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Radio+Television Business Report

Mid-Week Red For Broadcast Media Stocks

Radio+Television Business Report
3 years 4 months ago

With the Closing Bell on Wall Street and at Nasdaq headquarters in Times Square on Wednesday, nearly every broadcast media company RBR+TVBR tracks had declined from Tuesday’s trading.

Among the companies seeing declines of particular note is The Walt Disney Co. Approaching $177 on November 8, shares in DIS dipped as low as $142.15 on December 1 before attempting a comeback. On December 29, Disney was down 33 cents to $154.87 in regular trading, and off an additional penny in immediate after-hours trading.

Meanwhile, technology company Veritone saw a $1.75-per share dip, as Sinclair Broadcast Group saw its shares decline by 72 cents per share.

 

 

RBR-TVBR

A Webinar Designed To Tackle ‘Truth Decay’

Radio+Television Business Report
3 years 4 months ago

“Fighting Fake News and Truth Decay.”

That’s the name of a webinar scheduled for Tuesday, Jan. 4, 2022, that is being presented by The Massachusetts Broadcasters Association.

Al Tompkins from the Poynter Institute will host the online event.

Topics covered include:

⦁ Where does information come from and who is behind it?
⦁ Why do people spread disinformation?
⦁ How can you detect fake photos?
⦁ What is metadata and what will it tell you?
⦁ What does every journalist need to understand about algorithms?
⦁ See the newest tools fakers use to alter video and audio.
⦁ How to use polysearch tools to get to the root of an images’ origin.

Webinar information and registration can be found Here.

RBR-TVBR

Technology: Empowering Broadcast TV

Radio+Television Business Report
3 years 4 months ago

The 2021 NAB Show was cancelled. Then came IBC, in Amsterdam.

By December 22, Twitter, T-Mobile and the parent of Facebook had pulled out of CES 2022. Then came iHeartRadio, and P&G.

Despite the dark clouds, there was no hard stop on product rollouts and big plans for the year ahead from broadcast media’s biggest technology partners. RBR+TVBR‘s all-new Winter 2022 Special Report, distributed digitally on January 24, 2022, offers exclusive insight and full details about their latest gadgetry and technological advancements key broadcast media tech companies are eager to show off.

Among the broadcast media tech players with new products they’re ready to share with radio and TV industry leaders is GatesAir. In late October 2021, GatesAir added audio processing to its Intraplex IP and Cloud Transport products. For those asked to sign off on a purchase order, cost savings is certainly a big selling point when it comes to auxiliary equipment. But, how does CEO Bruce Swail explain to the C-Suite executive who may not understand what this technology advancement brings to broadcast media means in layman’s terms?

Swail points to the two-year growth of the Ascent product line, which was officially introduced at the NAB Show in 2019 — the last Las Vegas gathering.

On the subject of monitoring and compliance, broadcast monitoring and analysis-focused technology firm Qligent has seemingly been silent across 2021 when it comes to product development and updates to its existing process. “You’re right, we have been quiet,” notes CEO Brick Eksten.

That’s why NAB 2022 is the focal point of Qligent’s “pause,” one that serves as a way to look internally while reviewing the general transition of the market.

With the April affair in Las Vegas marking the “big return” for many a broadcast media technology vendor, as key withdrawals from CES 2022 emerged heading into Christmas, CP Communications has perhaps emerged as one of the more active players of late.

CEO Kurt Heitman is excited about what lies ahead for the company in 2022. That very much includes RF coordination, which CP has done “for many, many years,” he says.

To ensure you’re getting the full story, please take a moment to become a RBR+TVBR Member. All Members will receive a digital copy of our Winter 2022 Special Edition, the only home of our all-new Broadcast Media’s Top Tech Leaders ranking. Sign up by clicking on the menu at the top of the page.
Adam Jacobson

January Regulatory Dates for Broadcasters

Radio+Television Business Report
3 years 4 months ago

As the holiday season comes to an end and 2022 comes into focus, broadcasters have several dates and deadlines to keep up with in January and early February.

David Oxenford, the respected Washington, D.C., communications attorney with Wilkinson Barker Knauer LLP, has noted some of the important dates media industry C-Suite professionals should be tracking.

Oxenford starts with some of the annual dates that always fall in January.

By January 10, full-power radio, TV, and Class A licensees should have their quarterly issues/programs lists uploaded to their online public file. The lists are meant to identify the issues of importance to the station’s community and the programs that the station broadcast in October, November and December that addressed those issues. “Prepare the lists carefully and accurately, as they are the only official records of how your station is serving the public and addressing the needs and interests of its community,” Oxenford advises.

Class A licensees must upload to their public file by January 10 documentation of their continuing Class A eligibility for October-December 2021.  For noncommercial educational stations not affiliated with the Corporation for Public Broadcasting, if your station conducted on-air fundraising for third parties during the last three months of 2021 that interrupted normal programming, documentation of those efforts must also be uploaded to the public file.

An annual obligation for television stations is to prepare and file their annual Children’s Television Programming Report (Form 2100, Schedule H – formerly Form 398).  Also due is a certification of compliance with commercial limits in children’s programming.  Schedule H would normally be due to be filed at the FCC on January 30 but, as that date falls on a Sunday in 2022, the FCC filing deadline this year is January 31, the next business day.  Records documenting compliance with the limits on the number of commercial minutes that stations can allow in children’s programming are also due to be uploaded to each full-power and Class A TV station’s public file by January 31—another January 30 deadline pushed to the next business day.  As a reminder, the quarterly filing requirements were replaced with annual filings as part of the 2019 KidVid rule changes.

An important deadline also falls this month for LPTV stations and TV translators. 

Analog TV translators and digital LPTV construction permit holders whose CPs have expiration dates that have expired that received a one hundred and eighty day extension of the July 13, 2021 digital transition (or construction) deadline must be operating digitally by January 10, 2022 or by an earlier January date specified on the station’s extension authorization.

“While in a few cases, the FCC is granting requests to toll that deadline, very specific showings as to why construction was delayed for reasons beyond the control of the broadcaster need to be made or the authorizations of stations not operating digitally by the January 10 deadline will be cancelled,” Oxenford says.

A MID-MARKET MUST

Also important for some TV stations, specifically those in DMAs 71-80 affiliated with one of the top four TV networks, is the requirement to comply with the FCC’s audio description rules beginning January 1, 2022.

The audio description (formerly known as video description) rules make video programming more accessible to blind or visually impaired persons by requiring the use of an audio subchannel to provide descriptions of the visual action in a TV program that is occurring on screen. The affected DMAs are Omaha; Wichita-Hutchinson; Springfield, MO; Charleston-Huntington; Columbia, SC; Rochester, NY; Flint-Saginaw-Bay City; Huntsville-Decatur; Portland-Auburn; and Toledo.

For radio, January 1 brings new higher rates for all digital streaming, including simulcasting, as a cost-of-living increase in the increased SoundExchange royalties as recently announced by the Copyright Royalty Board (though payments are not due for January streaming until 45 days after the end of the month).  But most webcasters do need to pay their minimum annual fees by January 31 (now $1000 per stream for commercial and noncommercial streams not affiliated with a school or CPB).  Noncommercial educational webcasters (affiliated with a school or college), not covered by deals with NPR and CPB, must make elections about recordkeeping requirements that will apply to their stations by January 31.

Looking ahead to February, television and radio stations in several states must file applications for license renewal and file and upload EEO reports.  By February 1, TV stations in Kansas, Nebraska, and Oklahoma and radio stations in New York and New Jersey must file their license renewal applications through the FCC’s Licensing and Management System (LMS) on Form 2100, Schedule 303-S.

Stations filing for renewal of their license should spend the next few weeks reviewing the contents of their online public file and making sure that all required documents are complete and were uploaded on time.

Also on or before February 1, all radio and TV station employment units (a station employment unit is a station or stations that share at least one full-time employee, are in the same geographic area, and are under common control) with five or more full-time employees licensed to communities in Arkansas, Kansas, Louisiana, Nebraska, New Jersey, New York, and Oklahoma must upload to their online public inspection file an Annual EEO Public Inspection File report.  This report covers their hiring and employment outreach activities for February 1, 2021 through January 31, 2022.  

These broadcast licensees must also post on the homepage of their station website (if they have one) a link to the most recent report.

RBR-TVBR

A ‘Real Oldies’ Sign-Off Scheduled for Western Michigan

Radio+Television Business Report
3 years 4 months ago

As the Noon hour approached in Grand Rapids, Michigan, the Classics IV single from late 1970, “Where Did All the Good Times Go?,” segued into “Teach Your Children” by Crosby, Stills, Nash & Young.

Those songs are “Real Oldies,” and they’ve been a key part of a most unusual noncommercial Class B AM that also offers NPR newscasts.

On Friday, January 7, the station — and its Muskegon simulcast partner — will become the latest operating in the kHz band to call it quits.

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Adam Jacobson

Salem Provides An Answer To Scott, as Genette Joins Team

Radio+Television Business Report
3 years 4 months ago

For 17 years, Mike Scott anchored the newscasts for a Salem Media Group conservative Talk station serving the nation’s third-largest market. He did so through a relationship with Total Traffic and Weather Network and NBC News Radio.

On Friday, that arrangement between iHeartMedia-owned TTWN and Salem will end. But, Scott’s not going anywhere, as “The Answer” is engaging in an “overhaul” of its news and traffic operations.

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RBR-TVBR

Ave Maria Completes Michigan Translator Deal

Radio+Television Business Report
3 years 4 months ago

From the town of Spring Harbor, Mich., a Class A FM has served the cities of Jackson and Albion with a student-run Christian music format. Until now, it has reached the Ann Arbor area via a FM translator outside of the city that’s home to the University of Michigan.

That’s come to an end, however, as the school that owns the FM translator has completed the facility’s sale to another religious broadcaster.

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Adam Jacobson

InFOCUS Podcast Encore: Lyndon Abell

Radio+Television Business Report
3 years 4 months ago

Engagement, passion and fun.

Those are perhaps the lone things in common between a Director of Operations for a Harley-Davidson dealership and the General Manager or Operations Director for a radio station.

Yet, these traits helped fuel a successful 22-year career with Harley-Davidson for a former Program Director for radio stations in Jackson, Miss.; Hartford; St. Louis; and Cleveland — an individual who even worked on Imus in the Morning at the famed WNBC-AM in New York some 40 years ago.

Radio industry professionals may want to revisit this October 2020 InFocus Podcast, presented by dot.FM, with Lyndon Abell, today at All American Harley-Davidson in Charles County, Md., to the southeast of Washington D.C.

It’s a great chat, conducted by RBR+TVBR Editor-in-Chief Adam R Jacobson, full of great insight and observations.

Listen to “RBR+TVBR InFOCUS Podcast: Lyndon Abell” on Spreaker.

Adam Jacobson

American Tower Completes CoreSite Realty Buy

Radio+Television Business Report
3 years 4 months ago

BOSTON — American Tower Corporation has closed its acquisition of CoreSite Realty Corporation.

It follows the completion of its previously announced tender offer for all outstanding shares of common stock of CoreSite.

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RBR-TVBR

A Lone Star Sign-Off, After 73 Years

Radio+Television Business Report
3 years 4 months ago

Add a Class B 1kw AM facility at 1600 on the dial, serving the Beaumont-Port Arthur, Tex., since 1948, to the list of senior-band radio stations that will be calling it quits instead of carrying on into 2022 and beyond.

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Adam Jacobson

A Big Believer In Radio Withdraws From CES

Radio+Television Business Report
3 years 4 months ago

The high-profile cancellations of in-person expo hall booths at next week’s CES 2022 by some of the world’s biggest companies hit a new crescendo on Tuesday. One of the biggest advocates of radio advertising is cancelling its full-scale conference and expo plans as the Omicron variant of the COVID-19 virus continues to cause air transportation headaches alongside case surges in key locales — including Clark County, Nev.

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Adam Jacobson

Gaining Traction: Automated TV Ad Transactions

Radio+Television Business Report
3 years 4 months ago

Despite the upheaval associated with the pandemic, COVID-19 continues to bring to everyone’s day-to-day lives television. It remains a primary source of news and entertainment, with U.S. viewers consuming on average more than three hours of TV per day, according to Bureau of Labor Statistics data.

Even with the growing number of viewing options available, including streaming and on- demand via smartphones, laptops, tablets, and other devices that can fragment audiences, WideOrbit Chief Product Officer Will Offerman can’t speak higher about broadcast TV. In his view, it is still the most effective method for reaching large numbers of consumers.

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RBR-TVBR

Missouri Combo Heads To New Owner

Radio+Television Business Report
3 years 4 months ago

A Class A FM radio station and its AM sibling with 1,000 watts of power, both of which serve the Missouri communities of Bonne Terre and Farmington, are being transferred to a new owner.

Thanks to a modified agreement between the buyer and seller, we now know how much more valuable the land, building, improvements and towers are, compared to the licenses and permits tied to the AM/FM combo.

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RBR-TVBR

IBA Board Elects Officers For Next Term

Radio+Television Business Report
3 years 4 months ago

The Independent Broadcasters Association’s (IBA) Board of Directors has elected officers for the 2022-2023 term.

Founder Ron Stone was re-elected for a second term as President and Executive Director of the IBA. Two of the other officers were also re-elected: Darrell Calton, Chairman and Assistant Secretary; and Allen Dick, VP and Treasurer.

Tony Renda was elected as Secretary and Assistant Treasurer, replacing Mike Flood.

“I am very excited to have Tony Renda as one of our leaders in the next term,” Stone said. “Tony has been instrumental in helping the IBA with many of the initiatives we took on in our first two years. The IBA has succeeded in its first 18 months delivering many new ways for its members to save on operational cost, create new revenues, and benefit from all the professionals in the industry that are working with us. We have said from the beginning that a large independent membership provides scale and with scale we can deliver many great things for independent broadcasters. I am looking forward to working with our management team to establish new goals for the IBA for 2022 and 2023.”

RBR-TVBR

After 71 Years, This AM Will Die. Is Crown Castle The Killer?

Radio+Television Business Report
3 years 4 months ago

On May 11, 1951, an AM radio station signed on the air under the ownership of David M. Segal. On that day, KDKD became the fifth station to be owned by Segal.

Today, the AM is part of the Radford Media Group, led by Clifford and Brittany Radford. And, at 5:15pm Central on Friday, Dec. 31, 2021, the Class D radio station that has served Clinton, Mo., to the southeast of Kansas City, will sign off the air forever.

Radford says the decision wasn’t up to them, but the entity that owns the KDKD-AM broadcast tower. That would be Crown Castle, the communications infrastructure provider that saw 2020 revenue of $5.84 billion and has a market capitalization of $88.67 billion on the NYSE.

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Adam Jacobson

The InFOCUS Podcast: Dave ‘Chachi’ Denes

Radio+Television Business Report
3 years 4 months ago

Dave “Chachi” Denes, the President and co-founder of radio imaging, production library, programming and jingles company Benztown, is the latest audio content and distribution industry executive to share why he’s attending CES 2022.

What is Chachi looking forward to by traveling to Las Vegas to the mega-conference and expo? Is there one thing in particular that radio industry executives should keep their eye on?

Chachi shares his thoughts in this InFOCUS Podcast, presented by dot.FM.

Listen to “The InFOCUS Podcast: Dave “Chachi” Denes” on Spreaker.

RBR-TVBR

Looking for a FAST+AVOD Solution? Just rlaxx

Radio+Television Business Report
3 years 4 months ago

An international linear advertising-based video on demand service headquartered in the far north of Germany is launching both its web application and an app for Android devices as it looks forward to a 2022 arrival in North America.

Kiel-based FAST+AVOD entity rlaxx TV in early December launched its app for iOS and the iPad. As such, it is now available on nearly every smart TV in target markets across Europe and the U.K., as well as Turkey, Brazil, Australia and New Zealand.

“What we have achieved since September 2020 makes us very proud,” says Ronny Lutzi, CEO and founder of rlaxx TV. “Within a year, we have launched our app on almost every internet-enabled device, in addition to the 24 countries we will be available in by the end of the year. With these final 2021 launches we are keeping our promise and very ambitious annual goal to offer a laid-back experience for viewers in all forms of presentation.”

By the week, rlaxx TV hopes to have services to Mexico, Chile, Colombia, Argentina, Belgium, Luxembourg, Netherlands, Sweden, Denmark, Norway, Iceland and Finland up and running. This makes NATPE Miami, from January 18-20, 2022, a potentially important event for rlaxx TV. A rollout in the U.S. and Canada is planned for the first quarter of 2022.

The marketing team at rlaxx TV calls its content “premium niche.” Current media partners include international holders of video and TV rights for Vevo Pop, Nitro Circus, Gusto TV, Street League Skateboarding, Comedy Dynamics, People TV, New KPop, New KFood, and PowerNation TV. Thus, rlaxx TV relies on a global network of content partners.

NATPE Miami could bring new relationships.

Adam Jacobson

A Learning Opportunity for the Audio Engineer

Radio+Television Business Report
3 years 4 months ago

Unlike other design disciplines, sound design is partly created live during a show.

The cast can change. A performer isn’t 100%. Perhaps there’s a sub in the band. Even the size of the audience, or the weather can have a huge impact on the sound of a show.

It’s no wonder that most sound designers were sound engineers. The upcoming Entertainment and Performing Arts Industry Conference (EPIC), a virtual affair, will offer fresh insight into how the person behind the mixing board is both an artist and an engineer — one who needs all their right and left brain power to create the best audio landscape.

AUDIO ENGINEERS & DESIGN: TECHNICIANS & ARTISTS is one panel that Weekly Tech Roundup readers may have a particular interest in.

This panel of engineers, technicians, and designers (including Jessica Paz, the first woman to win a Tony Award for sound design, with “Hadestown”) will discuss the work they do in their dual roles as technician and artist.

The EPIC event offers four content zones across its upcoming live-streamed event, scheduled for January 10, 2022. Sessions will be available on demand until February 12. Among the better-known participants: Billy Porter, the acclaimed Broadway actor, in a Mainstage Session for all attendees. 

The sessions start at 9am Eastern on January 10.

 

More info and ticket information may be found at www.GlobalEpicEvent.com

RBR-TVBR

AES President’s Award Goes To Robert Orban

Radio+Television Business Report
3 years 4 months ago

Broadcast industry audio processing pioneer Robert Orban has been named as the recipient of the inaugural Audio Engineering Society President’s Award.

Orban and fellow collaborators were honored for technical achievement in drafting TC Document TD1008: “Recommendations for Loudness of Internet Audio Streaming and On-Demand Distribution.”

The award recognizes contributions to the goals of AES that are made collaboratively in groups; Orban shares this award with David Bialik, Rob Byers, Jim Coursey, Eelco Grimm, Bob Katz, John Kean, Scott Norcross, Shawn Singh, Jim Starzynski and Alessandro Travaglini.

“Bob’s work with his fellow industry luminaries will go a long way toward improving the user experience for billions of internet listeners,” said Orban President David Day. “His leadership and expertise in the processing arena are second to none. We are honored to work with Bob on a daily basis.”

Mr. Orban commented, “The process took nearly two years with weekly Zoom meetings. Our group was quite large and brought a wealth of ideas to the table, but it did take some time to sort out everyone’s thoughts and present a comprehensive recommendation to the AES. I enjoyed working with this prestigious group of audio engineering experts.”

The AES President’s Award was presented in an online ceremony in mid-December along with technical, fellowship and Board of Governors’ Awards.

RBR-TVBR

In 2021’s Final Week, Walmart Remains A Visual Media Champ

Radio+Television Business Report
3 years 4 months ago

The last seven-day period of 2021 has been measured by Media Monitors, the iHeartMedia-owned ad tracking service that covers broadcast and cable television and national radio activity.

The big takeaway once again? Walmart is, by far, the most active user of spot television, but not so much a big user of spot radio.

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Adam Jacobson

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