini (4 Cameras) and ATEM Television Studio (8 Cameras) Switchers.

Info: www.bionics.co.uk

 

The post Visualization From Broadcast Bionics appeared first on Radio World.

RW Staff

Tieline Pitches ViA for Podcasting

Radio World
4 years 8 months ago

Codec maker Tieline is pointing to new FTP features for its ViA IP codec/recorder.

The company says that ViA can simultaneously record and play back audio files so that users can create a podcast on the go while live at a remote, or record a post-game show, including post-game interviews and sponsor messages. All in the field without entering or contacting the home studio, Tieline says.

[Check Out More Products at Radio World’s Products Section]

The ViA has an onboard SD card for recording and storing prerecorded segments, clips, music and more. It also has an onboard mixer.

The onboard FTP allows for direct uploading of recorded material straight to the studio or transmission hub.

Info: www.tieline.com

The post Tieline Pitches ViA for Podcasting appeared first on Radio World.

RW Staff

2wcom IP-4c Has Many Faces

Radio World
4 years 8 months ago

The IP-4c from 2wcom is a four-channel rackmount codec.

With multiple channels it can feed more targets than the typical two-channel codec. According to 2wcom besides a standard codec it can be a streaming/transcoding encoder working with new media targets such as a CDN; aid FM or web streaming; and a gateway for DVB transport with cable or satellite distribution. It can operate in unicast, multiple unicast or multicast modes.

[Check Out More Products at Radio World’s Products Section]

It supports major digital protocols such as AES67, Dante, Ravenna, WheatNet and Livewire+. Error correction schemes include Pro MPEG and streaming redundancy along with audio failover options.

For operation and transcoding G.711, G.722, MPEG1 Layer 2, MPEG2 Layer 3, AAC-ELDv2, Opus, Ogg Vorbis, PCM, Enhanced aptX are onboard. xHE-AAC and Dolby E and Digital plus are optional.

Program synchronization is achieved with synchronization is achievable by NTP, PTPv2 (Precision Time Protocol) and 1PPS (1 Pulse Per Second).

The IP-4c can be remotely operated with a web interface. There is also a server software version for cloud networking operation. An FM tuner option is available for monitoring signal functions.

Info: www.2wcom.com

 

The post 2wcom IP-4c Has Many Faces appeared first on Radio World.

RW Staff

Radio Promotes Development in Africa

Radio World
4 years 8 months ago
Antonio Guterres

As the United Nations celebrates its 75th anniversary, it is important to hail the critical role that radio continues to play towards the achievement of sustainable development especially in Africa.

Indeed, radio in Africa is doing outstanding job of keeping people informed and engaged in different aspects of life including governance, development, social integration and peace.

Radio has been important in the implementation of a new set of global goals — Sustainable Development Goals that world leaders adopted in September 2015 at the United Nations General Assembly. These SDGs establish the framework for joint global action on poverty, inequality and climate change until 2030.

[Read: Africa’s Youth Making Waves on Radio]

Use of radio in the implementation of SDGs has improved engagement of people and different actors, and hastened the attainment of the goals.

In his message to mark the World Radio Day this year, the United Nations Secretary General Antonio Guterres recognized radio as a powerful communication tool and low-cost medium that has played an important role in efforts to promote development and peace.

“Even in today’s world of digital communications, radio reaches more people than any other media platform, conveys vital information and raises awareness on important issues” the U.N. chief said, adding that “As we strive to achieve the Sustainable Development Goals, radio has a key role to play as a source of information and inspiration alike.”

Different studies show that radio is still the dominant mass medium in Africa with the widest geographical coverage and highest audience. At present, African’s news and information-seeking behavior seem to depend mainly on radio.

Indisputably, radio remains a major source of news and entertainment in Africa. Over the years, radio has proven itself as a developmental tool, particularly with the rise of community and local radio outlets that broadcast content that is popular and relevant to the listeners.

Radio is important for people in Africa. In some cases, radio broadcasting provides a vital lifeline — broadcasting news and new ideas and transmits essential information into people’s homes, villages, schools, hospitals and workplaces among others.

One of the best examples of how radio has been used especially for peace building is the Democratic Republic of Congo. The second-largest country in Africa had been mired in conflict for decades and is still recovering but thanks to efforts from different actors including a United Nations peacekeeping missions radio station that has been offering vital information about peace and development, the future is brighter.

Radio Okapi has millions of listeners and is widely credited for having helped unify the country, smoothing the political transition, and contributing substantially to citizens’ participation in elections and peace processes.

In this time of coronavirus crisis, Okapi has been providing education via radio — on-air classes aimed for the 22 million children stranded at home because of COVID-19.

As the UNICEF Representative in DRC Edouard Beigbeder noted and it is true, education is a right and a child’s place is in school so distance learning like what Radio Okapi is providing offers students the opportunity to enjoy this right.

In other parts Africa, radio programs have become an effective tool to help fight extreme poverty. Radio is used creatively for anything from education to campaigning to community building. It is a low-cost way to relay information to remote communities and vulnerable people.

In Mali community radio stations have been useful in efforts to enhance life in poor regions. Radio Daande Douentza, serving a semi-arid region where most of the population consists of poor farmers or herders, broadcasts and transmits announcements of development issues, education and community news along with entertainment.

According to Save the Children Fund, before Radio Douentza’s launch a mere 6% of the local farmers were marking trees and managing naturally occurring harvest varieties. Since the establishment of agricultural programming, that figure has climbed to 44% among the same group of farmers. Furthermore, radio announcements helped to bring about an increase in enrollment in literacy courses by 120%.

Tanzania has one of the most vibrant media landscapes. Radios has proved to be effective in providing access to developmental information, especially to the majority of the population who are not connected to the electric grid, those who do not own televisions, or those who lack access to mobile phones.

Community radio broadcasters like Lake FM, Hits FM, Ice FM and Mkoani FM provide opportunities for more inclusive sustainable development. They inform people about what is going on in their community and in the world.

Similarly, radio is still the most popular source of news and information in Zimbabwe, especially in rural areas. According to Media Institute of Southern Africa in Zimbabwe, radio serves as a convenient information-sharing platform that is more popular and easily accessible than other media.

Public, commercial and community broadcasting are all important because they can serve different audiences and needs. However, community radio stations are still to be licensed and legally recognized in Zimbabwe — there is strong case being made — for the licensing of community radio stations, to ensure that marginalized communities are effectively included in national conversations that take place on national publicly owned radio stations such as Radio Zimbabwe, Classic FM, Power FM, and National FM.

In Togo, where the media industry has been experiencing a boom since the 1990s, local radio stations have continued to be a powerful means of communication, particularly to smallholder farmers located in remote rural places.

In Benin, radio access has improved educational performance and literacy. Radio access, studies found, has a substantial effect on children’s educational performance. The literacy scores of school going children are significantly higher in villages with greater access to community radio.

Radio can enhance accountability and public provision. Citizens who are more informed about the benefits of public policies could use this knowledge to demand greater benefits from government. Greater radio access increases household exposure to information and about government provisions — the exposure potentially increases citizens demand for government services.

A key feature of media markets in northern Benin is the proliferation of community radio stations. These stations were established with the support of private and government donors to promote democracy and local collective action.

In Malawi, most people rely on radio as their primary source of news because they do not have access to television or newspapers. As such, radio has played a critical role in educating and informing rural communities across the country.

Also, radio stations like Nkhotakota and Mzimba have improved governance and development in Malawi. Radio programs have been instrumental in raising ordinary people’s awareness to existing problems and influencing them to do something about their situation.

As Canadian Journalists for Free Expression has remarked, radio continues to be a widely used medium for reporting both local and international news. Advances in technology may have led to the emergence of a broad range of media outlets and platforms, but it has also made the radio more accessible for populations that lack access to other means of information technology, which is why it is still very much relevant today.

Radio broadcasts can provide real-time information, 24 hours a day to provide the most recent updates to listeners. Stations have the ability to reach across borders and become a source of information where reliable news is scarce. When access to the internet is blocked and phone lines are cut, people can still search the airwaves for trustworthy sources. Even electricity is not a necessity with battery operated and hand-cranked radios available.

Radio is a vital lifeline for many people and it is integral to development. It is one of the most important channels through which people in Africa find information, knowledge and new ideas — imagine and solve problems.

Raphael Obonyo is a public policy analyst. He has served as a consultant with the United Nations and the World Bank. Also, he’s a writer and widely published in Africa and beyond. An alumnus of Duke University, he has authored and coauthored numerous books, including Conversations about the Youth in Kenya. Obonyo is a TEDx fellow and has won various awards.

 

The post Radio Promotes Development in Africa appeared first on Radio World.

Raphael Obonyo

SBE’s Ennes Educational Foundation Announces Five Scholarship Recipients

Radio World
4 years 8 months ago
Chris Gamelin

The Society of Broadcast Engineers’ Ennes Educational Foundation Trust has awarded five scholarships for 2020. The recipients were chosen from applications received by July 1, 2020, from the previous 12 months.

The Harold E. Ennes Scholarship, Robert D. Greenberg Scholarship, John H. Battison Founder’s Scholarship and newly created Gino Ricciardelli Scholarship are awarded to individuals interested in pursuing or continuing an education in broadcast engineering and technology. The Youth Scholarship is specifically for a graduating high school senior interested in broadcast engineering as a career. Each scholarship awarded this year is for $2,500.

[Read: Wayne Pecena Re-Elected SBE President]

SBE President Wayne Pecena, CPBE, 8-VSB, AMD, DRB, CBNE, said, “The SBE has an ongoing focus on education, and the Ennes Scholarships are yet another piece of the overall education effort. We look forward to seeing the great progress of these five budding engineers as they further their education goals with the assistance of the Ennes Educational Foundation Trust.”

Recipients of the scholarships are:

  • Harold E. Ennes Scholarship — Chris Gamelin of Middletown, Conn.;
  • Robert D. Greenberg Scholarship — Jon Sanelli of Albertson, N.Y.;
  • John H. Battison SBE Founder’s Scholarship — Ismail Otu, CRO, CTO, Charlotte, N.C.;
  • Gino Ricciardelli Scholarship — Sadie Levy, New York.;
  • Youth Scholarship — Isaiah Dickson, Brookhaven, Pa.

 

The post SBE’s Ennes Educational Foundation Announces Five Scholarship Recipients appeared first on Radio World.

RW Staff

Getting Connected With CallMe diRECt

Radio World
4 years 8 months ago

CallMe diRECt from Vortex Communications connects shows to guests and remote contributors by simply sending a link from a web browser to them, letting a user record both ends of a live interview in lossless quality for later editing.

Even when network conditions are poor guest audio will be recorded reliably in the browser and uploaded for use in the background in near real-time. All audio is end-to-end encrypted and never stored in the cloud securely offering the simplicity of a live call with the reliability of local recording, the company says.

[Check Out More Products at Radio World’s Products Section]

It is available as an add-on for CallMe Click-&-Connect cloud codec that puts guests, contributors and reporters live on air by connecting them to a studio IP audio codec without the need for them to have special hardware or software. The guest clicks on the station’s branded CallMe page and connects with stable 15 kHz live two-way audio, accessible through their web browser.

For those who cannot afford a full-blown IP codec, CallMe-T is Vortex’s low-cost hardware IP codec with Quick-Dials for easy connection and SmartStream for multiple-destination simultaneous connectivity.

CallMe-T is compatible with most IP audio codecs. It has balanced stereo plus USB audio for connecting a USB headset or mixer making it ideal as a back-end for CallMe Click-&-Connect, for home studio use and as an add-on for the huge installed base of ISDN mixers for use over IP.

Info: www.vtx.uk

The post Getting Connected With CallMe diRECt appeared first on Radio World.

RW Staff

The Story Behind GAB’s Ditty–McLemore Award

Radio World
4 years 8 months ago
Bob Houghton

All hail to the Georgia Association of Broadcasters for its program to salute dedicated engineers in the state.

Here at Radio World, we celebrate efforts to elevate awareness of the role of our industry engineers. One such program is the GAB’s Angelo Ditty–Frank McLemore Award. Nominations are now open.

I wanted to learn more about it so I reached out to Bob Houghton, president of the association.

“In 2012, the state of Georgia revised the state Emergency Alert System plan,” he said.

“The GAB worked closely with the state on this project and received tremendous support from four engineers. Later that year the GAB decided to honor those four at the annual GAB convention, GABCON.”

From then on, engineers have been honored every year.

It was named the Angelo Ditty Engineering Award after the association’s longtime ABIP Inspector. Then, “In 2016, our much respected and beloved ABIP Inspector, Frank McLemore was killed in an automobile accident.” Now the name honors both.

“The great part about this award is that the recipients are nominated by their peers,” Houghton told me. “This could be other engineers, station management or on-air- talent.” Recipients are selected by the GAB board.

This year’s GABCON will be virtual. Send nominations for the engineering award to mlewis@gab.org by the end of September.

Criteria include dedication, professionalism and willingness to help other engineers.

“Engineers are often the unsung heroes of the broadcast industry,” Houghton said. “Most people don’t realize what all goes on behind the scenes to keep a newsroom running and to get content on the air. This literally could not happen without the minds and talent of broadcasting engineers. They are a very active and close-knit community as well.”

Nominations are invited; email mlewis@gab.org by the end of this month. Qualified nominees must have 20 or more years as a broadcast engineer, with the majority of that time spent in Georgia. The awards will be presented in October during the GAB’s Virtual GABBY Awards.

While I had him, I asked Houghton how Georgia stations are doing at coping with the pandemic, and working to get back to some kind of normal operations.

“Since broadcasting is an essential industry, it’s been very important that all of our stations stay on the air in times of crisis,” he replied. Local radio and television often provide crucial, life-saving information to members of their community.

“While it’s true that revenue is down, morale remains high. Local broadcasting continues to donate PSA airtime while raising money and building awareness to our communities. We are so proud of the ways our stations have overcome challenges and established new ways of communicating with their audiences.”

The association asks that you check the list of past winners first; the list is below.

Recipients of the GAB Angelo Ditty–Frank McLemore Award

2013

Dick Boekeloo

Robert Butler

Daniel L. Davis

Frank McLemore

2014

Marty Foglia

Michael Lawing

2015

David Williams

Jeff Brock

 

2016

LaVaughn Thompson

Randy Mullinax

Perley Eppley

2017

Bill Williams

Stu Graham

Knox Carreker

2018

John York

Dick Byrd

Vic Lester

2019

James Gay

Tom Giglio

Bob Helbush

The post The Story Behind GAB’s Ditty–McLemore Award appeared first on Radio World.

Paul McLane

User Report: Wheatstone Quickline Counters Florence’s Flood

Radio World
4 years 8 months ago

The author is regional director of engineering for Curtis Media.

NEW BERN, N.C. — Hurricanes are common occurrences in the Carolinas at this time of year.

Two years ago, a big one even by Carolina standards hit. Water from the Neuse River spilled into Curtis Media’s facility in New Bern, depositing 36 inches inside our studios. The consoles, the equipment, the furniture, all the wiring was completely awash in soot, debris and floodwater pushed inland by Hurricane Florence. Even the backup generator was lost to the flood.

Then the water receded and the real nightmare began.

 

The entire building four feet up needed to be stripped to the studs and miles of wiring needed to come out.

Very little was salvageable, except the server containing music and automation that I had placed high on a shelf as an afterthought some time ago.

I set up folding tables along the facility’s only concrete wall, found a generator nearby and grabbed a few spare consoles from the Wheatstone plant a few miles inland. These temporary arrangements would keep WMGV(FM) 103.3 MHz, WIKS(FM) 101.9 MHz, WSFL(FM) 106.5 MHz and WXNR(FM) 99.5 MHz The New Hot 99.5 afloat. I then began to plan new studios.

I quickly realized that we didn’t have the manpower to replicate the studios even if we wanted to. The wiring for our analog studios alone would have taken weeks. Getting contractors in and scheduled to do the work when others were also dealing with their own cleanup and renovation after Hurricane Florence was another problem.

All of this convinced us to go with ready-made Quickline furniture for the three production rooms and four on-air studios. Quickline is made by Wheatstone and is extremely modular. There are essentially five modular components that can be configured 32 different ways. Plus, because it’s built by a broadcast equipment manufacturer, it has things like removable rear access doors and adequate rack space.

We dropped into the furniture Wheatstone’s IP-12 control surface with mixing engine, M4IP-USB mic processor Blades and a VoxPro audio recorder/editor for seven studios, all identical. I had to rewire the entire building, but when it came to the studios, all I had to do was run shielded Cat-5 and a patch panel.

Within no time, the studios had new furniture, new boards and new routing, and they were fully functional.

I don’t expect to have to repeat the process anytime soon. But we do keep an eye on the weather around here.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

For information, contact Jay Tyler at Wheatstone in North Carolina 1-252-639-7000 or visit www.wheatstone.com.

The post User Report: Wheatstone Quickline Counters Florence’s Flood appeared first on Radio World.

Richard Banks

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